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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67AEEE3F it is the complementary color #9851113F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67AEEE3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67AEEE3F shade: #6CAEE93F, #7DC0FC3F, #8ED2FF3F, #9FE4FF3F and #B0F6FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67AEEE3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67AEEE3F shade: #67AEEE3F, #569CDB3F, #458AC83F, #3478B53F and #2366A23F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67AEEE3F shade: #68AEEE, #688AEE, #6968EE, #8E68EE and #B268EE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67AEEE3F shade: #68AEEE, #688AEE and #6868EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67AEEE3F shade matches the following richer shades: #68AEEE and #5AAFFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67AEEE3F shade: #68AEEE, #75AEE1, #83ADD3, #90ACC5 and #9EACB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67AEEE3F shade: #68EEE5, #68D3EE, #68AFEE, #688BEE and #6868EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67AEEE3F shade: #1D87E6, #429BEA, #68AEEE, #8DC2F2 and #B2D6F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67AEEE3F shade: #67AEEE, #C168EE and #E5EE68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67AEEE3F shade: #67AEEE, #EE68AF and #AFEE68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67AEEE3F shade: #67AEEE, #C168EE, #EEA668 and #94EE68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67AEEE3F shade: #67AEEE, #EA68EE, #EEA668 and #6CEE68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 7 / 0 / 2

HEX #67AEEE3F

RGBA 103 174 238 0.25

HSLA 208.44, 0.8%, 0.67%, 0.25

LABA 68.99, -4.02, -38.75, 0.25

 

Complementary color

CMYK 0 / 12 / 22 / 10

HEX #9851113F

RGBA 152 81 17 0.25

HSLA 28.44, 0.8%, 0.33%, 0.25

LABA 42.16, 25.36, 46.47, 0.25

 

CMYK 13 / 6 / 0 / 2

HEX #6CAEE93F

RGBA 108 174 233 0.25

HSLA 208.32, 0.74%, 0.67%, 0.25

LABA 69, -4.52, -35.99, 0.25

 

CMYK 13 / 6 / 0 / 0

HEX #7DC0FC3F

RGBA 125 192 252 0.25

HSLA 208.35, 0.95%, 0.74%, 0.25

LABA 75.51, -5.08, -36.12, 0.25

 

CMYK 11 / 4 / 0 / 0

HEX #8ED2FF3F

RGBA 142 210 255 0.25

HSLA 203.89, 1%, 0.78%, 0.25

LABA 81.33, -9.91, -28.69, 0.25

 

CMYK 9 / 3 / 0 / 0

HEX #9FE4FF3F

RGBA 159 228 255 0.25

HSLA 196.88, 1%, 0.81%, 0.25

LABA 87.03, -14.98, -19.93, 0.25

 

CMYK 8 / 1 / 0 / 0

HEX #B0F6FF3F

RGBA 176 246 255 0.25

HSLA 186.84, 1%, 0.85%, 0.25

LABA 92.73, -19.5, -11.29, 0.25

 

CMYK 14 / 7 / 0 / 2

HEX #67AEEE3F

RGBA 103 174 238 0.25

HSLA 208.44, 0.8%, 0.67%, 0.25

LABA 68.99, -4.02, -38.75, 0.25

 

CMYK 15 / 7 / 0 / 4

HEX #569CDB3F

RGBA 86 156 219 0.25

HSLA 208.42, 0.65%, 0.6%, 0.25

LABA 62.4, -3.21, -38.65, 0.25

 

CMYK 16 / 8 / 0 / 5

HEX #458AC83F

RGBA 69 138 200 0.25

HSLA 208.4, 0.54%, 0.53%, 0.25

LABA 55.7, -2.19, -38.55, 0.25

 

CMYK 18 / 8 / 0 / 7

HEX #3478B53F

RGBA 52 120 181 0.25

HSLA 208.37, 0.55%, 0.46%, 0.25

LABA 48.88, -0.9, -38.45, 0.25

 

CMYK 20 / 9 / 0 / 9

HEX #2366A23F

RGBA 35 102 162 0.25

HSLA 208.35, 0.64%, 0.39%, 0.25

LABA 41.95, 0.81, -38.33, 0.25

 

CMYK 56 / 27 / 0 / 7

HEX #68AEEE

RGB 104 174 238

HSL 208.66, 0.8%, 0.67%

LAB 69.03, -3.82, -38.68

 

CMYK 56 / 42 / 0 / 7

HEX #688AEE

RGB 104 138 238

HSL 224.78, 0.8%, 0.67%

LAB 59.24, 16.97, -54.11

 

CMYK 56 / 56 / 0 / 7

HEX #6968EE

RGB 105 104 238

HSL 240.45, 0.8%, 0.67%

LAB 50.78, 37.61, -67.71

 

CMYK 40 / 56 / 0 / 7

HEX #8E68EE

RGB 142 104 238

HSL 257.01, 0.8%, 0.67%

LAB 53.84, 45.12, -62.61

 

CMYK 25 / 56 / 0 / 7

HEX #B268EE

RGB 178 104 238

HSL 273.13, 0.8%, 0.67%

LAB 57.6, 53.5, -56.38

 

CMYK 56 / 27 / 0 / 7

HEX #68AEEE

RGB 104 174 238

HSL 208.66, 0.8%, 0.67%

LAB 69.03, -3.82, -38.68

 

CMYK 56 / 42 / 0 / 7

HEX #688AEE

RGB 104 138 238

HSL 224.78, 0.8%, 0.67%

LAB 59.24, 16.97, -54.11

 

CMYK 56 / 56 / 0 / 7

HEX #6868EE

RGB 104 104 238

HSL 240, 0.8%, 0.67%

LAB 50.71, 37.43, -67.82

 

CMYK 56 / 27 / 0 / 7

HEX #68AEEE

RGB 104 174 238

HSL 208.66, 0.8%, 0.67%

LAB 69.03, -3.82, -38.68

 

CMYK 64 / 31 / 0 / 1

HEX #5AAFFC

RGB 90 175 252

HSL 208.52, 0.96%, 0.67%

LAB 69.37, -2.51, -45.8

 

CMYK 56 / 27 / 0 / 7

HEX #68AEEE

RGB 104 174 238

HSL 208.66, 0.8%, 0.67%

LAB 69.03, -3.82, -38.68

 

CMYK 48 / 23 / 0 / 12

HEX #75AEE1

RGB 117 174 225

HSL 208.33, 0.64%, 0.67%

LAB 69.1, -4.86, -31.42

 

CMYK 38 / 18 / 0 / 17

HEX #83ADD3

RGB 131 173 211

HSL 208.5, 0.48%, 0.67%

LAB 69.05, -4.63, -23.76

 

CMYK 27 / 13 / 0 / 23

HEX #90ACC5

RGB 144 172 197

HSL 208.3, 0.31%, 0.67%

LAB 69.09, -3.88, -15.91

 

CMYK 14 / 7 / 0 / 28

HEX #9EACB8

RGB 158 172 184

HSL 207.69, 0.15%, 0.67%

LAB 69.64, -2.39, -7.81

 

CMYK 56 / 0 / 4 / 7

HEX #68EEE5

RGB 104 238 229

HSL 175.97, 0.8%, 0.67%

LAB 86.87, -38.65, -6.74

 

CMYK 56 / 11 / 0 / 7

HEX #68D3EE

RGB 104 211 238

HSL 192.09, 0.8%, 0.67%

LAB 79.45, -23.34, -22.65

 

CMYK 56 / 26 / 0 / 7

HEX #68AFEE

RGB 104 175 238

HSL 208.21, 0.8%, 0.67%

LAB 69.31, -4.38, -38.25

 

CMYK 56 / 42 / 0 / 7

HEX #688BEE

RGB 104 139 238

HSL 224.33, 0.8%, 0.67%

LAB 59.51, 16.37, -53.69

 

CMYK 56 / 56 / 0 / 7

HEX #6868EE

RGB 104 104 238

HSL 240, 0.8%, 0.67%

LAB 50.71, 37.43, -67.82

 

CMYK 87 / 41 / 0 / 10

HEX #1D87E6

RGB 29 135 230

HSL 208.36, 0.8%, 0.51%

LAB 55.38, 5.93, -55.98

 

CMYK 72 / 34 / 0 / 8

HEX #429BEA

RGB 66 155 234

HSL 208.21, 0.8%, 0.59%

LAB 62.12, -0.81, -47.44

 

CMYK 56 / 27 / 0 / 7

HEX #68AEEE

RGB 104 174 238

HSL 208.66, 0.8%, 0.67%

LAB 69.03, -3.82, -38.68

 

CMYK 42 / 20 / 0 / 5

HEX #8DC2F2

RGB 141 194 242

HSL 208.51, 0.8%, 0.75%

LAB 76.47, -5.16, -29.19

 

CMYK 28 / 13 / 0 / 4

HEX #B2D6F6

RGB 178 214 246

HSL 208.24, 0.79%, 0.83%

LAB 84.08, -4.74, -19.55

 

CMYK 57 / 27 / 0 / 7

HEX #67AEEE

RGB 103 174 238

HSL 208.44, 0.8%, 0.67%

LAB 68.99, -4.02, -38.75

 

CMYK 19 / 56 / 0 / 7

HEX #C168EE

RGB 193 104 238

HSL 279.85, 0.8%, 0.67%

LAB 59.35, 57.17, -53.47

 

CMYK 4 / 0 / 56 / 7

HEX #E5EE68

RGB 229 238 104

HSL 64.03, 0.8%, 0.67%

LAB 91.15, -20.45, 62.49

 

CMYK 57 / 27 / 0 / 7

HEX #67AEEE

RGB 103 174 238

HSL 208.44, 0.8%, 0.67%

LAB 68.99, -4.02, -38.75

 

CMYK 0 / 56 / 26 / 7

HEX #EE68AF

RGB 238 104 175

HSL 328.21, 0.8%, 0.67%

LAB 62.65, 59.01, -12.31

 

CMYK 26 / 0 / 56 / 7

HEX #AFEE68

RGB 175 238 104

HSL 88.21, 0.8%, 0.67%

LAB 87.61, -40.96, 57.53

 

CMYK 57 / 27 / 0 / 7

HEX #67AEEE

RGB 103 174 238

HSL 208.44, 0.8%, 0.67%

LAB 68.99, -4.02, -38.75

 

CMYK 19 / 56 / 0 / 7

HEX #C168EE

RGB 193 104 238

HSL 279.85, 0.8%, 0.67%

LAB 59.35, 57.17, -53.47

 

CMYK 0 / 30 / 56 / 7

HEX #EEA668

RGB 238 166 104

HSL 27.76, 0.8%, 0.67%

LAB 73.84, 20.12, 42.44

 

CMYK 38 / 0 / 56 / 7

HEX #94EE68

RGB 148 238 104

HSL 100.3, 0.8%, 0.67%

LAB 86.23, -50.12, 55.58

 

CMYK 57 / 27 / 0 / 7

HEX #67AEEE

RGB 103 174 238

HSL 208.44, 0.8%, 0.67%

LAB 68.99, -4.02, -38.75

 

CMYK 2 / 56 / 0 / 7

HEX #EA68EE

RGB 234 104 238

HSL 298.21, 0.8%, 0.67%

LAB 64.62, 67.43, -44.8

 

CMYK 0 / 30 / 56 / 7

HEX #EEA668

RGB 238 166 104

HSL 27.76, 0.8%, 0.67%

LAB 73.84, 20.12, 42.44

 

CMYK 55 / 0 / 56 / 7

HEX #6CEE68

RGB 108 238 104

HSL 118.21, 0.8%, 0.67%

LAB 84.66, -61.5, 53.34

 

Description

Color code: HEX #67AEEE3F | qconv.com Color code: HEX #67AEEE3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 174 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 174 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 7 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 7% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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