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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67D2B7 it is the complementary color #982D48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67D2B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67D2B7 shade: #6CD2B2, #7DE4C5, #8EF6D8, #9FFFEB and #B0FFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67D2B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67D2B7 shade: #67D2B7, #56C0A4, #45AE91, #349C7E and #238A6B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67D2B7 shade: #66D1B6, #66D199, #66D17C, #6CD166 and #89D166

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67D2B7 shade: #66D1B6, #66CFD1, #66B2D1, #6695D1 and #6678D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67D2B7 shade matches the following richer shades: #66D1B6, #56E1BE and #46F1C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67D2B7 shade: #66D1B6, #76C1AE, #86B1A6, #96A19E and #A69196

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67D2B7 shade: #66D17B, #66D198, #66D1B5, #66D1D1 and #66B5D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67D2B7 shade: #35B091, #46C8A7, #66D1B6, #86DBC5 and #A5E4D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67D2B7 shade: #67D2B7, #666DD1 and #D18A66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67D2B7 shade: #67D2B7, #B566D1 and #D1B566

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67D2B7 shade: #67D2B7, #666DD1, #D16682 and #D1CA66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67D2B7 shade: #67D2B7, #7F66D1, #D16682 and #B8D166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 13 / 18

HEX #67D2B7

RGB 103 210 183

HSL 164.86, 0.54%, 0.61%

LAB 77.52, -37.39, 3.96

 

Complementary color

CMYK 0 / 70 / 53 / 40

HEX #982D48

RGB 152 45 72

HSL 344.86, 0.54%, 0.39%

LAB 36.02, 46.31, 9.28

 

CMYK 49 / 0 / 15 / 18

HEX #6CD2B2

RGB 108 210 178

HSL 161.18, 0.53%, 0.62%

LAB 77.58, -37.39, 6.74

 

CMYK 45 / 0 / 14 / 11

HEX #7DE4C5

RGB 125 228 197

HSL 161.94, 0.66%, 0.69%

LAB 83.9, -37.26, 5.84

 

CMYK 42 / 0 / 12 / 4

HEX #8EF6D8

RGB 142 246 216

HSL 162.69, 0.85%, 0.76%

LAB 90.15, -37.1, 5

 

CMYK 38 / 0 / 8 / 0

HEX #9FFFEB

RGB 159 255 235

HSL 167.5, 1%, 0.81%

LAB 93.84, -32.79, 0.6

 

CMYK 31 / 0 / 0 / 0

HEX #B0FFFE

RGB 176 255 254

HSL 179.24, 1%, 0.85%

LAB 95.12, -24.12, -7.23

 

CMYK 51 / 0 / 13 / 18

HEX #67D2B7

RGB 103 210 183

HSL 164.86, 0.54%, 0.61%

LAB 77.52, -37.39, 3.96

 

CMYK 55 / 0 / 15 / 25

HEX #56C0A4

RGB 86 192 164

HSL 164.15, 0.46%, 0.55%

LAB 71.12, -37.4, 4.9

 

CMYK 60 / 0 / 17 / 32

HEX #45AE91

RGB 69 174 145

HSL 163.43, 0.43%, 0.48%

LAB 64.63, -37.32, 5.94

 

CMYK 67 / 0 / 19 / 39

HEX #349C7E

RGB 52 156 126

HSL 162.69, 0.5%, 0.41%

LAB 58.05, -37.08, 7.09

 

CMYK 75 / 0 / 22 / 46

HEX #238A6B

RGB 35 138 107

HSL 161.94, 0.6%, 0.34%

LAB 51.38, -36.59, 8.4

 

CMYK 51 / 0 / 13 / 18

HEX #66D1B6

RGB 102 209 182

HSL 164.86, 0.54%, 0.61%

LAB 77.16, -37.39, 3.98

 

CMYK 51 / 0 / 27 / 18

HEX #66D199

RGB 102 209 153

HSL 148.6, 0.54%, 0.61%

LAB 76.51, -43.72, 18.53

 

CMYK 51 / 0 / 41 / 18

HEX #66D17C

RGB 102 209 124

HSL 132.34, 0.54%, 0.61%

LAB 76, -49, 32.94

 

CMYK 48 / 0 / 51 / 18

HEX #6CD166

RGB 108 209 102

HSL 116.64, 0.54%, 0.61%

LAB 75.91, -50.6, 43.81

 

CMYK 34 / 0 / 51 / 18

HEX #89D166

RGB 137 209 102

HSL 100.37, 0.54%, 0.61%

LAB 77.21, -41.63, 45.68

 

CMYK 51 / 0 / 13 / 18

HEX #66D1B6

RGB 102 209 182

HSL 164.86, 0.54%, 0.61%

LAB 77.16, -37.39, 3.98

 

CMYK 51 / 1 / 0 / 18

HEX #66CFD1

RGB 102 207 209

HSL 181.12, 0.54%, 0.61%

LAB 77.31, -29.71, -10.32

 

CMYK 51 / 15 / 0 / 18

HEX #66B2D1

RGB 102 178 209

HSL 197.38, 0.54%, 0.61%

LAB 68.95, -15.05, -22.95

 

CMYK 51 / 29 / 0 / 18

HEX #6695D1

RGB 102 149 209

HSL 213.64, 0.54%, 0.61%

LAB 60.71, 0.98, -35.65

 

CMYK 51 / 43 / 0 / 18

HEX #6678D1

RGB 102 120 209

HSL 229.91, 0.54%, 0.61%

LAB 52.8, 18.19, -48.13

 

CMYK 51 / 0 / 13 / 18

HEX #66D1B6

RGB 102 209 182

HSL 164.86, 0.54%, 0.61%

LAB 77.16, -37.39, 3.98

 

CMYK 62 / 0 / 16 / 12

HEX #56E1BE

RGB 86 225 190

HSL 164.89, 0.7%, 0.61%

LAB 81.59, -45.78, 6.04

 

CMYK 71 / 0 / 18 / 5

HEX #46F1C6

RGB 70 241 198

HSL 164.91, 0.86%, 0.61%

LAB 86.15, -53.01, 8.35

 

CMYK 51 / 0 / 13 / 18

HEX #66D1B6

RGB 102 209 182

HSL 164.86, 0.54%, 0.61%

LAB 77.16, -37.39, 3.98

 

CMYK 39 / 0 / 10 / 24

HEX #76C1AE

RGB 118 193 174

HSL 164.8, 0.38%, 0.61%

LAB 72.92, -27.72, 2.23

 

CMYK 24 / 0 / 6 / 31

HEX #86B1A6

RGB 134 177 166

HSL 164.65, 0.22%, 0.61%

LAB 68.94, -16.72, 0.93

 

CMYK 7 / 0 / 2 / 37

HEX #96A19E

RGB 150 161 158

HSL 163.64, 0.06%, 0.61%

LAB 65.31, -4.49, 0.21

 

CMYK 0 / 13 / 10 / 35

HEX #A69196

RGB 166 145 150

HSL 345.71, 0.11%, 0.61%

LAB 62.13, 8.7, 0.24

 

CMYK 51 / 0 / 41 / 18

HEX #66D17B

RGB 102 209 123

HSL 131.78, 0.54%, 0.61%

LAB 75.98, -49.16, 33.43

 

CMYK 51 / 0 / 27 / 18

HEX #66D198

RGB 102 209 152

HSL 148.04, 0.54%, 0.61%

LAB 76.49, -43.92, 19.03

 

CMYK 51 / 0 / 13 / 18

HEX #66D1B5

RGB 102 209 181

HSL 164.3, 0.54%, 0.61%

LAB 77.14, -37.63, 4.48

 

CMYK 51 / 0 / 0 / 18

HEX #66D1D1

RGB 102 209 209

HSL 180, 0.54%, 0.61%

LAB 77.89, -30.67, -9.46

 

CMYK 51 / 13 / 0 / 18

HEX #66B5D1

RGB 102 181 209

HSL 195.7, 0.54%, 0.61%

LAB 69.81, -16.63, -21.63

 

CMYK 70 / 0 / 18 / 31

HEX #35B091

RGB 53 176 145

HSL 164.88, 0.54%, 0.45%

LAB 64.84, -40.99, 6.2

 

CMYK 65 / 0 / 17 / 22

HEX #46C8A7

RGB 70 200 167

HSL 164.77, 0.54%, 0.53%

LAB 73.15, -43.27, 6.15

 

CMYK 51 / 0 / 13 / 18

HEX #66D1B6

RGB 102 209 182

HSL 164.86, 0.54%, 0.61%

LAB 77.16, -37.39, 3.98

 

CMYK 39 / 0 / 10 / 14

HEX #86DBC5

RGB 134 219 197

HSL 164.47, 0.54%, 0.69%

LAB 81.71, -30.77, 2.72

 

CMYK 28 / 0 / 7 / 11

HEX #A5E4D4

RGB 165 228 212

HSL 164.76, 0.54%, 0.77%

LAB 86.13, -23.18, 1.39

 

CMYK 51 / 0 / 13 / 18

HEX #67D2B7

RGB 103 210 183

HSL 164.86, 0.54%, 0.61%

LAB 77.52, -37.39, 3.96

 

CMYK 51 / 48 / 0 / 18

HEX #666DD1

RGB 102 109 209

HSL 236.07, 0.54%, 0.61%

LAB 49.94, 24.9, -52.69

 

CMYK 0 / 34 / 51 / 18

HEX #D18A66

RGB 209 138 102

HSL 20.19, 0.54%, 0.61%

LAB 63.91, 23.19, 30.32

 

CMYK 51 / 0 / 13 / 18

HEX #67D2B7

RGB 103 210 183

HSL 164.86, 0.54%, 0.61%

LAB 77.52, -37.39, 3.96

 

CMYK 13 / 51 / 0 / 18

HEX #B566D1

RGB 181 102 209

HSL 284.3, 0.54%, 0.61%

LAB 56.02, 49.04, -42.56

 

CMYK 0 / 13 / 51 / 18

HEX #D1B566

RGB 209 181 102

HSL 44.3, 0.54%, 0.61%

LAB 74.55, 0.03, 43.64

 

CMYK 51 / 0 / 13 / 18

HEX #67D2B7

RGB 103 210 183

HSL 164.86, 0.54%, 0.61%

LAB 77.52, -37.39, 3.96

 

CMYK 51 / 48 / 0 / 18

HEX #666DD1

RGB 102 109 209

HSL 236.07, 0.54%, 0.61%

LAB 49.94, 24.9, -52.69

 

CMYK 0 / 51 / 38 / 18

HEX #D16682

RGB 209 102 130

HSL 344.3, 0.54%, 0.61%

LAB 56.75, 45.05, 4.57

 

CMYK 0 / 3 / 51 / 18

HEX #D1CA66

RGB 209 202 102

HSL 56.07, 0.54%, 0.61%

LAB 80.04, -10.85, 50.22

 

CMYK 51 / 0 / 13 / 18

HEX #67D2B7

RGB 103 210 183

HSL 164.86, 0.54%, 0.61%

LAB 77.52, -37.39, 3.96

 

CMYK 39 / 51 / 0 / 18

HEX #7F66D1

RGB 127 102 209

HSL 254.02, 0.54%, 0.61%

LAB 50.24, 34.91, -52.1

 

CMYK 0 / 51 / 38 / 18

HEX #D16682

RGB 209 102 130

HSL 344.3, 0.54%, 0.61%

LAB 56.75, 45.05, 4.57

 

CMYK 12 / 0 / 51 / 18

HEX #B8D166

RGB 184 209 102

HSL 74.02, 0.54%, 0.61%

LAB 80.04, -24.36, 49.75

 

Description

Color code: HEX #67D2B7 | qconv.com Color code: HEX #67D2B7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 210 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 210 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 13 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 13% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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