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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67D11D it is the complementary color #982EE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67D11D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #67D11D: #6CD118, #7DE32B, #8EF53E, #9FFF51 and #B0FF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67D11D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #67D11D: #67D11D, #56BF0A, #45AD00, #349B00 and #238900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 86 / 18

HEX #67D11D

RGB 103 209 29

HSL 95.33, 0.76%, 0.47%

LAB 75.19, -57.93, 70

 

Complementary color

CMYK 33 / 80 / 0 / 11

HEX #982EE2

RGB 152 46 226

HSL 275.33, 0.76%, 0.53%

LAB 44.41, 70.95, -71.07

 

CMYK 48 / 0 / 89 / 18

HEX #6CD118

RGB 108 209 24

HSL 92.76, 0.79%, 0.46%

LAB 75.36, -56.61, 71.19

 

CMYK 45 / 0 / 81 / 11

HEX #7DE32B

RGB 125 227 43

HSL 93.26, 0.77%, 0.53%

LAB 81.55, -57.5, 72.71

 

CMYK 42 / 0 / 75 / 4

HEX #8EF53E

RGB 142 245 62

HSL 93.77, 0.9%, 0.6%

LAB 87.68, -58.14, 73.25

 

CMYK 38 / 0 / 68 / 0

HEX #9FFF51

RGB 159 255 81

HSL 93.1, 1%, 0.66%

LAB 91.45, -55.42, 70.8

 

CMYK 31 / 0 / 61 / 0

HEX #B0FF64

RGB 176 255 100

HSL 90.58, 1%, 0.7%

LAB 92.43, -48.29, 64.69

 

CMYK 51 / 0 / 86 / 18

HEX #67D11D

RGB 103 209 29

HSL 95.33, 0.76%, 0.47%

LAB 75.19, -57.93, 70

 

CMYK 55 / 0 / 95 / 25

HEX #56BF0A

RGB 86 191 10

HSL 94.81, 0.9%, 0.39%

LAB 68.94, -56.71, 67.58

 

CMYK 60 / 0 / 100 / 32

HEX #45AD00

RGB 69 173 0

HSL 96.07, 1%, 0.34%

LAB 62.64, -55.05, 63.5

 

CMYK 66 / 0 / 100 / 39

HEX #349B00

RGB 52 155 0

HSL 99.87, 1%, 0.3%

LAB 56.26, -52.95, 58.25

 

CMYK 74 / 0 / 100 / 46

HEX #238900

RGB 35 137 0

HSL 104.67, 1%, 0.27%

LAB 49.8, -50.44, 52.94

 

CMYK 51 / 0 / 86 / 18

HEX #67D11D

RGB 103 209 29

HSL 95.33, 0.76%, 0.47%

LAB 75.19, -57.93, 70

 

CMYK 65 / 0 / 87 / 18

HEX #4AD21C

RGB 74 210 28

HSL 104.84, 0.76%, 0.47%

LAB 74.59, -65.58, 69.34

 

CMYK 80 / 0 / 87 / 18

HEX #2BD21C

RGB 43 210 28

HSL 115.05, 0.76%, 0.47%

LAB 73.99, -70.76, 68.58

 

CMYK 87 / 0 / 80 / 18

HEX #1CD22B

RGB 28 210 43

HSL 124.95, 0.76%, 0.47%

LAB 73.88, -71.55, 64.72

 

CMYK 87 / 0 / 65 / 18

HEX #1CD24A

RGB 28 210 74

HSL 135.16, 0.76%, 0.47%

LAB 74.08, -68.95, 53.86

 

CMYK 51 / 0 / 86 / 18

HEX #67D11D

RGB 103 209 29

HSL 95.33, 0.76%, 0.47%

LAB 75.19, -57.93, 70

 

CMYK 60 / 0 / 80 / 98

HEX #020501

RGB 2 5 1

HSL 105, 0.67%, 0.01%

LAB 1.12, -1.34, 1.24

 

CMYK 50 / 0 / 86 / 78

HEX #1C3808

RGB 28 56 8

HSL 95, 0.75%, 0.13%

LAB 20.41, -20.38, 24.83

 

CMYK 50 / 0 / 86 / 58

HEX #356B0F

RGB 53 107 15

HSL 95.22, 0.75%, 0.24%

LAB 40.09, -34.09, 41.62

 

CMYK 51 / 0 / 86 / 38

HEX #4E9E16

RGB 78 158 22

HSL 95.29, 0.76%, 0.35%

LAB 58.16, -46.41, 56.32

 

CMYK 51 / 0 / 86 / 18

HEX #67D11D

RGB 103 209 29

HSL 95.33, 0.76%, 0.47%

LAB 75.19, -57.93, 70

 

CMYK 87 / 0 / 19 / 18

HEX #1CD2AB

RGB 28 210 171

HSL 167.14, 0.76%, 0.47%

LAB 75.63, -51.22, 7.46

 

CMYK 0 / 87 / 16 / 18

HEX #D21CB1

RGB 210 28 177

HSL 310.88, 0.76%, 0.47%

LAB 49.14, 77.37, -34.62

 

CMYK 51 / 0 / 86 / 18

HEX #67D11D

RGB 103 209 29

HSL 95.33, 0.76%, 0.47%

LAB 75.19, -57.93, 70

 

CMYK 87 / 50 / 0 / 18

HEX #1C68D2

RGB 28 104 210

HSL 214.95, 0.76%, 0.47%

LAB 45.36, 17.57, -60.8

 

CMYK 0 / 87 / 50 / 18

HEX #D21C68

RGB 210 28 104

HSL 334.95, 0.76%, 0.47%

LAB 46.35, 69.73, 5.28

 

CMYK 51 / 0 / 86 / 18

HEX #67D11D

RGB 103 209 29

HSL 95.33, 0.76%, 0.47%

LAB 75.19, -57.93, 70

 

CMYK 87 / 0 / 19 / 18

HEX #1CD2AB

RGB 28 210 171

HSL 167.14, 0.76%, 0.47%

LAB 75.63, -51.22, 7.46

 

CMYK 36 / 87 / 0 / 18

HEX #871CD2

RGB 135 28 210

HSL 275.27, 0.76%, 0.47%

LAB 38.96, 70.29, -70.89

 

CMYK 0 / 87 / 68 / 18

HEX #D21C44

RGB 210 28 68

HSL 346.81, 0.76%, 0.47%

LAB 45.56, 67.47, 26.5

 

CMYK 51 / 0 / 86 / 18

HEX #67D11D

RGB 103 209 29

HSL 95.33, 0.76%, 0.47%

LAB 75.19, -57.93, 70

 

CMYK 87 / 7 / 0 / 18

HEX #1CC3D2

RGB 28 195 210

HSL 184.95, 0.76%, 0.47%

LAB 72.18, -33.62, -18.74

 

CMYK 36 / 87 / 0 / 18

HEX #871CD2

RGB 135 28 210

HSL 275.27, 0.76%, 0.47%

LAB 38.96, 70.29, -70.89

 

CMYK 0 / 80 / 87 / 18

HEX #D22B1C

RGB 210 43 28

HSL 4.95, 0.76%, 0.47%

LAB 46.33, 62.65, 49.61

 

Description

Color code: HEX #67D11D | qconv.com Color code: HEX #67D11D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 209 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 209 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 86 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 86% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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