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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67C519 it is the complementary color #983AE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67C519. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67C519 shade: #6CC514, #7DD727, #8EE93A, #9FFB4D and #B0FF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67C519. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67C519 shade: #67C519, #56B306, #45A100, #348F00 and #237D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67C519 shade: #68C71A, #97C71A, #C5C71A, #C7991A and #C76B1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67C519 shade: #68C71A, #3AC71A, #1AC729, #1AC757 and #1AC786

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67C519 shade matches the following richer shades: #68C71A and #66D908

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67C519 shade: #68C71A, #6AB42C, #6CA23E, #6D9050 and #6F7E62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67C519 shade: #C7C71A, #99C71A, #6AC71A, #3CC71A and #1AC725

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67C519 shade: #427E10, #55A215, #68C71A, #7CE327 and #92E84B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67C519 shade: #67C519, #1AC799 and #C71AB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67C519 shade: #67C519, #1A6AC7 and #C71A6A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67C519 shade: #67C519, #1AC799, #761AC7 and #C71A48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67C519 shade: #67C519, #1AC1C7, #761AC7 and #C7201A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 87 / 23

HEX #67C519

RGB 103 197 25

HSL 92.79, 0.77%, 0.44%

LAB 71.48, -53.59, 67.61

 

Complementary color

CMYK 34 / 75 / 0 / 10

HEX #983AE6

RGB 152 58 230

HSL 272.79, 0.77%, 0.56%

LAB 46.2, 67.53, -70.43

 

CMYK 45 / 0 / 90 / 23

HEX #6CC514

RGB 108 197 20

HSL 90.17, 0.82%, 0.43%

LAB 71.67, -52.17, 68.77

 

CMYK 42 / 0 / 82 / 16

HEX #7DD727

RGB 125 215 39

HSL 90.68, 0.69%, 0.5%

LAB 77.94, -53.04, 70.47

 

CMYK 39 / 0 / 75 / 9

HEX #8EE93A

RGB 142 233 58

HSL 91.2, 0.8%, 0.57%

LAB 84.14, -53.67, 71.1

 

CMYK 37 / 0 / 69 / 2

HEX #9FFB4D

RGB 159 251 77

HSL 91.72, 0.96%, 0.64%

LAB 90.28, -54.1, 71.04

 

CMYK 31 / 0 / 62 / 0

HEX #B0FF60

RGB 176 255 96

HSL 89.81, 1%, 0.69%

LAB 92.4, -48.62, 66.28

 

CMYK 48 / 0 / 87 / 23

HEX #67C519

RGB 103 197 25

HSL 92.79, 0.77%, 0.44%

LAB 71.48, -53.59, 67.61

 

CMYK 52 / 0 / 97 / 30

HEX #56B306

RGB 86 179 6

HSL 92.25, 0.94%, 0.36%

LAB 65.15, -52.42, 64.98

 

CMYK 57 / 0 / 100 / 37

HEX #45A100

RGB 69 161 0

HSL 94.29, 1%, 0.32%

LAB 58.75, -50.79, 60.43

 

CMYK 64 / 0 / 100 / 44

HEX #348F00

RGB 52 143 0

HSL 98.18, 1%, 0.28%

LAB 52.26, -48.81, 55.08

 

CMYK 72 / 0 / 100 / 51

HEX #237D00

RGB 35 125 0

HSL 103.2, 1%, 0.25%

LAB 45.67, -46.44, 49.65

 

CMYK 48 / 0 / 87 / 22

HEX #68C71A

RGB 104 199 26

HSL 92.95, 0.77%, 0.44%

LAB 72.14, -54.01, 68

 

CMYK 24 / 0 / 87 / 22

HEX #97C71A

RGB 151 199 26

HSL 76.65, 0.77%, 0.44%

LAB 74.51, -37.39, 70.95

 

CMYK 1 / 0 / 87 / 22

HEX #C5C71A

RGB 197 199 26

HSL 60.69, 0.77%, 0.44%

LAB 77.75, -18.38, 74.95

 

CMYK 0 / 23 / 87 / 22

HEX #C7991A

RGB 199 153 26

HSL 44.05, 0.77%, 0.44%

LAB 65.75, 6.47, 65.34

 

CMYK 0 / 46 / 87 / 22

HEX #C76B1A

RGB 199 107 26

HSL 28.09, 0.77%, 0.44%

LAB 54.8, 31.44, 56.49

 

CMYK 48 / 0 / 87 / 22

HEX #68C71A

RGB 104 199 26

HSL 92.95, 0.77%, 0.44%

LAB 72.14, -54.01, 68

 

CMYK 71 / 0 / 87 / 22

HEX #3AC71A

RGB 58 199 26

HSL 108.9, 0.77%, 0.44%

LAB 70.75, -65.27, 66.25

 

CMYK 87 / 0 / 79 / 22

HEX #1AC729

RGB 26 199 41

HSL 125.2, 0.77%, 0.44%

LAB 70.33, -68.67, 61.94

 

CMYK 87 / 0 / 56 / 22

HEX #1AC757

RGB 26 199 87

HSL 141.16, 0.77%, 0.44%

LAB 70.7, -64.09, 44.19

 

CMYK 87 / 0 / 33 / 22

HEX #1AC786

RGB 26 199 134

HSL 157.46, 0.77%, 0.44%

LAB 71.41, -55.76, 21.31

 

CMYK 48 / 0 / 87 / 22

HEX #68C71A

RGB 104 199 26

HSL 92.95, 0.77%, 0.44%

LAB 72.14, -54.01, 68

 

CMYK 53 / 0 / 96 / 15

HEX #66D908

RGB 102 217 8

HSL 93.01, 0.93%, 0.44%

LAB 77.56, -61.58, 74.98

 

CMYK 48 / 0 / 87 / 22

HEX #68C71A

RGB 104 199 26

HSL 92.95, 0.77%, 0.44%

LAB 72.14, -54.01, 68

 

CMYK 41 / 0 / 76 / 29

HEX #6AB42C

RGB 106 180 44

HSL 92.65, 0.61%, 0.44%

LAB 66.43, -45.01, 57.97

 

CMYK 33 / 0 / 62 / 36

HEX #6CA23E

RGB 108 162 62

HSL 92.4, 0.45%, 0.44%

LAB 61.11, -35.11, 45.27

 

CMYK 24 / 0 / 44 / 44

HEX #6D9050

RGB 109 144 80

HSL 92.81, 0.29%, 0.44%

LAB 55.86, -24.08, 30.07

 

CMYK 12 / 0 / 22 / 51

HEX #6F7E62

RGB 111 126 98

HSL 92.14, 0.13%, 0.44%

LAB 50.9, -11.02, 13.44

 

CMYK 0 / 0 / 87 / 22

HEX #C7C71A

RGB 199 199 26

HSL 60, 0.77%, 0.44%

LAB 77.91, -17.53, 75.15

 

CMYK 23 / 0 / 87 / 22

HEX #99C71A

RGB 153 199 26

HSL 75.95, 0.77%, 0.44%

LAB 74.63, -36.6, 71.11

 

CMYK 47 / 0 / 87 / 22

HEX #6AC71A

RGB 106 199 26

HSL 92.25, 0.77%, 0.44%

LAB 72.22, -53.39, 68.1

 

CMYK 70 / 0 / 87 / 22

HEX #3CC71A

RGB 60 199 26

HSL 108.21, 0.77%, 0.44%

LAB 70.79, -64.91, 66.3

 

CMYK 87 / 0 / 81 / 22

HEX #1AC725

RGB 26 199 37

HSL 123.82, 0.77%, 0.44%

LAB 70.32, -68.9, 63.06

 

CMYK 48 / 0 / 87 / 51

HEX #427E10

RGB 66 126 16

HSL 92.73, 0.77%, 0.28%

LAB 47.13, -37.64, 47.87

 

CMYK 48 / 0 / 87 / 36

HEX #55A215

RGB 85 162 21

HSL 92.77, 0.77%, 0.36%

LAB 59.73, -45.81, 58.03

 

CMYK 48 / 0 / 87 / 22

HEX #68C71A

RGB 104 199 26

HSL 92.95, 0.77%, 0.44%

LAB 72.14, -54.01, 68

 

CMYK 45 / 0 / 83 / 11

HEX #7CE327

RGB 124 227 39

HSL 92.87, 0.77%, 0.52%

LAB 81.49, -57.98, 73.63

 

CMYK 37 / 0 / 68 / 9

HEX #92E84B

RGB 146 232 75

HSL 92.87, 0.77%, 0.6%

LAB 84.14, -50.85, 65.25

 

CMYK 48 / 0 / 87 / 23

HEX #67C519

RGB 103 197 25

HSL 92.79, 0.77%, 0.44%

LAB 71.48, -53.59, 67.61

 

CMYK 87 / 0 / 23 / 22

HEX #1AC799

RGB 26 199 153

HSL 164.05, 0.77%, 0.44%

LAB 71.8, -51.41, 11.69

 

CMYK 0 / 87 / 12 / 22

HEX #C71AB0

RGB 199 26 176

HSL 307.98, 0.77%, 0.44%

LAB 46.99, 75.43, -37.54

 

CMYK 48 / 0 / 87 / 23

HEX #67C519

RGB 103 197 25

HSL 92.79, 0.77%, 0.44%

LAB 71.48, -53.59, 67.61

 

CMYK 87 / 47 / 0 / 22

HEX #1A6AC7

RGB 26 106 199

HSL 212.25, 0.77%, 0.44%

LAB 45.15, 11.85, -54.83

 

CMYK 0 / 87 / 47 / 22

HEX #C71A6A

RGB 199 26 106

HSL 332.25, 0.77%, 0.44%

LAB 44.12, 67.6, 0.53

 

CMYK 48 / 0 / 87 / 23

HEX #67C519

RGB 103 197 25

HSL 92.79, 0.77%, 0.44%

LAB 71.48, -53.59, 67.61

 

CMYK 87 / 0 / 23 / 22

HEX #1AC799

RGB 26 199 153

HSL 164.05, 0.77%, 0.44%

LAB 71.8, -51.41, 11.69

 

CMYK 41 / 87 / 0 / 22

HEX #761AC7

RGB 118 26 199

HSL 271.91, 0.77%, 0.44%

LAB 35.43, 66.25, -70.38

 

CMYK 0 / 87 / 64 / 22

HEX #C71A48

RGB 199 26 72

HSL 344.05, 0.77%, 0.44%

LAB 43.28, 65.22, 20.65

 

CMYK 48 / 0 / 87 / 23

HEX #67C519

RGB 103 197 25

HSL 92.79, 0.77%, 0.44%

LAB 71.48, -53.59, 67.61

 

CMYK 87 / 3 / 0 / 22

HEX #1AC1C7

RGB 26 193 199

HSL 182.08, 0.77%, 0.44%

LAB 71.2, -36.18, -14.22

 

CMYK 41 / 87 / 0 / 22

HEX #761AC7

RGB 118 26 199

HSL 271.91, 0.77%, 0.44%

LAB 35.43, 66.25, -70.38

 

CMYK 0 / 84 / 87 / 22

HEX #C7201A

RGB 199 32 26

HSL 2.08, 0.77%, 0.44%

LAB 43.14, 62.25, 47.03

 

Description

Color code: HEX #67C519 | qconv.com Color code: HEX #67C519 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 197 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 197 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 87 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 87% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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