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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67DE51 it is the complementary color #9821AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67DE51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67DE51 shade: #6CDE4C, #7DF05F, #8EFF72, #9FFF85 and #B0FF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67DE51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67DE51 shade: #67DE51, #56CC3E, #45BA2B, #34A818 and #239605

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67DE51 shade: #66DE4F, #8CDE4F, #B2DE4F, #D9DE4F and #DEBC4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67DE51 shade: #66DE4F, #4FDE60, #4FDE86, #4FDEAC and #4FDED3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67DE51 shade matches the following richer shades: #66DE4F and #5AEE3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67DE51 shade: #66DE4F, #71CD60, #7DBC71, #88AB82 and #949A93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67DE51 shade: #B3DE4F, #8DDE4F, #67DE4F, #4FDE5E and #4FDE83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67DE51 shade: #3AB723, #47D72D, #66DE4F, #84E472 and #A2EB95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67DE51 shade: #67DE51, #4FD9DE and #DE4FA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67DE51 shade: #67DE51, #4F67DE and #DE4F67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67DE51 shade: #67DE51, #4FD9DE, #C64FDE and #DE544F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67DE51 shade: #67DE51, #4FAEDE, #C64FDE and #DE7F4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 64 / 13

HEX #67DE51

RGB 103 222 81

HSL 110.64, 0.68%, 0.59%

LAB 79.45, -59.31, 57.33

 

Complementary color

CMYK 13 / 81 / 0 / 32

HEX #9821AE

RGB 152 33 174

HSL 290.64, 0.68%, 0.41%

LAB 39.27, 64.66, -49.15

 

CMYK 51 / 0 / 66 / 13

HEX #6CDE4C

RGB 108 222 76

HSL 106.85, 0.69%, 0.58%

LAB 79.59, -58.44, 59.56

 

CMYK 48 / 0 / 60 / 6

HEX #7DF05F

RGB 125 240 95

HSL 107.59, 0.83%, 0.66%

LAB 85.76, -58.74, 58.7

 

CMYK 44 / 0 / 55 / 0

HEX #8EFF72

RGB 142 255 114

HSL 108.09, 1%, 0.72%

LAB 91, -57.71, 56.64

 

CMYK 38 / 0 / 48 / 0

HEX #9FFF85

RGB 159 255 133

HSL 107.21, 1%, 0.76%

LAB 91.95, -50.43, 49.26

 

CMYK 31 / 0 / 40 / 0

HEX #B0FF98

RGB 176 255 152

HSL 106.02, 1%, 0.8%

LAB 93.02, -42.6, 41.69

 

CMYK 54 / 0 / 64 / 13

HEX #67DE51

RGB 103 222 81

HSL 110.64, 0.68%, 0.59%

LAB 79.45, -59.31, 57.33

 

CMYK 58 / 0 / 70 / 20

HEX #56CC3E

RGB 86 204 62

HSL 109.86, 0.58%, 0.52%

LAB 73.23, -58.78, 58.07

 

CMYK 63 / 0 / 77 / 27

HEX #45BA2B

RGB 69 186 43

HSL 109.09, 0.62%, 0.45%

LAB 66.94, -57.91, 58.33

 

CMYK 69 / 0 / 86 / 34

HEX #34A818

RGB 52 168 24

HSL 108.33, 0.75%, 0.38%

LAB 60.61, -56.54, 57.69

 

CMYK 77 / 0 / 97 / 41

HEX #239605

RGB 35 150 5

HSL 107.59, 0.94%, 0.3%

LAB 54.22, -54.46, 55.64

 

CMYK 54 / 0 / 64 / 13

HEX #66DE4F

RGB 102 222 79

HSL 110.35, 0.68%, 0.59%

LAB 79.4, -59.76, 58.09

 

CMYK 37 / 0 / 64 / 13

HEX #8CDE4F

RGB 140 222 79

HSL 94.41, 0.68%, 0.59%

LAB 80.95, -48.43, 60.22

 

CMYK 20 / 0 / 64 / 13

HEX #B2DE4F

RGB 178 222 79

HSL 78.46, 0.68%, 0.59%

LAB 83.06, -34.72, 63.1

 

CMYK 2 / 0 / 64 / 13

HEX #D9DE4F

RGB 217 222 79

HSL 62.1, 0.68%, 0.59%

LAB 85.79, -19.19, 66.8

 

CMYK 0 / 15 / 64 / 13

HEX #DEBC4F

RGB 222 188 79

HSL 45.73, 0.68%, 0.59%

LAB 77.32, 0.1, 57.98

 

CMYK 54 / 0 / 64 / 13

HEX #66DE4F

RGB 102 222 79

HSL 110.35, 0.68%, 0.59%

LAB 79.4, -59.76, 58.09

 

CMYK 64 / 0 / 57 / 13

HEX #4FDE60

RGB 79 222 96

HSL 127.13, 0.68%, 0.59%

LAB 78.9, -63.18, 49.97

 

CMYK 64 / 0 / 40 / 13

HEX #4FDE86

RGB 79 222 134

HSL 143.08, 0.68%, 0.59%

LAB 79.4, -57.5, 32.18

 

CMYK 64 / 0 / 23 / 13

HEX #4FDEAC

RGB 79 222 172

HSL 159.02, 0.68%, 0.59%

LAB 80.11, -49.89, 13.42

 

CMYK 64 / 0 / 5 / 13

HEX #4FDED3

RGB 79 222 211

HSL 175.38, 0.68%, 0.59%

LAB 81.08, -40.32, -5.88

 

CMYK 54 / 0 / 64 / 13

HEX #66DE4F

RGB 102 222 79

HSL 110.35, 0.68%, 0.59%

LAB 79.4, -59.76, 58.09

 

CMYK 62 / 0 / 74 / 7

HEX #5AEE3E

RGB 90 238 62

HSL 110.45, 0.84%, 0.59%

LAB 83.79, -69.52, 68.84

 

CMYK 54 / 0 / 64 / 13

HEX #66DE4F

RGB 102 222 79

HSL 110.35, 0.68%, 0.59%

LAB 79.4, -59.76, 58.09

 

CMYK 45 / 0 / 53 / 20

HEX #71CD60

RGB 113 205 96

HSL 110.64, 0.52%, 0.59%

LAB 74.84, -48.28, 45.42

 

CMYK 34 / 0 / 40 / 26

HEX #7DBC71

RGB 125 188 113

HSL 110.4, 0.36%, 0.59%

LAB 70.54, -34.78, 31.69

 

CMYK 20 / 0 / 24 / 33

HEX #88AB82

RGB 136 171 130

HSL 111.22, 0.2%, 0.59%

LAB 66.5, -19.98, 17.29

 

CMYK 4 / 0 / 5 / 40

HEX #949A93

RGB 148 154 147

HSL 111.43, 0.03%, 0.59%

LAB 62.94, -3.51, 2.91

 

CMYK 19 / 0 / 64 / 13

HEX #B3DE4F

RGB 179 222 79

HSL 78.04, 0.68%, 0.59%

LAB 83.12, -34.33, 63.18

 

CMYK 36 / 0 / 64 / 13

HEX #8DDE4F

RGB 141 222 79

HSL 93.99, 0.68%, 0.59%

LAB 81, -48.09, 60.28

 

CMYK 54 / 0 / 64 / 13

HEX #67DE4F

RGB 103 222 79

HSL 109.93, 0.68%, 0.59%

LAB 79.44, -59.5, 58.13

 

CMYK 64 / 0 / 58 / 13

HEX #4FDE5E

RGB 79 222 94

HSL 126.29, 0.68%, 0.59%

LAB 78.88, -63.42, 50.85

 

CMYK 64 / 0 / 41 / 13

HEX #4FDE83

RGB 79 222 131

HSL 141.82, 0.68%, 0.59%

LAB 79.35, -58.02, 33.64

 

CMYK 68 / 0 / 81 / 28

HEX #3AB723

RGB 58 183 35

HSL 110.68, 0.68%, 0.43%

LAB 65.66, -59.73, 59.46

 

CMYK 67 / 0 / 79 / 16

HEX #47D72D

RGB 71 215 45

HSL 110.82, 0.68%, 0.51%

LAB 76.15, -67, 66.54

 

CMYK 54 / 0 / 64 / 13

HEX #66DE4F

RGB 102 222 79

HSL 110.35, 0.68%, 0.59%

LAB 79.4, -59.76, 58.09

 

CMYK 42 / 0 / 50 / 11

HEX #84E472

RGB 132 228 114

HSL 110.53, 0.68%, 0.67%

LAB 82.7, -49.83, 46.6

 

CMYK 31 / 0 / 37 / 8

HEX #A2EB95

RGB 162 235 149

HSL 110.93, 0.68%, 0.75%

LAB 86.64, -38.68, 34.72

 

CMYK 54 / 0 / 64 / 13

HEX #67DE51

RGB 103 222 81

HSL 110.64, 0.68%, 0.59%

LAB 79.45, -59.31, 57.33

 

CMYK 64 / 2 / 0 / 13

HEX #4FD9DE

RGB 79 217 222

HSL 182.1, 0.68%, 0.59%

LAB 79.93, -35.03, -13.44

 

CMYK 0 / 64 / 28 / 13

HEX #DE4FA0

RGB 222 79 160

HSL 326.01, 0.68%, 0.59%

LAB 55.75, 63.14, -14.28

 

CMYK 54 / 0 / 64 / 13

HEX #67DE51

RGB 103 222 81

HSL 110.64, 0.68%, 0.59%

LAB 79.45, -59.31, 57.33

 

CMYK 64 / 54 / 0 / 13

HEX #4F67DE

RGB 79 103 222

HSL 229.93, 0.68%, 0.59%

LAB 47.8, 28.52, -63.59

 

CMYK 0 / 64 / 54 / 13

HEX #DE4F67

RGB 222 79 103

HSL 349.93, 0.68%, 0.59%

LAB 54.13, 57.33, 17.09

 

CMYK 54 / 0 / 64 / 13

HEX #67DE51

RGB 103 222 81

HSL 110.64, 0.68%, 0.59%

LAB 79.45, -59.31, 57.33

 

CMYK 64 / 2 / 0 / 13

HEX #4FD9DE

RGB 79 217 222

HSL 182.1, 0.68%, 0.59%

LAB 79.93, -35.03, -13.44

 

CMYK 11 / 64 / 0 / 13

HEX #C64FDE

RGB 198 79 222

HSL 289.93, 0.68%, 0.59%

LAB 54.94, 66.62, -51.49

 

CMYK 0 / 62 / 64 / 13

HEX #DE544F

RGB 222 84 79

HSL 2.1, 0.68%, 0.59%

LAB 54.49, 53.56, 31.6

 

CMYK 54 / 0 / 64 / 13

HEX #67DE51

RGB 103 222 81

HSL 110.64, 0.68%, 0.59%

LAB 79.45, -59.31, 57.33

 

CMYK 64 / 22 / 0 / 13

HEX #4FAEDE

RGB 79 174 222

HSL 200.14, 0.68%, 0.59%

LAB 67.43, -13.44, -32.49

 

CMYK 11 / 64 / 0 / 13

HEX #C64FDE

RGB 198 79 222

HSL 289.93, 0.68%, 0.59%

LAB 54.94, 66.62, -51.49

 

CMYK 0 / 43 / 64 / 13

HEX #DE7F4F

RGB 222 127 79

HSL 20.14, 0.68%, 0.59%

LAB 62.74, 32.56, 41.57

 

Description

Color code: HEX #67DE51 | qconv.com Color code: HEX #67DE51 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 222 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 222 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 64 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 64% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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