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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #682360 it is the complementary color #97DC9F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #682360. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #682360 shade: #6D235B, #7E356E, #8F4781, #A05994 and #B16BA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #682360. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #682360 shade: #682360, #57114D, #46003A, #350027 and #240014

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #682360 shade: #67225F, #67224D, #67223A, #672228 and #672222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #682360 shade: #67225F, #5D2267, #4A2267, #382267 and #252267

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #682360 shade matches the following richer shades: #67225F, #721768, #7E0C70 and #890179

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #682360 shade: #67225F, #5C2E57, #51394E, #464446 and #3B4F3D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #682360 shade: #492267, #5C2267, #672260, #67224E and #67223C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #682360 shade: #290E26, #481843, #67225F, #862D7C and #A53798

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #682360 shade: #682360, #673722 and #226753

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #682360 shade: #682360, #606722 and #226067

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #682360 shade: #682360, #673722, #226729 and #225367

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #682360 shade: #682360, #674C22, #226729 and #223E67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 8 / 59

HEX #682360

RGB 104 35 96

HSL 306.96, 0.5%, 0.27%

LAB 26.71, 38.83, -21.14

 

Complementary color

CMYK 31 / 0 / 28 / 14

HEX #97DC9F

RGB 151 220 159

HSL 126.96, 0.5%, 0.73%

LAB 81.98, -33.77, 23.25

 

CMYK 0 / 68 / 17 / 57

HEX #6D235B

RGB 109 35 91

HSL 314.59, 0.51%, 0.28%

LAB 27.32, 39.43, -16.85

 

CMYK 0 / 58 / 13 / 51

HEX #7E356E

RGB 126 53 110

HSL 313.15, 0.41%, 0.35%

LAB 34.21, 39.16, -18.2

 

CMYK 0 / 50 / 10 / 44

HEX #8F4781

RGB 143 71 129

HSL 311.67, 0.34%, 0.42%

LAB 41.11, 38.53, -19.16

 

CMYK 0 / 44 / 7 / 37

HEX #A05994

RGB 160 89 148

HSL 310.14, 0.29%, 0.49%

LAB 47.95, 37.79, -19.91

 

CMYK 0 / 40 / 6 / 31

HEX #B16BA7

RGB 177 107 167

HSL 308.57, 0.31%, 0.56%

LAB 54.71, 37.01, -20.52

 

CMYK 0 / 66 / 8 / 59

HEX #682360

RGB 104 35 96

HSL 306.96, 0.5%, 0.27%

LAB 26.71, 38.83, -21.14

 

CMYK 0 / 80 / 11 / 66

HEX #57114D

RGB 87 17 77

HSL 308.57, 0.67%, 0.2%

LAB 19.89, 38.33, -19.38

 

CMYK 0 / 100 / 17 / 73

HEX #46003A

RGB 70 0 58

HSL 310.29, 1%, 0.14%

LAB 13.28, 36.75, -16.78

 

CMYK 0 / 100 / 26 / 79

HEX #350027

RGB 53 0 39

HSL 315.85, 1%, 0.1%

LAB 8.16, 29.98, -11.09

 

CMYK 0 / 100 / 44 / 86

HEX #240014

RGB 36 0 20

HSL 326.67, 1%, 0.07%

LAB 3.84, 18.4, -3.37

 

CMYK 0 / 67 / 8 / 60

HEX #67225F

RGB 103 34 95

HSL 306.96, 0.5%, 0.27%

LAB 26.31, 38.82, -21.11

 

CMYK 0 / 67 / 25 / 60

HEX #67224D

RGB 103 34 77

HSL 322.61, 0.5%, 0.27%

LAB 25.45, 35.83, -10.54

 

CMYK 0 / 67 / 44 / 60

HEX #67223A

RGB 103 34 58

HSL 339.13, 0.5%, 0.27%

LAB 24.74, 33.26, 1.23

 

CMYK 0 / 67 / 61 / 60

HEX #672228

RGB 103 34 40

HSL 354.78, 0.5%, 0.27%

LAB 24.26, 31.44, 12.8

 

CMYK 0 / 67 / 67 / 60

HEX #672222

RGB 103 34 34

HSL 0, 0.5%, 0.27%

LAB 24.14, 30.98, 16.67

 

CMYK 0 / 67 / 8 / 60

HEX #67225F

RGB 103 34 95

HSL 306.96, 0.5%, 0.27%

LAB 26.31, 38.82, -21.11

 

CMYK 10 / 67 / 0 / 60

HEX #5D2267

RGB 93 34 103

HSL 291.3, 0.5%, 0.27%

LAB 25.11, 37.6, -28.34

 

CMYK 28 / 67 / 0 / 60

HEX #4A2267

RGB 74 34 103

HSL 274.78, 0.5%, 0.27%

LAB 22.23, 32.57, -33.11

 

CMYK 46 / 67 / 0 / 60

HEX #382267

RGB 56 34 103

HSL 259.13, 0.5%, 0.27%

LAB 19.9, 28.14, -36.99

 

CMYK 64 / 67 / 0 / 60

HEX #252267

RGB 37 34 103

HSL 242.61, 0.5%, 0.27%

LAB 17.99, 24.19, -40.17

 

CMYK 0 / 67 / 8 / 60

HEX #67225F

RGB 103 34 95

HSL 306.96, 0.5%, 0.27%

LAB 26.31, 38.82, -21.11

 

CMYK 0 / 80 / 9 / 55

HEX #721768

RGB 114 23 104

HSL 306.59, 0.66%, 0.27%

LAB 27.27, 47.51, -25.34

 

CMYK 0 / 90 / 11 / 51

HEX #7E0C70

RGB 126 12 112

HSL 307.37, 0.83%, 0.27%

LAB 29.08, 54.14, -27.48

 

CMYK 0 / 99 / 12 / 46

HEX #890179

RGB 137 1 121

HSL 307.06, 0.99%, 0.27%

LAB 31.16, 59.37, -29.78

 

CMYK 0 / 67 / 8 / 60

HEX #67225F

RGB 103 34 95

HSL 306.96, 0.5%, 0.27%

LAB 26.31, 38.82, -21.11

 

CMYK 0 / 50 / 5 / 64

HEX #5C2E57

RGB 92 46 87

HSL 306.52, 0.33%, 0.27%

LAB 26.5, 27.5, -15.72

 

CMYK 0 / 30 / 4 / 68

HEX #51394E

RGB 81 57 78

HSL 307.5, 0.17%, 0.27%

LAB 27.37, 14.68, -8.6

 

CMYK 0 / 3 / 0 / 73

HEX #464446

RGB 70 68 70

HSL 300, 0.01%, 0.27%

LAB 29.1, 1.28, -0.91

 

CMYK 25 / 0 / 23 / 69

HEX #3B4F3D

RGB 59 79 61

HSL 126, 0.14%, 0.27%

LAB 31.48, -11.96, 8.15

 

CMYK 29 / 67 / 0 / 60

HEX #492267

RGB 73 34 103

HSL 273.91, 0.5%, 0.27%

LAB 22.09, 32.31, -33.34

 

CMYK 11 / 67 / 0 / 60

HEX #5C2267

RGB 92 34 103

HSL 290.43, 0.5%, 0.27%

LAB 24.95, 37.33, -28.61

 

CMYK 0 / 67 / 7 / 60

HEX #672260

RGB 103 34 96

HSL 306.09, 0.5%, 0.27%

LAB 26.37, 39, -21.68

 

CMYK 0 / 67 / 24 / 60

HEX #67224E

RGB 103 34 78

HSL 321.74, 0.5%, 0.27%

LAB 25.5, 35.98, -11.14

 

CMYK 0 / 67 / 42 / 60

HEX #67223C

RGB 103 34 60

HSL 337.39, 0.5%, 0.27%

LAB 24.81, 33.5, -0.03

 

CMYK 0 / 66 / 7 / 84

HEX #290E26

RGB 41 14 38

HSL 306.67, 0.49%, 0.11%

LAB 8.35, 18.21, -10.22

 

CMYK 0 / 67 / 7 / 72

HEX #481843

RGB 72 24 67

HSL 306.25, 0.5%, 0.19%

LAB 17.63, 29.15, -16.26

 

CMYK 0 / 67 / 8 / 60

HEX #67225F

RGB 103 34 95

HSL 306.96, 0.5%, 0.27%

LAB 26.31, 38.82, -21.11

 

CMYK 0 / 66 / 7 / 47

HEX #862D7C

RGB 134 45 124

HSL 306.74, 0.5%, 0.35%

LAB 34.8, 47.62, -25.97

 

CMYK 0 / 67 / 8 / 35

HEX #A53798

RGB 165 55 152

HSL 307.09, 0.5%, 0.43%

LAB 42.76, 56.25, -30.3

 

CMYK 0 / 66 / 8 / 59

HEX #682360

RGB 104 35 96

HSL 306.96, 0.5%, 0.27%

LAB 26.71, 38.83, -21.14

 

CMYK 0 / 47 / 67 / 60

HEX #673722

RGB 103 55 34

HSL 18.26, 0.5%, 0.27%

LAB 28.72, 19.26, 22.33

 

CMYK 67 / 0 / 19 / 60

HEX #226753

RGB 34 103 83

HSL 162.61, 0.5%, 0.27%

LAB 39.01, -26.82, 5

 

CMYK 0 / 66 / 8 / 59

HEX #682360

RGB 104 35 96

HSL 306.96, 0.5%, 0.27%

LAB 26.71, 38.83, -21.14

 

CMYK 7 / 0 / 67 / 60

HEX #606722

RGB 96 103 34

HSL 66.09, 0.5%, 0.27%

LAB 41.69, -12.93, 36.72

 

CMYK 67 / 7 / 0 / 60

HEX #226067

RGB 34 96 103

HSL 186.09, 0.5%, 0.27%

LAB 37.27, -17.17, -9.85

 

CMYK 0 / 66 / 8 / 59

HEX #682360

RGB 104 35 96

HSL 306.96, 0.5%, 0.27%

LAB 26.71, 38.83, -21.14

 

CMYK 0 / 47 / 67 / 60

HEX #673722

RGB 103 55 34

HSL 18.26, 0.5%, 0.27%

LAB 28.72, 19.26, 22.33

 

CMYK 67 / 0 / 60 / 60

HEX #226729

RGB 34 103 41

HSL 126.09, 0.5%, 0.27%

LAB 38.2, -35.53, 28.35

 

CMYK 67 / 19 / 0 / 60

HEX #225367

RGB 34 83 103

HSL 197.39, 0.5%, 0.27%

LAB 32.93, -9.63, -16.47

 

CMYK 0 / 66 / 8 / 59

HEX #682360

RGB 104 35 96

HSL 306.96, 0.5%, 0.27%

LAB 26.71, 38.83, -21.14

 

CMYK 0 / 26 / 67 / 60

HEX #674C22

RGB 103 76 34

HSL 36.52, 0.5%, 0.27%

LAB 34.33, 6.36, 28.86

 

CMYK 67 / 0 / 60 / 60

HEX #226729

RGB 34 103 41

HSL 126.09, 0.5%, 0.27%

LAB 38.2, -35.53, 28.35

 

CMYK 67 / 40 / 0 / 60

HEX #223E67

RGB 34 62 103

HSL 215.65, 0.5%, 0.27%

LAB 26.05, 3.94, -27.22

 

Description

Color code: HEX #682360 | qconv.com Color code: HEX #682360 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 35 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 35 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 8 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 8% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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