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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67E214 it is the complementary color #981DEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67E214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67E214 shade: #6CE20F, #7DF422, #8EFF35, #9FFF48 and #B0FF5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67E214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67E214 shade: #67E214, #56D001, #45BE00, #34AC00 and #239A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67E214 shade: #66E114, #9EE114, #D5E114, #E1B614 and #E17E14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67E214 shade: #66E114, #2FE114, #14E130, #14E167 and #14E19F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67E214 shade matches the following richer shades: #66E114

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67E214 shade: #66E114, #6ACD27, #6EBA3B, #72A64F and #769263

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67E214 shade: #D7E114, #A0E114, #69E114, #32E114 and #14E12C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67E214 shade: #44950D, #55BB10, #66E114, #7DED31 and #95F057

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67E214 shade: #67E214, #14E1B5 and #E114BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67E214 shade: #67E214, #1469E1 and #E11469

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67E214 shade: #67E214, #14E1B5, #8C14E1 and #E11440

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67E214 shade: #67E214, #14D0E1, #8C14E1 and #E12514

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 91 / 11

HEX #67E214

RGB 103 226 20

HSL 95.83, 0.84%, 0.48%

LAB 80.36, -64.23, 75.93

 

Complementary color

CMYK 35 / 88 / 0 / 8

HEX #981DEB

RGB 152 29 235

HSL 275.83, 0.84%, 0.52%

LAB 43.58, 77.38, -77.53

 

CMYK 52 / 0 / 93 / 11

HEX #6CE20F

RGB 108 226 15

HSL 93.55, 0.88%, 0.47%

LAB 80.52, -62.98, 76.76

 

CMYK 49 / 0 / 86 / 4

HEX #7DF422

RGB 125 244 34

HSL 94, 0.91%, 0.55%

LAB 86.59, -64.12, 79.16

 

CMYK 44 / 0 / 79 / 0

HEX #8EFF35

RGB 142 255 53

HSL 93.56, 1%, 0.6%

LAB 90.56, -62.38, 78.58

 

CMYK 38 / 0 / 72 / 0

HEX #9FFF48

RGB 159 255 72

HSL 91.48, 1%, 0.64%

LAB 91.4, -56.01, 73.9

 

CMYK 31 / 0 / 64 / 0

HEX #B0FF5B

RGB 176 255 91

HSL 88.9, 1%, 0.68%

LAB 92.36, -49, 68.23

 

CMYK 54 / 0 / 91 / 11

HEX #67E214

RGB 103 226 20

HSL 95.83, 0.84%, 0.48%

LAB 80.36, -64.23, 75.93

 

CMYK 59 / 0 / 100 / 18

HEX #56D001

RGB 86 208 1

HSL 95.36, 0.99%, 0.41%

LAB 74.25, -62.78, 72.8

 

CMYK 64 / 0 / 100 / 25

HEX #45BE00

RGB 69 190 0

HSL 98.21, 1%, 0.37%

LAB 68.09, -60.82, 67.82

 

CMYK 70 / 0 / 100 / 33

HEX #34AC00

RGB 52 172 0

HSL 101.86, 1%, 0.34%

LAB 61.86, -58.54, 62.69

 

CMYK 77 / 0 / 100 / 40

HEX #239A00

RGB 35 154 0

HSL 106.36, 1%, 0.3%

LAB 55.55, -55.86, 57.53

 

CMYK 55 / 0 / 91 / 12

HEX #66E114

RGB 102 225 20

HSL 96, 0.84%, 0.48%

LAB 80.03, -64.15, 75.64

 

CMYK 30 / 0 / 91 / 12

HEX #9EE114

RGB 158 225 20

HSL 79.61, 0.84%, 0.48%

LAB 82.47, -46.18, 78.65

 

CMYK 5 / 0 / 91 / 12

HEX #D5E114

RGB 213 225 20

HSL 63.51, 0.84%, 0.48%

LAB 86.03, -24.41, 82.98

 

CMYK 0 / 19 / 91 / 12

HEX #E1B614

RGB 225 182 20

HSL 47.41, 0.84%, 0.48%

LAB 75.77, 2.35, 75.54

 

CMYK 0 / 44 / 91 / 12

HEX #E17E14

RGB 225 126 20

HSL 31.02, 0.84%, 0.48%

LAB 62.49, 32.07, 65.65

 

CMYK 55 / 0 / 91 / 12

HEX #66E114

RGB 102 225 20

HSL 96, 0.84%, 0.48%

LAB 80.03, -64.15, 75.64

 

CMYK 79 / 0 / 91 / 12

HEX #2FE114

RGB 47 225 20

HSL 112.1, 0.84%, 0.48%

LAB 78.76, -74.85, 74.06

 

CMYK 91 / 0 / 79 / 12

HEX #14E130

RGB 20 225 48

HSL 128.2, 0.84%, 0.48%

LAB 78.59, -76.01, 67.73

 

CMYK 91 / 0 / 54 / 12

HEX #14E167

RGB 20 225 103

HSL 144.29, 0.84%, 0.48%

LAB 79.03, -70.46, 46.7

 

CMYK 91 / 0 / 29 / 12

HEX #14E19F

RGB 20 225 159

HSL 160.68, 0.84%, 0.48%

LAB 79.9, -60.27, 19.82

 

CMYK 55 / 0 / 91 / 12

HEX #66E114

RGB 102 225 20

HSL 96, 0.84%, 0.48%

LAB 80.03, -64.15, 75.64

 

CMYK 55 / 0 / 91 / 12

HEX #66E114

RGB 102 225 20

HSL 96, 0.84%, 0.48%

LAB 80.03, -64.15, 75.64

 

CMYK 48 / 0 / 81 / 20

HEX #6ACD27

RGB 106 205 39

HSL 95.78, 0.68%, 0.48%

LAB 74.11, -55.15, 66.7

 

CMYK 41 / 0 / 68 / 27

HEX #6EBA3B

RGB 110 186 59

HSL 95.91, 0.52%, 0.48%

LAB 68.57, -45.11, 54.65

 

CMYK 31 / 0 / 52 / 35

HEX #72A64F

RGB 114 166 79

HSL 95.86, 0.36%, 0.48%

LAB 62.86, -32.96, 39.27

 

CMYK 19 / 0 / 32 / 43

HEX #769263

RGB 118 146 99

HSL 95.74, 0.19%, 0.48%

LAB 57.38, -18.87, 21.78

 

CMYK 4 / 0 / 91 / 12

HEX #D7E114

RGB 215 225 20

HSL 62.93, 0.84%, 0.48%

LAB 86.18, -23.58, 83.16

 

CMYK 29 / 0 / 91 / 12

HEX #A0E114

RGB 160 225 20

HSL 79.02, 0.84%, 0.48%

LAB 82.58, -45.44, 78.78

 

CMYK 53 / 0 / 91 / 12

HEX #69E114

RGB 105 225 20

HSL 95.12, 0.84%, 0.48%

LAB 80.13, -63.35, 75.76

 

CMYK 78 / 0 / 91 / 12

HEX #32E114

RGB 50 225 20

HSL 111.22, 0.84%, 0.48%

LAB 78.8, -74.47, 74.12

 

CMYK 91 / 0 / 80 / 12

HEX #14E12C

RGB 20 225 44

HSL 127.02, 0.84%, 0.48%

LAB 78.57, -76.24, 68.83

 

CMYK 54 / 0 / 91 / 42

HEX #44950D

RGB 68 149 13

HSL 95.74, 0.84%, 0.32%

LAB 54.82, -46.29, 55.19

 

CMYK 55 / 0 / 91 / 27

HEX #55BB10

RGB 85 187 16

HSL 95.79, 0.84%, 0.4%

LAB 67.66, -55.42, 65.71

 

CMYK 55 / 0 / 91 / 12

HEX #66E114

RGB 102 225 20

HSL 96, 0.84%, 0.48%

LAB 80.03, -64.15, 75.64

 

CMYK 47 / 0 / 79 / 7

HEX #7DED31

RGB 125 237 49

HSL 95.74, 0.84%, 0.56%

LAB 84.56, -60.97, 73.87

 

CMYK 38 / 0 / 64 / 6

HEX #95F057

RGB 149 240 87

HSL 95.69, 0.84%, 0.64%

LAB 86.7, -52.19, 63.33

 

CMYK 54 / 0 / 91 / 11

HEX #67E214

RGB 103 226 20

HSL 95.83, 0.84%, 0.48%

LAB 80.36, -64.23, 75.93

 

CMYK 91 / 0 / 20 / 12

HEX #14E1B5

RGB 20 225 181

HSL 167.12, 0.84%, 0.48%

LAB 80.37, -55.11, 8.92

 

CMYK 0 / 91 / 16 / 12

HEX #E114BC

RGB 225 20 188

HSL 310.83, 0.84%, 0.48%

LAB 51.99, 82.8, -36.38

 

CMYK 54 / 0 / 91 / 11

HEX #67E214

RGB 103 226 20

HSL 95.83, 0.84%, 0.48%

LAB 80.36, -64.23, 75.93

 

CMYK 91 / 53 / 0 / 12

HEX #1469E1

RGB 20 105 225

HSL 215.12, 0.84%, 0.48%

LAB 46.56, 22.33, -67.39

 

CMYK 0 / 91 / 53 / 12

HEX #E11469

RGB 225 20 105

HSL 335.12, 0.84%, 0.48%

LAB 48.92, 74.6, 8.72

 

CMYK 54 / 0 / 91 / 11

HEX #67E214

RGB 103 226 20

HSL 95.83, 0.84%, 0.48%

LAB 80.36, -64.23, 75.93

 

CMYK 91 / 0 / 20 / 12

HEX #14E1B5

RGB 20 225 181

HSL 167.12, 0.84%, 0.48%

LAB 80.37, -55.11, 8.92

 

CMYK 38 / 91 / 0 / 12

HEX #8C14E1

RGB 140 20 225

HSL 275.12, 0.84%, 0.48%

LAB 40.43, 75.65, -77.08

 

CMYK 0 / 91 / 72 / 12

HEX #E11440

RGB 225 20 64

HSL 347.12, 0.84%, 0.48%

LAB 48.11, 72.34, 32.73

 

CMYK 54 / 0 / 91 / 11

HEX #67E214

RGB 103 226 20

HSL 95.83, 0.84%, 0.48%

LAB 80.36, -64.23, 75.93

 

CMYK 91 / 8 / 0 / 12

HEX #14D0E1

RGB 20 208 225

HSL 184.98, 0.84%, 0.48%

LAB 76.49, -35.47, -20.32

 

CMYK 38 / 91 / 0 / 12

HEX #8C14E1

RGB 140 20 225

HSL 275.12, 0.84%, 0.48%

LAB 40.43, 75.65, -77.08

 

CMYK 0 / 84 / 91 / 12

HEX #E12514

RGB 225 37 20

HSL 4.98, 0.84%, 0.48%

LAB 48.74, 68.21, 56.02

 

Description

Color code: HEX #67E214 | qconv.com Color code: HEX #67E214 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 226 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 226 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 91 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 91% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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