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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68215A it is the complementary color #97DEA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68215A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68215A shade: #6D2155, #7E3368, #8F457B, #A0578E and #B169A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68215A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68215A shade: #68215A, #570F47, #460034, #350021 and #24000E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68215A shade: #69215B, #692147, #692134 and #692121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68215A shade: #69215B, #632169, #502169, #3D2169 and #2A2169

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68215A shade matches the following richer shades: #69215B, #741661 and #7F0B68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68215A shade: #69215B, #5E2C54, #52374D, #474246 and #3C4E40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68215A shade: #502169, #632169, #69215C, #692148 and #692135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68215A shade: #2A0D24, #49173F, #69215B, #882B76 and #A73591

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68215A shade: #68215A, #693C21 and #216959

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68215A shade: #68215A, #5C6921 and #215C69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68215A shade: #68215A, #693C21, #21692E and #214D69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68215A shade: #68215A, #695221, #21692E and #213869

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 13 / 59

HEX #68215A

RGB 104 33 90

HSL 311.83, 0.52%, 0.27%

LAB 26.07, 38.7, -18.21

 

Complementary color

CMYK 32 / 0 / 26 / 13

HEX #97DEA5

RGB 151 222 165

HSL 131.83, 0.52%, 0.73%

LAB 82.67, -33.65, 21.07

 

CMYK 0 / 70 / 22 / 57

HEX #6D2155

RGB 109 33 85

HSL 318.95, 0.54%, 0.28%

LAB 26.72, 39.37, -13.82

 

CMYK 0 / 60 / 17 / 51

HEX #7E3368

RGB 126 51 104

HSL 317.6, 0.42%, 0.35%

LAB 33.57, 39.16, -15.37

 

CMYK 0 / 52 / 14 / 44

HEX #8F457B

RGB 143 69 123

HSL 316.22, 0.35%, 0.42%

LAB 40.45, 38.55, -16.48

 

CMYK 0 / 46 / 11 / 37

HEX #A0578E

RGB 160 87 142

HSL 314.79, 0.3%, 0.48%

LAB 47.29, 37.81, -17.34

 

CMYK 0 / 41 / 9 / 31

HEX #B169A1

RGB 177 105 161

HSL 313.33, 0.32%, 0.55%

LAB 54.05, 37.03, -18.04

 

CMYK 0 / 68 / 13 / 59

HEX #68215A

RGB 104 33 90

HSL 311.83, 0.52%, 0.27%

LAB 26.07, 38.7, -18.21

 

CMYK 0 / 83 / 18 / 66

HEX #570F47

RGB 87 15 71

HSL 313.33, 0.71%, 0.2%

LAB 19.32, 38.04, -16.17

 

CMYK 0 / 100 / 26 / 73

HEX #460034

RGB 70 0 52

HSL 315.43, 1%, 0.14%

LAB 12.92, 35.86, -13

 

CMYK 0 / 100 / 38 / 79

HEX #350021

RGB 53 0 33

HSL 322.64, 1%, 0.1%

LAB 7.83, 29.14, -7.01

 

CMYK 0 / 100 / 61 / 86

HEX #24000E

RGB 36 0 14

HSL 336.67, 1%, 0.07%

LAB 3.67, 17.21, -0.12

 

CMYK 0 / 69 / 13 / 59

HEX #69215B

RGB 105 33 91

HSL 311.67, 0.52%, 0.27%

LAB 26.29, 39.16, -18.5

 

CMYK 0 / 69 / 32 / 59

HEX #692147

RGB 105 33 71

HSL 328.33, 0.52%, 0.27%

LAB 25.4, 36.08, -6.56

 

CMYK 0 / 69 / 50 / 59

HEX #692134

RGB 105 33 52

HSL 344.17, 0.52%, 0.27%

LAB 24.76, 33.78, 5.39

 

CMYK 0 / 69 / 69 / 59

HEX #692121

RGB 105 33 33

HSL 0, 0.52%, 0.27%

LAB 24.32, 32.16, 17.65

 

CMYK 0 / 69 / 13 / 59

HEX #69215B

RGB 105 33 91

HSL 311.67, 0.52%, 0.27%

LAB 26.29, 39.16, -18.5

 

CMYK 6 / 69 / 0 / 59

HEX #632169

RGB 99 33 105

HSL 295, 0.52%, 0.27%

LAB 26.04, 40.08, -28.1

 

CMYK 24 / 69 / 0 / 59

HEX #502169

RGB 80 33 105

HSL 279.17, 0.52%, 0.27%

LAB 23.04, 35.14, -33.06

 

CMYK 42 / 69 / 0 / 59

HEX #3D2169

RGB 61 33 105

HSL 263.33, 0.52%, 0.27%

LAB 20.44, 30.51, -37.39

 

CMYK 60 / 69 / 0 / 59

HEX #2A2169

RGB 42 33 105

HSL 247.5, 0.52%, 0.27%

LAB 18.36, 26.5, -40.86

 

CMYK 0 / 69 / 13 / 59

HEX #69215B

RGB 105 33 91

HSL 311.67, 0.52%, 0.27%

LAB 26.29, 39.16, -18.5

 

CMYK 0 / 81 / 16 / 55

HEX #741661

RGB 116 22 97

HSL 312.13, 0.68%, 0.27%

LAB 27.16, 47.21, -20.93

 

CMYK 0 / 91 / 18 / 50

HEX #7F0B68

RGB 127 11 104

HSL 311.9, 0.84%, 0.27%

LAB 28.77, 53.37, -22.79

 

CMYK 0 / 69 / 13 / 59

HEX #69215B

RGB 105 33 91

HSL 311.67, 0.52%, 0.27%

LAB 26.29, 39.16, -18.5

 

CMYK 0 / 53 / 11 / 63

HEX #5E2C54

RGB 94 44 84

HSL 312, 0.36%, 0.27%

LAB 26.22, 28.77, -14.15

 

CMYK 0 / 33 / 6 / 68

HEX #52374D

RGB 82 55 77

HSL 311.11, 0.2%, 0.27%

LAB 26.91, 16.16, -8.62

 

CMYK 0 / 7 / 1 / 72

HEX #474246

RGB 71 66 70

HSL 312, 0.04%, 0.27%

LAB 28.59, 2.98, -1.66

 

CMYK 23 / 0 / 18 / 69

HEX #3C4E40

RGB 60 78 64

HSL 133.33, 0.13%, 0.27%

LAB 31.3, -10.33, 6

 

CMYK 24 / 69 / 0 / 59

HEX #502169

RGB 80 33 105

HSL 279.17, 0.52%, 0.27%

LAB 23.04, 35.14, -33.06

 

CMYK 6 / 69 / 0 / 59

HEX #632169

RGB 99 33 105

HSL 295, 0.52%, 0.27%

LAB 26.04, 40.08, -28.1

 

CMYK 0 / 69 / 12 / 59

HEX #69215C

RGB 105 33 92

HSL 310.83, 0.52%, 0.27%

LAB 26.34, 39.33, -19.08

 

CMYK 0 / 69 / 31 / 59

HEX #692148

RGB 105 33 72

HSL 327.5, 0.52%, 0.27%

LAB 25.44, 36.22, -7.17

 

CMYK 0 / 69 / 50 / 59

HEX #692135

RGB 105 33 53

HSL 343.33, 0.52%, 0.27%

LAB 24.79, 33.89, 4.75

 

CMYK 0 / 69 / 14 / 84

HEX #2A0D24

RGB 42 13 36

HSL 312.41, 0.53%, 0.11%

LAB 8.2, 18.77, -8.94

 

CMYK 0 / 68 / 14 / 71

HEX #49173F

RGB 73 23 63

HSL 312, 0.52%, 0.19%

LAB 17.4, 29.22, -13.81

 

CMYK 0 / 69 / 13 / 59

HEX #69215B

RGB 105 33 91

HSL 311.67, 0.52%, 0.27%

LAB 26.29, 39.16, -18.5

 

CMYK 0 / 68 / 13 / 47

HEX #882B76

RGB 136 43 118

HSL 311.61, 0.52%, 0.35%

LAB 34.54, 48.01, -22.59

 

CMYK 0 / 68 / 13 / 35

HEX #A73591

RGB 167 53 145

HSL 311.58, 0.52%, 0.43%

LAB 42.47, 56.45, -26.5

 

CMYK 0 / 68 / 13 / 59

HEX #68215A

RGB 104 33 90

HSL 311.83, 0.52%, 0.27%

LAB 26.07, 38.7, -18.21

 

CMYK 0 / 43 / 69 / 59

HEX #693C21

RGB 105 60 33

HSL 22.5, 0.52%, 0.27%

LAB 30.27, 17.08, 24.83

 

CMYK 69 / 0 / 15 / 59

HEX #216959

RGB 33 105 89

HSL 166.67, 0.52%, 0.27%

LAB 39.83, -26.35, 2.52

 

CMYK 0 / 68 / 13 / 59

HEX #68215A

RGB 104 33 90

HSL 311.83, 0.52%, 0.27%

LAB 26.07, 38.7, -18.21

 

CMYK 12 / 0 / 69 / 59

HEX #5C6921

RGB 92 105 33

HSL 70.83, 0.52%, 0.27%

LAB 41.98, -15.95, 37.39

 

CMYK 69 / 12 / 0 / 59

HEX #215C69

RGB 33 92 105

HSL 190.83, 0.52%, 0.27%

LAB 35.98, -14.43, -13.06

 

CMYK 0 / 68 / 13 / 59

HEX #68215A

RGB 104 33 90

HSL 311.83, 0.52%, 0.27%

LAB 26.07, 38.7, -18.21

 

CMYK 0 / 43 / 69 / 59

HEX #693C21

RGB 105 60 33

HSL 22.5, 0.52%, 0.27%

LAB 30.27, 17.08, 24.83

 

CMYK 69 / 0 / 56 / 59

HEX #21692E

RGB 33 105 46

HSL 130.83, 0.52%, 0.27%

LAB 38.94, -35.84, 26.56

 

CMYK 69 / 27 / 0 / 59

HEX #214D69

RGB 33 77 105

HSL 203.33, 0.52%, 0.27%

LAB 31, -5.38, -20.73

 

CMYK 0 / 68 / 13 / 59

HEX #68215A

RGB 104 33 90

HSL 311.83, 0.52%, 0.27%

LAB 26.07, 38.7, -18.21

 

CMYK 0 / 22 / 69 / 59

HEX #695221

RGB 105 82 33

HSL 40.83, 0.52%, 0.27%

LAB 36.27, 3.6, 31.62

 

CMYK 69 / 0 / 56 / 59

HEX #21692E

RGB 33 105 46

HSL 130.83, 0.52%, 0.27%

LAB 38.94, -35.84, 26.56

 

CMYK 69 / 47 / 0 / 59

HEX #213869

RGB 33 56 105

HSL 220.83, 0.52%, 0.27%

LAB 24.23, 8.69, -31.41

 

Description

Color code: HEX #68215A | qconv.com Color code: HEX #68215A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 33 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 33 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 13 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 13% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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