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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67ABE8 it is the complementary color #985417. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67ABE8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67ABE8 shade: #6CABE3, #7DBDF6, #8ECFFF, #9FE1FF and #B0F3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67ABE8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67ABE8 shade: #67ABE8, #5699D5, #4587C2, #3475AF and #23639C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67ABE8 shade: #68ACE8, #6889E8, #6A68E8, #8C68E8 and #AF68E8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67ABE8 shade: #68ACE8, #6889E8 and #6868E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67ABE8 shade matches the following richer shades: #68ACE8 and #5AADF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67ABE8 shade: #68ACE8, #76ABDA, #84AACC, #92A9BE and #A0A9B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67ABE8 shade: #68E8E0, #68CFE8, #68ADE8, #688AE8 and #6868E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67ABE8 shade: #2184DD, #4498E3, #68ACE8, #8CC0EE and #B0D3F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67ABE8 shade: #67ABE8, #BE68E8 and #E0E868

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67ABE8 shade: #67ABE8, #E868AD and #ADE868

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67ABE8 shade: #67ABE8, #BE68E8, #E8A468 and #93E868

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67ABE8 shade: #67ABE8, #E468E8, #E8A468 and #6CE868

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 26 / 0 / 9

HEX #67ABE8

RGB 103 171 232

HSL 208.37, 0.74%, 0.66%

LAB 67.9, -4.2, -37.17

 

Complementary color

CMYK 0 / 45 / 85 / 40

HEX #985417

RGB 152 84 23

HSL 28.37, 0.74%, 0.34%

LAB 42.88, 23.85, 44.85

 

CMYK 52 / 25 / 0 / 11

HEX #6CABE3

RGB 108 171 227

HSL 208.24, 0.68%, 0.66%

LAB 67.92, -4.66, -34.39

 

CMYK 49 / 23 / 0 / 4

HEX #7DBDF6

RGB 125 189 246

HSL 208.26, 0.87%, 0.73%

LAB 74.45, -5.18, -34.53

 

CMYK 44 / 19 / 0 / 0

HEX #8ECFFF

RGB 142 207 255

HSL 205.49, 1%, 0.78%

LAB 80.51, -8.34, -29.93

 

CMYK 38 / 12 / 0 / 0

HEX #9FE1FF

RGB 159 225 255

HSL 198.75, 1%, 0.81%

LAB 86.23, -13.45, -21.15

 

CMYK 31 / 5 / 0 / 0

HEX #B0F3FF

RGB 176 243 255

HSL 189.11, 1%, 0.85%

LAB 91.93, -18.02, -12.49

 

CMYK 56 / 26 / 0 / 9

HEX #67ABE8

RGB 103 171 232

HSL 208.37, 0.74%, 0.66%

LAB 67.9, -4.2, -37.17

 

CMYK 60 / 28 / 0 / 16

HEX #5699D5

RGB 86 153 213

HSL 208.35, 0.6%, 0.59%

LAB 61.28, -3.44, -37.06

 

CMYK 64 / 30 / 0 / 24

HEX #4587C2

RGB 69 135 194

HSL 208.32, 0.51%, 0.52%

LAB 54.54, -2.48, -36.96

 

CMYK 70 / 33 / 0 / 31

HEX #3475AF

RGB 52 117 175

HSL 208.29, 0.54%, 0.45%

LAB 47.69, -1.24, -36.86

 

CMYK 78 / 37 / 0 / 39

HEX #23639C

RGB 35 99 156

HSL 208.26, 0.63%, 0.37%

LAB 40.71, 0.39, -36.74

 

CMYK 55 / 26 / 0 / 9

HEX #68ACE8

RGB 104 172 232

HSL 208.13, 0.74%, 0.66%

LAB 68.22, -4.55, -36.67

 

CMYK 55 / 41 / 0 / 9

HEX #6889E8

RGB 104 137 232

HSL 224.53, 0.74%, 0.66%

LAB 58.66, 15.65, -51.71

 

CMYK 54 / 55 / 0 / 9

HEX #6A68E8

RGB 106 104 232

HSL 240.94, 0.74%, 0.66%

LAB 50.44, 35.92, -64.88

 

CMYK 40 / 55 / 0 / 9

HEX #8C68E8

RGB 140 104 232

HSL 256.88, 0.74%, 0.66%

LAB 53.28, 43.06, -60.16

 

CMYK 25 / 55 / 0 / 9

HEX #AF68E8

RGB 175 104 232

HSL 273.28, 0.74%, 0.66%

LAB 56.92, 51.41, -54.13

 

CMYK 55 / 26 / 0 / 9

HEX #68ACE8

RGB 104 172 232

HSL 208.13, 0.74%, 0.66%

LAB 68.22, -4.55, -36.67

 

CMYK 55 / 41 / 0 / 9

HEX #6889E8

RGB 104 137 232

HSL 224.53, 0.74%, 0.66%

LAB 58.66, 15.65, -51.71

 

CMYK 55 / 55 / 0 / 9

HEX #6868E8

RGB 104 104 232

HSL 240, 0.74%, 0.66%

LAB 50.3, 35.55, -65.12

 

CMYK 55 / 26 / 0 / 9

HEX #68ACE8

RGB 104 172 232

HSL 208.13, 0.74%, 0.66%

LAB 68.22, -4.55, -36.67

 

CMYK 63 / 30 / 0 / 4

HEX #5AADF6

RGB 90 173 246

HSL 208.08, 0.9%, 0.66%

LAB 68.54, -3.34, -43.84

 

CMYK 55 / 26 / 0 / 9

HEX #68ACE8

RGB 104 172 232

HSL 208.13, 0.74%, 0.66%

LAB 68.22, -4.55, -36.67

 

CMYK 46 / 22 / 0 / 15

HEX #76ABDA

RGB 118 171 218

HSL 208.2, 0.57%, 0.66%

LAB 68.05, -4.97, -29.2

 

CMYK 35 / 17 / 0 / 20

HEX #84AACC

RGB 132 170 204

HSL 208.33, 0.41%, 0.66%

LAB 68.03, -4.54, -21.45

 

CMYK 23 / 11 / 0 / 25

HEX #92A9BE

RGB 146 169 190

HSL 208.64, 0.25%, 0.66%

LAB 68.17, -3.28, -13.41

 

CMYK 9 / 4 / 0 / 31

HEX #A0A9B0

RGB 160 169 176

HSL 206.25, 0.09%, 0.66%

LAB 68.74, -1.76, -4.7

 

CMYK 55 / 0 / 3 / 9

HEX #68E8E0

RGB 104 232 224

HSL 176.25, 0.74%, 0.66%

LAB 85.02, -37.19, -6.86

 

CMYK 55 / 11 / 0 / 9

HEX #68CFE8

RGB 104 207 232

HSL 191.72, 0.74%, 0.66%

LAB 78.11, -23.03, -21.47

 

CMYK 55 / 25 / 0 / 9

HEX #68ADE8

RGB 104 173 232

HSL 207.66, 0.74%, 0.66%

LAB 68.5, -5.11, -36.23

 

CMYK 55 / 41 / 0 / 9

HEX #688AE8

RGB 104 138 232

HSL 224.06, 0.74%, 0.66%

LAB 58.92, 15.05, -51.29

 

CMYK 55 / 55 / 0 / 9

HEX #6868E8

RGB 104 104 232

HSL 240, 0.74%, 0.66%

LAB 50.3, 35.55, -65.12

 

CMYK 85 / 40 / 0 / 13

HEX #2184DD

RGB 33 132 221

HSL 208.4, 0.74%, 0.5%

LAB 54.08, 4.62, -53.02

 

CMYK 70 / 33 / 0 / 11

HEX #4498E3

RGB 68 152 227

HSL 208.3, 0.74%, 0.58%

LAB 60.99, -1.22, -45.35

 

CMYK 55 / 26 / 0 / 9

HEX #68ACE8

RGB 104 172 232

HSL 208.13, 0.74%, 0.66%

LAB 68.22, -4.55, -36.67

 

CMYK 41 / 19 / 0 / 7

HEX #8CC0EE

RGB 140 192 238

HSL 208.16, 0.74%, 0.74%

LAB 75.73, -5.4, -28.18

 

CMYK 28 / 13 / 0 / 5

HEX #B0D3F3

RGB 176 211 243

HSL 208.66, 0.74%, 0.82%

LAB 83.07, -4.44, -19.49

 

CMYK 56 / 26 / 0 / 9

HEX #67ABE8

RGB 103 171 232

HSL 208.37, 0.74%, 0.66%

LAB 67.9, -4.2, -37.17

 

CMYK 18 / 55 / 0 / 9

HEX #BE68E8

RGB 190 104 232

HSL 280.31, 0.74%, 0.66%

LAB 58.67, 55.17, -51.23

 

CMYK 3 / 0 / 55 / 9

HEX #E0E868

RGB 224 232 104

HSL 63.75, 0.74%, 0.66%

LAB 89.19, -19.54, 60.18

 

CMYK 56 / 26 / 0 / 9

HEX #67ABE8

RGB 103 171 232

HSL 208.37, 0.74%, 0.66%

LAB 67.9, -4.2, -37.17

 

CMYK 0 / 55 / 25 / 9

HEX #E868AD

RGB 232 104 173

HSL 327.66, 0.74%, 0.66%

LAB 61.72, 56.92, -12.66

 

CMYK 25 / 0 / 55 / 9

HEX #ADE868

RGB 173 232 104

HSL 87.66, 0.74%, 0.66%

LAB 85.8, -39.02, 55.42

 

CMYK 56 / 26 / 0 / 9

HEX #67ABE8

RGB 103 171 232

HSL 208.37, 0.74%, 0.66%

LAB 67.9, -4.2, -37.17

 

CMYK 18 / 55 / 0 / 9

HEX #BE68E8

RGB 190 104 232

HSL 280.31, 0.74%, 0.66%

LAB 58.67, 55.17, -51.23

 

CMYK 0 / 29 / 55 / 9

HEX #E8A468

RGB 232 164 104

HSL 28.13, 0.74%, 0.66%

LAB 72.7, 18.74, 40.89

 

CMYK 37 / 0 / 55 / 9

HEX #93E868

RGB 147 232 104

HSL 99.84, 0.74%, 0.66%

LAB 84.44, -47.94, 53.48

 

CMYK 56 / 26 / 0 / 9

HEX #67ABE8

RGB 103 171 232

HSL 208.37, 0.74%, 0.66%

LAB 67.9, -4.2, -37.17

 

CMYK 2 / 55 / 0 / 9

HEX #E468E8

RGB 228 104 232

HSL 298.13, 0.74%, 0.66%

LAB 63.52, 64.87, -43.24

 

CMYK 0 / 29 / 55 / 9

HEX #E8A468

RGB 232 164 104

HSL 28.13, 0.74%, 0.66%

LAB 72.7, 18.74, 40.89

 

CMYK 53 / 0 / 55 / 9

HEX #6CE868

RGB 108 232 104

HSL 118.13, 0.74%, 0.66%

LAB 82.86, -59.27, 51.22

 

Description

Color code: HEX #67ABE8 | qconv.com Color code: HEX #67ABE8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 171 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 171 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 26 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 26% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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