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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68280A it is the complementary color #97D7F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68280A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68280A shade: #6D2805, #7E3A18, #8F4C2B, #A05E3E and #B17051

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68280A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68280A shade: #68280A, #571600, #460400, #350000 and #240000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68280A shade: #66270A, #660F0A and #660A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68280A shade: #66270A, #66400A, #66590A, #5A660A and #41660A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68280A shade matches the following richer shades: #66270A and #6F2401

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68280A shade: #66270A, #5D2B13, #542E1C, #4B3125 and #42352E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68280A shade: #660A1E, #660F0A, #66270A, #66400A and #66580A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68280A shade: #1B0A03, #411906, #66270A, #8C360E and #B14412

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68280A shade: #68280A, #37660A and #0A1266

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68280A shade: #68280A, #0A6627 and #270A66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68280A shade: #68280A, #37660A, #0A4966 and #3A0A66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68280A shade: #68280A, #1B660A, #0A4966 and #550A66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 90 / 59

HEX #68280A

RGB 104 40 10

HSL 19.15, 0.82%, 0.22%

LAB 25.21, 27.09, 31.89

 

Complementary color

CMYK 38 / 12 / 0 / 4

HEX #97D7F5

RGB 151 215 245

HSL 199.15, 0.82%, 0.78%

LAB 82.79, -12.88, -21.11

 

CMYK 0 / 63 / 95 / 57

HEX #6D2805

RGB 109 40 5

HSL 20.19, 0.91%, 0.22%

LAB 26.1, 29.05, 35.09

 

CMYK 0 / 54 / 81 / 51

HEX #7E3A18

RGB 126 58 24

HSL 20, 0.68%, 0.29%

LAB 32.98, 27.12, 33.73

 

CMYK 0 / 47 / 70 / 44

HEX #8F4C2B

RGB 143 76 43

HSL 19.8, 0.54%, 0.36%

LAB 39.89, 25.34, 31.65

 

CMYK 0 / 41 / 61 / 37

HEX #A05E3E

RGB 160 94 62

HSL 19.59, 0.44%, 0.44%

LAB 46.75, 23.78, 29.65

 

CMYK 0 / 37 / 54 / 31

HEX #B17051

RGB 177 112 81

HSL 19.38, 0.38%, 0.51%

LAB 53.52, 22.43, 27.86

 

CMYK 0 / 62 / 90 / 59

HEX #68280A

RGB 104 40 10

HSL 19.15, 0.82%, 0.22%

LAB 25.21, 27.09, 31.89

 

CMYK 0 / 75 / 100 / 66

HEX #571600

RGB 87 22 0

HSL 15.17, 1%, 0.17%

LAB 18.37, 28.89, 27.67

 

CMYK 0 / 94 / 100 / 73

HEX #460400

RGB 70 4 0

HSL 3.43, 1%, 0.14%

LAB 11.88, 29.87, 18.59

 

CMYK 0 / 100 / 100 / 79

HEX #350000

RGB 53 0 0

HSL 0, 1%, 0.1%

LAB 6.84, 26.09, 10.8

 

CMYK 0 / 100 / 100 / 86

HEX #240000

RGB 36 0 0

HSL 0, 1%, 0.07%

LAB 3.39, 15.2, 5.35

 

CMYK 0 / 62 / 90 / 60

HEX #66270A

RGB 102 39 10

HSL 18.91, 0.82%, 0.22%

LAB 24.63, 26.78, 31.22

 

CMYK 0 / 85 / 90 / 60

HEX #660F0A

RGB 102 15 10

HSL 3.26, 0.82%, 0.22%

LAB 20.78, 37.22, 27.22

 

CMYK 0 / 90 / 90 / 60

HEX #660A0A

RGB 102 10 10

HSL 0, 0.82%, 0.22%

LAB 20.3, 38.6, 26.68

 

CMYK 0 / 62 / 90 / 60

HEX #66270A

RGB 102 39 10

HSL 18.91, 0.82%, 0.22%

LAB 24.63, 26.78, 31.22

 

CMYK 0 / 37 / 90 / 60

HEX #66400A

RGB 102 64 10

HSL 35.22, 0.82%, 0.22%

LAB 30.67, 12.01, 36.51

 

CMYK 0 / 13 / 90 / 60

HEX #66590A

RGB 102 89 10

HSL 51.52, 0.82%, 0.22%

LAB 37.83, -3.22, 42.47

 

CMYK 12 / 0 / 90 / 60

HEX #5A660A

RGB 90 102 10

HSL 67.83, 0.82%, 0.22%

LAB 40.73, -16.45, 44.44

 

CMYK 36 / 0 / 90 / 60

HEX #41660A

RGB 65 102 10

HSL 84.13, 0.82%, 0.22%

LAB 38.98, -27.55, 42.25

 

CMYK 0 / 62 / 90 / 60

HEX #66270A

RGB 102 39 10

HSL 18.91, 0.82%, 0.22%

LAB 24.63, 26.78, 31.22

 

CMYK 0 / 68 / 99 / 56

HEX #6F2401

RGB 111 36 1

HSL 19.09, 0.98%, 0.22%

LAB 25.69, 31.77, 36.49

 

CMYK 0 / 62 / 90 / 60

HEX #66270A

RGB 102 39 10

HSL 18.91, 0.82%, 0.22%

LAB 24.63, 26.78, 31.22

 

CMYK 0 / 54 / 80 / 64

HEX #5D2B13

RGB 93 43 19

HSL 19.46, 0.66%, 0.22%

LAB 24.01, 20.91, 25.5

 

CMYK 0 / 45 / 67 / 67

HEX #542E1C

RGB 84 46 28

HSL 19.29, 0.5%, 0.22%

LAB 23.41, 15.47, 18.96

 

CMYK 0 / 35 / 51 / 71

HEX #4B3125

RGB 75 49 37

HSL 18.95, 0.34%, 0.22%

LAB 23.09, 10.15, 12.43

 

CMYK 0 / 20 / 30 / 74

HEX #42352E

RGB 66 53 46

HSL 21, 0.18%, 0.22%

LAB 23.34, 4.52, 6.59

 

CMYK 0 / 90 / 71 / 60

HEX #660A1E

RGB 102 10 30

HSL 346.96, 0.82%, 0.22%

LAB 20.58, 39.43, 14.84

 

CMYK 0 / 85 / 90 / 60

HEX #660F0A

RGB 102 15 10

HSL 3.26, 0.82%, 0.22%

LAB 20.78, 37.22, 27.22

 

CMYK 0 / 62 / 90 / 60

HEX #66270A

RGB 102 39 10

HSL 18.91, 0.82%, 0.22%

LAB 24.63, 26.78, 31.22

 

CMYK 0 / 37 / 90 / 60

HEX #66400A

RGB 102 64 10

HSL 35.22, 0.82%, 0.22%

LAB 30.67, 12.01, 36.51

 

CMYK 0 / 14 / 90 / 60

HEX #66580A

RGB 102 88 10

HSL 50.87, 0.82%, 0.22%

LAB 37.53, -2.63, 42.22

 

CMYK 0 / 63 / 89 / 89

HEX #1B0A03

RGB 27 10 3

HSL 17.5, 0.8%, 0.06%

LAB 4.13, 5.85, 5.05

 

CMYK 0 / 62 / 91 / 75

HEX #411906

RGB 65 25 6

HSL 19.32, 0.83%, 0.14%

LAB 14.58, 18.07, 19.55

 

CMYK 0 / 62 / 90 / 60

HEX #66270A

RGB 102 39 10

HSL 18.91, 0.82%, 0.22%

LAB 24.63, 26.78, 31.22

 

CMYK 0 / 61 / 90 / 45

HEX #8C360E

RGB 140 54 14

HSL 19.05, 0.82%, 0.3%

LAB 34.49, 34.69, 40.61

 

CMYK 0 / 62 / 90 / 31

HEX #B14412

RGB 177 68 18

HSL 18.87, 0.82%, 0.38%

LAB 43.54, 42.26, 48.92

 

CMYK 0 / 62 / 90 / 59

HEX #68280A

RGB 104 40 10

HSL 19.15, 0.82%, 0.22%

LAB 25.21, 27.09, 31.89

 

CMYK 46 / 0 / 90 / 60

HEX #37660A

RGB 55 102 10

HSL 90.65, 0.82%, 0.22%

LAB 38.44, -31.44, 41.57

 

CMYK 90 / 82 / 0 / 60

HEX #0A1266

RGB 10 18 102

HSL 234.78, 0.82%, 0.22%

LAB 12.33, 31.2, -48.89

 

CMYK 0 / 62 / 90 / 59

HEX #68280A

RGB 104 40 10

HSL 19.15, 0.82%, 0.22%

LAB 25.21, 27.09, 31.89

 

CMYK 90 / 0 / 62 / 60

HEX #0A6627

RGB 10 102 39

HSL 138.91, 0.82%, 0.22%

LAB 37.32, -39.51, 28.24

 

CMYK 62 / 90 / 0 / 60

HEX #270A66

RGB 39 10 102

HSL 258.91, 0.82%, 0.22%

LAB 13.28, 37.63, -47.25

 

CMYK 0 / 62 / 90 / 59

HEX #68280A

RGB 104 40 10

HSL 19.15, 0.82%, 0.22%

LAB 25.21, 27.09, 31.89

 

CMYK 46 / 0 / 90 / 60

HEX #37660A

RGB 55 102 10

HSL 90.65, 0.82%, 0.22%

LAB 38.44, -31.44, 41.57

 

CMYK 90 / 28 / 0 / 60

HEX #0A4966

RGB 10 73 102

HSL 198.91, 0.82%, 0.22%

LAB 28.87, -7.25, -22.19

 

CMYK 43 / 90 / 0 / 60

HEX #3A0A66

RGB 58 10 102

HSL 271.3, 0.82%, 0.22%

LAB 15.88, 40.08, -42.87

 

CMYK 0 / 62 / 90 / 59

HEX #68280A

RGB 104 40 10

HSL 19.15, 0.82%, 0.22%

LAB 25.21, 27.09, 31.89

 

CMYK 74 / 0 / 90 / 60

HEX #1B660A

RGB 27 102 10

HSL 108.91, 0.82%, 0.22%

LAB 37.4, -39.67, 40.26

 

CMYK 90 / 28 / 0 / 60

HEX #0A4966

RGB 10 73 102

HSL 198.91, 0.82%, 0.22%

LAB 28.87, -7.25, -22.19

 

CMYK 17 / 90 / 0 / 60

HEX #550A66

RGB 85 10 102

HSL 288.91, 0.82%, 0.22%

LAB 20.47, 44.65, -35.2

 

Description

Color code: HEX #68280A | qconv.com Color code: HEX #68280A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 40 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 40 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 90 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 90% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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