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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6776E8 it is the complementary color #988917. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6776E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6776E8 shade: #6C76E3, #7D88F6, #8E9AFF, #9FACFF and #B0BEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6776E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6776E8 shade: #6776E8, #5664D5, #4552C2, #3440AF and #232E9C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6776E8 shade: #6877E8, #7C68E8, #9E68E8, #C168E8 and #E468E8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6776E8 shade: #6877E8 and #6868E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6776E8 shade matches the following richer shades: #6877E8 and #5A6CF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6776E8 shade: #6877E8, #7682DA, #848DCC, #9297BE and #A0A2B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6776E8 shade: #68BCE8, #6899E8, #6877E8, #7B68E8 and #9E68E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6776E8 shade: #2137DD, #4457E3, #6877E8, #8C97EE and #B0B8F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6776E8 shade: #6776E8, #E868DE and #AAE868

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6776E8 shade: #6776E8, #E86877 and #77E868

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6776E8 shade: #6776E8, #E868DE, #E8D968 and #68E873

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6776E8 shade: #6776E8, #E868B7, #E8D968 and #68E899

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 49 / 0 / 9

HEX #6776E8

RGB 103 118 232

HSL 233.02, 0.74%, 0.66%

LAB 53.67, 26.9, -59.68

 

Complementary color

CMYK 0 / 10 / 85 / 40

HEX #988917

RGB 152 137 23

HSL 53.02, 0.74%, 0.34%

LAB 56.71, -6.19, 56.72

 

CMYK 52 / 48 / 0 / 11

HEX #6C76E3

RGB 108 118 227

HSL 234.96, 0.68%, 0.66%

LAB 53.7, 26.34, -56.82

 

CMYK 49 / 45 / 0 / 4

HEX #7D88F6

RGB 125 136 246

HSL 234.55, 0.87%, 0.73%

LAB 60.45, 25.06, -56.53

 

CMYK 44 / 40 / 0 / 0

HEX #8E9AFF

RGB 142 154 255

HSL 233.63, 1%, 0.78%

LAB 66.58, 21.1, -51.65

 

CMYK 38 / 33 / 0 / 0

HEX #9FACFF

RGB 159 172 255

HSL 231.88, 1%, 0.81%

LAB 72.29, 15.1, -42.59

 

CMYK 31 / 25 / 0 / 0

HEX #B0BEFF

RGB 176 190 255

HSL 229.37, 1%, 0.85%

LAB 78.04, 9.72, -33.58

 

CMYK 56 / 49 / 0 / 9

HEX #6776E8

RGB 103 118 232

HSL 233.02, 0.74%, 0.66%

LAB 53.67, 26.9, -59.68

 

CMYK 60 / 53 / 0 / 16

HEX #5664D5

RGB 86 100 213

HSL 233.39, 0.6%, 0.59%

LAB 46.84, 28.53, -60.01

 

CMYK 64 / 58 / 0 / 24

HEX #4552C2

RGB 69 82 194

HSL 233.76, 0.51%, 0.52%

LAB 39.91, 30.47, -60.34

 

CMYK 70 / 63 / 0 / 31

HEX #3440AF

RGB 52 64 175

HSL 234.15, 0.54%, 0.45%

LAB 32.9, 32.79, -60.61

 

CMYK 78 / 71 / 0 / 39

HEX #232E9C

RGB 35 46 156

HSL 234.55, 0.63%, 0.37%

LAB 25.9, 35.49, -60.68

 

CMYK 55 / 49 / 0 / 9

HEX #6877E8

RGB 104 119 232

HSL 232.97, 0.74%, 0.66%

LAB 53.99, 26.49, -59.17

 

CMYK 47 / 55 / 0 / 9

HEX #7C68E8

RGB 124 104 232

HSL 249.38, 0.74%, 0.66%

LAB 51.85, 39.55, -62.53

 

CMYK 32 / 55 / 0 / 9

HEX #9E68E8

RGB 158 104 232

HSL 265.31, 0.74%, 0.66%

LAB 55.07, 47.27, -57.19

 

CMYK 17 / 55 / 0 / 9

HEX #C168E8

RGB 193 104 232

HSL 281.72, 0.74%, 0.66%

LAB 59.03, 55.92, -50.63

 

CMYK 2 / 55 / 0 / 9

HEX #E468E8

RGB 228 104 232

HSL 298.13, 0.74%, 0.66%

LAB 63.52, 64.87, -43.24

 

CMYK 55 / 49 / 0 / 9

HEX #6877E8

RGB 104 119 232

HSL 232.97, 0.74%, 0.66%

LAB 53.99, 26.49, -59.17

 

CMYK 55 / 55 / 0 / 9

HEX #6868E8

RGB 104 104 232

HSL 240, 0.74%, 0.66%

LAB 50.3, 35.55, -65.12

 

CMYK 55 / 49 / 0 / 9

HEX #6877E8

RGB 104 119 232

HSL 232.97, 0.74%, 0.66%

LAB 53.99, 26.49, -59.17

 

CMYK 63 / 56 / 0 / 4

HEX #5A6CF6

RGB 90 108 246

HSL 233.08, 0.9%, 0.66%

LAB 51.33, 35.26, -71.32

 

CMYK 55 / 49 / 0 / 9

HEX #6877E8

RGB 104 119 232

HSL 232.97, 0.74%, 0.66%

LAB 53.99, 26.49, -59.17

 

CMYK 46 / 40 / 0 / 15

HEX #7682DA

RGB 118 130 218

HSL 232.8, 0.57%, 0.66%

LAB 56.96, 18.65, -46.54

 

CMYK 35 / 31 / 0 / 20

HEX #848DCC

RGB 132 141 204

HSL 232.5, 0.41%, 0.66%

LAB 60.17, 11.88, -33.56

 

CMYK 23 / 21 / 0 / 25

HEX #9297BE

RGB 146 151 190

HSL 233.18, 0.25%, 0.66%

LAB 63.31, 6.75, -20.77

 

CMYK 9 / 8 / 0 / 31

HEX #A0A2B0

RGB 160 162 176

HSL 232.5, 0.09%, 0.66%

LAB 66.86, 2.09, -7.48

 

CMYK 55 / 19 / 0 / 9

HEX #68BCE8

RGB 104 188 232

HSL 200.63, 0.74%, 0.66%

LAB 72.72, -13.23, -29.71

 

CMYK 55 / 34 / 0 / 9

HEX #6899E8

RGB 104 153 232

HSL 217.03, 0.74%, 0.66%

LAB 62.97, 6.23, -44.89

 

CMYK 55 / 49 / 0 / 9

HEX #6877E8

RGB 104 119 232

HSL 232.97, 0.74%, 0.66%

LAB 53.99, 26.49, -59.17

 

CMYK 47 / 55 / 0 / 9

HEX #7B68E8

RGB 123 104 232

HSL 248.91, 0.74%, 0.66%

LAB 51.77, 39.34, -62.67

 

CMYK 32 / 55 / 0 / 9

HEX #9E68E8

RGB 158 104 232

HSL 265.31, 0.74%, 0.66%

LAB 55.07, 47.27, -57.19

 

CMYK 85 / 75 / 0 / 13

HEX #2137DD

RGB 33 55 221

HSL 232.98, 0.74%, 0.5%

LAB 34.55, 52.57, -84.81

 

CMYK 70 / 62 / 0 / 11

HEX #4457E3

RGB 68 87 227

HSL 232.83, 0.74%, 0.58%

LAB 43.64, 38.61, -73.22

 

CMYK 55 / 49 / 0 / 9

HEX #6877E8

RGB 104 119 232

HSL 232.97, 0.74%, 0.66%

LAB 53.99, 26.49, -59.17

 

CMYK 41 / 37 / 0 / 7

HEX #8C97EE

RGB 140 151 238

HSL 233.27, 0.74%, 0.74%

LAB 64.87, 17.54, -45.06

 

CMYK 28 / 24 / 0 / 5

HEX #B0B8F3

RGB 176 184 243

HSL 232.84, 0.74%, 0.82%

LAB 76.06, 10.09, -30.18

 

CMYK 56 / 49 / 0 / 9

HEX #6776E8

RGB 103 118 232

HSL 233.02, 0.74%, 0.66%

LAB 53.67, 26.9, -59.68

 

CMYK 0 / 55 / 4 / 9

HEX #E868DE

RGB 232 104 222

HSL 304.69, 0.74%, 0.66%

LAB 63.61, 64.23, -37.49

 

CMYK 27 / 0 / 55 / 9

HEX #AAE868

RGB 170 232 104

HSL 89.06, 0.74%, 0.66%

LAB 85.63, -40.09, 55.17

 

CMYK 56 / 49 / 0 / 9

HEX #6776E8

RGB 103 118 232

HSL 233.02, 0.74%, 0.66%

LAB 53.67, 26.9, -59.68

 

CMYK 0 / 55 / 49 / 9

HEX #E86877

RGB 232 104 119

HSL 352.97, 0.74%, 0.66%

LAB 60.24, 50.89, 16.37

 

CMYK 49 / 0 / 55 / 9

HEX #77E868

RGB 119 232 104

HSL 112.97, 0.74%, 0.66%

LAB 83.25, -56.37, 51.78

 

CMYK 56 / 49 / 0 / 9

HEX #6776E8

RGB 103 118 232

HSL 233.02, 0.74%, 0.66%

LAB 53.67, 26.9, -59.68

 

CMYK 0 / 55 / 4 / 9

HEX #E868DE

RGB 232 104 222

HSL 304.69, 0.74%, 0.66%

LAB 63.61, 64.23, -37.49

 

CMYK 0 / 6 / 55 / 9

HEX #E8D968

RGB 232 217 104

HSL 52.97, 0.74%, 0.66%

LAB 85.9, -8.89, 56.6

 

CMYK 55 / 0 / 50 / 9

HEX #68E873

RGB 104 232 115

HSL 125.16, 0.74%, 0.66%

LAB 82.86, -58.87, 46.08

 

CMYK 56 / 49 / 0 / 9

HEX #6776E8

RGB 103 118 232

HSL 233.02, 0.74%, 0.66%

LAB 53.67, 26.9, -59.68

 

CMYK 0 / 55 / 21 / 9

HEX #E868B7

RGB 232 104 183

HSL 322.97, 0.74%, 0.66%

LAB 62.06, 58.28, -17.85

 

CMYK 0 / 6 / 55 / 9

HEX #E8D968

RGB 232 217 104

HSL 52.97, 0.74%, 0.66%

LAB 85.9, -8.89, 56.6

 

CMYK 55 / 0 / 34 / 9

HEX #68E899

RGB 104 232 153

HSL 142.97, 0.74%, 0.66%

LAB 83.42, -52.86, 27.98

 

Description

Color code: HEX #6776E8 | qconv.com Color code: HEX #6776E8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 118 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 118 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 49 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 49% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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