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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #682288 it is the complementary color #97DD77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #682288. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #682288 shade: #6D2283, #7E3496, #8F46A9, #A058BC and #B16ACF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #682288. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #682288 shade: #682288, #571075, #460062, #35004F and #24003C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #682288 shade: #672287, #822287, #872270, #872255 and #872239

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #682288 shade: #672287, #4C2287, #312287 and #222287

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #682288 shade matches the following richer shades: #672287, #6C1494 and #7106A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #682288 shade: #672287, #622F79, #5D3D6B, #584B5E and #535850

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #682288 shade: #312287, #4C2287, #672287, #822287 and #872271

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #682288 shade: #341145, #4E1966, #672287, #802AA8 and #9932C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #682288 shade: #682288, #87222D and #22873E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #682288 shade: #682288, #876722 and #228767

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #682288 shade: #682288, #87222D, #428722 and #22877B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #682288 shade: #682288, #873422, #428722 and #227487

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 75 / 0 / 47

HEX #682288

RGB 104 34 136

HSL 281.18, 0.6%, 0.33%

LAB 29.07, 47.35, -42.87

 

Complementary color

CMYK 32 / 0 / 46 / 13

HEX #97DD77

RGB 151 221 119

HSL 101.18, 0.6%, 0.67%

LAB 81.63, -40.15, 43.07

 

CMYK 17 / 74 / 0 / 49

HEX #6D2283

RGB 109 34 131

HSL 286.39, 0.59%, 0.32%

LAB 29.5, 47.37, -39.02

 

CMYK 16 / 65 / 0 / 41

HEX #7E3496

RGB 126 52 150

HSL 285.31, 0.49%, 0.4%

LAB 36.16, 47.37, -39.92

 

CMYK 15 / 59 / 0 / 34

HEX #8F46A9

RGB 143 70 169

HSL 284.24, 0.41%, 0.47%

LAB 42.89, 46.89, -40.47

 

CMYK 15 / 53 / 0 / 26

HEX #A058BC

RGB 160 88 188

HSL 283.2, 0.43%, 0.54%

LAB 49.6, 46.19, -40.83

 

CMYK 14 / 49 / 0 / 19

HEX #B16ACF

RGB 177 106 207

HSL 282.18, 0.51%, 0.61%

LAB 56.25, 45.42, -41.09

 

CMYK 24 / 75 / 0 / 47

HEX #682288

RGB 104 34 136

HSL 281.18, 0.6%, 0.33%

LAB 29.07, 47.35, -42.87

 

CMYK 26 / 86 / 0 / 54

HEX #571075

RGB 87 16 117

HSL 282.18, 0.76%, 0.26%

LAB 22.59, 46.47, -41.49

 

CMYK 29 / 100 / 0 / 62

HEX #460062

RGB 70 0 98

HSL 282.86, 1%, 0.19%

LAB 16.42, 44.16, -39.25

 

CMYK 33 / 100 / 0 / 69

HEX #35004F

RGB 53 0 79

HSL 280.25, 1%, 0.15%

LAB 11.42, 37.66, -34.7

 

CMYK 40 / 100 / 0 / 76

HEX #24003C

RGB 36 0 60

HSL 276, 1%, 0.12%

LAB 6.33, 30.34, -29.75

 

CMYK 24 / 75 / 0 / 47

HEX #672287

RGB 103 34 135

HSL 280.99, 0.6%, 0.33%

LAB 28.84, 46.92, -42.62

 

CMYK 4 / 75 / 0 / 47

HEX #822287

RGB 130 34 135

HSL 297.03, 0.6%, 0.33%

LAB 33.22, 52.85, -35.36

 

CMYK 0 / 75 / 17 / 47

HEX #872270

RGB 135 34 112

HSL 313.66, 0.6%, 0.33%

LAB 32.84, 50.27, -21.46

 

CMYK 0 / 75 / 37 / 47

HEX #872255

RGB 135 34 85

HSL 329.7, 0.6%, 0.33%

LAB 31.69, 46.66, -5.82

 

CMYK 0 / 75 / 58 / 47

HEX #872239

RGB 135 34 57

HSL 346.34, 0.6%, 0.33%

LAB 30.86, 43.91, 11.4

 

CMYK 24 / 75 / 0 / 47

HEX #672287

RGB 103 34 135

HSL 280.99, 0.6%, 0.33%

LAB 28.84, 46.92, -42.62

 

CMYK 44 / 75 / 0 / 47

HEX #4C2287

RGB 76 34 135

HSL 264.95, 0.6%, 0.33%

LAB 25.04, 41.53, -48.96

 

CMYK 64 / 75 / 0 / 47

HEX #312287

RGB 49 34 135

HSL 248.91, 0.6%, 0.33%

LAB 22.11, 37.13, -53.88

 

CMYK 75 / 75 / 0 / 47

HEX #222287

RGB 34 34 135

HSL 240, 0.6%, 0.33%

LAB 20.96, 35.33, -55.83

 

CMYK 24 / 75 / 0 / 47

HEX #672287

RGB 103 34 135

HSL 280.99, 0.6%, 0.33%

LAB 28.84, 46.92, -42.62

 

CMYK 27 / 86 / 0 / 42

HEX #6C1494

RGB 108 20 148

HSL 281.25, 0.76%, 0.33%

LAB 28.97, 55.45, -50.43

 

CMYK 30 / 96 / 0 / 36

HEX #7106A2

RGB 113 6 162

HSL 281.15, 0.93%, 0.33%

LAB 30.03, 61.79, -57.22

 

CMYK 24 / 75 / 0 / 47

HEX #672287

RGB 103 34 135

HSL 280.99, 0.6%, 0.33%

LAB 28.84, 46.92, -42.62

 

CMYK 19 / 61 / 0 / 53

HEX #622F79

RGB 98 47 121

HSL 281.35, 0.44%, 0.33%

LAB 29.44, 36.23, -32.92

 

CMYK 13 / 43 / 0 / 58

HEX #5D3D6B

RGB 93 61 107

HSL 281.74, 0.27%, 0.33%

LAB 31.18, 23.17, -21.36

 

CMYK 6 / 20 / 0 / 63

HEX #584B5E

RGB 88 75 94

HSL 281.05, 0.11%, 0.33%

LAB 33.81, 9.45, -9.12

 

CMYK 6 / 0 / 9 / 65

HEX #535850

RGB 83 88 80

HSL 97.5, 0.05%, 0.33%

LAB 36.74, -3.68, 3.95

 

CMYK 64 / 75 / 0 / 47

HEX #312287

RGB 49 34 135

HSL 248.91, 0.6%, 0.33%

LAB 22.11, 37.13, -53.88

 

CMYK 44 / 75 / 0 / 47

HEX #4C2287

RGB 76 34 135

HSL 264.95, 0.6%, 0.33%

LAB 25.04, 41.53, -48.96

 

CMYK 24 / 75 / 0 / 47

HEX #672287

RGB 103 34 135

HSL 280.99, 0.6%, 0.33%

LAB 28.84, 46.92, -42.62

 

CMYK 4 / 75 / 0 / 47

HEX #822287

RGB 130 34 135

HSL 297.03, 0.6%, 0.33%

LAB 33.22, 52.85, -35.36

 

CMYK 0 / 75 / 16 / 47

HEX #872271

RGB 135 34 113

HSL 313.07, 0.6%, 0.33%

LAB 32.89, 50.42, -22.02

 

CMYK 25 / 75 / 0 / 73

HEX #341145

RGB 52 17 69

HSL 280.38, 0.6%, 0.17%

LAB 12.99, 27.44, -25.23

 

CMYK 24 / 75 / 0 / 60

HEX #4E1966

RGB 78 25 102

HSL 281.3, 0.61%, 0.25%

LAB 21.11, 37.88, -34.23

 

CMYK 24 / 75 / 0 / 47

HEX #672287

RGB 103 34 135

HSL 280.99, 0.6%, 0.33%

LAB 28.84, 46.92, -42.62

 

CMYK 24 / 75 / 0 / 34

HEX #802AA8

RGB 128 42 168

HSL 280.95, 0.6%, 0.41%

LAB 36.12, 55.92, -50.83

 

CMYK 24 / 75 / 0 / 21

HEX #9932C9

RGB 153 50 201

HSL 280.93, 0.6%, 0.49%

LAB 43.17, 64.55, -58.71

 

CMYK 24 / 75 / 0 / 47

HEX #682288

RGB 104 34 136

HSL 281.18, 0.6%, 0.33%

LAB 29.07, 47.35, -42.87

 

CMYK 0 / 75 / 67 / 47

HEX #87222D

RGB 135 34 45

HSL 353.47, 0.6%, 0.33%

LAB 30.6, 43.06, 18.94

 

CMYK 75 / 0 / 54 / 47

HEX #22873E

RGB 34 135 62

HSL 136.63, 0.6%, 0.33%

LAB 49.52, -44.84, 30.98

 

CMYK 24 / 75 / 0 / 47

HEX #682288

RGB 104 34 136

HSL 281.18, 0.6%, 0.33%

LAB 29.07, 47.35, -42.87

 

CMYK 0 / 24 / 75 / 47

HEX #876722

RGB 135 103 34

HSL 40.99, 0.6%, 0.33%

LAB 45.59, 5.51, 41.97

 

CMYK 75 / 0 / 24 / 47

HEX #228767

RGB 34 135 103

HSL 160.99, 0.6%, 0.33%

LAB 50.27, -36.42, 9.14

 

CMYK 24 / 75 / 0 / 47

HEX #682288

RGB 104 34 136

HSL 281.18, 0.6%, 0.33%

LAB 29.07, 47.35, -42.87

 

CMYK 0 / 75 / 67 / 47

HEX #87222D

RGB 135 34 45

HSL 353.47, 0.6%, 0.33%

LAB 30.6, 43.06, 18.94

 

CMYK 51 / 0 / 75 / 47

HEX #428722

RGB 66 135 34

HSL 100.99, 0.6%, 0.33%

LAB 50.22, -40.3, 44.95

 

CMYK 75 / 0 / 9 / 47

HEX #22877B

RGB 34 135 123

HSL 172.87, 0.6%, 0.33%

LAB 50.8, -30.99, -1.73

 

CMYK 24 / 75 / 0 / 47

HEX #682288

RGB 104 34 136

HSL 281.18, 0.6%, 0.33%

LAB 29.07, 47.35, -42.87

 

CMYK 0 / 61 / 75 / 47

HEX #873422

RGB 135 52 34

HSL 10.69, 0.6%, 0.33%

LAB 33.4, 34.44, 29.11

 

CMYK 51 / 0 / 75 / 47

HEX #428722

RGB 66 135 34

HSL 100.99, 0.6%, 0.33%

LAB 50.22, -40.3, 44.95

 

CMYK 75 / 14 / 0 / 47

HEX #227487

RGB 34 116 135

HSL 191.29, 0.6%, 0.33%

LAB 45.05, -17.46, -17.43

 

Description

Color code: HEX #682288 | qconv.com Color code: HEX #682288 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 34 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 34 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 75 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 75% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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