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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67D37F it is the complementary color #982C80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67D37F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67D37F shade: #6CD37A, #7DE58D, #8EF7A0, #9FFFB3 and #B0FFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67D37F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67D37F shade: #67D37F, #56C16C, #45AF59, #349D46 and #238B33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67D37F shade: #69D380, #6ED369, #8BD369, #A7D369 and #C4D369

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67D37F shade: #69D380, #69D39D, #69D3BA, #69D0D3 and #69B3D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67D37F shade matches the following richer shades: #69D380, #59E378 and #49F36F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67D37F shade: #69D380, #78C489, #88B492, #98A49B and #A895A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67D37F shade: #8BD369, #6ED369, #69D380, #69D39C and #69D3B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67D37F shade: #35B551, #49CA66, #69D380, #89DD9B and #A9E6B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67D37F shade: #67D37F, #69A7D3 and #D3697C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67D37F shade: #67D37F, #8069D3 and #D38069

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67D37F shade: #67D37F, #69A7D3, #D369BC and #D39569

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67D37F shade: #67D37F, #6987D3, #D369BC and #D3B569

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 40 / 17

HEX #67D37F

RGB 103 211 127

HSL 133.33, 0.55%, 0.62%

LAB 76.68, -49.07, 32.31

 

Complementary color

CMYK 0 / 71 / 16 / 40

HEX #982C80

RGB 152 44 128

HSL 313.33, 0.55%, 0.38%

LAB 37.91, 53.42, -23.38

 

CMYK 49 / 0 / 42 / 17

HEX #6CD37A

RGB 108 211 122

HSL 128.16, 0.54%, 0.63%

LAB 76.79, -48.56, 35.03

 

CMYK 45 / 0 / 38 / 10

HEX #7DE58D

RGB 125 229 141

HSL 129.23, 0.67%, 0.69%

LAB 83.08, -48.42, 33.76

 

CMYK 43 / 0 / 35 / 3

HEX #8EF7A0

RGB 142 247 160

HSL 130.29, 0.87%, 0.76%

LAB 89.3, -48.23, 32.56

 

CMYK 38 / 0 / 30 / 0

HEX #9FFFB3

RGB 159 255 179

HSL 132.5, 1%, 0.81%

LAB 92.64, -43.7, 27.61

 

CMYK 31 / 0 / 22 / 0

HEX #B0FFC6

RGB 176 255 198

HSL 136.71, 1%, 0.85%

LAB 93.81, -35.39, 19.69

 

CMYK 51 / 0 / 40 / 17

HEX #67D37F

RGB 103 211 127

HSL 133.33, 0.55%, 0.62%

LAB 76.68, -49.07, 32.31

 

CMYK 55 / 0 / 44 / 24

HEX #56C16C

RGB 86 193 108

HSL 132.34, 0.46%, 0.55%

LAB 70.32, -49.09, 33.65

 

CMYK 61 / 0 / 49 / 31

HEX #45AF59

RGB 69 175 89

HSL 131.32, 0.43%, 0.48%

LAB 63.87, -48.95, 35.07

 

CMYK 67 / 0 / 55 / 38

HEX #349D46

RGB 52 157 70

HSL 130.29, 0.5%, 0.41%

LAB 57.35, -48.53, 36.52

 

CMYK 75 / 0 / 63 / 45

HEX #238B33

RGB 35 139 51

HSL 129.23, 0.6%, 0.34%

LAB 50.76, -47.66, 37.92

 

CMYK 50 / 0 / 39 / 17

HEX #69D380

RGB 105 211 128

HSL 133.02, 0.55%, 0.62%

LAB 76.77, -48.39, 31.93

 

CMYK 48 / 0 / 50 / 17

HEX #6ED369

RGB 110 211 105

HSL 117.17, 0.55%, 0.62%

LAB 76.63, -50.45, 43.26

 

CMYK 34 / 0 / 50 / 17

HEX #8BD369

RGB 139 211 105

HSL 100.75, 0.55%, 0.62%

LAB 77.93, -41.48, 45.15

 

CMYK 21 / 0 / 50 / 17

HEX #A7D369

RGB 167 211 105

HSL 84.91, 0.55%, 0.62%

LAB 79.51, -31.52, 47.43

 

CMYK 7 / 0 / 50 / 17

HEX #C4D369

RGB 196 211 105

HSL 68.49, 0.55%, 0.62%

LAB 81.48, -20.33, 50.25

 

CMYK 50 / 0 / 39 / 17

HEX #69D380

RGB 105 211 128

HSL 133.02, 0.55%, 0.62%

LAB 76.77, -48.39, 31.93

 

CMYK 50 / 0 / 26 / 17

HEX #69D39D

RGB 105 211 157

HSL 149.43, 0.55%, 0.62%

LAB 77.3, -43.06, 17.52

 

CMYK 50 / 0 / 12 / 17

HEX #69D3BA

RGB 105 211 186

HSL 165.85, 0.55%, 0.62%

LAB 77.96, -36.69, 2.99

 

CMYK 50 / 1 / 0 / 17

HEX #69D0D3

RGB 105 208 211

HSL 181.7, 0.55%, 0.62%

LAB 77.77, -29.04, -10.7

 

CMYK 50 / 15 / 0 / 17

HEX #69B3D3

RGB 105 179 211

HSL 198.11, 0.55%, 0.62%

LAB 69.43, -14.34, -23.29

 

CMYK 50 / 0 / 39 / 17

HEX #69D380

RGB 105 211 128

HSL 133.02, 0.55%, 0.62%

LAB 76.77, -48.39, 31.93

 

CMYK 61 / 0 / 47 / 11

HEX #59E378

RGB 89 227 120

HSL 133.48, 0.71%, 0.62%

LAB 80.97, -59.67, 41.23

 

CMYK 70 / 0 / 54 / 5

HEX #49F36F

RGB 73 243 111

HSL 133.41, 0.88%, 0.62%

LAB 85.33, -69.52, 50.76

 

CMYK 50 / 0 / 39 / 17

HEX #69D380

RGB 105 211 128

HSL 133.02, 0.55%, 0.62%

LAB 76.77, -48.39, 31.93

 

CMYK 39 / 0 / 30 / 23

HEX #78C489

RGB 120 196 137

HSL 133.42, 0.39%, 0.62%

LAB 73.08, -36.11, 22.4

 

CMYK 24 / 0 / 19 / 29

HEX #88B492

RGB 136 180 146

HSL 133.64, 0.23%, 0.62%

LAB 69.44, -21.65, 12.64

 

CMYK 7 / 0 / 5 / 36

HEX #98A49B

RGB 152 164 155

HSL 135, 0.06%, 0.62%

LAB 66.21, -6, 3.2

 

CMYK 0 / 11 / 3 / 34

HEX #A895A3

RGB 168 149 163

HSL 315.79, 0.1%, 0.62%

LAB 63.72, 9.57, -4.76

 

CMYK 34 / 0 / 50 / 17

HEX #8BD369

RGB 139 211 105

HSL 100.75, 0.55%, 0.62%

LAB 77.93, -41.48, 45.15

 

CMYK 48 / 0 / 50 / 17

HEX #6ED369

RGB 110 211 105

HSL 117.17, 0.55%, 0.62%

LAB 76.63, -50.45, 43.26

 

CMYK 50 / 0 / 39 / 17

HEX #69D380

RGB 105 211 128

HSL 133.02, 0.55%, 0.62%

LAB 76.77, -48.39, 31.93

 

CMYK 50 / 0 / 26 / 17

HEX #69D39C

RGB 105 211 156

HSL 148.87, 0.55%, 0.62%

LAB 77.28, -43.26, 18.02

 

CMYK 50 / 0 / 12 / 17

HEX #69D3B9

RGB 105 211 185

HSL 165.28, 0.55%, 0.62%

LAB 77.93, -36.93, 3.49

 

CMYK 71 / 0 / 55 / 29

HEX #35B551

RGB 53 181 81

HSL 133.13, 0.55%, 0.46%

LAB 65.28, -55.55, 40.66

 

CMYK 64 / 0 / 50 / 21

HEX #49CA66

RGB 73 202 102

HSL 133.49, 0.55%, 0.54%

LAB 72.64, -56.38, 39.52

 

CMYK 50 / 0 / 39 / 17

HEX #69D380

RGB 105 211 128

HSL 133.02, 0.55%, 0.62%

LAB 76.77, -48.39, 31.93

 

CMYK 38 / 0 / 30 / 13

HEX #89DD9B

RGB 137 221 155

HSL 132.86, 0.55%, 0.7%

LAB 81.51, -39.19, 24.57

 

CMYK 27 / 0 / 21 / 10

HEX #A9E6B6

RGB 169 230 182

HSL 132.79, 0.55%, 0.78%

LAB 86.21, -28.75, 17.27

 

CMYK 51 / 0 / 40 / 17

HEX #67D37F

RGB 103 211 127

HSL 133.33, 0.55%, 0.62%

LAB 76.68, -49.07, 32.31

 

CMYK 50 / 21 / 0 / 17

HEX #69A7D3

RGB 105 167 211

HSL 204.91, 0.55%, 0.62%

LAB 66.02, -7.86, -28.53

 

CMYK 0 / 50 / 41 / 17

HEX #D3697C

RGB 211 105 124

HSL 349.25, 0.55%, 0.62%

LAB 57.47, 43.58, 9.14

 

CMYK 51 / 0 / 40 / 17

HEX #67D37F

RGB 103 211 127

HSL 133.33, 0.55%, 0.62%

LAB 76.68, -49.07, 32.31

 

CMYK 39 / 50 / 0 / 17

HEX #8069D3

RGB 128 105 211

HSL 253.02, 0.55%, 0.62%

LAB 51.15, 33.94, -51.78

 

CMYK 0 / 39 / 50 / 17

HEX #D38069

RGB 211 128 105

HSL 13.02, 0.55%, 0.62%

LAB 61.92, 29.66, 26.11

 

CMYK 51 / 0 / 40 / 17

HEX #67D37F

RGB 103 211 127

HSL 133.33, 0.55%, 0.62%

LAB 76.68, -49.07, 32.31

 

CMYK 50 / 21 / 0 / 17

HEX #69A7D3

RGB 105 167 211

HSL 204.91, 0.55%, 0.62%

LAB 66.02, -7.86, -28.53

 

CMYK 0 / 50 / 11 / 17

HEX #D369BC

RGB 211 105 188

HSL 313.02, 0.55%, 0.62%

LAB 59.51, 52.29, -24.87

 

CMYK 0 / 29 / 50 / 17

HEX #D39569

RGB 211 149 105

HSL 24.91, 0.55%, 0.62%

LAB 66.8, 18.31, 32.45

 

CMYK 51 / 0 / 40 / 17

HEX #67D37F

RGB 103 211 127

HSL 133.33, 0.55%, 0.62%

LAB 76.68, -49.07, 32.31

 

CMYK 50 / 36 / 0 / 17

HEX #6987D3

RGB 105 135 211

HSL 223.02, 0.55%, 0.62%

LAB 57.11, 10.48, -42.42

 

CMYK 0 / 50 / 11 / 17

HEX #D369BC

RGB 211 105 188

HSL 313.02, 0.55%, 0.62%

LAB 59.51, 52.29, -24.87

 

CMYK 0 / 14 / 50 / 17

HEX #D3B569

RGB 211 181 105

HSL 43.02, 0.55%, 0.62%

LAB 74.77, 1.13, 42.45

 

Description

Color code: HEX #67D37F | qconv.com Color code: HEX #67D37F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 211 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 211 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 40 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 40% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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