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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6818F8 it is the complementary color #97E707. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6818F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6818F8 shade: #6D18F3, #7E2AFF, #8F3CFF, #A04EFF and #B160FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6818F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6818F8 shade: #6818F8, #5706E5, #4600D2, #3500BF and #2400AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6818F8 shade: #6716F8, #A416F8, #E016F8, #F816D2 and #F81696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6818F8 shade: #6716F8, #2A16F8 and #1616F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6818F8 shade matches the following richer shades: #6716F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6818F8 shade: #6716F8, #6D2AE4, #723DD1, #7851BE and #7D64AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6818F8 shade: #1640F8, #2916F8, #6516F8, #A116F8 and #DE16F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6818F8 shade: #4506B6, #5407DE, #6716F8, #813FF9 and #9B67FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6818F8 shade: #6818F8, #F8167C and #22F816

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6818F8 shade: #6818F8, #F86516 and #16F865

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6818F8 shade: #6818F8, #F8167C, #A9F816 and #16F892

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6818F8 shade: #6818F8, #F81638, #A9F816 and #16F8D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 90 / 0 / 3

HEX #6818F8

RGB 104 24 248

HSL 261.43, 0.94%, 0.53%

LAB 38.5, 76.55, -93.44

 

Complementary color

CMYK 35 / 0 / 97 / 9

HEX #97E707

RGB 151 231 7

HSL 81.43, 0.94%, 0.47%

LAB 83.83, -51.37, 80.93

 

CMYK 55 / 90 / 0 / 5

HEX #6D18F3

RGB 109 24 243

HSL 263.29, 0.9%, 0.52%

LAB 38.51, 75.77, -90.6

 

CMYK 51 / 84 / 0 / 0

HEX #7E2AFF

RGB 126 42 255

HSL 263.66, 1%, 0.58%

LAB 43.23, 75.33, -89.48

 

CMYK 44 / 76 / 0 / 0

HEX #8F3CFF

RGB 143 60 255

HSL 265.54, 1%, 0.62%

LAB 47.35, 71.07, -82.63

 

CMYK 37 / 69 / 0 / 0

HEX #A04EFF

RGB 160 78 255

HSL 267.8, 1%, 0.65%

LAB 52, 66.21, -74.96

 

CMYK 31 / 62 / 0 / 0

HEX #B160FF

RGB 177 96 255

HSL 270.57, 1%, 0.69%

LAB 57.01, 61.13, -66.76

 

CMYK 58 / 90 / 0 / 3

HEX #6818F8

RGB 104 24 248

HSL 261.43, 0.94%, 0.53%

LAB 38.5, 76.55, -93.44

 

CMYK 62 / 97 / 0 / 10

HEX #5706E5

RGB 87 6 229

HSL 261.79, 0.95%, 0.46%

LAB 33.59, 74.11, -90.88

 

CMYK 67 / 100 / 0 / 18

HEX #4600D2

RGB 70 0 210

HSL 260, 1%, 0.41%

LAB 29.3, 69.8, -87.11

 

CMYK 72 / 100 / 0 / 25

HEX #3500BF

RGB 53 0 191

HSL 256.65, 1%, 0.37%

LAB 25.32, 64.63, -82.64

 

CMYK 79 / 100 / 0 / 33

HEX #2400AC

RGB 36 0 172

HSL 252.56, 1%, 0.34%

LAB 21.41, 59.46, -77.84

 

CMYK 58 / 91 / 0 / 3

HEX #6716F8

RGB 103 22 248

HSL 261.5, 0.94%, 0.53%

LAB 38.26, 76.9, -93.85

 

CMYK 34 / 91 / 0 / 3

HEX #A416F8

RGB 164 22 248

HSL 277.7, 0.94%, 0.53%

LAB 45.97, 82.69, -80.88

 

CMYK 10 / 91 / 0 / 3

HEX #E016F8

RGB 224 22 248

HSL 293.63, 0.94%, 0.53%

LAB 55.28, 90.87, -65.33

 

CMYK 0 / 91 / 15 / 3

HEX #F816D2

RGB 248 22 210

HSL 310.09, 0.94%, 0.53%

LAB 57.25, 89.57, -40.5

 

CMYK 0 / 91 / 40 / 3

HEX #F81696

RGB 248 22 150

HSL 326.02, 0.94%, 0.53%

LAB 54.8, 83.11, -9.36

 

CMYK 58 / 91 / 0 / 3

HEX #6716F8

RGB 103 22 248

HSL 261.5, 0.94%, 0.53%

LAB 38.26, 76.9, -93.85

 

CMYK 83 / 91 / 0 / 3

HEX #2A16F8

RGB 42 22 248

HSL 245.31, 0.94%, 0.53%

LAB 33.65, 74.08, -101.64

 

CMYK 91 / 91 / 0 / 3

HEX #1616F8

RGB 22 22 248

HSL 240, 0.94%, 0.53%

LAB 32.97, 73.72, -102.81

 

CMYK 58 / 91 / 0 / 3

HEX #6716F8

RGB 103 22 248

HSL 261.5, 0.94%, 0.53%

LAB 38.26, 76.9, -93.85

 

CMYK 58 / 91 / 0 / 3

HEX #6716F8

RGB 103 22 248

HSL 261.5, 0.94%, 0.53%

LAB 38.26, 76.9, -93.85

 

CMYK 52 / 82 / 0 / 11

HEX #6D2AE4

RGB 109 42 228

HSL 261.61, 0.78%, 0.53%

LAB 38.74, 66.98, -81.71

 

CMYK 45 / 71 / 0 / 18

HEX #723DD1

RGB 114 61 209

HSL 261.49, 0.62%, 0.53%

LAB 40.44, 54.7, -68

 

CMYK 37 / 57 / 0 / 25

HEX #7851BE

RGB 120 81 190

HSL 261.47, 0.46%, 0.53%

LAB 43.65, 40.21, -51.75

 

CMYK 26 / 41 / 0 / 33

HEX #7D64AA

RGB 125 100 170

HSL 261.43, 0.29%, 0.53%

LAB 47.46, 25.17, -33.96

 

CMYK 91 / 74 / 0 / 3

HEX #1640F8

RGB 22 64 248

HSL 228.85, 0.94%, 0.53%

LAB 38.92, 56.16, -92.9

 

CMYK 83 / 91 / 0 / 3

HEX #2916F8

RGB 41 22 248

HSL 245.04, 0.94%, 0.53%

LAB 33.61, 74.06, -101.72

 

CMYK 59 / 91 / 0 / 3

HEX #6516F8

RGB 101 22 248

HSL 260.97, 0.94%, 0.53%

LAB 38.05, 76.76, -94.2

 

CMYK 35 / 91 / 0 / 3

HEX #A116F8

RGB 161 22 248

HSL 276.9, 0.94%, 0.53%

LAB 45.54, 82.33, -81.6

 

CMYK 10 / 91 / 0 / 3

HEX #DE16F8

RGB 222 22 248

HSL 293.1, 0.94%, 0.53%

LAB 54.95, 90.56, -65.88

 

CMYK 62 / 97 / 0 / 29

HEX #4506B6

RGB 69 6 182

HSL 261.48, 0.94%, 0.37%

LAB 26.08, 62.02, -75.98

 

CMYK 62 / 97 / 0 / 13

HEX #5407DE

RGB 84 7 222

HSL 261.49, 0.94%, 0.45%

LAB 32.5, 72.18, -88.68

 

CMYK 58 / 91 / 0 / 3

HEX #6716F8

RGB 103 22 248

HSL 261.5, 0.94%, 0.53%

LAB 38.26, 76.9, -93.85

 

CMYK 48 / 75 / 0 / 2

HEX #813FF9

RGB 129 63 249

HSL 261.29, 0.94%, 0.61%

LAB 45.72, 66.39, -82.02

 

CMYK 38 / 59 / 0 / 2

HEX #9B67FA

RGB 155 103 250

HSL 261.22, 0.94%, 0.69%

LAB 55.66, 51.64, -66.29

 

CMYK 58 / 90 / 0 / 3

HEX #6818F8

RGB 104 24 248

HSL 261.43, 0.94%, 0.53%

LAB 38.5, 76.55, -93.44

 

CMYK 0 / 91 / 50 / 3

HEX #F8167C

RGB 248 22 124

HSL 332.92, 0.94%, 0.53%

LAB 54.01, 80.98, 5.04

 

CMYK 86 / 0 / 91 / 3

HEX #22F816

RGB 34 248 22

HSL 116.81, 0.94%, 0.53%

LAB 85.77, -82.45, 79.63

 

CMYK 58 / 90 / 0 / 3

HEX #6818F8

RGB 104 24 248

HSL 261.43, 0.94%, 0.53%

LAB 38.5, 76.55, -93.44

 

CMYK 0 / 59 / 91 / 3

HEX #F86516

RGB 248 101 22

HSL 20.97, 0.94%, 0.53%

LAB 61.06, 53.17, 65.7

 

CMYK 91 / 0 / 59 / 3

HEX #16F865

RGB 22 248 101

HSL 140.97, 0.94%, 0.53%

LAB 86.13, -77.62, 55.99

 

CMYK 58 / 90 / 0 / 3

HEX #6818F8

RGB 104 24 248

HSL 261.43, 0.94%, 0.53%

LAB 38.5, 76.55, -93.44

 

CMYK 0 / 91 / 50 / 3

HEX #F8167C

RGB 248 22 124

HSL 332.92, 0.94%, 0.53%

LAB 54.01, 80.98, 5.04

 

CMYK 32 / 0 / 91 / 3

HEX #A9F816

RGB 169 248 22

HSL 80.97, 0.94%, 0.53%

LAB 89.69, -51.72, 84.45

 

CMYK 91 / 0 / 41 / 3

HEX #16F892

RGB 22 248 146

HSL 152.92, 0.94%, 0.53%

LAB 86.69, -70.82, 35.6

 

CMYK 58 / 90 / 0 / 3

HEX #6818F8

RGB 104 24 248

HSL 261.43, 0.94%, 0.53%

LAB 38.5, 76.55, -93.44

 

CMYK 0 / 91 / 77 / 3

HEX #F81638

RGB 248 22 56

HSL 350.97, 0.94%, 0.53%

LAB 52.75, 77.47, 43.86

 

CMYK 32 / 0 / 91 / 3

HEX #A9F816

RGB 169 248 22

HSL 80.97, 0.94%, 0.53%

LAB 89.69, -51.72, 84.45

 

CMYK 91 / 0 / 14 / 3

HEX #16F8D6

RGB 22 248 214

HSL 170.97, 0.94%, 0.53%

LAB 88.05, -55.81, 2.67

 

Description

Color code: HEX #6818F8 | qconv.com Color code: HEX #6818F8 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 24 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 24 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 90 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 90% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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