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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #678FE4CE it is the complementary color #98701BCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #678FE4CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #678FE4CE shade: #6C8FDFCE, #7DA1F2CE, #8EB3FFCE, #9FC5FFCE and #B0D7FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #678FE4CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #678FE4CE shade: #678FE4CE, #567DD1CE, #456BBECE, #3459ABCE and #234798CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #678FE4CE shade: #678FE4, #676EE4, #8367E4, #A467E4 and #C667E4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #678FE4CE shade: #678FE4, #676EE4 and #6767E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #678FE4CE shade matches the following richer shades: #678FE4 and #598AF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #678FE4CE shade: #678FE4, #7694D6, #849AC7, #939FB9 and #A1A4AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #678FE4CE shade: #67D4E4, #67B2E4, #6791E4, #6770E4 and #8067E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #678FE4CE shade: #255DD4, #4475DE, #678FE4, #8AA9EA and #ADC3F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #678FE4CE shade: #678FE4, #D467E4 and #C3E467

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #678FE4CE shade: #678FE4, #E46791 and #91E467

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #678FE4CE shade: #678FE4, #D467E4, #E4BB67 and #78E467

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #678FE4CE shade: #678FE4, #E467CF, #E4BB67 and #67E47C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 30 / 0 / 9

HEX #678FE4CE

RGBA 103 143 228 0.81

HSLA 220.8, 0.7%, 0.65%, 0.81

LABA 60.01, 10.61, -47.36, 0.81

 

Complementary color

CMYK 0 / 21 / 67 / 33

HEX #98701BCE

RGBA 152 112 27 0.81

HSLA 40.8, 0.7%, 0.35%, 0.81

LABA 49.91, 7.96, 49.57, 0.81

 

CMYK 42 / 29 / 0 / 10

HEX #6C8FDFCE

RGBA 108 143 223 0.81

HSLA 221.74, 0.64%, 0.65%, 0.81

LABA 60.03, 10.13, -44.51, 0.81

 

CMYK 39 / 27 / 0 / 4

HEX #7DA1F2CE

RGBA 125 161 242 0.81

HSLA 221.54, 0.82%, 0.72%, 0.81

LABA 66.72, 9.29, -44.41, 0.81

 

CMYK 36 / 24 / 0 / 0

HEX #8EB3FFCE

RGBA 142 179 255 0.81

HSLA 220.35, 1%, 0.78%, 0.81

LABA 73.03, 6.88, -41.52, 0.81

 

CMYK 30 / 18 / 0 / 0

HEX #9FC5FFCE

RGBA 159 197 255 0.81

HSLA 216.25, 1%, 0.81%, 0.81

LABA 78.77, 1.29, -32.54, 0.81

 

CMYK 25 / 13 / 0 / 0

HEX #B0D7FFCE

RGBA 176 215 255 0.81

HSLA 210.38, 1%, 0.85%, 0.81

LABA 84.51, -3.71, -23.66, 0.81

 

CMYK 44 / 30 / 0 / 9

HEX #678FE4CE

RGBA 103 143 228 0.81

HSLA 220.8, 0.7%, 0.65%, 0.81

LABA 60.01, 10.61, -47.36, 0.81

 

CMYK 48 / 33 / 0 / 15

HEX #567DD1CE

RGBA 86 125 209 0.81

HSLA 220.98, 0.57%, 0.58%, 0.81

LABA 53.22, 11.76, -47.51, 0.81

 

CMYK 52 / 35 / 0 / 21

HEX #456BBECE

RGBA 69 107 190 0.81

HSLA 221.16, 0.48%, 0.51%, 0.81

LABA 46.31, 13.17, -47.7, 0.81

 

CMYK 56 / 39 / 0 / 27

HEX #3459ABCE

RGBA 52 89 171 0.81

HSLA 221.34, 0.53%, 0.44%, 0.81

LABA 39.27, 14.95, -47.91, 0.81

 

CMYK 62 / 43 / 0 / 33

HEX #234798CE

RGBA 35 71 152 0.81

HSLA 221.54, 0.63%, 0.37%, 0.81

LABA 32.1, 17.25, -48.11, 0.81

 

CMYK 55 / 37 / 0 / 11

HEX #678FE4

RGB 103 143 228

HSL 220.8, 0.7%, 0.65%

LAB 60.01, 10.61, -47.36

 

CMYK 55 / 52 / 0 / 11

HEX #676EE4

RGB 103 110 228

HSL 236.64, 0.7%, 0.65%

LAB 51.42, 30.48, -61.06

 

CMYK 43 / 55 / 0 / 11

HEX #8367E4

RGB 131 103 228

HSL 253.44, 0.7%, 0.65%

LAB 51.98, 40.52, -60.04

 

CMYK 28 / 55 / 0 / 11

HEX #A467E4

RGB 164 103 228

HSL 269.28, 0.7%, 0.65%

LAB 55.27, 48.3, -54.59

 

CMYK 13 / 55 / 0 / 11

HEX #C667E4

RGB 198 103 228

HSL 285.6, 0.7%, 0.65%

LAB 59.26, 56.88, -48

 

CMYK 55 / 37 / 0 / 11

HEX #678FE4

RGB 103 143 228

HSL 220.8, 0.7%, 0.65%

LAB 60.01, 10.61, -47.36

 

CMYK 55 / 52 / 0 / 11

HEX #676EE4

RGB 103 110 228

HSL 236.64, 0.7%, 0.65%

LAB 51.42, 30.48, -61.06

 

CMYK 55 / 55 / 0 / 11

HEX #6767E4

RGB 103 103 228

HSL 240, 0.7%, 0.65%

LAB 49.72, 34.7, -63.8

 

CMYK 55 / 37 / 0 / 11

HEX #678FE4

RGB 103 143 228

HSL 220.8, 0.7%, 0.65%

LAB 60.01, 10.61, -47.36

 

CMYK 63 / 43 / 0 / 5

HEX #598AF3

RGB 89 138 243

HSL 220.91, 0.87%, 0.65%

LAB 58.76, 15.84, -57.69

 

CMYK 55 / 37 / 0 / 11

HEX #678FE4

RGB 103 143 228

HSL 220.8, 0.7%, 0.65%

LAB 60.01, 10.61, -47.36

 

CMYK 45 / 31 / 0 / 16

HEX #7694D6

RGB 118 148 214

HSL 221.25, 0.54%, 0.65%

LAB 61.56, 6.89, -37.07

 

CMYK 34 / 23 / 0 / 22

HEX #849AC7

RGB 132 154 199

HSL 220.3, 0.37%, 0.65%

LAB 63.46, 3.08, -25.67

 

CMYK 21 / 14 / 0 / 27

HEX #939FB9

RGB 147 159 185

HSL 221.05, 0.21%, 0.65%

LAB 65.36, 1.4, -14.85

 

CMYK 5 / 4 / 0 / 33

HEX #A1A4AA

RGB 161 164 170

HSL 220, 0.05%, 0.65%

LAB 67.3, 0.11, -3.48

 

CMYK 55 / 7 / 0 / 11

HEX #67D4E4

RGB 103 212 228

HSL 187.68, 0.7%, 0.65%

LAB 79.37, -26.82, -17.42

 

CMYK 55 / 22 / 0 / 11

HEX #67B2E4

RGB 103 178 228

HSL 204, 0.7%, 0.65%

LAB 69.7, -9.26, -32.19

 

CMYK 55 / 36 / 0 / 11

HEX #6791E4

RGB 103 145 228

HSL 219.84, 0.7%, 0.65%

LAB 60.55, 9.43, -46.5

 

CMYK 55 / 51 / 0 / 11

HEX #6770E4

RGB 103 112 228

HSL 235.68, 0.7%, 0.65%

LAB 51.92, 29.26, -60.26

 

CMYK 44 / 55 / 0 / 11

HEX #8067E4

RGB 128 103 228

HSL 252, 0.7%, 0.65%

LAB 51.71, 39.85, -60.49

 

CMYK 83 / 56 / 0 / 17

HEX #255DD4

RGB 37 93 212

HSL 220.8, 0.7%, 0.49%

LAB 42.73, 26.14, -66.21

 

CMYK 69 / 47 / 0 / 13

HEX #4475DE

RGB 68 117 222

HSL 220.91, 0.7%, 0.57%

LAB 50.95, 18.09, -58.54

 

CMYK 55 / 37 / 0 / 11

HEX #678FE4

RGB 103 143 228

HSL 220.8, 0.7%, 0.65%

LAB 60.01, 10.61, -47.36

 

CMYK 41 / 28 / 0 / 8

HEX #8AA9EA

RGB 138 169 234

HSL 220.63, 0.7%, 0.73%

LAB 69.27, 5.65, -35.99

 

CMYK 28 / 19 / 0 / 5

HEX #ADC3F1

RGB 173 195 241

HSL 220.59, 0.71%, 0.81%

LAB 78.62, 2.74, -25.2

 

CMYK 55 / 37 / 0 / 11

HEX #678FE4

RGB 103 143 228

HSL 220.8, 0.7%, 0.65%

LAB 60.01, 10.61, -47.36

 

CMYK 7 / 55 / 0 / 11

HEX #D467E4

RGB 212 103 228

HSL 292.32, 0.7%, 0.65%

LAB 61.04, 60.49, -45.06

 

CMYK 14 / 0 / 55 / 11

HEX #C3E467

RGB 195 228 103

HSL 75.84, 0.7%, 0.65%

LAB 86.04, -29.07, 56.49

 

CMYK 55 / 37 / 0 / 11

HEX #678FE4

RGB 103 143 228

HSL 220.8, 0.7%, 0.65%

LAB 60.01, 10.61, -47.36

 

CMYK 0 / 55 / 36 / 11

HEX #E46791

RGB 228 103 145

HSL 339.84, 0.7%, 0.65%

LAB 60.1, 52.67, 1.03

 

CMYK 36 / 0 / 55 / 11

HEX #91E467

RGB 145 228 103

HSL 99.84, 0.7%, 0.65%

LAB 83.17, -47.02, 52.42

 

CMYK 55 / 37 / 0 / 11

HEX #678FE4

RGB 103 143 228

HSL 220.8, 0.7%, 0.65%

LAB 60.01, 10.61, -47.36

 

CMYK 7 / 55 / 0 / 11

HEX #D467E4

RGB 212 103 228

HSL 292.32, 0.7%, 0.65%

LAB 61.04, 60.49, -45.06

 

CMYK 0 / 18 / 55 / 11

HEX #E4BB67

RGB 228 187 103

HSL 40.32, 0.7%, 0.65%

LAB 77.88, 4.83, 47.59

 

CMYK 47 / 0 / 55 / 11

HEX #78E467

RGB 120 228 103

HSL 111.84, 0.7%, 0.65%

LAB 82.09, -54.65, 50.87

 

CMYK 55 / 37 / 0 / 11

HEX #678FE4

RGB 103 143 228

HSL 220.8, 0.7%, 0.65%

LAB 60.01, 10.61, -47.36

 

CMYK 0 / 55 / 9 / 11

HEX #E467CF

RGB 228 103 207

HSL 310.08, 0.7%, 0.65%

LAB 62.25, 61.17, -31.23

 

CMYK 0 / 18 / 55 / 11

HEX #E4BB67

RGB 228 187 103

HSL 40.32, 0.7%, 0.65%

LAB 77.88, 4.83, 47.59

 

CMYK 55 / 0 / 46 / 11

HEX #67E47C

RGB 103 228 124

HSL 130.08, 0.7%, 0.65%

LAB 81.74, -56.31, 40.34

 

Description

Color code: HEX #678FE4CE | qconv.com Color code: HEX #678FE4CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 143 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 143 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 30 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 30% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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