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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67AE53 it is the complementary color #9851AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67AE53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67AE53 shade: #6CAE4E, #7DC061, #8ED274, #9FE487 and #B0F69A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67AE53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67AE53 shade: #67AE53, #569C40, #458A2D, #34781A and #236607

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67AE53 shade: #66AD52, #7FAD52, #97AD52, #ADAB52 and #AD9252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67AE53 shade: #66AD52, #52AD56, #52AD6F, #52AD88 and #52ADA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67AE53 shade matches the following richer shades: #66AD52, #5AC23D, #4FD728 and #43EB14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67AE53 shade: #66AD52, #719966, #7D847B, #88708F and #945BA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67AE53 shade: #98AD52, #80AD52, #67AD52, #52AD55 and #52AD6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67AE53 shade: #457537, #559144, #66AD52, #7FBB6E and #97C88A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67AE53 shade: #67AE53, #52ADAA and #AD528C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67AE53 shade: #67AE53, #5267AD and #AD5267

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67AE53 shade: #67AE53, #52ADAA, #9852AD and #AD5255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67AE53 shade: #67AE53, #5295AD, #9852AD and #AD6A52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 52 / 32

HEX #67AE53

RGB 103 174 83

HSL 106.81, 0.36%, 0.5%

LAB 64.79, -39.88, 39.49

 

Complementary color

CMYK 12 / 53 / 0 / 33

HEX #9851AC

RGB 152 81 172

HSL 286.81, 0.36%, 0.5%

LAB 46.36, 44.29, -36.66

 

CMYK 38 / 0 / 55 / 32

HEX #6CAE4E

RGB 108 174 78

HSL 101.25, 0.38%, 0.49%

LAB 64.97, -38.82, 42.2

 

CMYK 35 / 0 / 49 / 25

HEX #7DC061

RGB 125 192 97

HSL 102.32, 0.43%, 0.57%

LAB 71.5, -38.77, 41.02

 

CMYK 32 / 0 / 45 / 18

HEX #8ED274

RGB 142 210 116

HSL 103.4, 0.51%, 0.64%

LAB 77.94, -38.66, 39.81

 

CMYK 30 / 0 / 41 / 11

HEX #9FE487

RGB 159 228 135

HSL 104.52, 0.63%, 0.71%

LAB 84.28, -38.51, 38.63

 

CMYK 28 / 0 / 37 / 4

HEX #B0F69A

RGB 176 246 154

HSL 105.65, 0.84%, 0.78%

LAB 90.54, -38.33, 37.48

 

CMYK 41 / 0 / 52 / 32

HEX #67AE53

RGB 103 174 83

HSL 106.81, 0.36%, 0.5%

LAB 64.79, -39.88, 39.49

 

CMYK 45 / 0 / 59 / 39

HEX #569C40

RGB 86 156 64

HSL 105.65, 0.42%, 0.43%

LAB 58.16, -39.86, 40.68

 

CMYK 50 / 0 / 67 / 46

HEX #458A2D

RGB 69 138 45

HSL 104.52, 0.51%, 0.36%

LAB 51.42, -39.65, 41.69

 

CMYK 57 / 0 / 78 / 53

HEX #34781A

RGB 52 120 26

HSL 103.4, 0.64%, 0.29%

LAB 44.57, -39.09, 42.16

 

CMYK 66 / 0 / 93 / 60

HEX #236607

RGB 35 102 7

HSL 102.32, 0.87%, 0.21%

LAB 37.62, -37.92, 41.32

 

CMYK 41 / 0 / 53 / 32

HEX #66AD52

RGB 102 173 82

HSL 106.81, 0.36%, 0.5%

LAB 64.42, -39.89, 39.53

 

CMYK 27 / 0 / 53 / 32

HEX #7FAD52

RGB 127 173 82

HSL 90.33, 0.36%, 0.5%

LAB 65.76, -31.1, 41.45

 

CMYK 13 / 0 / 53 / 32

HEX #97AD52

RGB 151 173 82

HSL 74.51, 0.36%, 0.5%

LAB 67.33, -21.71, 43.71

 

CMYK 0 / 1 / 53 / 32

HEX #ADAB52

RGB 173 171 82

HSL 58.68, 0.36%, 0.5%

LAB 68.47, -11.56, 45.47

 

CMYK 0 / 16 / 53 / 32

HEX #AD9252

RGB 173 146 82

HSL 42.2, 0.36%, 0.5%

LAB 61.7, 1.84, 37.4

 

CMYK 41 / 0 / 53 / 32

HEX #66AD52

RGB 102 173 82

HSL 106.81, 0.36%, 0.5%

LAB 64.42, -39.89, 39.53

 

CMYK 53 / 0 / 50 / 32

HEX #52AD56

RGB 82 173 86

HSL 122.64, 0.36%, 0.5%

LAB 63.63, -45.34, 36.38

 

CMYK 53 / 0 / 36 / 32

HEX #52AD6F

RGB 82 173 111

HSL 139.12, 0.36%, 0.5%

LAB 64.02, -41.25, 23.8

 

CMYK 53 / 0 / 21 / 32

HEX #52AD88

RGB 82 173 136

HSL 155.6, 0.36%, 0.5%

LAB 64.53, -36.14, 10.84

 

CMYK 53 / 0 / 8 / 32

HEX #52ADA0

RGB 82 173 160

HSL 171.43, 0.36%, 0.5%

LAB 65.14, -30.36, -1.61

 

CMYK 41 / 0 / 53 / 32

HEX #66AD52

RGB 102 173 82

HSL 106.81, 0.36%, 0.5%

LAB 64.42, -39.89, 39.53

 

CMYK 54 / 0 / 69 / 24

HEX #5AC23D

RGB 90 194 61

HSL 106.92, 0.52%, 0.5%

LAB 70.24, -54.17, 55.37

 

CMYK 63 / 0 / 81 / 16

HEX #4FD728

RGB 79 215 40

HSL 106.63, 0.69%, 0.5%

LAB 76.32, -65.62, 68.15

 

CMYK 71 / 0 / 91 / 8

HEX #43EB14

RGB 67 235 20

HSL 106.88, 0.84%, 0.5%

LAB 82.2, -74.88, 77.08

 

CMYK 41 / 0 / 53 / 32

HEX #66AD52

RGB 102 173 82

HSL 106.81, 0.36%, 0.5%

LAB 64.42, -39.89, 39.53

 

CMYK 26 / 0 / 33 / 40

HEX #719966

RGB 113 153 102

HSL 107.06, 0.2%, 0.5%

LAB 59.21, -23.83, 22.51

 

CMYK 5 / 0 / 7 / 48

HEX #7D847B

RGB 125 132 123

HSL 106.67, 0.04%, 0.5%

LAB 54.34, -4.38, 3.96

 

CMYK 5 / 22 / 0 / 44

HEX #88708F

RGB 136 112 143

HSL 286.45, 0.12%, 0.5%

LAB 50.46, 15.36, -13.37

 

CMYK 10 / 45 / 0 / 36

HEX #945BA4

RGB 148 91 164

HSL 286.85, 0.29%, 0.5%

LAB 47.57, 36, -30.09

 

CMYK 12 / 0 / 53 / 32

HEX #98AD52

RGB 152 173 82

HSL 73.85, 0.36%, 0.5%

LAB 67.41, -21.3, 43.81

 

CMYK 26 / 0 / 53 / 32

HEX #80AD52

RGB 128 173 82

HSL 89.67, 0.36%, 0.5%

LAB 65.82, -30.73, 41.53

 

CMYK 40 / 0 / 53 / 32

HEX #67AD52

RGB 103 173 82

HSL 106.15, 0.36%, 0.5%

LAB 64.47, -39.57, 39.6

 

CMYK 53 / 0 / 51 / 32

HEX #52AD55

RGB 82 173 85

HSL 121.98, 0.36%, 0.5%

LAB 63.62, -45.48, 36.87

 

CMYK 53 / 0 / 37 / 32

HEX #52AD6D

RGB 82 173 109

HSL 137.8, 0.36%, 0.5%

LAB 63.99, -41.62, 24.83

 

CMYK 41 / 0 / 53 / 54

HEX #457537

RGB 69 117 55

HSL 106.45, 0.36%, 0.34%

LAB 44.61, -29.16, 28.96

 

CMYK 41 / 0 / 53 / 43

HEX #559144

RGB 85 145 68

HSL 106.75, 0.36%, 0.42%

LAB 54.66, -34.87, 34.56

 

CMYK 41 / 0 / 53 / 32

HEX #66AD52

RGB 102 173 82

HSL 106.81, 0.36%, 0.5%

LAB 64.42, -39.89, 39.53

 

CMYK 32 / 0 / 41 / 27

HEX #7FBB6E

RGB 127 187 110

HSL 106.75, 0.36%, 0.58%

LAB 70.3, -34.08, 32.96

 

CMYK 25 / 0 / 31 / 22

HEX #97C88A

RGB 151 200 138

HSL 107.42, 0.36%, 0.66%

LAB 75.9, -27.76, 25.98

 

CMYK 41 / 0 / 52 / 32

HEX #67AE53

RGB 103 174 83

HSL 106.81, 0.36%, 0.5%

LAB 64.79, -39.88, 39.49

 

CMYK 53 / 0 / 2 / 32

HEX #52ADAA

RGB 82 173 170

HSL 178.02, 0.36%, 0.5%

LAB 65.42, -27.73, -6.75

 

CMYK 0 / 53 / 19 / 32

HEX #AD528C

RGB 173 82 140

HSL 321.76, 0.36%, 0.5%

LAB 48.02, 44.33, -14.86

 

CMYK 41 / 0 / 52 / 32

HEX #67AE53

RGB 103 174 83

HSL 106.81, 0.36%, 0.5%

LAB 64.79, -39.88, 39.49

 

CMYK 53 / 40 / 0 / 32

HEX #5267AD

RGB 82 103 173

HSL 226.15, 0.36%, 0.5%

LAB 44.96, 12.59, -39.91

 

CMYK 0 / 53 / 40 / 32

HEX #AD5267

RGB 173 82 103

HSL 346.15, 0.36%, 0.5%

LAB 46.84, 39.35, 5.74

 

CMYK 41 / 0 / 52 / 32

HEX #67AE53

RGB 103 174 83

HSL 106.81, 0.36%, 0.5%

LAB 64.79, -39.88, 39.49

 

CMYK 53 / 0 / 2 / 32

HEX #52ADAA

RGB 82 173 170

HSL 178.02, 0.36%, 0.5%

LAB 65.42, -27.73, -6.75

 

CMYK 12 / 53 / 0 / 32

HEX #9852AD

RGB 152 82 173

HSL 286.15, 0.36%, 0.5%

LAB 46.61, 43.97, -36.86

 

CMYK 0 / 53 / 51 / 32

HEX #AD5255

RGB 173 82 85

HSL 358.02, 0.36%, 0.5%

LAB 46.41, 37.47, 16.05

 

CMYK 41 / 0 / 52 / 32

HEX #67AE53

RGB 103 174 83

HSL 106.81, 0.36%, 0.5%

LAB 64.79, -39.88, 39.49

 

CMYK 53 / 14 / 0 / 32

HEX #5295AD

RGB 82 149 173

HSL 195.82, 0.36%, 0.5%

LAB 58.33, -14.45, -19.11

 

CMYK 12 / 53 / 0 / 32

HEX #9852AD

RGB 152 82 173

HSL 286.15, 0.36%, 0.5%

LAB 46.61, 43.97, -36.86

 

CMYK 0 / 39 / 53 / 32

HEX #AD6A52

RGB 173 106 82

HSL 15.82, 0.36%, 0.5%

LAB 51.61, 24.21, 24.73

 

Description

Color code: HEX #67AE53 | qconv.com Color code: HEX #67AE53 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 174 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 174 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 52 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 52% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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