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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67F69C it is the complementary color #980963. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67F69C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67F69C shade: #6CF697, #7DFFAA, #8EFFBD, #9FFFD0 and #B0FFE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67F69C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67F69C shade: #67F69C, #56E489, #45D276, #34C063 and #23AE50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67F69C shade: #65F69B, #65F673, #7DF665, #A4F665 and #CCF665

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67F69C shade: #65F69B, #65F6C2, #65F6E9, #65DCF6 and #65B5F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67F69C shade matches the following richer shades: #65F69B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67F69C shade: #65F69B, #72E99E, #7FDCA1, #8CCEA5 and #9AC1A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67F69C shade: #7DF665, #65F673, #65F69A, #65F6C1 and #65F6E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67F69C shade: #17F168, #3EF481, #65F69B, #8CF8B4 and #B3FBCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67F69C shade: #67F69C, #65A4F6 and #F6656A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67F69C shade: #67F69C, #9A65F6 and #F69A65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67F69C shade: #67F69C, #65A4F6, #F665C1 and #F6B765

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67F69C shade: #67F69C, #6578F6, #F665C1 and #F6E365

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 37 / 4

HEX #67F69C

RGB 103 246 156

HSL 142.24, 0.89%, 0.68%

LAB 87.58, -58.07, 32.03

 

Complementary color

CMYK 0 / 94 / 35 / 40

HEX #980963

RGB 152 9 99

HSL 322.24, 0.89%, 0.32%

LAB 33.5, 58.61, -11.85

 

CMYK 56 / 0 / 39 / 4

HEX #6CF697

RGB 108 246 151

HSL 138.7, 0.88%, 0.69%

LAB 87.65, -57.85, 34.64

 

CMYK 51 / 0 / 33 / 0

HEX #7DFFAA

RGB 125 255 170

HSL 140.77, 1%, 0.75%

LAB 91.14, -54.24, 29.88

 

CMYK 44 / 0 / 26 / 0

HEX #8EFFBD

RGB 142 255 189

HSL 144.96, 1%, 0.78%

LAB 92.11, -46.56, 21.69

 

CMYK 38 / 0 / 18 / 0

HEX #9FFFD0

RGB 159 255 208

HSL 150.63, 1%, 0.81%

LAB 93.21, -38.4, 13.61

 

CMYK 31 / 0 / 11 / 0

HEX #B0FFE3

RGB 176 255 227

HSL 158.73, 1%, 0.85%

LAB 94.44, -29.87, 5.7

 

CMYK 58 / 0 / 37 / 4

HEX #67F69C

RGB 103 246 156

HSL 142.24, 0.89%, 0.68%

LAB 87.58, -58.07, 32.03

 

CMYK 62 / 0 / 40 / 11

HEX #56E489

RGB 86 228 137

HSL 141.55, 0.72%, 0.62%

LAB 81.44, -57.92, 33.38

 

CMYK 67 / 0 / 44 / 18

HEX #45D276

RGB 69 210 118

HSL 140.85, 0.61%, 0.55%

LAB 75.24, -57.57, 34.82

 

CMYK 73 / 0 / 48 / 25

HEX #34C063

RGB 52 192 99

HSL 140.14, 0.57%, 0.48%

LAB 68.99, -56.95, 36.34

 

CMYK 80 / 0 / 54 / 32

HEX #23AE50

RGB 35 174 80

HSL 139.42, 0.67%, 0.41%

LAB 62.68, -55.92, 37.94

 

CMYK 59 / 0 / 37 / 4

HEX #65F69B

RGB 101 246 155

HSL 142.34, 0.89%, 0.68%

LAB 87.51, -58.66, 32.42

 

CMYK 59 / 0 / 53 / 4

HEX #65F673

RGB 101 246 115

HSL 125.79, 0.89%, 0.68%

LAB 86.96, -64.71, 51.04

 

CMYK 49 / 0 / 59 / 4

HEX #7DF665

RGB 125 246 101

HSL 110.07, 0.89%, 0.68%

LAB 87.59, -60.41, 58.21

 

CMYK 33 / 0 / 59 / 4

HEX #A4F665

RGB 164 246 101

HSL 93.93, 0.89%, 0.68%

LAB 89.27, -48.49, 60.57

 

CMYK 17 / 0 / 59 / 4

HEX #CCF665

RGB 204 246 101

HSL 77.38, 0.89%, 0.68%

LAB 91.54, -34.15, 63.74

 

CMYK 59 / 0 / 37 / 4

HEX #65F69B

RGB 101 246 155

HSL 142.34, 0.89%, 0.68%

LAB 87.51, -58.66, 32.42

 

CMYK 59 / 0 / 21 / 4

HEX #65F6C2

RGB 101 246 194

HSL 158.48, 0.89%, 0.68%

LAB 88.24, -50.99, 13.5

 

CMYK 59 / 0 / 5 / 4

HEX #65F6E9

RGB 101 246 233

HSL 174.62, 0.89%, 0.68%

LAB 89.19, -41.77, -5.42

 

CMYK 59 / 11 / 0 / 4

HEX #65DCF6

RGB 101 220 246

HSL 190.76, 0.89%, 0.68%

LAB 82.17, -26.09, -22.78

 

CMYK 59 / 26 / 0 / 4

HEX #65B5F6

RGB 101 181 246

HSL 206.9, 0.89%, 0.68%

LAB 71.19, -5.8, -39.67

 

CMYK 59 / 0 / 37 / 4

HEX #65F69B

RGB 101 246 155

HSL 142.34, 0.89%, 0.68%

LAB 87.51, -58.66, 32.42

 

CMYK 59 / 0 / 37 / 4

HEX #65F69B

RGB 101 246 155

HSL 142.34, 0.89%, 0.68%

LAB 87.51, -58.66, 32.42

 

CMYK 51 / 0 / 32 / 9

HEX #72E99E

RGB 114 233 158

HSL 142.18, 0.73%, 0.68%

LAB 84.13, -50.02, 26.44

 

CMYK 42 / 0 / 27 / 14

HEX #7FDCA1

RGB 127 220 161

HSL 141.94, 0.57%, 0.68%

LAB 80.89, -40.52, 20.53

 

CMYK 32 / 0 / 20 / 19

HEX #8CCEA5

RGB 140 206 165

HSL 142.73, 0.4%, 0.68%

LAB 77.54, -29.5, 13.83

 

CMYK 20 / 0 / 13 / 24

HEX #9AC1A8

RGB 154 193 168

HSL 141.54, 0.24%, 0.68%

LAB 74.72, -18.03, 8.33

 

CMYK 49 / 0 / 59 / 4

HEX #7DF665

RGB 125 246 101

HSL 110.07, 0.89%, 0.68%

LAB 87.59, -60.41, 58.21

 

CMYK 59 / 0 / 53 / 4

HEX #65F673

RGB 101 246 115

HSL 125.79, 0.89%, 0.68%

LAB 86.96, -64.71, 51.04

 

CMYK 59 / 0 / 37 / 4

HEX #65F69A

RGB 101 246 154

HSL 141.93, 0.89%, 0.68%

LAB 87.49, -58.84, 32.9

 

CMYK 59 / 0 / 22 / 4

HEX #65F6C1

RGB 101 246 193

HSL 158.07, 0.89%, 0.68%

LAB 88.22, -51.21, 13.99

 

CMYK 59 / 0 / 6 / 4

HEX #65F6E7

RGB 101 246 231

HSL 173.79, 0.89%, 0.68%

LAB 89.13, -42.28, -4.46

 

CMYK 90 / 0 / 57 / 5

HEX #17F168

RGB 23 241 104

HSL 142.29, 0.89%, 0.52%

LAB 84.01, -75.09, 52.2

 

CMYK 75 / 0 / 47 / 4

HEX #3EF481

RGB 62 244 129

HSL 142.09, 0.89%, 0.6%

LAB 85.66, -68.88, 42.66

 

CMYK 59 / 0 / 37 / 4

HEX #65F69B

RGB 101 246 155

HSL 142.34, 0.89%, 0.68%

LAB 87.51, -58.66, 32.42

 

CMYK 44 / 0 / 27 / 3

HEX #8CF8B4

RGB 140 248 180

HSL 142.22, 0.89%, 0.76%

LAB 89.86, -45.74, 23.17

 

CMYK 29 / 0 / 18 / 2

HEX #B3FBCD

RGB 179 251 205

HSL 141.67, 0.9%, 0.84%

LAB 93.01, -31.37, 15.01

 

CMYK 58 / 0 / 37 / 4

HEX #67F69C

RGB 103 246 156

HSL 142.24, 0.89%, 0.68%

LAB 87.58, -58.07, 32.03

 

CMYK 59 / 33 / 0 / 4

HEX #65A4F6

RGB 101 164 246

HSL 213.93, 0.89%, 0.68%

LAB 66.5, 3.73, -47.03

 

CMYK 0 / 59 / 57 / 4

HEX #F6656A

RGB 246 101 106

HSL 357.93, 0.89%, 0.68%

LAB 61.6, 55.95, 26.04

 

CMYK 58 / 0 / 37 / 4

HEX #67F69C

RGB 103 246 156

HSL 142.24, 0.89%, 0.68%

LAB 87.58, -58.07, 32.03

 

CMYK 37 / 59 / 0 / 4

HEX #9A65F6

RGB 154 101 246

HSL 261.93, 0.89%, 0.68%

LAB 54.9, 51.47, -65.3

 

CMYK 0 / 37 / 59 / 4

HEX #F69A65

RGB 246 154 101

HSL 21.93, 0.89%, 0.68%

LAB 71.99, 29.44, 41.94

 

CMYK 58 / 0 / 37 / 4

HEX #67F69C

RGB 103 246 156

HSL 142.24, 0.89%, 0.68%

LAB 87.58, -58.07, 32.03

 

CMYK 59 / 33 / 0 / 4

HEX #65A4F6

RGB 101 164 246

HSL 213.93, 0.89%, 0.68%

LAB 66.5, 3.73, -47.03

 

CMYK 0 / 59 / 22 / 4

HEX #F665C1

RGB 246 101 193

HSL 321.93, 0.89%, 0.68%

LAB 63.96, 65.04, -20.47

 

CMYK 0 / 26 / 59 / 4

HEX #F6B765

RGB 246 183 101

HSL 33.93, 0.89%, 0.68%

LAB 78.69, 14.19, 49.97

 

CMYK 58 / 0 / 37 / 4

HEX #67F69C

RGB 103 246 156

HSL 142.24, 0.89%, 0.68%

LAB 87.58, -58.07, 32.03

 

CMYK 59 / 51 / 0 / 4

HEX #6578F6

RGB 101 120 246

HSL 232.14, 0.89%, 0.68%

LAB 54.92, 29.82, -65.48

 

CMYK 0 / 59 / 22 / 4

HEX #F665C1

RGB 246 101 193

HSL 321.93, 0.89%, 0.68%

LAB 63.96, 65.04, -20.47

 

CMYK 0 / 8 / 59 / 4

HEX #F6E365

RGB 246 227 101

HSL 52.14, 0.89%, 0.68%

LAB 89.61, -8.42, 62.46

 

Description

Color code: HEX #67F69C | qconv.com Color code: HEX #67F69C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 246 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 246 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 37 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 37% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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