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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #683099 it is the complementary color #97CF66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #683099. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #683099 shade: #6D3094, #7E42A7, #8F54BA, #A066CD and #B178E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #683099. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #683099 shade: #683099, #571E86, #460C73, #350060 and #24004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #683099 shade: #673097, #833097, #973090, #973074 and #973058

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #683099 shade: #673097, #4B3097 and #303097

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #683099 shade matches the following richer shades: #673097, #6820A7 and #6910B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #683099 shade: #673097, #664087, #655077, #646067 and #637057

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #683099 shade: #303097, #4B3097, #673097, #823097 and #973090

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #683099 shade: #3C1C58, #522678, #673097, #7C3AB7 and #9151C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #683099 shade: #683099, #97304B and #30973E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #683099 shade: #683099, #976730 and #309767

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #683099 shade: #683099, #97304B, #609730 and #30977C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #683099 shade: #683099, #973330, #609730 and #309497

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 69 / 0 / 40

HEX #683099

RGB 104 48 153

HSL 272, 0.52%, 0.39%

LAB 32.61, 44.87, -47.62

 

Complementary color

CMYK 27 / 0 / 51 / 19

HEX #97CF66

RGB 151 207 102

HSL 92, 0.52%, 0.61%

LAB 77.38, -35.86, 46.06

 

CMYK 26 / 68 / 0 / 42

HEX #6D3094

RGB 109 48 148

HSL 276.6, 0.51%, 0.38%

LAB 32.93, 44.79, -44.02

 

CMYK 25 / 60 / 0 / 35

HEX #7E42A7

RGB 126 66 167

HSL 275.64, 0.43%, 0.46%

LAB 39.79, 44.14, -44.36

 

CMYK 23 / 55 / 0 / 27

HEX #8F54BA

RGB 143 84 186

HSL 274.71, 0.43%, 0.53%

LAB 46.61, 43.32, -44.54

 

CMYK 22 / 50 / 0 / 20

HEX #A066CD

RGB 160 102 205

HSL 273.79, 0.51%, 0.6%

LAB 53.37, 42.45, -44.63

 

CMYK 21 / 46 / 0 / 12

HEX #B178E0

RGB 177 120 224

HSL 272.88, 0.63%, 0.67%

LAB 60.03, 41.58, -44.7

 

CMYK 32 / 69 / 0 / 40

HEX #683099

RGB 104 48 153

HSL 272, 0.52%, 0.39%

LAB 32.61, 44.87, -47.62

 

CMYK 35 / 78 / 0 / 47

HEX #571E86

RGB 87 30 134

HSL 272.88, 0.63%, 0.32%

LAB 25.79, 45.18, -47.05

 

CMYK 39 / 90 / 0 / 55

HEX #460C73

RGB 70 12 115

HSL 273.79, 0.81%, 0.25%

LAB 19.24, 44.42, -45.78

 

CMYK 45 / 100 / 0 / 62

HEX #350060

RGB 53 0 96

HSL 273.13, 1%, 0.19%

LAB 13.24, 41.57, -43.26

 

CMYK 53 / 100 / 0 / 70

HEX #24004D

RGB 36 0 77

HSL 268.05, 1%, 0.15%

LAB 8.23, 35.14, -38.69

 

CMYK 32 / 68 / 0 / 41

HEX #673097

RGB 103 48 151

HSL 272.04, 0.52%, 0.39%

LAB 32.33, 44.15, -46.86

 

CMYK 13 / 68 / 0 / 41

HEX #833097

RGB 131 48 151

HSL 288.35, 0.52%, 0.39%

LAB 36.32, 50.59, -40.24

 

CMYK 0 / 68 / 5 / 41

HEX #973090

RGB 151 48 144

HSL 304.08, 0.52%, 0.39%

LAB 39.08, 54.18, -31.39

 

CMYK 0 / 68 / 23 / 41

HEX #973074

RGB 151 48 116

HSL 320.39, 0.52%, 0.39%

LAB 37.76, 49.83, -16.15

 

CMYK 0 / 68 / 42 / 41

HEX #973058

RGB 151 48 88

HSL 336.7, 0.52%, 0.39%

LAB 36.74, 46.32, 0.02

 

CMYK 32 / 68 / 0 / 41

HEX #673097

RGB 103 48 151

HSL 272.04, 0.52%, 0.39%

LAB 32.33, 44.15, -46.86

 

CMYK 50 / 68 / 0 / 41

HEX #4B3097

RGB 75 48 151

HSL 255.73, 0.52%, 0.39%

LAB 29.02, 38.37, -52.39

 

CMYK 68 / 68 / 0 / 41

HEX #303097

RGB 48 48 151

HSL 240, 0.52%, 0.39%

LAB 26.67, 33.94, -56.32

 

CMYK 32 / 68 / 0 / 41

HEX #673097

RGB 103 48 151

HSL 272.04, 0.52%, 0.39%

LAB 32.33, 44.15, -46.86

 

CMYK 38 / 81 / 0 / 35

HEX #6820A7

RGB 104 32 167

HSL 272, 0.68%, 0.39%

LAB 31.27, 55.19, -58.28

 

CMYK 43 / 91 / 0 / 28

HEX #6910B7

RGB 105 16 183

HSL 271.98, 0.84%, 0.39%

LAB 31.33, 63.51, -67.75

 

CMYK 32 / 68 / 0 / 41

HEX #673097

RGB 103 48 151

HSL 272.04, 0.52%, 0.39%

LAB 32.33, 44.15, -46.86

 

CMYK 24 / 53 / 0 / 47

HEX #664087

RGB 102 64 135

HSL 272.11, 0.36%, 0.39%

LAB 34.48, 31.04, -33.61

 

CMYK 15 / 33 / 0 / 53

HEX #655077

RGB 101 80 119

HSL 272.31, 0.2%, 0.39%

LAB 37.55, 16.96, -18.93

 

CMYK 3 / 7 / 0 / 60

HEX #646067

RGB 100 96 103

HSL 274.29, 0.04%, 0.39%

LAB 41.3, 3.05, -3.41

 

CMYK 12 / 0 / 22 / 56

HEX #637057

RGB 99 112 87

HSL 91.2, 0.13%, 0.39%

LAB 45.54, -9.9, 12.3

 

CMYK 68 / 68 / 0 / 41

HEX #303097

RGB 48 48 151

HSL 240, 0.52%, 0.39%

LAB 26.67, 33.94, -56.32

 

CMYK 50 / 68 / 0 / 41

HEX #4B3097

RGB 75 48 151

HSL 255.73, 0.52%, 0.39%

LAB 29.02, 38.37, -52.39

 

CMYK 32 / 68 / 0 / 41

HEX #673097

RGB 103 48 151

HSL 272.04, 0.52%, 0.39%

LAB 32.33, 44.15, -46.86

 

CMYK 14 / 68 / 0 / 41

HEX #823097

RGB 130 48 151

HSL 287.77, 0.52%, 0.39%

LAB 36.16, 50.36, -40.49

 

CMYK 0 / 68 / 5 / 41

HEX #973090

RGB 151 48 144

HSL 304.08, 0.52%, 0.39%

LAB 39.08, 54.18, -31.39

 

CMYK 32 / 68 / 0 / 65

HEX #3C1C58

RGB 60 28 88

HSL 272, 0.52%, 0.23%

LAB 17.9, 28.38, -30.26

 

CMYK 32 / 68 / 0 / 53

HEX #522678

RGB 82 38 120

HSL 272.2, 0.52%, 0.31%

LAB 25.37, 36.74, -38.94

 

CMYK 32 / 68 / 0 / 41

HEX #673097

RGB 103 48 151

HSL 272.04, 0.52%, 0.39%

LAB 32.33, 44.15, -46.86

 

CMYK 32 / 68 / 0 / 28

HEX #7C3AB7

RGB 124 58 183

HSL 271.68, 0.52%, 0.47%

LAB 39.12, 51.5, -54.93

 

CMYK 28 / 60 / 0 / 22

HEX #9151C8

RGB 145 81 200

HSL 272.27, 0.52%, 0.55%

LAB 47.07, 48.69, -51.9

 

CMYK 32 / 69 / 0 / 40

HEX #683099

RGB 104 48 153

HSL 272, 0.52%, 0.39%

LAB 32.61, 44.87, -47.62

 

CMYK 0 / 68 / 50 / 41

HEX #97304B

RGB 151 48 75

HSL 344.27, 0.52%, 0.39%

LAB 36.37, 45.01, 7.81

 

CMYK 68 / 0 / 59 / 41

HEX #30973E

RGB 48 151 62

HSL 128.16, 0.52%, 0.39%

LAB 55.18, -48.2, 37.85

 

CMYK 32 / 69 / 0 / 40

HEX #683099

RGB 104 48 153

HSL 272, 0.52%, 0.39%

LAB 32.61, 44.87, -47.62

 

CMYK 0 / 32 / 68 / 41

HEX #976730

RGB 151 103 48

HSL 32.04, 0.52%, 0.39%

LAB 47.62, 13.7, 37.95

 

CMYK 68 / 0 / 32 / 41

HEX #309767

RGB 48 151 103

HSL 152.04, 0.52%, 0.39%

LAB 55.83, -41.01, 16.92

 

CMYK 32 / 69 / 0 / 40

HEX #683099

RGB 104 48 153

HSL 272, 0.52%, 0.39%

LAB 32.61, 44.87, -47.62

 

CMYK 0 / 68 / 50 / 41

HEX #97304B

RGB 151 48 75

HSL 344.27, 0.52%, 0.39%

LAB 36.37, 45.01, 7.81

 

CMYK 36 / 0 / 68 / 41

HEX #609730

RGB 96 151 48

HSL 92.04, 0.52%, 0.39%

LAB 56.91, -35.78, 46.66

 

CMYK 68 / 0 / 18 / 41

HEX #30977C

RGB 48 151 124

HSL 164.27, 0.52%, 0.39%

LAB 56.3, -36.02, 5.72

 

CMYK 32 / 69 / 0 / 40

HEX #683099

RGB 104 48 153

HSL 272, 0.52%, 0.39%

LAB 32.61, 44.87, -47.62

 

CMYK 0 / 66 / 68 / 41

HEX #973330

RGB 151 51 48

HSL 1.75, 0.52%, 0.39%

LAB 36.29, 41.65, 24.79

 

CMYK 36 / 0 / 68 / 41

HEX #609730

RGB 96 151 48

HSL 92.04, 0.52%, 0.39%

LAB 56.91, -35.78, 46.66

 

CMYK 68 / 2 / 0 / 41

HEX #309497

RGB 48 148 151

HSL 181.75, 0.52%, 0.39%

LAB 56.13, -27.03, -9.98

 

Description

Color code: HEX #683099 | qconv.com Color code: HEX #683099 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 48 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 48 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 69 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 69% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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