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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #679CFE3F it is the complementary color #9863013F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #679CFE3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #679CFE3F shade: #6C9CF93F, #7DAEFF3F, #8EC0FF3F, #9FD2FF3F and #B0E4FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #679CFE3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #679CFE3F shade: #679CFE3F, #568AEB3F, #4578D83F, #3466C53F and #2354B23F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #679CFE3F shade: #679CFE, #6773FE, #8367FE, #AC67FE and #D567FE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #679CFE3F shade: #679CFE, #6773FE and #6767FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #679CFE3F shade matches the following richer shades: #679CFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #679CFE3F shade: #679CFE, #73A0F2, #80A3E5, #8CA7D9 and #98ABCD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #679CFE3F shade: #67EFFE, #67C7FE, #679EFE, #6776FE and #8067FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #679CFE3F shade: #1566FE, #3E81FE, #679CFE, #90B7FE and #B9D1FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #679CFE3F shade: #679CFE, #E567FE and #DBFE67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #679CFE3F shade: #679CFE, #FE679E and #9EFE67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #679CFE3F shade: #679CFE, #E567FE, #FEC767 and #80FE67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #679CFE3F shade: #679CFE, #FE67EA, #FEC767 and #67FE7B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 10 / 0 / 0

HEX #679CFE3F

RGBA 103 156 254 0.25

HSLA 218.94, 0.99%, 0.7%, 0.25

LABA 64.82, 11.3, -54.04, 0.25

 

Complementary color

CMYK 0 / 9 / 25 / 10

HEX #9863013F

RGBA 152 99 1 0.25

HSLA 38.94, 0.99%, 0.3%, 0.25

LABA 46.45, 14.83, 53.84, 0.25

 

CMYK 14 / 9 / 0 / 1

HEX #6C9CF93F

RGBA 108 156 249 0.25

HSLA 219.57, 0.92%, 0.7%, 0.25

LABA 64.81, 10.66, -51.31, 0.25

 

CMYK 13 / 8 / 0 / 0

HEX #7DAEFF3F

RGBA 125 174 255 0.25

HSLA 217.38, 1%, 0.75%, 0.25

LABA 70.77, 5.75, -45.12, 0.25

 

CMYK 11 / 6 / 0 / 0

HEX #8EC0FF3F

RGBA 142 192 255 0.25

HSLA 213.45, 1%, 0.78%, 0.25

LABA 76.48, -0.29, -36.15, 0.25

 

CMYK 9 / 4 / 0 / 0

HEX #9FD2FF3F

RGBA 159 210 255 0.25

HSLA 208.13, 1%, 0.81%, 0.25

LABA 82.21, -5.66, -27.26, 0.25

 

CMYK 8 / 3 / 0 / 0

HEX #B0E4FF3F

RGBA 176 228 255 0.25

HSLA 200.51, 1%, 0.85%, 0.25

LABA 87.94, -10.45, -18.47, 0.25

 

CMYK 15 / 10 / 0 / 0

HEX #679CFE3F

RGBA 103 156 254 0.25

HSLA 218.94, 0.99%, 0.7%, 0.25

LABA 64.82, 11.3, -54.04, 0.25

 

CMYK 16 / 10 / 0 / 2

HEX #568AEB3F

RGBA 86 138 235 0.25

HSLA 219.06, 0.79%, 0.63%, 0.25

LABA 58.18, 12.63, -54.19, 0.25

 

CMYK 17 / 11 / 0 / 4

HEX #4578D83F

RGBA 69 120 216 0.25

HSLA 219.18, 0.65%, 0.56%, 0.25

LABA 51.45, 14.24, -54.35, 0.25

 

CMYK 18 / 12 / 0 / 6

HEX #3466C53F

RGBA 52 102 197 0.25

HSLA 219.31, 0.58%, 0.49%, 0.25

LABA 44.61, 16.24, -54.51, 0.25

 

CMYK 20 / 13 / 0 / 8

HEX #2354B23F

RGBA 35 84 178 0.25

HSLA 219.44, 0.67%, 0.42%, 0.25

LABA 37.68, 18.73, -54.63, 0.25

 

CMYK 59 / 39 / 0 / 0

HEX #679CFE

RGB 103 156 254

HSL 218.94, 0.99%, 0.7%

LAB 64.82, 11.3, -54.04

 

CMYK 59 / 55 / 0 / 0

HEX #6773FE

RGB 103 115 254

HSL 235.23, 0.99%, 0.7%

LAB 54.34, 35.75, -70.83

 

CMYK 48 / 59 / 0 / 0

HEX #8367FE

RGB 131 103 254

HSL 251.13, 0.99%, 0.7%

LAB 53.69, 47.82, -71.8

 

CMYK 32 / 59 / 0 / 0

HEX #AC67FE

RGB 172 103 254

HSL 267.42, 0.99%, 0.7%

LAB 57.68, 56.33, -65.15

 

CMYK 16 / 59 / 0 / 0

HEX #D567FE

RGB 213 103 254

HSL 283.71, 0.99%, 0.7%

LAB 62.51, 65.71, -57.15

 

CMYK 59 / 39 / 0 / 0

HEX #679CFE

RGB 103 156 254

HSL 218.94, 0.99%, 0.7%

LAB 64.82, 11.3, -54.04

 

CMYK 59 / 55 / 0 / 0

HEX #6773FE

RGB 103 115 254

HSL 235.23, 0.99%, 0.7%

LAB 54.34, 35.75, -70.83

 

CMYK 59 / 59 / 0 / 0

HEX #6767FE

RGB 103 103 254

HSL 240, 0.99%, 0.7%

LAB 51.54, 42.88, -75.38

 

CMYK 59 / 39 / 0 / 0

HEX #679CFE

RGB 103 156 254

HSL 218.94, 0.99%, 0.7%

LAB 64.82, 11.3, -54.04

 

CMYK 59 / 39 / 0 / 0

HEX #679CFE

RGB 103 156 254

HSL 218.94, 0.99%, 0.7%

LAB 64.82, 11.3, -54.04

 

CMYK 52 / 34 / 0 / 5

HEX #73A0F2

RGB 115 160 242

HSL 218.74, 0.83%, 0.7%

LAB 65.9, 7.62, -45.73

 

CMYK 44 / 29 / 0 / 10

HEX #80A3E5

RGB 128 163 229

HSL 219.21, 0.66%, 0.7%

LAB 66.86, 5.1, -37.06

 

CMYK 35 / 23 / 0 / 15

HEX #8CA7D9

RGB 140 167 217

HSL 218.96, 0.5%, 0.7%

LAB 68.18, 2.74, -28.34

 

CMYK 26 / 17 / 0 / 20

HEX #98ABCD

RGB 152 171 205

HSL 218.49, 0.35%, 0.7%

LAB 69.62, 1.01, -19.47

 

CMYK 59 / 6 / 0 / 0

HEX #67EFFE

RGB 103 239 254

HSL 185.96, 0.99%, 0.7%

LAB 87.86, -32.66, -18.37

 

CMYK 59 / 22 / 0 / 0

HEX #67C7FE

RGB 103 199 254

HSL 201.85, 0.99%, 0.7%

LAB 76.61, -12.67, -35.56

 

CMYK 59 / 38 / 0 / 0

HEX #679EFE

RGB 103 158 254

HSL 218.15, 0.99%, 0.7%

LAB 65.35, 10.13, -53.19

 

CMYK 59 / 54 / 0 / 0

HEX #6776FE

RGB 103 118 254

HSL 234.04, 0.99%, 0.7%

LAB 55.07, 33.96, -69.66

 

CMYK 50 / 59 / 0 / 0

HEX #8067FE

RGB 128 103 254

HSL 249.93, 0.99%, 0.7%

LAB 53.43, 47.25, -72.22

 

CMYK 92 / 60 / 0 / 0

HEX #1566FE

RGB 21 102 254

HSL 219.14, 0.99%, 0.54%

LAB 48.03, 35.36, -81.25

 

CMYK 76 / 49 / 0 / 0

HEX #3E81FE

RGB 62 129 254

HSL 219.06, 0.99%, 0.62%

LAB 55.97, 21.4, -68.3

 

CMYK 59 / 39 / 0 / 0

HEX #679CFE

RGB 103 156 254

HSL 218.94, 0.99%, 0.7%

LAB 64.82, 11.3, -54.04

 

CMYK 43 / 28 / 0 / 0

HEX #90B7FE

RGB 144 183 254

HSL 218.73, 0.98%, 0.78%

LAB 74.16, 4.87, -39.21

 

CMYK 27 / 18 / 0 / 0

HEX #B9D1FF

RGB 185 209 255

HSL 219.43, 1%, 0.86%

LAB 83.51, 2.02, -25.13

 

CMYK 59 / 39 / 0 / 0

HEX #679CFE

RGB 103 156 254

HSL 218.94, 0.99%, 0.7%

LAB 64.82, 11.3, -54.04

 

CMYK 10 / 59 / 0 / 0

HEX #E567FE

RGB 229 103 254

HSL 290.07, 0.99%, 0.7%

LAB 64.58, 69.48, -53.74

 

CMYK 14 / 0 / 59 / 0

HEX #DBFE67

RGB 219 254 103

HSL 73.91, 0.99%, 0.7%

LAB 94.71, -31.96, 66.68

 

CMYK 59 / 39 / 0 / 0

HEX #679CFE

RGB 103 156 254

HSL 218.94, 0.99%, 0.7%

LAB 64.82, 11.3, -54.04

 

CMYK 0 / 59 / 38 / 0

HEX #FE679E

RGB 254 103 158

HSL 338.15, 0.99%, 0.7%

LAB 64.35, 62.31, 0.21

 

CMYK 38 / 0 / 59 / 0

HEX #9EFE67

RGB 158 254 103

HSL 98.15, 0.99%, 0.7%

LAB 91.29, -53.56, 61.93

 

CMYK 59 / 39 / 0 / 0

HEX #679CFE

RGB 103 156 254

HSL 218.94, 0.99%, 0.7%

LAB 64.82, 11.3, -54.04

 

CMYK 10 / 59 / 0 / 0

HEX #E567FE

RGB 229 103 254

HSL 290.07, 0.99%, 0.7%

LAB 64.58, 69.48, -53.74

 

CMYK 0 / 22 / 59 / 0

HEX #FEC767

RGB 254 199 103

HSL 38.15, 0.99%, 0.7%

LAB 83.39, 9.26, 54.69

 

CMYK 50 / 0 / 59 / 0

HEX #80FE67

RGB 128 254 103

HSL 110.07, 0.99%, 0.7%

LAB 90.07, -62.39, 60.21

 

CMYK 59 / 39 / 0 / 0

HEX #679CFE

RGB 103 156 254

HSL 218.94, 0.99%, 0.7%

LAB 64.82, 11.3, -54.04

 

CMYK 0 / 59 / 8 / 0

HEX #FE67EA

RGB 254 103 234

HSL 307.95, 0.99%, 0.7%

LAB 67.06, 72.26, -38.56

 

CMYK 0 / 22 / 59 / 0

HEX #FEC767

RGB 254 199 103

HSL 38.15, 0.99%, 0.7%

LAB 83.39, 9.26, 54.69

 

CMYK 59 / 0 / 52 / 0

HEX #67FE7B

RGB 103 254 123

HSL 127.95, 0.99%, 0.7%

LAB 89.49, -66.11, 50.44

 

Description

Color code: HEX #679CFE3F | qconv.com Color code: HEX #679CFE3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 156 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 156 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 10 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 10% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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