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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67C2ED it is the complementary color #983D12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67C2ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67C2ED shade: #6CC2E8, #7DD4FB, #8EE6FF, #9FF8FF and #B0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67C2ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67C2ED shade: #67C2ED, #56B0DA, #459EC7, #348CB4 and #237AA1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67C2ED shade: #68C3ED, #689FED, #687BED, #7A68ED and #9D68ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67C2ED shade: #68C3ED, #689FED, #687BED and #6868ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67C2ED shade matches the following richer shades: #68C3ED and #5BC8FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67C2ED shade: #68C3ED, #76BEE0, #84B9D2, #91B4C4 and #9FAFB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67C2ED shade: #68EDD1, #68E7ED, #68C3ED, #68A0ED and #687CED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67C2ED shade: #1FA5E5, #43B4E9, #68C3ED, #8DD1F2 and #B2E0F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67C2ED shade: #67C2ED, #AD68ED and #EDE268

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67C2ED shade: #67C2ED, #ED68C3 and #C3ED68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67C2ED shade: #67C2ED, #AD68ED, #ED9268 and #A9ED68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67C2ED shade: #67C2ED, #D568ED, #ED9268 and #81ED68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 18 / 0 / 7

HEX #67C2ED

RGB 103 194 237

HSL 199.25, 0.79%, 0.67%

LAB 74.56, -15.12, -29.58

 

Complementary color

CMYK 0 / 60 / 88 / 40

HEX #983D12

RGB 152 61 18

HSL 19.25, 0.79%, 0.33%

LAB 37.94, 36.03, 42.66

 

CMYK 53 / 16 / 0 / 9

HEX #6CC2E8

RGB 108 194 232

HSL 198.39, 0.73%, 0.67%

LAB 74.57, -15.57, -26.85

 

CMYK 50 / 16 / 0 / 2

HEX #7DD4FB

RGB 125 212 251

HSL 198.57, 0.94%, 0.74%

LAB 80.97, -15.92, -27.18

 

CMYK 44 / 10 / 0 / 0

HEX #8EE6FF

RGB 142 230 255

HSL 193.27, 1%, 0.78%

LAB 86.78, -20.15, -20.38

 

CMYK 38 / 3 / 0 / 0

HEX #9FF8FF

RGB 159 248 255

HSL 184.38, 1%, 0.81%

LAB 92.45, -24.9, -11.79

 

CMYK 31 / 0 / 0 / 0

HEX #B0FFFF

RGB 176 255 255

HSL 180, 1%, 0.85%

LAB 95.15, -23.9, -7.7

 

CMYK 57 / 18 / 0 / 7

HEX #67C2ED

RGB 103 194 237

HSL 199.25, 0.79%, 0.67%

LAB 74.56, -15.12, -29.58

 

CMYK 61 / 19 / 0 / 15

HEX #56B0DA

RGB 86 176 218

HSL 199.09, 0.64%, 0.6%

LAB 68.09, -14.55, -29.26

 

CMYK 65 / 21 / 0 / 22

HEX #459EC7

RGB 69 158 199

HSL 198.92, 0.54%, 0.53%

LAB 61.52, -13.81, -28.92

 

CMYK 71 / 22 / 0 / 29

HEX #348CB4

RGB 52 140 180

HSL 198.75, 0.55%, 0.45%

LAB 54.85, -12.85, -28.54

 

CMYK 78 / 24 / 0 / 37

HEX #237AA1

RGB 35 122 161

HSL 198.57, 0.64%, 0.38%

LAB 48.07, -11.57, -28.12

 

CMYK 56 / 18 / 0 / 7

HEX #68C3ED

RGB 104 195 237

HSL 198.95, 0.79%, 0.67%

LAB 74.88, -15.44, -29.09

 

CMYK 56 / 33 / 0 / 7

HEX #689FED

RGB 104 159 237

HSL 215.19, 0.79%, 0.67%

LAB 64.85, 4.34, -44.69

 

CMYK 56 / 48 / 0 / 7

HEX #687BED

RGB 104 123 237

HSL 231.43, 0.79%, 0.67%

LAB 55.3, 25.67, -59.86

 

CMYK 49 / 56 / 0 / 7

HEX #7A68ED

RGB 122 104 237

HSL 248.12, 0.79%, 0.67%

LAB 52.01, 40.59, -65.09

 

CMYK 34 / 56 / 0 / 7

HEX #9D68ED

RGB 157 104 237

HSL 263.91, 0.79%, 0.67%

LAB 55.26, 48.27, -59.69

 

CMYK 56 / 18 / 0 / 7

HEX #68C3ED

RGB 104 195 237

HSL 198.95, 0.79%, 0.67%

LAB 74.88, -15.44, -29.09

 

CMYK 56 / 33 / 0 / 7

HEX #689FED

RGB 104 159 237

HSL 215.19, 0.79%, 0.67%

LAB 64.85, 4.34, -44.69

 

CMYK 56 / 48 / 0 / 7

HEX #687BED

RGB 104 123 237

HSL 231.43, 0.79%, 0.67%

LAB 55.3, 25.67, -59.86

 

CMYK 56 / 56 / 0 / 7

HEX #6868ED

RGB 104 104 237

HSL 240, 0.79%, 0.67%

LAB 50.64, 37.11, -67.37

 

CMYK 56 / 18 / 0 / 7

HEX #68C3ED

RGB 104 195 237

HSL 198.95, 0.79%, 0.67%

LAB 74.88, -15.44, -29.09

 

CMYK 64 / 20 / 0 / 2

HEX #5BC8FB

RGB 91 200 251

HSL 199.13, 0.95%, 0.67%

LAB 76.37, -16.18, -34.35

 

CMYK 56 / 18 / 0 / 7

HEX #68C3ED

RGB 104 195 237

HSL 198.95, 0.79%, 0.67%

LAB 74.88, -15.44, -29.09

 

CMYK 47 / 15 / 0 / 12

HEX #76BEE0

RGB 118 190 224

HSL 199.25, 0.63%, 0.67%

LAB 73.58, -13.52, -23.99

 

CMYK 37 / 12 / 0 / 18

HEX #84B9D2

RGB 132 185 210

HSL 199.23, 0.46%, 0.67%

LAB 72.4, -11.09, -18.11

 

CMYK 26 / 8 / 0 / 23

HEX #91B4C4

RGB 145 180 196

HSL 198.82, 0.3%, 0.67%

LAB 71.32, -8.14, -12.01

 

CMYK 13 / 4 / 0 / 28

HEX #9FAFB7

RGB 159 175 183

HSL 200, 0.14%, 0.67%

LAB 70.49, -3.89, -5.99

 

CMYK 56 / 0 / 12 / 7

HEX #68EDD1

RGB 104 237 209

HSL 167.37, 0.79%, 0.67%

LAB 86.06, -43.14, 2.57

 

CMYK 56 / 3 / 0 / 7

HEX #68E7ED

RGB 104 231 237

HSL 182.71, 0.79%, 0.67%

LAB 85.1, -33.32, -13.58

 

CMYK 56 / 18 / 0 / 7

HEX #68C3ED

RGB 104 195 237

HSL 198.95, 0.79%, 0.67%

LAB 74.88, -15.44, -29.09

 

CMYK 56 / 32 / 0 / 7

HEX #68A0ED

RGB 104 160 237

HSL 214.74, 0.79%, 0.67%

LAB 65.12, 3.76, -44.26

 

CMYK 56 / 48 / 0 / 7

HEX #687CED

RGB 104 124 237

HSL 230.98, 0.79%, 0.67%

LAB 55.56, 25.06, -59.45

 

CMYK 86 / 28 / 0 / 10

HEX #1FA5E5

RGB 31 165 229

HSL 199.39, 0.79%, 0.51%

LAB 64.05, -11.69, -41.69

 

CMYK 71 / 23 / 0 / 9

HEX #43B4E9

RGB 67 180 233

HSL 199.16, 0.79%, 0.59%

LAB 69.27, -14.9, -35.68

 

CMYK 56 / 18 / 0 / 7

HEX #68C3ED

RGB 104 195 237

HSL 198.95, 0.79%, 0.67%

LAB 74.88, -15.44, -29.09

 

CMYK 42 / 14 / 0 / 5

HEX #8DD1F2

RGB 141 209 242

HSL 199.6, 0.8%, 0.75%

LAB 80.56, -13.08, -22.95

 

CMYK 28 / 9 / 0 / 4

HEX #B2E0F6

RGB 178 224 246

HSL 199.41, 0.79%, 0.83%

LAB 86.72, -9.93, -15.57

 

CMYK 57 / 18 / 0 / 7

HEX #67C2ED

RGB 103 194 237

HSL 199.25, 0.79%, 0.67%

LAB 74.56, -15.12, -29.58

 

CMYK 27 / 56 / 0 / 7

HEX #AD68ED

RGB 173 104 237

HSL 271.13, 0.79%, 0.67%

LAB 56.98, 52.07, -56.84

 

CMYK 0 / 5 / 56 / 7

HEX #EDE268

RGB 237 226 104

HSL 55.04, 0.79%, 0.67%

LAB 88.64, -11.36, 59.83

 

CMYK 57 / 18 / 0 / 7

HEX #67C2ED

RGB 103 194 237

HSL 199.25, 0.79%, 0.67%

LAB 74.56, -15.12, -29.58

 

CMYK 0 / 56 / 18 / 7

HEX #ED68C3

RGB 237 104 195

HSL 318.95, 0.79%, 0.67%

LAB 63.21, 61.44, -22.85

 

CMYK 18 / 0 / 56 / 7

HEX #C3ED68

RGB 195 237 104

HSL 78.95, 0.79%, 0.67%

LAB 88.53, -33.17, 58.9

 

CMYK 57 / 18 / 0 / 7

HEX #67C2ED

RGB 103 194 237

HSL 199.25, 0.79%, 0.67%

LAB 74.56, -15.12, -29.58

 

CMYK 27 / 56 / 0 / 7

HEX #AD68ED

RGB 173 104 237

HSL 271.13, 0.79%, 0.67%

LAB 56.98, 52.07, -56.84

 

CMYK 0 / 38 / 56 / 7

HEX #ED9268

RGB 237 146 104

HSL 18.95, 0.79%, 0.67%

LAB 69.16, 30.3, 36.61

 

CMYK 29 / 0 / 56 / 7

HEX #A9ED68

RGB 169 237 104

HSL 90.68, 0.79%, 0.67%

LAB 87, -42.64, 56.74

 

CMYK 57 / 18 / 0 / 7

HEX #67C2ED

RGB 103 194 237

HSL 199.25, 0.79%, 0.67%

LAB 74.56, -15.12, -29.58

 

CMYK 10 / 56 / 0 / 7

HEX #D568ED

RGB 213 104 237

HSL 289.17, 0.79%, 0.67%

LAB 61.79, 61.96, -48.89

 

CMYK 0 / 38 / 56 / 7

HEX #ED9268

RGB 237 146 104

HSL 18.95, 0.79%, 0.67%

LAB 69.16, 30.3, 36.61

 

CMYK 46 / 0 / 56 / 7

HEX #81ED68

RGB 129 237 104

HSL 108.72, 0.79%, 0.67%

LAB 85.12, -55.5, 54.07

 

Description

Color code: HEX #67C2ED | qconv.com Color code: HEX #67C2ED | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 194 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 194 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 18 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 18% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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