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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67E563 it is the complementary color #981A9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67E563. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67E563 shade: #6CE55E, #7DF771, #8EFF84, #9FFF97 and #B0FFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67E563. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67E563 shade: #67E563, #56D350, #45C13D, #34AF2A and #239D17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67E563 shade: #66E462, #89E462, #ACE462, #CFE462 and #E4D662

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67E563 shade: #66E462, #62E481, #62E4A4, #62E4C7 and #62DEE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67E563 shade matches the following richer shades: #66E462 and #58F353

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67E563 shade: #66E462, #74D671, #82C780, #90B88F and #9EA99D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67E563 shade: #ACE462, #89E462, #66E462, #62E480 and #62E4A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67E563 shade: #29D123, #44DE3F, #66E462, #88EA85 and #ABF0A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67E563 shade: #67E563, #62CFE4 and #E4629B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67E563 shade: #67E563, #6266E4 and #E46266

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67E563 shade: #67E563, #62CFE4, #E062E4 and #E47862

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67E563 shade: #67E563, #62A8E4, #E062E4 and #E49F62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 57 / 10

HEX #67E563

RGB 103 229 99

HSL 118.15, 0.71%, 0.64%

LAB 81.74, -59.99, 52.13

 

Complementary color

CMYK 3 / 83 / 0 / 39

HEX #981A9C

RGB 152 26 156

HSL 298.15, 0.71%, 0.36%

LAB 37.51, 63.35, -41.17

 

CMYK 53 / 0 / 59 / 10

HEX #6CE55E

RGB 108 229 94

HSL 113.78, 0.72%, 0.63%

LAB 81.86, -59.29, 54.52

 

CMYK 49 / 0 / 54 / 3

HEX #7DF771

RGB 125 247 113

HSL 114.63, 0.89%, 0.71%

LAB 88, -59.47, 53.39

 

CMYK 44 / 0 / 48 / 0

HEX #8EFF84

RGB 142 255 132

HSL 115.12, 1%, 0.76%

LAB 91.21, -55.58, 48.66

 

CMYK 38 / 0 / 41 / 0

HEX #9FFF97

RGB 159 255 151

HSL 115.38, 1%, 0.8%

LAB 92.19, -48.05, 40.94

 

CMYK 31 / 0 / 33 / 0

HEX #B0FFAA

RGB 176 255 170

HSL 115.76, 1%, 0.83%

LAB 93.3, -40.02, 33.16

 

CMYK 55 / 0 / 57 / 10

HEX #67E563

RGB 103 229 99

HSL 118.15, 0.71%, 0.64%

LAB 81.74, -59.99, 52.13

 

CMYK 59 / 0 / 62 / 17

HEX #56D350

RGB 86 211 80

HSL 117.25, 0.6%, 0.57%

LAB 75.54, -59.6, 53.25

 

CMYK 64 / 0 / 68 / 24

HEX #45C13D

RGB 69 193 61

HSL 116.36, 0.52%, 0.5%

LAB 69.29, -58.92, 54.16

 

CMYK 70 / 0 / 76 / 31

HEX #34AF2A

RGB 52 175 42

HSL 115.49, 0.61%, 0.43%

LAB 62.98, -57.79, 54.63

 

CMYK 78 / 0 / 85 / 38

HEX #239D17

RGB 35 157 23

HSL 114.63, 0.74%, 0.35%

LAB 56.62, -56.02, 54.23

 

CMYK 55 / 0 / 57 / 11

HEX #66E462

RGB 102 228 98

HSL 118.15, 0.71%, 0.64%

LAB 81.4, -59.98, 52.17

 

CMYK 40 / 0 / 57 / 11

HEX #89E462

RGB 137 228 98

HSL 102, 0.71%, 0.64%

LAB 82.75, -50.11, 54.08

 

CMYK 25 / 0 / 57 / 11

HEX #ACE462

RGB 172 228 98

HSL 85.85, 0.71%, 0.64%

LAB 84.56, -38.15, 56.63

 

CMYK 9 / 0 / 57 / 11

HEX #CFE462

RGB 207 228 98

HSL 69.69, 0.71%, 0.64%

LAB 86.82, -24.81, 59.8

 

CMYK 0 / 6 / 57 / 11

HEX #E4D662

RGB 228 214 98

HSL 53.54, 0.71%, 0.64%

LAB 84.72, -9.46, 57.89

 

CMYK 55 / 0 / 57 / 11

HEX #66E462

RGB 102 228 98

HSL 118.15, 0.71%, 0.64%

LAB 81.4, -59.98, 52.17

 

CMYK 57 / 0 / 43 / 11

HEX #62E481

RGB 98 228 129

HSL 134.31, 0.71%, 0.64%

LAB 81.66, -56.7, 37.73

 

CMYK 57 / 0 / 28 / 11

HEX #62E4A4

RGB 98 228 164

HSL 150.46, 0.71%, 0.64%

LAB 82.25, -50.43, 20.68

 

CMYK 57 / 0 / 13 / 11

HEX #62E4C7

RGB 98 228 199

HSL 166.62, 0.71%, 0.64%

LAB 83.02, -42.72, 3.4

 

CMYK 57 / 3 / 0 / 11

HEX #62DEE4

RGB 98 222 228

HSL 182.77, 0.71%, 0.64%

LAB 82.08, -32.58, -13.37

 

CMYK 55 / 0 / 57 / 11

HEX #66E462

RGB 102 228 98

HSL 118.15, 0.71%, 0.64%

LAB 81.4, -59.98, 52.17

 

CMYK 64 / 0 / 66 / 5

HEX #58F353

RGB 88 243 83

HSL 118.13, 0.87%, 0.64%

LAB 85.4, -69.92, 62.89

 

CMYK 55 / 0 / 57 / 11

HEX #66E462

RGB 102 228 98

HSL 118.15, 0.71%, 0.64%

LAB 81.4, -59.98, 52.17

 

CMYK 46 / 0 / 47 / 16

HEX #74D671

RGB 116 214 113

HSL 118.22, 0.55%, 0.64%

LAB 77.87, -48.9, 40.96

 

CMYK 35 / 0 / 36 / 22

HEX #82C780

RGB 130 199 128

HSL 118.31, 0.39%, 0.64%

LAB 74.29, -35.89, 28.85

 

CMYK 22 / 0 / 22 / 28

HEX #90B88F

RGB 144 184 143

HSL 118.54, 0.22%, 0.64%

LAB 71, -21.48, 16.54

 

CMYK 7 / 0 / 7 / 34

HEX #9EA99D

RGB 158 169 157

HSL 115, 0.07%, 0.64%

LAB 68.08, -6.18, 4.85

 

CMYK 25 / 0 / 57 / 11

HEX #ACE462

RGB 172 228 98

HSL 85.85, 0.71%, 0.64%

LAB 84.56, -38.15, 56.63

 

CMYK 40 / 0 / 57 / 11

HEX #89E462

RGB 137 228 98

HSL 102, 0.71%, 0.64%

LAB 82.75, -50.11, 54.08

 

CMYK 55 / 0 / 57 / 11

HEX #66E462

RGB 102 228 98

HSL 118.15, 0.71%, 0.64%

LAB 81.4, -59.98, 52.17

 

CMYK 57 / 0 / 44 / 11

HEX #62E480

RGB 98 228 128

HSL 133.85, 0.71%, 0.64%

LAB 81.64, -56.86, 38.21

 

CMYK 57 / 0 / 29 / 11

HEX #62E4A3

RGB 98 228 163

HSL 150, 0.71%, 0.64%

LAB 82.23, -50.63, 21.17

 

CMYK 80 / 0 / 83 / 18

HEX #29D123

RGB 41 209 35

HSL 117.93, 0.71%, 0.48%

LAB 73.67, -70.4, 66.71

 

CMYK 69 / 0 / 72 / 13

HEX #44DE3F

RGB 68 222 63

HSL 118.11, 0.71%, 0.56%

LAB 78.36, -68.58, 62.86

 

CMYK 55 / 0 / 57 / 11

HEX #66E462

RGB 102 228 98

HSL 118.15, 0.71%, 0.64%

LAB 81.4, -59.98, 52.17

 

CMYK 42 / 0 / 43 / 8

HEX #88EA85

RGB 136 234 133

HSL 118.22, 0.71%, 0.72%

LAB 84.88, -48.6, 40.17

 

CMYK 29 / 0 / 30 / 6

HEX #ABF0A9

RGB 171 240 169

HSL 118.31, 0.7%, 0.8%

LAB 88.85, -34.98, 27.63

 

CMYK 55 / 0 / 57 / 10

HEX #67E563

RGB 103 229 99

HSL 118.15, 0.71%, 0.64%

LAB 81.74, -59.99, 52.13

 

CMYK 57 / 9 / 0 / 11

HEX #62CFE4

RGB 98 207 228

HSL 189.69, 0.71%, 0.64%

LAB 77.77, -25.31, -19.85

 

CMYK 0 / 57 / 32 / 11

HEX #E4629B

RGB 228 98 155

HSL 333.69, 0.71%, 0.64%

LAB 59.52, 56.15, -5.62

 

CMYK 55 / 0 / 57 / 10

HEX #67E563

RGB 103 229 99

HSL 118.15, 0.71%, 0.64%

LAB 81.74, -59.99, 52.13

 

CMYK 57 / 55 / 0 / 11

HEX #6266E4

RGB 98 102 228

HSL 238.15, 0.71%, 0.64%

LAB 49.13, 34.38, -64.77

 

CMYK 0 / 57 / 55 / 11

HEX #E46266

RGB 228 98 102

HSL 358.15, 0.71%, 0.64%

LAB 58.22, 50.89, 23.34

 

CMYK 55 / 0 / 57 / 10

HEX #67E563

RGB 103 229 99

HSL 118.15, 0.71%, 0.64%

LAB 81.74, -59.99, 52.13

 

CMYK 57 / 9 / 0 / 11

HEX #62CFE4

RGB 98 207 228

HSL 189.69, 0.71%, 0.64%

LAB 77.77, -25.31, -19.85

 

CMYK 2 / 57 / 0 / 11

HEX #E062E4

RGB 224 98 228

HSL 298.15, 0.71%, 0.64%

LAB 61.81, 65.82, -43.75

 

CMYK 0 / 47 / 57 / 11

HEX #E47862

RGB 228 120 98

HSL 10.15, 0.71%, 0.64%

LAB 62.35, 39.84, 31

 

CMYK 55 / 0 / 57 / 10

HEX #67E563

RGB 103 229 99

HSL 118.15, 0.71%, 0.64%

LAB 81.74, -59.99, 52.13

 

CMYK 57 / 26 / 0 / 11

HEX #62A8E4

RGB 98 168 228

HSL 207.69, 0.71%, 0.64%

LAB 66.68, -4.78, -36.9

 

CMYK 2 / 57 / 0 / 11

HEX #E062E4

RGB 224 98 228

HSL 298.15, 0.71%, 0.64%

LAB 61.81, 65.82, -43.75

 

CMYK 0 / 30 / 57 / 11

HEX #E49F62

RGB 228 159 98

HSL 28.15, 0.71%, 0.64%

LAB 70.99, 19.3, 41.78

 

Description

Color code: HEX #67E563 | qconv.com Color code: HEX #67E563 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 229 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 229 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 57 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 57% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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