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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #682B22 it is the complementary color #97D4DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #682B22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #682B22 shade: #6D2B1D, #7E3D30, #8F4F43, #A06156 and #B17369

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #682B22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #682B22 shade: #682B22, #57190F, #460700, #350000 and #240000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #682B22 shade: #682B22 and #682222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #682B22 shade: #682B22, #683E22, #685122, #686422 and #596822

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #682B22 shade matches the following richer shades: #682B22, #732217, #7E1A0B and #891200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #682B22 shade: #682B22, #5D332D, #523B38, #474443 and #3B4C4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #682B22 shade: #68223F, #68222C, #682A22, #683D22 and #684F22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #682B22 shade: #2A110E, #491E18, #682B22, #87382C and #A64436

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #682B22 shade: #682B22, #526822 and #223668

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #682B22 shade: #682B22, #22682A and #2A2268

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #682B22 shade: #682B22, #526822, #226068 and #382268

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #682B22 shade: #682B22, #3D6822, #226068 and #4D2268

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 67 / 59

HEX #682B22

RGB 104 43 34

HSL 7.71, 0.51%, 0.27%

LAB 26.12, 26.65, 19.19

 

Complementary color

CMYK 32 / 4 / 0 / 13

HEX #97D4DD

RGB 151 212 221

HSL 187.71, 0.51%, 0.73%

LAB 81.23, -17.2, -10.68

 

CMYK 0 / 61 / 73 / 57

HEX #6D2B1D

RGB 109 43 29

HSL 10.5, 0.58%, 0.27%

LAB 26.93, 28.4, 23.53

 

CMYK 0 / 52 / 62 / 51

HEX #7E3D30

RGB 126 61 48

HSL 10, 0.45%, 0.34%

LAB 33.95, 26.9, 20.95

 

CMYK 0 / 45 / 53 / 44

HEX #8F4F43

RGB 143 79 67

HSL 9.47, 0.36%, 0.41%

LAB 40.96, 25.52, 18.86

 

CMYK 0 / 39 / 46 / 37

HEX #A06156

RGB 160 97 86

HSL 8.92, 0.3%, 0.48%

LAB 47.87, 24.3, 17.12

 

CMYK 0 / 35 / 41 / 31

HEX #B17369

RGB 177 115 105

HSL 8.33, 0.32%, 0.55%

LAB 54.69, 23.23, 15.64

 

CMYK 0 / 59 / 67 / 59

HEX #682B22

RGB 104 43 34

HSL 7.71, 0.51%, 0.27%

LAB 26.12, 26.65, 19.19

 

CMYK 0 / 71 / 83 / 66

HEX #57190F

RGB 87 25 15

HSL 8.33, 0.71%, 0.2%

LAB 19.04, 28.02, 22.04

 

CMYK 0 / 90 / 100 / 73

HEX #460700

RGB 70 7 0

HSL 6, 1%, 0.14%

LAB 12.31, 28.65, 19.18

 

CMYK 0 / 100 / 100 / 79

HEX #350000

RGB 53 0 0

HSL 0, 1%, 0.1%

LAB 6.84, 26.09, 10.8

 

CMYK 0 / 100 / 100 / 86

HEX #240000

RGB 36 0 0

HSL 0, 1%, 0.07%

LAB 3.39, 15.2, 5.35

 

CMYK 0 / 59 / 67 / 59

HEX #682B22

RGB 104 43 34

HSL 7.71, 0.51%, 0.27%

LAB 26.12, 26.65, 19.19

 

CMYK 0 / 67 / 67 / 59

HEX #682222

RGB 104 34 34

HSL 0, 0.51%, 0.27%

LAB 24.33, 31.36, 16.96

 

CMYK 0 / 59 / 67 / 59

HEX #682B22

RGB 104 43 34

HSL 7.71, 0.51%, 0.27%

LAB 26.12, 26.65, 19.19

 

CMYK 0 / 40 / 67 / 59

HEX #683E22

RGB 104 62 34

HSL 24, 0.51%, 0.27%

LAB 30.65, 15.46, 24.65

 

CMYK 0 / 22 / 67 / 59

HEX #685122

RGB 104 81 34

HSL 40.29, 0.51%, 0.27%

LAB 35.88, 3.79, 30.63

 

CMYK 0 / 4 / 67 / 59

HEX #686422

RGB 104 100 34

HSL 56.57, 0.51%, 0.27%

LAB 41.49, -7.47, 36.72

 

CMYK 14 / 0 / 67 / 59

HEX #596822

RGB 89 104 34

HSL 72.86, 0.51%, 0.27%

LAB 41.44, -16.69, 36.28

 

CMYK 0 / 59 / 67 / 59

HEX #682B22

RGB 104 43 34

HSL 7.71, 0.51%, 0.27%

LAB 26.12, 26.65, 19.19

 

CMYK 0 / 70 / 80 / 55

HEX #732217

RGB 115 34 23

HSL 7.17, 0.67%, 0.27%

LAB 26.31, 34.9, 26.81

 

CMYK 0 / 79 / 91 / 51

HEX #7E1A0B

RGB 126 26 11

HSL 7.83, 0.84%, 0.27%

LAB 27.29, 41.57, 34.99

 

CMYK 0 / 87 / 100 / 46

HEX #891200

RGB 137 18 0

HSL 7.88, 1%, 0.27%

LAB 28.78, 47.17, 41.68

 

CMYK 0 / 59 / 67 / 59

HEX #682B22

RGB 104 43 34

HSL 7.71, 0.51%, 0.27%

LAB 26.12, 26.65, 19.19

 

CMYK 0 / 45 / 52 / 64

HEX #5D332D

RGB 93 51 45

HSL 7.5, 0.35%, 0.27%

LAB 26.4, 18.2, 12.04

 

CMYK 0 / 28 / 32 / 68

HEX #523B38

RGB 82 59 56

HSL 6.92, 0.19%, 0.27%

LAB 27.32, 9.65, 5.83

 

CMYK 0 / 4 / 6 / 72

HEX #474443

RGB 71 68 67

HSL 15, 0.03%, 0.27%

LAB 29.11, 1.05, 1.05

 

CMYK 24 / 3 / 0 / 69

HEX #3B4C4E

RGB 59 76 78

HSL 186.32, 0.14%, 0.27%

LAB 30.99, -6.13, -3.39

 

CMYK 0 / 67 / 39 / 59

HEX #68223F

RGB 104 34 63

HSL 335.14, 0.51%, 0.27%

LAB 25.09, 34.22, -1.63

 

CMYK 0 / 67 / 58 / 59

HEX #68222C

RGB 104 34 44

HSL 351.43, 0.51%, 0.27%

LAB 24.54, 32.16, 10.5

 

CMYK 0 / 60 / 67 / 59

HEX #682A22

RGB 104 42 34

HSL 6.86, 0.51%, 0.27%

LAB 25.91, 27.2, 18.93

 

CMYK 0 / 41 / 67 / 59

HEX #683D22

RGB 104 61 34

HSL 23.14, 0.51%, 0.27%

LAB 30.39, 16.07, 24.35

 

CMYK 0 / 24 / 67 / 59

HEX #684F22

RGB 104 79 34

HSL 38.57, 0.51%, 0.27%

LAB 35.3, 5.01, 29.99

 

CMYK 0 / 60 / 67 / 84

HEX #2A110E

RGB 42 17 14

HSL 6.43, 0.5%, 0.11%

LAB 8.35, 12.58, 6.83

 

CMYK 0 / 59 / 67 / 71

HEX #491E18

RGB 73 30 24

HSL 7.35, 0.51%, 0.19%

LAB 17.51, 19.93, 13.88

 

CMYK 0 / 59 / 67 / 59

HEX #682B22

RGB 104 43 34

HSL 7.71, 0.51%, 0.27%

LAB 26.12, 26.65, 19.19

 

CMYK 0 / 59 / 67 / 47

HEX #87382C

RGB 135 56 44

HSL 7.91, 0.51%, 0.35%

LAB 34.32, 32.98, 24.19

 

CMYK 0 / 59 / 67 / 35

HEX #A64436

RGB 166 68 54

HSL 7.5, 0.51%, 0.43%

LAB 42.01, 39.5, 28.73

 

CMYK 0 / 59 / 67 / 59

HEX #682B22

RGB 104 43 34

HSL 7.71, 0.51%, 0.27%

LAB 26.12, 26.65, 19.19

 

CMYK 21 / 0 / 67 / 59

HEX #526822

RGB 82 104 34

HSL 78.86, 0.51%, 0.27%

LAB 40.91, -19.82, 35.56

 

CMYK 67 / 48 / 0 / 59

HEX #223668

RGB 34 54 104

HSL 222.86, 0.51%, 0.27%

LAB 23.6, 9.9, -31.77

 

CMYK 0 / 59 / 67 / 59

HEX #682B22

RGB 104 43 34

HSL 7.71, 0.51%, 0.27%

LAB 26.12, 26.65, 19.19

 

CMYK 67 / 0 / 60 / 59

HEX #22682A

RGB 34 104 42

HSL 126.86, 0.51%, 0.27%

LAB 38.56, -35.8, 28.25

 

CMYK 60 / 67 / 0 / 59

HEX #2A2268

RGB 42 34 104

HSL 246.86, 0.51%, 0.27%

LAB 18.52, 25.49, -39.95

 

CMYK 0 / 59 / 67 / 59

HEX #682B22

RGB 104 43 34

HSL 7.71, 0.51%, 0.27%

LAB 26.12, 26.65, 19.19

 

CMYK 21 / 0 / 67 / 59

HEX #526822

RGB 82 104 34

HSL 78.86, 0.51%, 0.27%

LAB 40.91, -19.82, 35.56

 

CMYK 67 / 8 / 0 / 59

HEX #226068

RGB 34 96 104

HSL 186.86, 0.51%, 0.27%

LAB 37.31, -16.84, -10.42

 

CMYK 46 / 67 / 0 / 59

HEX #382268

RGB 56 34 104

HSL 258.86, 0.51%, 0.27%

LAB 19.98, 28.45, -37.51

 

CMYK 0 / 59 / 67 / 59

HEX #682B22

RGB 104 43 34

HSL 7.71, 0.51%, 0.27%

LAB 26.12, 26.65, 19.19

 

CMYK 41 / 0 / 67 / 59

HEX #3D6822

RGB 61 104 34

HSL 96.86, 0.51%, 0.27%

LAB 39.59, -28.43, 33.74

 

CMYK 67 / 8 / 0 / 59

HEX #226068

RGB 34 96 104

HSL 186.86, 0.51%, 0.27%

LAB 37.31, -16.84, -10.42

 

CMYK 26 / 67 / 0 / 59

HEX #4D2268

RGB 77 34 104

HSL 276.86, 0.51%, 0.27%

LAB 22.73, 33.6, -32.94

 

Description

Color code: HEX #682B22 | qconv.com Color code: HEX #682B22 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 43 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 43 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 67 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 67% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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