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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68273E it is the complementary color #97D8C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68273E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68273E shade: #6D2739, #7E394C, #8F4B5F, #A05D72 and #B16F85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68273E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68273E shade: #68273E, #57152B, #460318, #350005 and #240000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68273E shade: #68273E, #68272D and #682727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68273E shade: #68273E, #68274F, #682761, #5D2768 and #4C2768

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68273E shade matches the following richer shades: #68273E, #731C3B, #7F1037 and #8A0534

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68273E shade: #68273E, #5C3341, #503E45, #454A48 and #39554C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68273E shade: #682761, #682750, #68273F, #68272E and #683227

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68273E shade: #2C111A, #4A1C2C, #68273E, #853350 and #A33E62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68273E shade: #68273E, #685D27 and #275968

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68273E shade: #68273E, #3F6827 and #273F68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68273E shade: #68273E, #685D27, #276850 and #273268

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68273E shade: #68273E, #5F6827, #276850 and #302768

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 40 / 59

HEX #68273E

RGB 104 39 62

HSL 338.77, 0.45%, 0.28%

LAB 25.99, 31.6, 0.35

 

Complementary color

CMYK 30 / 0 / 11 / 15

HEX #97D8C1

RGB 151 216 193

HSL 158.77, 0.45%, 0.72%

LAB 81.59, -25.41, 4.77

 

CMYK 0 / 64 / 48 / 57

HEX #6D2739

RGB 109 39 57

HSL 344.57, 0.47%, 0.29%

LAB 26.73, 32.84, 4.9

 

CMYK 0 / 55 / 40 / 51

HEX #7E394C

RGB 126 57 76

HSL 343.48, 0.38%, 0.36%

LAB 33.74, 31.98, 2.84

 

CMYK 0 / 48 / 34 / 44

HEX #8F4B5F

RGB 143 75 95

HSL 342.35, 0.31%, 0.43%

LAB 40.73, 31.02, 1.27

 

CMYK 0 / 42 / 29 / 37

HEX #A05D72

RGB 160 93 114

HSL 341.19, 0.26%, 0.5%

LAB 47.65, 30.07, 0.01

 

CMYK 0 / 37 / 25 / 31

HEX #B16F85

RGB 177 111 133

HSL 340, 0.3%, 0.56%

LAB 54.46, 29.19, -1.05

 

CMYK 0 / 63 / 40 / 59

HEX #68273E

RGB 104 39 62

HSL 338.77, 0.45%, 0.28%

LAB 25.99, 31.6, 0.35

 

CMYK 0 / 76 / 51 / 66

HEX #57152B

RGB 87 21 43

HSL 340, 0.61%, 0.21%

LAB 18.96, 31.99, 2.91

 

CMYK 0 / 96 / 66 / 73

HEX #460318

RGB 70 3 24

HSL 341.19, 0.92%, 0.14%

LAB 12.18, 31.55, 6.74

 

CMYK 0 / 100 / 91 / 79

HEX #350005

RGB 53 0 5

HSL 354.34, 1%, 0.1%

LAB 6.94, 26.43, 8.91

 

CMYK 0 / 100 / 100 / 86

HEX #240000

RGB 36 0 0

HSL 0, 1%, 0.07%

LAB 3.39, 15.2, 5.35

 

CMYK 0 / 63 / 40 / 59

HEX #68273E

RGB 104 39 62

HSL 338.77, 0.45%, 0.28%

LAB 25.99, 31.6, 0.35

 

CMYK 0 / 63 / 57 / 59

HEX #68272D

RGB 104 39 45

HSL 354.46, 0.45%, 0.28%

LAB 25.51, 29.72, 11.15

 

CMYK 0 / 63 / 63 / 59

HEX #682727

RGB 104 39 39

HSL 0, 0.45%, 0.28%

LAB 25.38, 29.2, 14.98

 

CMYK 0 / 63 / 40 / 59

HEX #68273E

RGB 104 39 62

HSL 338.77, 0.45%, 0.28%

LAB 25.99, 31.6, 0.35

 

CMYK 0 / 63 / 24 / 59

HEX #68274F

RGB 104 39 79

HSL 323.08, 0.45%, 0.28%

LAB 26.62, 34.01, -10.08

 

CMYK 0 / 63 / 7 / 59

HEX #682761

RGB 104 39 97

HSL 306.46, 0.45%, 0.28%

LAB 27.46, 37.09, -20.62

 

CMYK 11 / 63 / 0 / 59

HEX #5D2768

RGB 93 39 104

HSL 289.85, 0.45%, 0.28%

LAB 26.09, 35.28, -27.43

 

CMYK 27 / 63 / 0 / 59

HEX #4C2768

RGB 76 39 104

HSL 274.15, 0.45%, 0.28%

LAB 23.63, 30.51, -31.5

 

CMYK 0 / 63 / 40 / 59

HEX #68273E

RGB 104 39 62

HSL 338.77, 0.45%, 0.28%

LAB 25.99, 31.6, 0.35

 

CMYK 0 / 76 / 49 / 55

HEX #731C3B

RGB 115 28 59

HSL 338.62, 0.61%, 0.28%

LAB 26.13, 40, 2.85

 

CMYK 0 / 87 / 57 / 50

HEX #7F1037

RGB 127 16 55

HSL 338.92, 0.78%, 0.28%

LAB 27.18, 46.95, 7.4

 

CMYK 0 / 96 / 62 / 46

HEX #8A0534

RGB 138 5 52

HSL 338.8, 0.93%, 0.28%

LAB 28.8, 51.71, 12.04

 

CMYK 0 / 63 / 40 / 59

HEX #68273E

RGB 104 39 62

HSL 338.77, 0.45%, 0.28%

LAB 25.99, 31.6, 0.35

 

CMYK 0 / 45 / 29 / 64

HEX #5C3341

RGB 92 51 65

HSL 339.51, 0.29%, 0.28%

LAB 26.8, 20.51, -0.69

 

CMYK 0 / 23 / 14 / 69

HEX #503E45

RGB 80 62 69

HSL 336.67, 0.13%, 0.28%

LAB 28.33, 9.17, -1.28

 

CMYK 7 / 0 / 3 / 71

HEX #454A48

RGB 69 74 72

HSL 156, 0.03%, 0.28%

LAB 30.95, -2.49, 0.48

HEX #454A48

CMYK 33 / 0 / 11 / 67

HEX #39554C

RGB 57 85 76

HSL 160.71, 0.2%, 0.28%

LAB 33.75, -12.73, 1.9

HEX #39554C

CMYK 0 / 63 / 7 / 59

HEX #682761

RGB 104 39 97

HSL 306.46, 0.45%, 0.28%

LAB 27.46, 37.09, -20.62

 

CMYK 0 / 63 / 23 / 59

HEX #682750

RGB 104 39 80

HSL 322.15, 0.45%, 0.28%

LAB 26.66, 34.17, -10.68

 

CMYK 0 / 63 / 39 / 59

HEX #68273F

RGB 104 39 63

HSL 337.85, 0.45%, 0.28%

LAB 26.02, 31.73, -0.27

 

CMYK 0 / 63 / 56 / 59

HEX #68272E

RGB 104 39 46

HSL 353.54, 0.45%, 0.28%

LAB 25.54, 29.82, 10.51

 

CMYK 0 / 52 / 63 / 59

HEX #683227

RGB 104 50 39

HSL 10.15, 0.45%, 0.28%

LAB 27.77, 23.07, 18.04

 

CMYK 0 / 61 / 41 / 83

HEX #2C111A

RGB 44 17 26

HSL 340, 0.44%, 0.12%

LAB 9.08, 15.19, 0.05

 

CMYK 0 / 62 / 41 / 71

HEX #4A1C2C

RGB 74 28 44

HSL 339.13, 0.45%, 0.2%

LAB 17.77, 23.78, 0.17

 

CMYK 0 / 63 / 40 / 59

HEX #68273E

RGB 104 39 62

HSL 338.77, 0.45%, 0.28%

LAB 25.99, 31.6, 0.35

 

CMYK 0 / 62 / 40 / 48

HEX #853350

RGB 133 51 80

HSL 338.78, 0.45%, 0.36%

LAB 33.84, 38.09, 0.55

 

CMYK 0 / 62 / 40 / 36

HEX #A33E62

RGB 163 62 98

HSL 338.61, 0.45%, 0.44%

LAB 41.4, 45.12, 0.75

 

CMYK 0 / 63 / 40 / 59

HEX #68273E

RGB 104 39 62

HSL 338.77, 0.45%, 0.28%

LAB 25.99, 31.6, 0.35

 

CMYK 0 / 11 / 63 / 59

HEX #685D27

RGB 104 93 39

HSL 49.85, 0.45%, 0.28%

LAB 39.44, -3.02, 32

 

CMYK 63 / 14 / 0 / 59

HEX #275968

RGB 39 89 104

HSL 193.85, 0.45%, 0.28%

LAB 35.15, -11.83, -13.67

 

CMYK 0 / 63 / 40 / 59

HEX #68273E

RGB 104 39 62

HSL 338.77, 0.45%, 0.28%

LAB 25.99, 31.6, 0.35

 

CMYK 39 / 0 / 63 / 59

HEX #3F6827

RGB 63 104 39

HSL 97.85, 0.45%, 0.28%

LAB 39.75, -27.14, 31.5

 

CMYK 63 / 39 / 0 / 59

HEX #273F68

RGB 39 63 104

HSL 217.85, 0.45%, 0.28%

LAB 26.69, 4.72, -26.83

 

CMYK 0 / 63 / 40 / 59

HEX #68273E

RGB 104 39 62

HSL 338.77, 0.45%, 0.28%

LAB 25.99, 31.6, 0.35

 

CMYK 0 / 11 / 63 / 59

HEX #685D27

RGB 104 93 39

HSL 49.85, 0.45%, 0.28%

LAB 39.44, -3.02, 32

 

CMYK 63 / 0 / 23 / 59

HEX #276850

RGB 39 104 80

HSL 157.85, 0.45%, 0.28%

LAB 39.43, -27.02, 7.45

 

CMYK 63 / 52 / 0 / 59

HEX #273268

RGB 39 50 104

HSL 229.85, 0.45%, 0.28%

LAB 22.7, 13.77, -33.2

 

CMYK 0 / 63 / 40 / 59

HEX #68273E

RGB 104 39 62

HSL 338.77, 0.45%, 0.28%

LAB 25.99, 31.6, 0.35

 

CMYK 9 / 0 / 63 / 59

HEX #5F6827

RGB 95 104 39

HSL 68.31, 0.45%, 0.28%

LAB 41.97, -13.54, 34.59

 

CMYK 63 / 0 / 23 / 59

HEX #276850

RGB 39 104 80

HSL 157.85, 0.45%, 0.28%

LAB 39.43, -27.02, 7.45

 

CMYK 54 / 63 / 0 / 59

HEX #302768

RGB 48 39 104

HSL 248.31, 0.45%, 0.28%

LAB 20.36, 23.4, -36.94

 

Description

Color code: HEX #68273E | qconv.com Color code: HEX #68273E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 39 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 39 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 40 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 40% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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