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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6779BA it is the complementary color #988645. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6779BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6779BA shade: #6C79B5, #7D8BC8, #8E9DDB, #9FAFEE and #B0C1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6779BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6779BA shade: #6779BA, #5667A7, #455594, #344381 and #23316E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6779BA shade: #687ABB, #6C68BB, #8368BB, #9968BB and #B068BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6779BA shade: #687ABB and #6868BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6779BA shade matches the following richer shades: #687ABB, #5670CD, #4466DE and #325CF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6779BA shade: #687ABB, #7984A9, #8B8E98, #9D9886 and #AFA274

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6779BA shade: #68A8BB, #6891BB, #687BBB, #6A68BB and #8168BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6779BA shade: #415290, #4D62AC, #687ABB, #8493C8 and #A1ACD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6779BA shade: #6779BA, #B868BB and #9CBB68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6779BA shade: #6779BA, #BB687B and #7BBB68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6779BA shade: #6779BA, #B868BB, #BBA868 and #6ABB68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6779BA shade: #6779BA, #BB68A5, #BBA868 and #68BB7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 35 / 0 / 27

HEX #6779BA

RGB 103 121 186

HSL 226.99, 0.38%, 0.57%

LAB 51.95, 10.77, -36.32

 

Complementary color

CMYK 0 / 12 / 55 / 40

HEX #988645

RGB 152 134 69

HSL 46.99, 0.38%, 0.43%

LAB 56.24, -1.87, 37.1

 

CMYK 40 / 33 / 0 / 29

HEX #6C79B5

RGB 108 121 181

HSL 229.32, 0.33%, 0.57%

LAB 52.06, 10.63, -33.25

HEX #6C79B5

CMYK 38 / 31 / 0 / 22

HEX #7D8BC8

RGB 125 139 200

HSL 228.8, 0.41%, 0.64%

LAB 58.97, 10, -33.21

HEX #7D8BC8

CMYK 35 / 28 / 0 / 14

HEX #8E9DDB

RGB 142 157 219

HSL 228.31, 0.52%, 0.71%

LAB 65.73, 9.46, -33.22

HEX #8E9DDB

CMYK 33 / 26 / 0 / 7

HEX #9FAFEE

RGB 159 175 238

HSL 227.85, 0.7%, 0.78%

LAB 72.36, 8.99, -33.27

HEX #9FAFEE

CMYK 31 / 24 / 0 / 0

HEX #B0C1FF

RGB 176 193 255

HSL 227.09, 1%, 0.85%

LAB 78.8, 8.08, -32.39

HEX #B0C1FF

CMYK 45 / 35 / 0 / 27

HEX #6779BA

RGB 103 121 186

HSL 226.99, 0.38%, 0.57%

LAB 51.95, 10.77, -36.32

 

CMYK 49 / 38 / 0 / 35

HEX #5667A7

RGB 86 103 167

HSL 227.41, 0.32%, 0.5%

LAB 44.9, 11.63, -36.46

 

CMYK 53 / 43 / 0 / 42

HEX #455594

RGB 69 85 148

HSL 227.85, 0.36%, 0.43%

LAB 37.66, 12.71, -36.67

 

CMYK 60 / 48 / 0 / 49

HEX #344381

RGB 52 67 129

HSL 228.31, 0.43%, 0.35%

LAB 30.23, 14.1, -36.94

 

CMYK 68 / 55 / 0 / 57

HEX #23316E

RGB 35 49 110

HSL 228.8, 0.52%, 0.28%

LAB 22.58, 15.98, -37.27

 

CMYK 44 / 35 / 0 / 27

HEX #687ABB

RGB 104 122 187

HSL 226.99, 0.38%, 0.57%

LAB 52.34, 10.72, -36.28

 

CMYK 42 / 44 / 0 / 27

HEX #6C68BB

RGB 108 104 187

HSL 242.89, 0.38%, 0.57%

LAB 47.85, 22.7, -43.36

 

CMYK 30 / 44 / 0 / 27

HEX #8368BB

RGB 131 104 187

HSL 259.52, 0.38%, 0.57%

LAB 49.87, 28.9, -40.02

 

CMYK 18 / 44 / 0 / 27

HEX #9968BB

RGB 153 104 187

HSL 275.42, 0.38%, 0.57%

LAB 52.13, 35.25, -36.32

 

CMYK 6 / 44 / 0 / 27

HEX #B068BB

RGB 176 104 187

HSL 292.05, 0.38%, 0.57%

LAB 54.78, 42.11, -31.98

 

CMYK 44 / 35 / 0 / 27

HEX #687ABB

RGB 104 122 187

HSL 226.99, 0.38%, 0.57%

LAB 52.34, 10.72, -36.28

 

CMYK 44 / 44 / 0 / 27

HEX #6868BB

RGB 104 104 187

HSL 240, 0.38%, 0.57%

LAB 47.54, 21.68, -43.88

 

CMYK 44 / 35 / 0 / 27

HEX #687ABB

RGB 104 122 187

HSL 226.99, 0.38%, 0.57%

LAB 52.34, 10.72, -36.28

 

CMYK 58 / 45 / 0 / 20

HEX #5670CD

RGB 86 112 205

HSL 226.89, 0.54%, 0.57%

LAB 49.47, 18.41, -51.22

 

CMYK 69 / 54 / 0 / 13

HEX #4466DE

RGB 68 102 222

HSL 226.75, 0.7%, 0.57%

LAB 46.98, 27.5, -64.94

 

CMYK 79 / 62 / 0 / 6

HEX #325CF0

RGB 50 92 240

HSL 226.74, 0.86%, 0.57%

LAB 45.11, 38.23, -78.18

 

CMYK 44 / 35 / 0 / 27

HEX #687ABB

RGB 104 122 187

HSL 226.99, 0.38%, 0.57%

LAB 52.34, 10.72, -36.28

 

CMYK 28 / 22 / 0 / 34

HEX #7984A9

RGB 121 132 169

HSL 226.25, 0.22%, 0.57%

LAB 55.51, 4.66, -20.92

 

CMYK 9 / 7 / 0 / 40

HEX #8B8E98

RGB 139 142 152

HSL 226.15, 0.06%, 0.57%

LAB 59.07, 0.95, -5.68

 

CMYK 0 / 3 / 15 / 38

HEX #9D9886

RGB 157 152 134

HSL 46.96, 0.11%, 0.57%

LAB 62.8, -1.36, 10.13

 

CMYK 0 / 7 / 34 / 31

HEX #AFA274

RGB 175 162 116

HSL 46.78, 0.27%, 0.57%

LAB 66.68, -2.33, 25.67

 

CMYK 44 / 10 / 0 / 27

HEX #68A8BB

RGB 104 168 187

HSL 193.73, 0.38%, 0.57%

LAB 65.39, -15.43, -16.18

 

CMYK 44 / 22 / 0 / 27

HEX #6891BB

RGB 104 145 187

HSL 210.36, 0.38%, 0.57%

LAB 58.77, -2.77, -26.28

 

CMYK 44 / 34 / 0 / 27

HEX #687BBB

RGB 104 123 187

HSL 226.27, 0.38%, 0.57%

LAB 52.62, 10.12, -35.85

 

CMYK 43 / 44 / 0 / 27

HEX #6A68BB

RGB 106 104 187

HSL 241.45, 0.38%, 0.57%

LAB 47.69, 22.19, -43.62

 

CMYK 31 / 44 / 0 / 27

HEX #8168BB

RGB 129 104 187

HSL 258.07, 0.38%, 0.57%

LAB 49.68, 28.33, -40.34

 

CMYK 55 / 43 / 0 / 44

HEX #415290

RGB 65 82 144

HSL 227.09, 0.38%, 0.41%

LAB 36.31, 12.36, -36.4

 

CMYK 55 / 43 / 0 / 33

HEX #4D62AC

RGB 77 98 172

HSL 226.74, 0.38%, 0.49%

LAB 43.2, 14.28, -42.13

 

CMYK 44 / 35 / 0 / 27

HEX #687ABB

RGB 104 122 187

HSL 226.99, 0.38%, 0.57%

LAB 52.34, 10.72, -36.28

 

CMYK 34 / 27 / 0 / 22

HEX #8493C8

RGB 132 147 200

HSL 226.76, 0.38%, 0.65%

LAB 61.61, 7.34, -29.09

 

CMYK 24 / 19 / 0 / 16

HEX #A1ACD5

RGB 161 172 213

HSL 227.31, 0.38%, 0.73%

LAB 70.79, 5.1, -22.02

 

CMYK 45 / 35 / 0 / 27

HEX #6779BA

RGB 103 121 186

HSL 226.99, 0.38%, 0.57%

LAB 51.95, 10.77, -36.32

 

CMYK 2 / 44 / 0 / 27

HEX #B868BB

RGB 184 104 187

HSL 297.83, 0.38%, 0.57%

LAB 55.76, 44.51, -30.37

 

CMYK 17 / 0 / 44 / 27

HEX #9CBB68

RGB 156 187 104

HSL 82.41, 0.38%, 0.57%

LAB 71.97, -24.3, 38.5

 

CMYK 45 / 35 / 0 / 27

HEX #6779BA

RGB 103 121 186

HSL 226.99, 0.38%, 0.57%

LAB 51.95, 10.77, -36.32

 

CMYK 0 / 44 / 34 / 27

HEX #BB687B

RGB 187 104 123

HSL 346.27, 0.38%, 0.57%

LAB 53.92, 35.32, 4.2

 

CMYK 34 / 0 / 44 / 27

HEX #7BBB68

RGB 123 187 104

HSL 106.27, 0.38%, 0.57%

LAB 70, -36.28, 35.61

 

CMYK 45 / 35 / 0 / 27

HEX #6779BA

RGB 103 121 186

HSL 226.99, 0.38%, 0.57%

LAB 51.95, 10.77, -36.32

 

CMYK 2 / 44 / 0 / 27

HEX #B868BB

RGB 184 104 187

HSL 297.83, 0.38%, 0.57%

LAB 55.76, 44.51, -30.37

 

CMYK 0 / 10 / 44 / 27

HEX #BBA868

RGB 187 168 104

HSL 46.27, 0.38%, 0.57%

LAB 69.16, -2.01, 35.49

 

CMYK 43 / 0 / 44 / 27

HEX #6ABB68

RGB 106 187 104

HSL 118.55, 0.38%, 0.57%

LAB 69.19, -41.73, 34.41

 

CMYK 45 / 35 / 0 / 27

HEX #6779BA

RGB 103 121 186

HSL 226.99, 0.38%, 0.57%

LAB 51.95, 10.77, -36.32

 

CMYK 0 / 44 / 12 / 27

HEX #BB68A5

RGB 187 104 165

HSL 315.9, 0.38%, 0.57%

LAB 55.26, 41.53, -18.41

 

CMYK 0 / 10 / 44 / 27

HEX #BBA868

RGB 187 168 104

HSL 46.27, 0.38%, 0.57%

LAB 69.16, -2.01, 35.49

 

CMYK 44 / 0 / 33 / 27

HEX #68BB7E

RGB 104 187 126

HSL 135.9, 0.38%, 0.57%

LAB 69.46, -38.7, 23.23

 

Description

Color code: HEX #6779BA | qconv.com Color code: HEX #6779BA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 121 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 121 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 35 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 35% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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