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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #682240 it is the complementary color #97DDBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #682240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #682240 shade: #6D223B, #7E344E, #8F4661, #A05874 and #B16A87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #682240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #682240 shade: #682240, #57102D, #46001A, #350007 and #240000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #682240 shade: #682240, #68222D and #682222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #682240 shade: #682240, #682253, #682266, #572268 and #442268

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #682240 shade matches the following richer shades: #682240, #73173E, #7E0B3D and #89003B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #682240 shade: #682240, #5D2D41, #523843, #474345 and #3B4E46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #682240 shade: #682266, #682253, #682240, #68222D and #682922

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #682240 shade: #2A0E1A, #49182D, #682240, #872C53 and #A63666

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #682240 shade: #682240, #685822 and #225C68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #682240 shade: #682240, #406822 and #224068

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #682240 shade: #682240, #685822, #22684A and #223268

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #682240 shade: #682240, #636822, #22684A and #262268

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 38 / 59

HEX #682240

RGB 104 34 64

HSL 334.29, 0.51%, 0.27%

LAB 25.13, 34.34, -2.25

 

Complementary color

CMYK 32 / 0 / 14 / 13

HEX #97DDBF

RGB 151 221 191

HSL 154.29, 0.51%, 0.73%

LAB 82.94, -28.24, 7.78

 

CMYK 0 / 69 / 46 / 57

HEX #6D223B

RGB 109 34 59

HSL 340, 0.52%, 0.28%

LAB 25.9, 35.47, 2.36

 

CMYK 0 / 59 / 38 / 51

HEX #7E344E

RGB 126 52 78

HSL 338.92, 0.42%, 0.35%

LAB 32.79, 34.87, 0.17

 

CMYK 0 / 51 / 32 / 44

HEX #8F4661

RGB 143 70 97

HSL 337.81, 0.34%, 0.42%

LAB 39.72, 34.03, -1.45

 

CMYK 0 / 45 / 28 / 37

HEX #A05874

RGB 160 88 116

HSL 336.67, 0.29%, 0.49%

LAB 46.6, 33.12, -2.73

 

CMYK 0 / 40 / 24 / 31

HEX #B16A87

RGB 177 106 135

HSL 335.49, 0.31%, 0.55%

LAB 53.39, 32.24, -3.8

 

CMYK 0 / 67 / 38 / 59

HEX #682240

RGB 104 34 64

HSL 334.29, 0.51%, 0.27%

LAB 25.13, 34.34, -2.25

 

CMYK 0 / 82 / 48 / 66

HEX #57102D

RGB 87 16 45

HSL 335.49, 0.69%, 0.2%

LAB 18.3, 34.21, 0.54

 

CMYK 0 / 100 / 63 / 73

HEX #46001A

RGB 70 0 26

HSL 337.71, 1%, 0.14%

LAB 11.8, 32.96, 4.7

 

CMYK 0 / 100 / 87 / 79

HEX #350007

RGB 53 0 7

HSL 352.08, 1%, 0.1%

LAB 6.98, 26.57, 8.16

 

CMYK 0 / 100 / 100 / 86

HEX #240000

RGB 36 0 0

HSL 0, 1%, 0.07%

LAB 3.39, 15.2, 5.35

 

CMYK 0 / 67 / 38 / 59

HEX #682240

RGB 104 34 64

HSL 334.29, 0.51%, 0.27%

LAB 25.13, 34.34, -2.25

 

CMYK 0 / 67 / 57 / 59

HEX #68222D

RGB 104 34 45

HSL 350.57, 0.51%, 0.27%

LAB 24.57, 32.25, 9.86

 

CMYK 0 / 67 / 67 / 59

HEX #682222

RGB 104 34 34

HSL 0, 0.51%, 0.27%

LAB 24.33, 31.36, 16.96

 

CMYK 0 / 67 / 38 / 59

HEX #682240

RGB 104 34 64

HSL 334.29, 0.51%, 0.27%

LAB 25.13, 34.34, -2.25

 

CMYK 0 / 67 / 20 / 59

HEX #682253

RGB 104 34 83

HSL 318, 0.51%, 0.27%

LAB 25.9, 37.08, -13.84

 

CMYK 0 / 67 / 2 / 59

HEX #682266

RGB 104 34 102

HSL 301.71, 0.51%, 0.27%

LAB 26.87, 40.39, -24.79

 

CMYK 16 / 67 / 0 / 59

HEX #572268

RGB 87 34 104

HSL 285.43, 0.51%, 0.27%

LAB 24.22, 36.21, -30.46

 

CMYK 35 / 67 / 0 / 59

HEX #442268

RGB 68 34 104

HSL 269.14, 0.51%, 0.27%

LAB 21.48, 31.32, -35.01

 

CMYK 0 / 67 / 38 / 59

HEX #682240

RGB 104 34 64

HSL 334.29, 0.51%, 0.27%

LAB 25.13, 34.34, -2.25

 

CMYK 0 / 80 / 46 / 55

HEX #73173E

RGB 115 23 62

HSL 334.57, 0.67%, 0.27%

LAB 25.58, 42.12, 0.01

 

CMYK 0 / 91 / 52 / 51

HEX #7E0B3D

RGB 126 11 61

HSL 333.91, 0.84%, 0.27%

LAB 26.77, 48.23, 2.71

 

CMYK 0 / 100 / 57 / 46

HEX #89003B

RGB 137 0 59

HSL 334.16, 1%, 0.27%

LAB 28.47, 52.76, 6.82

 

CMYK 0 / 67 / 38 / 59

HEX #682240

RGB 104 34 64

HSL 334.29, 0.51%, 0.27%

LAB 25.13, 34.34, -2.25

 

CMYK 0 / 52 / 30 / 64

HEX #5D2D41

RGB 93 45 65

HSL 335, 0.35%, 0.27%

LAB 25.52, 24.52, -2.56

 

CMYK 0 / 32 / 18 / 68

HEX #523843

RGB 82 56 67

HSL 334.62, 0.19%, 0.27%

LAB 26.81, 13.51, -2.16

 

CMYK 0 / 6 / 3 / 72

HEX #474345

RGB 71 67 69

HSL 330, 0.03%, 0.27%

LAB 28.86, 2.12, -0.61

 

CMYK 24 / 0 / 10 / 69

HEX #3B4E46

RGB 59 78 70

HSL 154.74, 0.14%, 0.27%

LAB 31.4, -9.34, 2.31

 

CMYK 0 / 67 / 2 / 59

HEX #682266

RGB 104 34 102

HSL 301.71, 0.51%, 0.27%

LAB 26.87, 40.39, -24.79

 

CMYK 0 / 67 / 20 / 59

HEX #682253

RGB 104 34 83

HSL 318, 0.51%, 0.27%

LAB 25.9, 37.08, -13.84

 

CMYK 0 / 67 / 38 / 59

HEX #682240

RGB 104 34 64

HSL 334.29, 0.51%, 0.27%

LAB 25.13, 34.34, -2.25

 

CMYK 0 / 67 / 57 / 59

HEX #68222D

RGB 104 34 45

HSL 350.57, 0.51%, 0.27%

LAB 24.57, 32.25, 9.86

 

CMYK 0 / 61 / 67 / 59

HEX #682922

RGB 104 41 34

HSL 6, 0.51%, 0.27%

LAB 25.7, 27.74, 18.67

 

CMYK 0 / 67 / 38 / 84

HEX #2A0E1A

RGB 42 14 26

HSL 334.29, 0.5%, 0.11%

LAB 7.96, 16.26, -1.65

 

CMYK 0 / 67 / 38 / 71

HEX #49182D

RGB 73 24 45

HSL 334.29, 0.51%, 0.19%

LAB 16.79, 25.75, -2.01

 

CMYK 0 / 67 / 38 / 59

HEX #682240

RGB 104 34 64

HSL 334.29, 0.51%, 0.27%

LAB 25.13, 34.34, -2.25

 

CMYK 0 / 67 / 39 / 47

HEX #872C53

RGB 135 44 83

HSL 334.29, 0.51%, 0.35%

LAB 33.09, 42.38, -2.46

 

CMYK 0 / 67 / 39 / 35

HEX #A63666

RGB 166 54 102

HSL 334.29, 0.51%, 0.43%

LAB 40.74, 50.03, -2.64

 

CMYK 0 / 67 / 38 / 59

HEX #682240

RGB 104 34 64

HSL 334.29, 0.51%, 0.27%

LAB 25.13, 34.34, -2.25

 

CMYK 0 / 15 / 67 / 59

HEX #685822

RGB 104 88 34

HSL 46.29, 0.51%, 0.27%

LAB 37.91, -0.43, 32.87

 

CMYK 67 / 12 / 0 / 59

HEX #225C68

RGB 34 92 104

HSL 190.29, 0.51%, 0.27%

LAB 35.97, -14.58, -12.44

 

CMYK 0 / 67 / 38 / 59

HEX #682240

RGB 104 34 64

HSL 334.29, 0.51%, 0.27%

LAB 25.13, 34.34, -2.25

 

CMYK 38 / 0 / 67 / 59

HEX #406822

RGB 64 104 34

HSL 94.29, 0.51%, 0.27%

LAB 39.76, -27.29, 33.97

 

CMYK 67 / 38 / 0 / 59

HEX #224068

RGB 34 64 104

HSL 214.29, 0.51%, 0.27%

LAB 26.75, 2.96, -26.75

 

CMYK 0 / 67 / 38 / 59

HEX #682240

RGB 104 34 64

HSL 334.29, 0.51%, 0.27%

LAB 25.13, 34.34, -2.25

 

CMYK 0 / 15 / 67 / 59

HEX #685822

RGB 104 88 34

HSL 46.29, 0.51%, 0.27%

LAB 37.91, -0.43, 32.87

 

CMYK 67 / 0 / 29 / 59

HEX #22684A

RGB 34 104 74

HSL 154.29, 0.51%, 0.27%

LAB 39.13, -29.6, 10.63

 

CMYK 67 / 52 / 0 / 59

HEX #223268

RGB 34 50 104

HSL 226.29, 0.51%, 0.27%

LAB 22.38, 12.73, -33.73

 

CMYK 0 / 67 / 38 / 59

HEX #682240

RGB 104 34 64

HSL 334.29, 0.51%, 0.27%

LAB 25.13, 34.34, -2.25

 

CMYK 5 / 0 / 67 / 59

HEX #636822

RGB 99 104 34

HSL 64.29, 0.51%, 0.27%

LAB 42.26, -12.09, 37.4

 

CMYK 67 / 0 / 29 / 59

HEX #22684A

RGB 34 104 74

HSL 154.29, 0.51%, 0.27%

LAB 39.13, -29.6, 10.63

 

CMYK 63 / 67 / 0 / 59

HEX #262268

RGB 38 34 104

HSL 243.43, 0.51%, 0.27%

LAB 18.17, 24.74, -40.54

 

Description

Color code: HEX #682240 | qconv.com Color code: HEX #682240 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 34 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 34 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 38 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 38% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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