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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67CF04 it is the complementary color #9830FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67CF04. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67CF04 shade: #6CCF00, #7DE112, #8EF325, #9FFF38 and #B0FF4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67CF04. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67CF04 shade: #67CF04, #56BD00, #45AB00, #349900 and #238700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67CF04 shade: #66CD04, #9CCD04, #CDC704, #CD9104 and #CD5B04

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67CF04 shade: #66CD04, #30CD04, #04CD0F, #04CD45 and #04CD7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67CF04 shade matches the following richer shades: #66CD04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67CF04 shade: #66CD04, #66BC15, #67AB26, #679A37 and #688948

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67CF04 shade: #CDC604, #9ECD04, #69CD04, #33CD04 and #04CD0B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67CF04 shade: #3E7C03, #52A403, #66CD04, #7AF505 and #8FFB29

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67CF04 shade: #67CF04, #04CD91 and #CD04B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67CF04 shade: #67CF04, #0469CD and #CD0469

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67CF04 shade: #67CF04, #04CD91, #6904CD and #CD0440

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67CF04 shade: #67CF04, #04CDCD, #6904CD and #CD0404

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 98 / 19

HEX #67CF04

RGB 103 207 4

HSL 90.74, 0.96%, 0.41%

LAB 74.52, -57.76, 72.95

 

Complementary color

CMYK 39 / 81 / 0 / 2

HEX #9830FB

RGB 152 48 251

HSL 270.74, 0.96%, 0.59%

LAB 46.65, 75.67, -81.5

 

CMYK 48 / 0 / 100 / 19

HEX #6CCF00

RGB 108 207 0

HSL 88.7, 1%, 0.41%

LAB 74.71, -56.33, 73.59

 

CMYK 44 / 0 / 92 / 12

HEX #7DE112

RGB 125 225 18

HSL 88.99, 0.85%, 0.48%

LAB 80.88, -57.53, 76.96

 

CMYK 42 / 0 / 85 / 5

HEX #8EF325

RGB 142 243 37

HSL 89.42, 0.9%, 0.55%

LAB 86.99, -58.48, 79.18

 

CMYK 38 / 0 / 78 / 0

HEX #9FFF38

RGB 159 255 56

HSL 88.94, 1%, 0.61%

LAB 91.31, -56.87, 78.72

 

CMYK 31 / 0 / 71 / 0

HEX #B0FF4B

RGB 176 255 75

HSL 86.33, 1%, 0.65%

LAB 92.25, -50.09, 74

 

CMYK 50 / 0 / 98 / 19

HEX #67CF04

RGB 103 207 4

HSL 90.74, 0.96%, 0.41%

LAB 74.52, -57.76, 72.95

 

CMYK 54 / 0 / 100 / 26

HEX #56BD00

RGB 86 189 0

HSL 92.7, 1%, 0.37%

LAB 68.3, -56.18, 68.2

 

CMYK 60 / 0 / 100 / 33

HEX #45AB00

RGB 69 171 0

HSL 95.79, 1%, 0.34%

LAB 61.99, -54.36, 62.99

 

CMYK 66 / 0 / 100 / 40

HEX #349900

RGB 52 153 0

HSL 99.61, 1%, 0.3%

LAB 55.6, -52.27, 57.72

 

CMYK 74 / 0 / 100 / 47

HEX #238700

RGB 35 135 0

HSL 104.44, 1%, 0.26%

LAB 49.11, -49.78, 52.39

 

CMYK 50 / 0 / 98 / 20

HEX #66CD04

RGB 102 205 4

HSL 90.75, 0.96%, 0.41%

LAB 73.87, -57.33, 72.42

 

CMYK 24 / 0 / 98 / 20

HEX #9CCD04

RGB 156 205 4

HSL 74.63, 0.96%, 0.41%

LAB 76.52, -38.5, 75.63

 

CMYK 0 / 3 / 98 / 20

HEX #CDC704

RGB 205 199 4

HSL 58.21, 0.96%, 0.41%

LAB 78.37, -15.26, 78.58

 

CMYK 0 / 29 / 98 / 20

HEX #CD9104

RGB 205 145 4

HSL 42.09, 0.96%, 0.41%

LAB 64.35, 13.13, 68.54

 

CMYK 0 / 56 / 98 / 20

HEX #CD5B04

RGB 205 91 4

HSL 25.97, 0.96%, 0.41%

LAB 52.36, 41.7, 60.72

 

CMYK 50 / 0 / 98 / 20

HEX #66CD04

RGB 102 205 4

HSL 90.75, 0.96%, 0.41%

LAB 73.87, -57.33, 72.42

 

CMYK 77 / 0 / 98 / 20

HEX #30CD04

RGB 48 205 4

HSL 106.87, 0.96%, 0.41%

LAB 72.43, -69.25, 70.66

 

CMYK 98 / 0 / 93 / 20

HEX #04CD0F

RGB 4 205 15

HSL 123.28, 0.96%, 0.41%

LAB 72.04, -72.65, 68.97

 

CMYK 98 / 0 / 66 / 20

HEX #04CD45

RGB 4 205 69

HSL 139.4, 0.96%, 0.41%

LAB 72.31, -69.26, 53.93

 

CMYK 98 / 0 / 40 / 20

HEX #04CD7B

RGB 4 205 123

HSL 155.52, 0.96%, 0.41%

LAB 72.97, -61.19, 29.15

 

CMYK 50 / 0 / 98 / 20

HEX #66CD04

RGB 102 205 4

HSL 90.75, 0.96%, 0.41%

LAB 73.87, -57.33, 72.42

 

CMYK 50 / 0 / 98 / 20

HEX #66CD04

RGB 102 205 4

HSL 90.75, 0.96%, 0.41%

LAB 73.87, -57.33, 72.42

 

CMYK 46 / 0 / 89 / 26

HEX #66BC15

RGB 102 188 21

HSL 90.9, 0.8%, 0.41%

LAB 68.64, -50.57, 65.95

 

CMYK 40 / 0 / 78 / 33

HEX #67AB26

RGB 103 171 38

HSL 90.68, 0.64%, 0.41%

LAB 63.47, -42.64, 57.05

 

CMYK 33 / 0 / 64 / 40

HEX #679A37

RGB 103 154 55

HSL 90.91, 0.47%, 0.41%

LAB 58.29, -33.96, 45.22

 

CMYK 24 / 0 / 47 / 46

HEX #688948

RGB 104 137 72

HSL 90.46, 0.31%, 0.41%

LAB 53.28, -23.55, 31.03

 

CMYK 0 / 3 / 98 / 20

HEX #CDC604

RGB 205 198 4

HSL 57.91, 0.96%, 0.41%

LAB 78.1, -14.76, 78.38

 

CMYK 23 / 0 / 98 / 20

HEX #9ECD04

RGB 158 205 4

HSL 74.03, 0.96%, 0.41%

LAB 76.64, -37.71, 75.78

 

CMYK 49 / 0 / 98 / 20

HEX #69CD04

RGB 105 205 4

HSL 89.85, 0.96%, 0.41%

LAB 73.98, -56.43, 72.56

 

CMYK 75 / 0 / 98 / 20

HEX #33CD04

RGB 51 205 4

HSL 105.97, 0.96%, 0.41%

LAB 72.48, -68.81, 70.72

 

CMYK 98 / 0 / 95 / 20

HEX #04CD0B

RGB 4 205 11

HSL 122.09, 0.96%, 0.41%

LAB 72.04, -72.74, 69.45

 

CMYK 50 / 0 / 98 / 51

HEX #3E7C03

RGB 62 124 3

HSL 90.74, 0.95%, 0.25%

LAB 46.24, -38.61, 49.85

 

CMYK 50 / 0 / 98 / 36

HEX #52A403

RGB 82 164 3

HSL 90.56, 0.96%, 0.33%

LAB 60.2, -48.02, 61.36

 

CMYK 50 / 0 / 98 / 20

HEX #66CD04

RGB 102 205 4

HSL 90.75, 0.96%, 0.41%

LAB 73.87, -57.33, 72.42

 

CMYK 50 / 0 / 98 / 4

HEX #7AF505

RGB 122 245 5

HSL 90.75, 0.96%, 0.49%

LAB 86.73, -65.91, 82.84

 

CMYK 43 / 0 / 84 / 2

HEX #8FFB29

RGB 143 251 41

HSL 90.86, 0.96%, 0.57%

LAB 89.39, -61.07, 80.43

 

CMYK 50 / 0 / 98 / 19

HEX #67CF04

RGB 103 207 4

HSL 90.74, 0.96%, 0.41%

LAB 74.52, -57.76, 72.95

 

CMYK 98 / 0 / 29 / 20

HEX #04CD91

RGB 4 205 145

HSL 162.09, 0.96%, 0.41%

LAB 73.37, -56.57, 18.15

 

CMYK 0 / 98 / 10 / 20

HEX #CD04B9

RGB 205 4 185

HSL 305.97, 0.96%, 0.41%

LAB 47.71, 80.24, -41.63

 

CMYK 50 / 0 / 98 / 19

HEX #67CF04

RGB 103 207 4

HSL 90.74, 0.96%, 0.41%

LAB 74.52, -57.76, 72.95

 

CMYK 98 / 49 / 0 / 20

HEX #0469CD

RGB 4 105 205

HSL 209.85, 0.96%, 0.41%

LAB 44.99, 13.87, -58.55

 

CMYK 0 / 98 / 49 / 20

HEX #CD0469

RGB 205 4 105

HSL 329.85, 0.96%, 0.41%

LAB 44.36, 71.62, 1.65

 

CMYK 50 / 0 / 98 / 19

HEX #67CF04

RGB 103 207 4

HSL 90.74, 0.96%, 0.41%

LAB 74.52, -57.76, 72.95

 

CMYK 98 / 0 / 29 / 20

HEX #04CD91

RGB 4 205 145

HSL 162.09, 0.96%, 0.41%

LAB 73.37, -56.57, 18.15

 

CMYK 49 / 98 / 0 / 20

HEX #6904CD

RGB 105 4 205

HSL 270.15, 0.96%, 0.41%

LAB 32.91, 70.26, -78.08

 

CMYK 0 / 98 / 69 / 20

HEX #CD0440

RGB 205 4 64

HSL 342.09, 0.96%, 0.41%

LAB 43.41, 69.09, 26.05

 

CMYK 50 / 0 / 98 / 19

HEX #67CF04

RGB 103 207 4

HSL 90.74, 0.96%, 0.41%

LAB 74.52, -57.76, 72.95

 

CMYK 98 / 0 / 0 / 20

HEX #04CDCD

RGB 4 205 205

HSL 180, 0.96%, 0.41%

LAB 74.89, -40.68, -11.97

 

CMYK 49 / 98 / 0 / 20

HEX #6904CD

RGB 105 4 205

HSL 270.15, 0.96%, 0.41%

LAB 32.91, 70.26, -78.08

 

CMYK 0 / 98 / 98 / 20

HEX #CD0404

RGB 205 4 4

HSL 0, 0.96%, 0.41%

LAB 42.88, 67.62, 55.7

 

Description

Color code: HEX #67CF04 | qconv.com Color code: HEX #67CF04 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 207 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 207 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 98 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 98% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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