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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67769D it is the complementary color #988962. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67769D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67769D shade: #6C7698, #7D88AB, #8E9ABE, #9FACD1 and #B0BEE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67769D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67769D shade: #67769D, #56648A, #455277, #344064 and #232E51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67769D shade: #67769E, #67679E, #75679E, #84679E and #93679E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67769D shade: #67769E and #67679E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67769D shade matches the following richer shades: #67769E, #526DB2, #3E64C6, #2A5BDA and #1652EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67769D shade: #67769E, #7B7F89, #8F8875, #A39161 and #B79A4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67769D shade: #67939E, #67859E, #67769E, #67679E and #74679E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67769D shade: #45506C, #556385, #67769E, #808CAE and #99A3BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67769D shade: #67769D, #99679E and #8C9E67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67769D shade: #67769D, #9E6776 and #769E67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67769D shade: #67769D, #99679E, #9E8E67 and #6B9E67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67769D shade: #67769D, #9E6792, #9E8E67 and #679E72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 25 / 0 / 38

HEX #67769D

RGB 103 118 157

HSL 223.33, 0.22%, 0.51%

LAB 49.83, 4.23, -22.81

 

Complementary color

CMYK 0 / 10 / 36 / 40

HEX #988962

RGB 152 137 98

HSL 43.33, 0.22%, 0.49%

LAB 57.51, -0.39, 23

 

CMYK 29 / 22 / 0 / 40

HEX #6C7698

RGB 108 118 152

HSL 226.36, 0.18%, 0.51%

LAB 49.99, 4.43, -19.6

 

CMYK 27 / 20 / 0 / 33

HEX #7D88AB

RGB 125 136 171

HSL 225.65, 0.21%, 0.58%

LAB 56.99, 4.1, -19.79

 

CMYK 25 / 19 / 0 / 25

HEX #8E9ABE

RGB 142 154 190

HSL 225, 0.27%, 0.65%

LAB 63.82, 3.81, -20.02

 

CMYK 24 / 18 / 0 / 18

HEX #9FACD1

RGB 159 172 209

HSL 224.4, 0.35%, 0.72%

LAB 70.51, 3.54, -20.27

 

CMYK 23 / 17 / 0 / 11

HEX #B0BEE4

RGB 176 190 228

HSL 223.85, 0.49%, 0.79%

LAB 77.08, 3.3, -20.53

 

CMYK 34 / 25 / 0 / 38

HEX #67769D

RGB 103 118 157

HSL 223.33, 0.22%, 0.51%

LAB 49.83, 4.23, -22.81

 

CMYK 38 / 28 / 0 / 46

HEX #56648A

RGB 86 100 138

HSL 223.85, 0.23%, 0.44%

LAB 42.65, 4.68, -22.72

 

CMYK 42 / 31 / 0 / 53

HEX #455277

RGB 69 82 119

HSL 224.4, 0.27%, 0.37%

LAB 35.27, 5.24, -22.69

 

CMYK 48 / 36 / 0 / 61

HEX #344064

RGB 52 64 100

HSL 225, 0.32%, 0.3%

LAB 27.62, 5.96, -22.74

 

CMYK 57 / 43 / 0 / 68

HEX #232E51

RGB 35 46 81

HSL 225.65, 0.4%, 0.23%

LAB 19.66, 6.99, -22.9

 

CMYK 35 / 25 / 0 / 38

HEX #67769E

RGB 103 118 158

HSL 223.64, 0.22%, 0.51%

LAB 49.87, 4.5, -23.33

 

CMYK 35 / 35 / 0 / 38

HEX #67679E

RGB 103 103 158

HSL 240, 0.22%, 0.51%

LAB 45.71, 13.6, -29.8

 

CMYK 26 / 35 / 0 / 38

HEX #75679E

RGB 117 103 158

HSL 255.27, 0.22%, 0.51%

LAB 46.91, 17.86, -27.83

 

CMYK 16 / 35 / 0 / 38

HEX #84679E

RGB 132 103 158

HSL 271.64, 0.22%, 0.51%

LAB 48.35, 22.65, -25.47

 

CMYK 7 / 35 / 0 / 38

HEX #93679E

RGB 147 103 158

HSL 288, 0.22%, 0.51%

LAB 49.94, 27.58, -22.89

 

CMYK 35 / 25 / 0 / 38

HEX #67769E

RGB 103 118 158

HSL 223.64, 0.22%, 0.51%

LAB 49.87, 4.5, -23.33

 

CMYK 35 / 35 / 0 / 38

HEX #67679E

RGB 103 103 158

HSL 240, 0.22%, 0.51%

LAB 45.71, 13.6, -29.8

 

CMYK 35 / 25 / 0 / 38

HEX #67769E

RGB 103 118 158

HSL 223.64, 0.22%, 0.51%

LAB 49.87, 4.5, -23.33

 

CMYK 54 / 39 / 0 / 30

HEX #526DB2

RGB 82 109 178

HSL 223.13, 0.38%, 0.51%

LAB 46.9, 10.49, -39.75

 

CMYK 69 / 49 / 0 / 22

HEX #3E64C6

RGB 62 100 198

HSL 223.24, 0.54%, 0.51%

LAB 44.54, 19.3, -55.18

 

CMYK 81 / 58 / 0 / 15

HEX #2A5BDA

RGB 42 91 218

HSL 223.3, 0.7%, 0.51%

LAB 42.82, 30.11, -69.49

 

CMYK 91 / 66 / 0 / 7

HEX #1652EE

RGB 22 82 238

HSL 223.33, 0.86%, 0.51%

LAB 41.81, 42.04, -82.5

 

CMYK 35 / 25 / 0 / 38

HEX #67769E

RGB 103 118 158

HSL 223.64, 0.22%, 0.51%

LAB 49.87, 4.5, -23.33

 

CMYK 10 / 7 / 0 / 46

HEX #7B7F89

RGB 123 127 137

HSL 222.86, 0.06%, 0.51%

LAB 53.16, 0.63, -5.92

 

CMYK 0 / 5 / 18 / 44

HEX #8F8875

RGB 143 136 117

HSL 43.85, 0.1%, 0.51%

LAB 56.81, -0.73, 11.15

 

CMYK 0 / 11 / 40 / 36

HEX #A39161

RGB 163 145 97

HSL 43.64, 0.26%, 0.51%

LAB 60.69, -0.33, 27.93

 

CMYK 0 / 16 / 58 / 28

HEX #B79A4D

RGB 183 154 77

HSL 43.58, 0.42%, 0.51%

LAB 64.74, 1.37, 43.79

 

CMYK 35 / 7 / 0 / 38

HEX #67939E

RGB 103 147 158

HSL 192, 0.22%, 0.51%

LAB 58.24, -12.1, -10.59

 

CMYK 35 / 16 / 0 / 38

HEX #67859E

RGB 103 133 158

HSL 207.27, 0.22%, 0.51%

LAB 54.16, -4.27, -16.76

 

CMYK 35 / 25 / 0 / 38

HEX #67769E

RGB 103 118 158

HSL 223.64, 0.22%, 0.51%

LAB 49.87, 4.5, -23.33

 

CMYK 35 / 35 / 0 / 38

HEX #67679E

RGB 103 103 158

HSL 240, 0.22%, 0.51%

LAB 45.71, 13.6, -29.8

 

CMYK 27 / 35 / 0 / 38

HEX #74679E

RGB 116 103 158

HSL 254.18, 0.22%, 0.51%

LAB 46.82, 17.55, -27.98

 

CMYK 36 / 26 / 0 / 58

HEX #45506C

RGB 69 80 108

HSL 223.08, 0.22%, 0.35%

LAB 34.16, 3.19, -17.55

 

CMYK 36 / 26 / 0 / 48

HEX #556385

RGB 85 99 133

HSL 222.5, 0.22%, 0.43%

LAB 42.07, 3.55, -20.61

 

CMYK 35 / 25 / 0 / 38

HEX #67769E

RGB 103 118 158

HSL 223.64, 0.22%, 0.51%

LAB 49.87, 4.5, -23.33

 

CMYK 26 / 20 / 0 / 32

HEX #808CAE

RGB 128 140 174

HSL 224.35, 0.22%, 0.59%

LAB 58.42, 3.48, -19.31

 

CMYK 19 / 14 / 0 / 25

HEX #99A3BE

RGB 153 163 190

HSL 223.78, 0.22%, 0.67%

LAB 67.04, 2.25, -15.06

 

CMYK 34 / 25 / 0 / 38

HEX #67769D

RGB 103 118 157

HSL 223.33, 0.22%, 0.51%

LAB 49.83, 4.23, -22.81

 

CMYK 3 / 35 / 0 / 38

HEX #99679E

RGB 153 103 158

HSL 294.55, 0.22%, 0.51%

LAB 50.62, 29.58, -21.79

 

CMYK 11 / 0 / 35 / 38

HEX #8C9E67

RGB 140 158 103

HSL 79.64, 0.22%, 0.51%

LAB 62.51, -15.99, 26.68

 

CMYK 34 / 25 / 0 / 38

HEX #67769D

RGB 103 118 157

HSL 223.33, 0.22%, 0.51%

LAB 49.83, 4.23, -22.81

 

CMYK 0 / 35 / 25 / 38

HEX #9E6776

RGB 158 103 118

HSL 343.64, 0.22%, 0.51%

LAB 49.83, 24.26, 0.78

 

CMYK 25 / 0 / 35 / 38

HEX #769E67

RGB 118 158 103

HSL 103.64, 0.22%, 0.51%

LAB 61.03, -24.36, 24.45

 

CMYK 34 / 25 / 0 / 38

HEX #67769D

RGB 103 118 157

HSL 223.33, 0.22%, 0.51%

LAB 49.83, 4.23, -22.81

 

CMYK 3 / 35 / 0 / 38

HEX #99679E

RGB 153 103 158

HSL 294.55, 0.22%, 0.51%

LAB 50.62, 29.58, -21.79

 

CMYK 0 / 10 / 35 / 38

HEX #9E8E67

RGB 158 142 103

HSL 42.55, 0.22%, 0.51%

LAB 59.52, -0.02, 22.99

 

CMYK 32 / 0 / 35 / 38

HEX #6B9E67

RGB 107 158 103

HSL 115.64, 0.22%, 0.51%

LAB 60.39, -28.26, 23.48

 

CMYK 34 / 25 / 0 / 38

HEX #67769D

RGB 103 118 157

HSL 223.33, 0.22%, 0.51%

LAB 49.83, 4.23, -22.81

 

CMYK 0 / 35 / 8 / 38

HEX #9E6792

RGB 158 103 146

HSL 313.09, 0.22%, 0.51%

LAB 50.74, 28.97, -14.49

 

CMYK 0 / 10 / 35 / 38

HEX #9E8E67

RGB 158 142 103

HSL 42.55, 0.22%, 0.51%

LAB 59.52, -0.02, 22.99

 

CMYK 35 / 0 / 28 / 38

HEX #679E72

RGB 103 158 114

HSL 132, 0.22%, 0.51%

LAB 60.38, -27.66, 17.38

 

Description

Color code: HEX #67769D | qconv.com Color code: HEX #67769D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 118 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 118 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 25 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 25% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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