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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67FB7B it is the complementary color #980484. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67FB7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67FB7B shade: #6CFB76, #7DFF89, #8EFF9C, #9FFFAF and #B0FFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67FB7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67FB7B shade: #67FB7B, #56E968, #45D755, #34C542 and #23B32F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67FB7B shade: #65FB79, #79FB65, #A2FB65, #CAFB65 and #F3FB65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67FB7B shade: #65FB79, #65FBA2, #65FBCA, #65FBF3 and #65DBFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67FB7B shade matches the following richer shades: #65FB79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67FB7B shade: #65FB79, #72EE82, #7EE18C, #8BD595 and #98C89E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67FB7B shade: #A1FB65, #79FB65, #65FB79, #65FBA1 and #65FBC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67FB7B shade: #14F933, #3DFA56, #65FB79, #8DFC9C and #B5FDBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67FB7B shade: #67FB7B, #65C9FB and #FB658D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67FB7B shade: #67FB7B, #7965FB and #FB7965

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67FB7B shade: #67FB7B, #65C9FB, #FB65E7 and #FB9765

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67FB7B shade: #67FB7B, #659CFB, #FB65E7 and #FBC465

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 51 / 2

HEX #67FB7B

RGB 103 251 123

HSL 128.11, 0.95%, 0.69%

LAB 88.59, -65.03, 49.35

 

Complementary color

CMYK 0 / 97 / 13 / 40

HEX #980484

RGB 152 4 132

HSL 308.11, 0.95%, 0.31%

LAB 34.86, 63.36, -30.65

 

CMYK 57 / 0 / 53 / 2

HEX #6CFB76

RGB 108 251 118

HSL 124.2, 0.95%, 0.7%

LAB 88.68, -64.56, 51.79

 

CMYK 51 / 0 / 46 / 0

HEX #7DFF89

RGB 125 255 137

HSL 125.54, 1%, 0.75%

LAB 90.64, -59.45, 45.44

 

CMYK 44 / 0 / 39 / 0

HEX #8EFF9C

RGB 142 255 156

HSL 127.43, 1%, 0.78%

LAB 91.54, -52.2, 37.5

 

CMYK 38 / 0 / 31 / 0

HEX #9FFFAF

RGB 159 255 175

HSL 130, 1%, 0.81%

LAB 92.57, -44.37, 29.53

 

CMYK 31 / 0 / 24 / 0

HEX #B0FFC2

RGB 176 255 194

HSL 133.67, 1%, 0.85%

LAB 93.73, -36.1, 21.62

 

CMYK 59 / 0 / 51 / 2

HEX #67FB7B

RGB 103 251 123

HSL 128.11, 0.95%, 0.69%

LAB 88.59, -65.03, 49.35

 

CMYK 63 / 0 / 55 / 9

HEX #56E968

RGB 86 233 104

HSL 127.35, 0.77%, 0.63%

LAB 82.52, -64.64, 50.66

 

CMYK 68 / 0 / 60 / 16

HEX #45D755

RGB 69 215 85

HSL 126.58, 0.65%, 0.56%

LAB 76.39, -63.98, 51.91

 

CMYK 74 / 0 / 66 / 23

HEX #34C542

RGB 52 197 66

HSL 125.79, 0.58%, 0.49%

LAB 70.22, -62.93, 53.02

 

CMYK 80 / 0 / 74 / 30

HEX #23B32F

RGB 35 179 47

HSL 125, 0.67%, 0.42%

LAB 64, -61.33, 53.79

 

CMYK 60 / 0 / 52 / 2

HEX #65FB79

RGB 101 251 121

HSL 128, 0.95%, 0.69%

LAB 88.52, -65.72, 50.17

 

CMYK 52 / 0 / 60 / 2

HEX #79FB65

RGB 121 251 101

HSL 112, 0.95%, 0.69%

LAB 88.92, -63.33, 59.69

 

CMYK 35 / 0 / 60 / 2

HEX #A2FB65

RGB 162 251 101

HSL 95.6, 0.95%, 0.69%

LAB 90.6, -51.23, 62.05

 

CMYK 20 / 0 / 60 / 2

HEX #CAFB65

RGB 202 251 101

HSL 79.6, 0.95%, 0.69%

LAB 92.79, -37.16, 65.09

 

CMYK 3 / 0 / 60 / 2

HEX #F3FB65

RGB 243 251 101

HSL 63.2, 0.95%, 0.69%

LAB 95.58, -21.35, 68.93

 

CMYK 60 / 0 / 52 / 2

HEX #65FB79

RGB 101 251 121

HSL 128, 0.95%, 0.69%

LAB 88.52, -65.72, 50.17

 

CMYK 60 / 0 / 35 / 2

HEX #65FBA2

RGB 101 251 162

HSL 144.4, 0.95%, 0.69%

LAB 89.1, -59.35, 31.03

 

CMYK 60 / 0 / 20 / 2

HEX #65FBCA

RGB 101 251 202

HSL 160.4, 0.95%, 0.69%

LAB 89.87, -51.31, 11.68

 

CMYK 60 / 0 / 3 / 2

HEX #65FBF3

RGB 101 251 243

HSL 176.8, 0.95%, 0.69%

LAB 90.89, -41.44, -8.12

 

CMYK 60 / 13 / 0 / 2

HEX #65DBFB

RGB 101 219 251

HSL 192.8, 0.95%, 0.69%

LAB 82.05, -24.16, -25.6

 

CMYK 60 / 0 / 52 / 2

HEX #65FB79

RGB 101 251 121

HSL 128, 0.95%, 0.69%

LAB 88.52, -65.72, 50.17

 

CMYK 60 / 0 / 52 / 2

HEX #65FB79

RGB 101 251 121

HSL 128, 0.95%, 0.69%

LAB 88.52, -65.72, 50.17

 

CMYK 52 / 0 / 45 / 7

HEX #72EE82

RGB 114 238 130

HSL 127.74, 0.78%, 0.69%

LAB 85.17, -56.62, 41.83

 

CMYK 44 / 0 / 38 / 12

HEX #7EE18C

RGB 126 225 140

HSL 128.48, 0.62%, 0.69%

LAB 81.94, -46.62, 32.76

 

CMYK 35 / 0 / 30 / 16

HEX #8BD595

RGB 139 213 149

HSL 128.11, 0.47%, 0.69%

LAB 79.18, -36, 24.55

 

CMYK 24 / 0 / 21 / 22

HEX #98C89E

RGB 152 200 158

HSL 127.5, 0.3%, 0.69%

LAB 76.35, -24.05, 15.99

 

CMYK 36 / 0 / 60 / 2

HEX #A1FB65

RGB 161 251 101

HSL 96, 0.95%, 0.69%

LAB 90.56, -51.55, 61.98

 

CMYK 52 / 0 / 60 / 2

HEX #79FB65

RGB 121 251 101

HSL 112, 0.95%, 0.69%

LAB 88.92, -63.33, 59.69

 

CMYK 60 / 0 / 52 / 2

HEX #65FB79

RGB 101 251 121

HSL 128, 0.95%, 0.69%

LAB 88.52, -65.72, 50.17

 

CMYK 60 / 0 / 36 / 2

HEX #65FBA1

RGB 101 251 161

HSL 144, 0.95%, 0.69%

LAB 89.08, -59.53, 31.51

 

CMYK 60 / 0 / 20 / 2

HEX #65FBC9

RGB 101 251 201

HSL 160, 0.95%, 0.69%

LAB 89.85, -51.53, 12.16

 

CMYK 92 / 0 / 80 / 2

HEX #14F933

RGB 20 249 51

HSL 128.12, 0.95%, 0.53%

LAB 86.08, -82.42, 73.97

 

CMYK 76 / 0 / 66 / 2

HEX #3DFA56

RGB 61 250 86

HSL 127.94, 0.95%, 0.61%

LAB 87.01, -76.36, 63.3

 

CMYK 60 / 0 / 52 / 2

HEX #65FB79

RGB 101 251 121

HSL 128, 0.95%, 0.69%

LAB 88.52, -65.72, 50.17

 

CMYK 44 / 0 / 38 / 1

HEX #8DFC9C

RGB 141 252 156

HSL 128.11, 0.95%, 0.77%

LAB 90.64, -51.23, 36.31

 

CMYK 28 / 0 / 25 / 1

HEX #B5FDBF

RGB 181 253 191

HSL 128.33, 0.95%, 0.85%

LAB 93.38, -34.17, 22.71

 

CMYK 59 / 0 / 51 / 2

HEX #67FB7B

RGB 103 251 123

HSL 128.11, 0.95%, 0.69%

LAB 88.59, -65.03, 49.35

 

CMYK 60 / 20 / 0 / 2

HEX #65C9FB

RGB 101 201 251

HSL 200, 0.95%, 0.69%

LAB 76.98, -14.98, -33.38

 

CMYK 0 / 60 / 44 / 2

HEX #FB658D

RGB 251 101 141

HSL 344, 0.95%, 0.69%

LAB 63.13, 60.52, 8.15

 

CMYK 59 / 0 / 51 / 2

HEX #67FB7B

RGB 103 251 123

HSL 128.11, 0.95%, 0.69%

LAB 88.59, -65.03, 49.35

 

CMYK 52 / 60 / 0 / 2

HEX #7965FB

RGB 121 101 251

HSL 248, 0.95%, 0.69%

LAB 52.22, 46.21, -72.56

 

CMYK 0 / 52 / 60 / 2

HEX #FB7965

RGB 251 121 101

HSL 8, 0.95%, 0.69%

LAB 65.84, 48.06, 34.46

 

CMYK 59 / 0 / 51 / 2

HEX #67FB7B

RGB 103 251 123

HSL 128.11, 0.95%, 0.69%

LAB 88.59, -65.03, 49.35

 

CMYK 60 / 20 / 0 / 2

HEX #65C9FB

RGB 101 201 251

HSL 200, 0.95%, 0.69%

LAB 76.98, -14.98, -33.38

 

CMYK 0 / 60 / 8 / 2

HEX #FB65E7

RGB 251 101 231

HSL 308, 0.95%, 0.69%

LAB 66.2, 71.87, -38.27

 

CMYK 0 / 40 / 60 / 2

HEX #FB9765

RGB 251 151 101

HSL 20, 0.95%, 0.69%

LAB 71.95, 32.97, 42.03

 

CMYK 59 / 0 / 51 / 2

HEX #67FB7B

RGB 103 251 123

HSL 128.11, 0.95%, 0.69%

LAB 88.59, -65.03, 49.35

 

CMYK 60 / 38 / 0 / 2

HEX #659CFB

RGB 101 156 251

HSL 218, 0.95%, 0.69%

LAB 64.57, 9.96, -52.8

 

CMYK 0 / 60 / 8 / 2

HEX #FB65E7

RGB 251 101 231

HSL 308, 0.95%, 0.69%

LAB 66.2, 71.87, -38.27

 

CMYK 0 / 22 / 60 / 2

HEX #FBC465

RGB 251 196 101

HSL 38, 0.95%, 0.69%

LAB 82.34, 9.45, 54.35

 

Description

Color code: HEX #67FB7B | qconv.com Color code: HEX #67FB7B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 251 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 251 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 51 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 51% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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