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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67C534 it is the complementary color #983ACB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67C534. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67C534 shade: #6CC52F, #7DD742, #8EE955, #9FFB68 and #B0FF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67C534. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67C534 shade: #67C534, #56B321, #45A10E, #348F00 and #237D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67C534 shade: #67C534, #8FC534, #B6C534, #C5AE34 and #C58734

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67C534 shade: #67C534, #40C534, #34C550, #34C577 and #34C59E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67C534 shade matches the following richer shades: #67C534, #61DA20 and #5BEE0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67C534 shade: #67C534, #6DB149, #739D5D, #798971 and #7F7585

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67C534 shade: #B7C534, #90C534, #6AC534, #43C534 and #34C54D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67C534 shade: #458423, #56A52C, #67C534, #7FD152 and #97DA73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67C534 shade: #67C534, #34C5AD and #C534A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67C534 shade: #67C534, #346AC5 and #C5346A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67C534 shade: #67C534, #34C5AD, #9034C5 and #C5344D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67C534 shade: #67C534, #34B2C5, #9034C5 and #C54834

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 74 / 23

HEX #67C534

RGB 103 197 52

HSL 98.9, 0.58%, 0.49%

LAB 71.6, -52.26, 60.25

 

Complementary color

CMYK 25 / 71 / 0 / 20

HEX #983ACB

RGB 152 58 203

HSL 278.9, 0.58%, 0.51%

LAB 44.25, 61.68, -58.13

 

CMYK 45 / 0 / 76 / 23

HEX #6CC52F

RGB 108 197 47

HSL 95.6, 0.61%, 0.48%

LAB 71.78, -51.03, 62.18

 

CMYK 42 / 0 / 69 / 16

HEX #7DD742

RGB 125 215 66

HSL 96.24, 0.65%, 0.55%

LAB 78.08, -51.5, 62.06

 

CMYK 39 / 0 / 64 / 9

HEX #8EE955

RGB 142 233 85

HSL 96.89, 0.77%, 0.62%

LAB 84.32, -51.78, 61.46

 

CMYK 37 / 0 / 59 / 2

HEX #9FFB68

RGB 159 251 104

HSL 97.55, 0.95%, 0.7%

LAB 90.49, -51.93, 60.6

 

CMYK 31 / 0 / 52 / 0

HEX #B0FF7B

RGB 176 255 123

HSL 95.91, 1%, 0.74%

LAB 92.65, -46.1, 54.94

 

CMYK 48 / 0 / 74 / 23

HEX #67C534

RGB 103 197 52

HSL 98.9, 0.58%, 0.49%

LAB 71.6, -52.26, 60.25

 

CMYK 52 / 0 / 82 / 30

HEX #56B321

RGB 86 179 33

HSL 98.22, 0.69%, 0.42%

LAB 65.22, -51.55, 59.92

 

CMYK 57 / 0 / 91 / 37

HEX #45A10E

RGB 69 161 14

HSL 97.55, 0.84%, 0.34%

LAB 58.78, -50.45, 58.37

 

CMYK 64 / 0 / 100 / 44

HEX #348F00

RGB 52 143 0

HSL 98.18, 1%, 0.28%

LAB 52.26, -48.81, 55.08

 

CMYK 72 / 0 / 100 / 51

HEX #237D00

RGB 35 125 0

HSL 103.2, 1%, 0.25%

LAB 45.67, -46.44, 49.65

 

CMYK 48 / 0 / 74 / 23

HEX #67C534

RGB 103 197 52

HSL 98.9, 0.58%, 0.49%

LAB 71.6, -52.26, 60.25

 

CMYK 27 / 0 / 74 / 23

HEX #8FC534

RGB 143 197 52

HSL 82.34, 0.58%, 0.49%

LAB 73.56, -38.51, 62.84

 

CMYK 8 / 0 / 74 / 23

HEX #B6C534

RGB 182 197 52

HSL 66.21, 0.58%, 0.49%

LAB 76.15, -22.87, 66.23

 

CMYK 0 / 12 / 74 / 23

HEX #C5AE34

RGB 197 174 52

HSL 50.48, 0.58%, 0.49%

LAB 71.14, -4.75, 61.89

 

CMYK 0 / 31 / 74 / 23

HEX #C58734

RGB 197 135 52

HSL 34.34, 0.58%, 0.49%

LAB 61.17, 16.31, 52.07

 

CMYK 48 / 0 / 74 / 23

HEX #67C534

RGB 103 197 52

HSL 98.9, 0.58%, 0.49%

LAB 71.6, -52.26, 60.25

 

CMYK 68 / 0 / 74 / 23

HEX #40C534

RGB 64 197 52

HSL 115.03, 0.58%, 0.49%

LAB 70.36, -62.04, 58.61

 

CMYK 74 / 0 / 59 / 23

HEX #34C550

RGB 52 197 80

HSL 131.59, 0.58%, 0.49%

LAB 70.34, -61.37, 47.1

 

CMYK 74 / 0 / 40 / 23

HEX #34C577

RGB 52 197 119

HSL 147.72, 0.58%, 0.49%

LAB 70.87, -55.3, 28.53

 

CMYK 74 / 0 / 20 / 23

HEX #34C59E

RGB 52 197 158

HSL 163.86, 0.58%, 0.49%

LAB 71.64, -46.86, 8.81

 

CMYK 48 / 0 / 74 / 23

HEX #67C534

RGB 103 197 52

HSL 98.9, 0.58%, 0.49%

LAB 71.6, -52.26, 60.25

 

CMYK 56 / 0 / 85 / 15

HEX #61DA20

RGB 97 218 32

HSL 99.03, 0.74%, 0.49%

LAB 77.75, -62.67, 71.52

 

CMYK 62 / 0 / 95 / 7

HEX #5BEE0C

RGB 91 238 12

HSL 99.03, 0.9%, 0.49%

LAB 83.65, -71.31, 79.4

 

CMYK 48 / 0 / 74 / 23

HEX #67C534

RGB 103 197 52

HSL 98.9, 0.58%, 0.49%

LAB 71.6, -52.26, 60.25

 

CMYK 38 / 0 / 59 / 31

HEX #6DB149

RGB 109 177 73

HSL 99.23, 0.42%, 0.49%

LAB 65.89, -40.34, 45.64

 

CMYK 27 / 0 / 41 / 38

HEX #739D5D

RGB 115 157 93

HSL 99.38, 0.26%, 0.49%

LAB 60.38, -26.47, 28.97

 

CMYK 12 / 0 / 18 / 46

HEX #798971

RGB 121 137 113

HSL 100, 0.1%, 0.49%

LAB 55.22, -10.55, 10.95

 

CMYK 5 / 12 / 0 / 48

HEX #7F7585

RGB 127 117 133

HSL 277.5, 0.06%, 0.49%

LAB 50.6, 7.04, -7.35

HEX #7F7585

CMYK 7 / 0 / 74 / 23

HEX #B7C534

RGB 183 197 52

HSL 65.79, 0.58%, 0.49%

LAB 76.22, -22.45, 66.33

 

CMYK 27 / 0 / 74 / 23

HEX #90C534

RGB 144 197 52

HSL 81.93, 0.58%, 0.49%

LAB 73.62, -38.13, 62.92

 

CMYK 46 / 0 / 74 / 23

HEX #6AC534

RGB 106 197 52

HSL 97.66, 0.58%, 0.49%

LAB 71.72, -51.34, 60.42

 

CMYK 66 / 0 / 74 / 23

HEX #43C534

RGB 67 197 52

HSL 113.79, 0.58%, 0.49%

LAB 70.44, -61.44, 58.71

 

CMYK 74 / 0 / 61 / 23

HEX #34C54D

RGB 52 197 77

HSL 130.34, 0.58%, 0.49%

LAB 70.31, -61.73, 48.42

 

CMYK 48 / 0 / 73 / 48

HEX #458423

RGB 69 132 35

HSL 98.97, 0.58%, 0.33%

LAB 49.36, -38, 43.73

 

CMYK 48 / 0 / 73 / 35

HEX #56A52C

RGB 86 165 44

HSL 99.17, 0.58%, 0.41%

LAB 60.84, -45.44, 52.15

 

CMYK 48 / 0 / 74 / 23

HEX #67C534

RGB 103 197 52

HSL 98.9, 0.58%, 0.49%

LAB 71.6, -52.26, 60.25

 

CMYK 39 / 0 / 61 / 18

HEX #7FD152

RGB 127 209 82

HSL 98.74, 0.58%, 0.57%

LAB 76.51, -47.06, 53.9

 

CMYK 31 / 0 / 47 / 15

HEX #97DA73

RGB 151 218 115

HSL 99.03, 0.58%, 0.65%

LAB 80.72, -39.31, 43.88

 

CMYK 48 / 0 / 74 / 23

HEX #67C534

RGB 103 197 52

HSL 98.9, 0.58%, 0.49%

LAB 71.6, -52.26, 60.25

 

CMYK 74 / 0 / 12 / 23

HEX #34C5AD

RGB 52 197 173

HSL 170.07, 0.58%, 0.49%

LAB 72.01, -43.05, 1.2

 

CMYK 0 / 74 / 17 / 23

HEX #C534A4

RGB 197 52 164

HSL 313.66, 0.58%, 0.49%

LAB 48.27, 66.99, -28.47

 

CMYK 48 / 0 / 74 / 23

HEX #67C534

RGB 103 197 52

HSL 98.9, 0.58%, 0.49%

LAB 71.6, -52.26, 60.25

 

CMYK 74 / 46 / 0 / 23

HEX #346AC5

RGB 52 106 197

HSL 217.66, 0.58%, 0.49%

LAB 45.73, 13.68, -52.71

 

CMYK 0 / 74 / 46 / 23

HEX #C5346A

RGB 197 52 106

HSL 337.66, 0.58%, 0.49%

LAB 46.13, 60.28, 3.41

 

CMYK 48 / 0 / 74 / 23

HEX #67C534

RGB 103 197 52

HSL 98.9, 0.58%, 0.49%

LAB 71.6, -52.26, 60.25

 

CMYK 74 / 0 / 12 / 23

HEX #34C5AD

RGB 52 197 173

HSL 170.07, 0.58%, 0.49%

LAB 72.01, -43.05, 1.2

 

CMYK 27 / 74 / 0 / 23

HEX #9034C5

RGB 144 52 197

HSL 278.07, 0.58%, 0.49%

LAB 41.87, 61.26, -58.55

 

CMYK 0 / 74 / 61 / 23

HEX #C5344D

RGB 197 52 77

HSL 349.66, 0.58%, 0.49%

LAB 45.44, 58.03, 20.33

 

CMYK 48 / 0 / 74 / 23

HEX #67C534

RGB 103 197 52

HSL 98.9, 0.58%, 0.49%

LAB 71.6, -52.26, 60.25

 

CMYK 74 / 10 / 0 / 23

HEX #34B2C5

RGB 52 178 197

HSL 187.86, 0.58%, 0.49%

LAB 66.98, -27.3, -19.47

 

CMYK 27 / 74 / 0 / 23

HEX #9034C5

RGB 144 52 197

HSL 278.07, 0.58%, 0.49%

LAB 41.87, 61.26, -58.55

 

CMYK 0 / 63 / 74 / 23

HEX #C54834

RGB 197 72 52

HSL 8.28, 0.58%, 0.49%

LAB 47.95, 48.79, 38.09

 

Description

Color code: HEX #67C534 | qconv.com Color code: HEX #67C534 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 197 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 197 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 74 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 74% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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