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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67CCAA it is the complementary color #983355. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67CCAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67CCAA shade: #6CCCA5, #7DDEB8, #8EF0CB, #9FFFDE and #B0FFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67CCAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67CCAA shade: #67CCAA, #56BA97, #45A884, #349671 and #23845E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67CCAA shade: #66CCAA, #66CC8E, #66CC73, #75CC66 and #90CC66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67CCAA shade: #66CCAA, #66CCC5, #66B7CC, #669CCC and #6680CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67CCAA shade matches the following richer shades: #66CCAA, #55DDAF, #45EDB4 and #34FEBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67CCAA shade: #66CCAA, #77BBA4, #87AB9F, #989A99 and #A88A94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67CCAA shade: #66CC72, #66CC8D, #66CCA8, #66CCC4 and #66B9CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67CCAA shade: #38A882, #47C298, #66CCAA, #85D6BB and #A4E1CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67CCAA shade: #67CCAA, #6675CC and #CC8066

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67CCAA shade: #67CCAA, #A866CC and #CCA866

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67CCAA shade: #67CCAA, #6675CC, #CC668A and #CCBD66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67CCAA shade: #67CCAA, #7566CC, #CC668A and #BDCC66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 17 / 20

HEX #67CCAA

RGB 103 204 170

HSL 159.8, 0.5%, 0.6%

LAB 75.43, -37.64, 7.94

 

Complementary color

CMYK 0 / 66 / 44 / 40

HEX #983355

RGB 152 51 85

HSL 339.8, 0.5%, 0.4%

LAB 37.3, 45.04, 2.77

 

CMYK 47 / 0 / 19 / 20

HEX #6CCCA5

RGB 108 204 165

HSL 155.63, 0.48%, 0.61%

LAB 75.51, -37.53, 10.75

HEX #6CCCA5

CMYK 44 / 0 / 17 / 13

HEX #7DDEB8

RGB 125 222 184

HSL 156.49, 0.6%, 0.68%

LAB 81.87, -37.34, 9.79

HEX #7DDEB8

CMYK 41 / 0 / 15 / 6

HEX #8EF0CB

RGB 142 240 203

HSL 157.35, 0.77%, 0.75%

LAB 88.15, -37.14, 8.89

HEX #8EF0CB

CMYK 38 / 0 / 13 / 0

HEX #9FFFDE

RGB 159 255 222

HSL 159.38, 1%, 0.81%

LAB 93.52, -35.57, 6.85

HEX #9FFFDE

CMYK 31 / 0 / 5 / 0

HEX #B0FFF1

RGB 176 255 241

HSL 169.37, 1%, 0.85%

LAB 94.78, -26.96, -1.02

HEX #B0FFF1

CMYK 50 / 0 / 17 / 20

HEX #67CCAA

RGB 103 204 170

HSL 159.8, 0.5%, 0.6%

LAB 75.43, -37.64, 7.94

 

CMYK 54 / 0 / 19 / 27

HEX #56BA97

RGB 86 186 151

HSL 159, 0.42%, 0.53%

LAB 68.99, -37.72, 8.95

 

CMYK 59 / 0 / 21 / 34

HEX #45A884

RGB 69 168 132

HSL 158.18, 0.42%, 0.46%

LAB 62.45, -37.72, 10.06

 

CMYK 65 / 0 / 25 / 41

HEX #349671

RGB 52 150 113

HSL 157.35, 0.49%, 0.4%

LAB 55.82, -37.57, 11.29

 

CMYK 73 / 0 / 29 / 48

HEX #23845E

RGB 35 132 94

HSL 156.49, 0.58%, 0.33%

LAB 49.09, -37.16, 12.69

 

CMYK 50 / 0 / 17 / 20

HEX #66CCAA

RGB 102 204 170

HSL 160, 0.5%, 0.6%

LAB 75.4, -37.88, 7.88

 

CMYK 50 / 0 / 30 / 20

HEX #66CC8E

RGB 102 204 142

HSL 143.53, 0.5%, 0.6%

LAB 74.8, -43.72, 21.99

 

CMYK 50 / 0 / 44 / 20

HEX #66CC73

RGB 102 204 115

HSL 127.65, 0.5%, 0.6%

LAB 74.35, -48.37, 35.38

 

CMYK 43 / 0 / 50 / 20

HEX #75CC66

RGB 117 204 102

HSL 111.18, 0.5%, 0.6%

LAB 74.78, -45.91, 42.5

 

CMYK 29 / 0 / 50 / 20

HEX #90CC66

RGB 144 204 102

HSL 95.29, 0.5%, 0.6%

LAB 76.11, -36.99, 44.44

 

CMYK 50 / 0 / 17 / 20

HEX #66CCAA

RGB 102 204 170

HSL 160, 0.5%, 0.6%

LAB 75.4, -37.88, 7.88

 

CMYK 50 / 0 / 3 / 20

HEX #66CCC5

RGB 102 204 197

HSL 175.88, 0.5%, 0.6%

LAB 76.09, -31.38, -5.66

 

CMYK 50 / 10 / 0 / 20

HEX #66B7CC

RGB 102 183 204

HSL 192.35, 0.5%, 0.6%

LAB 70.21, -19.08, -18.28

 

CMYK 50 / 24 / 0 / 20

HEX #669CCC

RGB 102 156 204

HSL 208.24, 0.5%, 0.6%

LAB 62.47, -4.51, -30.12

 

CMYK 50 / 37 / 0 / 20

HEX #6680CC

RGB 102 128 204

HSL 224.71, 0.5%, 0.6%

LAB 54.68, 11.8, -42.31

 

CMYK 50 / 0 / 17 / 20

HEX #66CCAA

RGB 102 204 170

HSL 160, 0.5%, 0.6%

LAB 75.4, -37.88, 7.88

 

CMYK 62 / 0 / 21 / 13

HEX #55DDAF

RGB 85 221 175

HSL 159.71, 0.67%, 0.6%

LAB 80.03, -47.73, 11.75

 

CMYK 71 / 0 / 24 / 7

HEX #45EDB4

RGB 69 237 180

HSL 159.64, 0.82%, 0.6%

LAB 84.55, -55.69, 15.45

 

CMYK 80 / 0 / 27 / 0

HEX #34FEBA

RGB 52 254 186

HSL 159.8, 0.99%, 0.6%

LAB 89.47, -62.83, 19.2

 

CMYK 50 / 0 / 17 / 20

HEX #66CCAA

RGB 102 204 170

HSL 160, 0.5%, 0.6%

LAB 75.4, -37.88, 7.88

 

CMYK 36 / 0 / 12 / 27

HEX #77BBA4

RGB 119 187 164

HSL 159.71, 0.33%, 0.6%

LAB 70.97, -26.75, 4.86

 

CMYK 21 / 0 / 7 / 33

HEX #87AB9F

RGB 135 171 159

HSL 160, 0.18%, 0.6%

LAB 67.11, -14.76, 2.14

 

CMYK 1 / 0 / 1 / 40

HEX #989A99

RGB 152 154 153

HSL 150, 0.01%, 0.6%

LAB 63.41, -0.91, 0.26

 

CMYK 0 / 18 / 12 / 34

HEX #A88A94

RGB 168 138 148

HSL 340, 0.15%, 0.6%

LAB 60.46, 13.04, -1.05

 

CMYK 50 / 0 / 44 / 20

HEX #66CC72

RGB 102 204 114

HSL 127.06, 0.5%, 0.6%

LAB 74.33, -48.52, 35.87

 

CMYK 50 / 0 / 31 / 20

HEX #66CC8D

RGB 102 204 141

HSL 142.94, 0.5%, 0.6%

LAB 74.78, -43.91, 22.49

 

CMYK 50 / 0 / 18 / 20

HEX #66CCA8

RGB 102 204 168

HSL 158.82, 0.5%, 0.6%

LAB 75.35, -38.33, 8.89

 

CMYK 50 / 0 / 4 / 20

HEX #66CCC4

RGB 102 204 196

HSL 175.29, 0.5%, 0.6%

LAB 76.07, -31.64, -5.16

 

CMYK 50 / 9 / 0 / 20

HEX #66B9CC

RGB 102 185 204

HSL 191.18, 0.5%, 0.6%

LAB 70.79, -20.11, -17.4

 

CMYK 67 / 0 / 23 / 34

HEX #38A882

RGB 56 168 130

HSL 159.64, 0.5%, 0.44%

LAB 62.05, -40.7, 10.55

 

CMYK 63 / 0 / 22 / 24

HEX #47C298

RGB 71 194 152

HSL 159.51, 0.5%, 0.52%

LAB 71, -44.08, 11.2

 

CMYK 50 / 0 / 17 / 20

HEX #66CCAA

RGB 102 204 170

HSL 160, 0.5%, 0.6%

LAB 75.4, -37.88, 7.88

 

CMYK 38 / 0 / 13 / 16

HEX #85D6BB

RGB 133 214 187

HSL 160, 0.5%, 0.68%

LAB 79.99, -30.85, 5.55

 

CMYK 27 / 0 / 9 / 12

HEX #A4E1CC

RGB 164 225 204

HSL 159.34, 0.5%, 0.76%

LAB 85.05, -23.66, 4.04

 

CMYK 50 / 0 / 17 / 20

HEX #67CCAA

RGB 103 204 170

HSL 159.8, 0.5%, 0.6%

LAB 75.43, -37.64, 7.94

 

CMYK 50 / 43 / 0 / 20

HEX #6675CC

RGB 102 117 204

HSL 231.18, 0.5%, 0.6%

LAB 51.73, 18.45, -46.98

 

CMYK 0 / 37 / 50 / 20

HEX #CC8066

RGB 204 128 102

HSL 15.29, 0.5%, 0.6%

LAB 60.99, 26.6, 26.4

 

CMYK 50 / 0 / 17 / 20

HEX #67CCAA

RGB 103 204 170

HSL 159.8, 0.5%, 0.6%

LAB 75.43, -37.64, 7.94

 

CMYK 18 / 50 / 0 / 20

HEX #A866CC

RGB 168 102 204

HSL 278.82, 0.5%, 0.6%

LAB 54.23, 44.41, -42.65

 

CMYK 0 / 18 / 50 / 20

HEX #CCA866

RGB 204 168 102

HSL 38.82, 0.5%, 0.6%

LAB 70.73, 4.86, 38.84

 

CMYK 50 / 0 / 17 / 20

HEX #67CCAA

RGB 103 204 170

HSL 159.8, 0.5%, 0.6%

LAB 75.43, -37.64, 7.94

 

CMYK 50 / 43 / 0 / 20

HEX #6675CC

RGB 102 117 204

HSL 231.18, 0.5%, 0.6%

LAB 51.73, 18.45, -46.98

 

CMYK 0 / 50 / 32 / 20

HEX #CC668A

RGB 204 102 138

HSL 338.82, 0.5%, 0.6%

LAB 56.26, 44.29, -0.91

 

CMYK 0 / 7 / 50 / 20

HEX #CCBD66

RGB 204 189 102

HSL 51.18, 0.5%, 0.6%

LAB 76.19, -6.23, 45.52

 

CMYK 50 / 0 / 17 / 20

HEX #67CCAA

RGB 103 204 170

HSL 159.8, 0.5%, 0.6%

LAB 75.43, -37.64, 7.94

 

CMYK 43 / 50 / 0 / 20

HEX #7566CC

RGB 117 102 204

HSL 248.82, 0.5%, 0.6%

LAB 49.06, 31.08, -51.17

 

CMYK 0 / 50 / 32 / 20

HEX #CC668A

RGB 204 102 138

HSL 338.82, 0.5%, 0.6%

LAB 56.26, 44.29, -0.91

 

CMYK 7 / 0 / 50 / 20

HEX #BDCC66

RGB 189 204 102

HSL 68.82, 0.5%, 0.6%

LAB 79.02, -19.94, 48.63

 

Description

Color code: HEX #67CCAA | qconv.com Color code: HEX #67CCAA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 204 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 204 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 17 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 17% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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