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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6772BE it is the complementary color #988D41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6772BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6772BE shade: #6C72B9, #7D84CC, #8E96DF, #9FA8F2 and #B0BAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6772BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6772BE shade: #6772BE, #5660AB, #454E98, #343C85 and #232A72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6772BE shade: #6571BD, #7265BD, #8A65BD, #A165BD and #B965BD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6772BE shade: #6571BD and #6565BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6772BE shade matches the following richer shades: #6571BD, #5463CF, #4256E1 and #3049F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6772BE shade: #6571BD, #777EAB, #898B9A, #9B9888 and #ACA676

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6772BE shade: #65A0BD, #6589BD, #6571BD, #7165BD and #8965BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6772BE shade: #3E4992, #4B57AF, #6571BD, #828BCA and #9FA6D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6772BE shade: #6772BE, #BD65B7 and #94BD65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6772BE shade: #6772BE, #BD6571 and #71BD65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6772BE shade: #6772BE, #BD65B7, #BDB265 and #65BD6B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6772BE shade: #6772BE, #BD659D, #BDB265 and #65BD86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 40 / 0 / 25

HEX #6772BE

RGB 103 114 190

HSL 232.41, 0.4%, 0.57%

LAB 50.26, 16.22, -41.3

 

Complementary color

CMYK 0 / 7 / 57 / 40

HEX #988D41

RGB 152 141 65

HSL 52.41, 0.4%, 0.43%

LAB 58.14, -6.06, 41.34

 

CMYK 42 / 38 / 0 / 27

HEX #6C72B9

RGB 108 114 185

HSL 235.32, 0.35%, 0.57%

LAB 50.36, 16.02, -38.22

 

CMYK 39 / 35 / 0 / 20

HEX #7D84CC

RGB 125 132 204

HSL 234.68, 0.44%, 0.65%

LAB 57.29, 15.22, -38.09

 

CMYK 36 / 33 / 0 / 13

HEX #8E96DF

RGB 142 150 223

HSL 234.07, 0.56%, 0.72%

LAB 64.07, 14.54, -38.02

 

CMYK 34 / 31 / 0 / 5

HEX #9FA8F2

RGB 159 168 242

HSL 233.49, 0.76%, 0.79%

LAB 70.72, 13.94, -37.99

 

CMYK 31 / 27 / 0 / 0

HEX #B0BAFF

RGB 176 186 255

HSL 232.41, 1%, 0.85%

LAB 77.02, 11.91, -35.15

 

CMYK 46 / 40 / 0 / 25

HEX #6772BE

RGB 103 114 190

HSL 232.41, 0.4%, 0.57%

LAB 50.26, 16.22, -41.3

 

CMYK 50 / 44 / 0 / 33

HEX #5660AB

RGB 86 96 171

HSL 232.94, 0.34%, 0.5%

LAB 43.19, 17.29, -41.53

 

CMYK 55 / 49 / 0 / 40

HEX #454E98

RGB 69 78 152

HSL 233.49, 0.38%, 0.43%

LAB 35.95, 18.61, -41.82

 

CMYK 61 / 55 / 0 / 48

HEX #343C85

RGB 52 60 133

HSL 234.07, 0.44%, 0.36%

LAB 28.53, 20.28, -42.17

 

CMYK 69 / 63 / 0 / 55

HEX #232A72

RGB 35 42 114

HSL 234.68, 0.53%, 0.29%

LAB 20.94, 22.46, -42.52

 

CMYK 47 / 40 / 0 / 26

HEX #6571BD

RGB 101 113 189

HSL 231.82, 0.4%, 0.57%

LAB 49.8, 16.03, -41.46

 

CMYK 40 / 47 / 0 / 26

HEX #7265BD

RGB 114 101 189

HSL 248.86, 0.4%, 0.57%

LAB 47.7, 26.64, -44.73

 

CMYK 27 / 47 / 0 / 26

HEX #8A65BD

RGB 138 101 189

HSL 265.23, 0.4%, 0.57%

LAB 49.96, 33.12, -41

 

CMYK 15 / 47 / 0 / 26

HEX #A165BD

RGB 161 101 189

HSL 280.91, 0.4%, 0.57%

LAB 52.46, 39.71, -36.88

 

CMYK 2 / 47 / 0 / 26

HEX #B965BD

RGB 185 101 189

HSL 297.27, 0.4%, 0.57%

LAB 55.38, 46.75, -32.12

 

CMYK 47 / 40 / 0 / 26

HEX #6571BD

RGB 101 113 189

HSL 231.82, 0.4%, 0.57%

LAB 49.8, 16.03, -41.46

 

CMYK 47 / 47 / 0 / 26

HEX #6565BD

RGB 101 101 189

HSL 240, 0.4%, 0.57%

LAB 46.64, 23.4, -46.47

 

CMYK 47 / 40 / 0 / 26

HEX #6571BD

RGB 101 113 189

HSL 231.82, 0.4%, 0.57%

LAB 49.8, 16.03, -41.46

 

CMYK 59 / 52 / 0 / 19

HEX #5463CF

RGB 84 99 207

HSL 232.68, 0.56%, 0.57%

LAB 46.06, 26.79, -57.84

 

CMYK 71 / 62 / 0 / 12

HEX #4256E1

RGB 66 86 225

HSL 232.45, 0.73%, 0.57%

LAB 43.14, 38.29, -72.91

 

CMYK 80 / 70 / 0 / 5

HEX #3049F2

RGB 48 73 242

HSL 232.27, 0.88%, 0.57%

LAB 40.9, 50.27, -86.22

 

CMYK 47 / 40 / 0 / 26

HEX #6571BD

RGB 101 113 189

HSL 231.82, 0.4%, 0.57%

LAB 49.8, 16.03, -41.46

 

CMYK 30 / 26 / 0 / 33

HEX #777EAB

RGB 119 126 171

HSL 231.92, 0.24%, 0.57%

LAB 53.8, 8.08, -24.73

 

CMYK 11 / 10 / 0 / 40

HEX #898B9A

RGB 137 139 154

HSL 232.94, 0.08%, 0.57%

LAB 58.15, 2.38, -8.21

 

CMYK 0 / 2 / 12 / 39

HEX #9B9888

RGB 155 152 136

HSL 50.53, 0.09%, 0.57%

LAB 62.68, -1.79, 8.81

 

CMYK 0 / 3 / 31 / 33

HEX #ACA676

RGB 172 166 118

HSL 53.33, 0.25%, 0.57%

LAB 67.54, -5.43, 25.68

 

CMYK 47 / 15 / 0 / 26

HEX #65A0BD

RGB 101 160 189

HSL 199.77, 0.4%, 0.57%

LAB 63, -11.32, -20.94

 

CMYK 47 / 28 / 0 / 26

HEX #6589BD

RGB 101 137 189

HSL 215.45, 0.4%, 0.57%

LAB 56.42, 1.66, -31.07

 

CMYK 47 / 40 / 0 / 26

HEX #6571BD

RGB 101 113 189

HSL 231.82, 0.4%, 0.57%

LAB 49.8, 16.03, -41.46

 

CMYK 40 / 47 / 0 / 26

HEX #7165BD

RGB 113 101 189

HSL 248.18, 0.4%, 0.57%

LAB 47.61, 26.38, -44.87

 

CMYK 28 / 47 / 0 / 26

HEX #8965BD

RGB 137 101 189

HSL 264.55, 0.4%, 0.57%

LAB 49.86, 32.84, -41.17

 

CMYK 58 / 50 / 0 / 43

HEX #3E4992

RGB 62 73 146

HSL 232.14, 0.4%, 0.41%

LAB 33.7, 18.29, -41.81

 

CMYK 57 / 50 / 0 / 31

HEX #4B57AF

RGB 75 87 175

HSL 232.8, 0.4%, 0.49%

LAB 40.26, 21.87, -48.61

 

CMYK 47 / 40 / 0 / 26

HEX #6571BD

RGB 101 113 189

HSL 231.82, 0.4%, 0.57%

LAB 49.8, 16.03, -41.46

 

CMYK 36 / 31 / 0 / 21

HEX #828BCA

RGB 130 139 202

HSL 232.5, 0.4%, 0.65%

LAB 59.41, 11.94, -33.63

 

CMYK 26 / 22 / 0 / 16

HEX #9FA6D6

RGB 159 166 214

HSL 232.36, 0.4%, 0.73%

LAB 69.11, 8.06, -25.15

 

CMYK 46 / 40 / 0 / 25

HEX #6772BE

RGB 103 114 190

HSL 232.41, 0.4%, 0.57%

LAB 50.26, 16.22, -41.3

 

CMYK 0 / 47 / 3 / 26

HEX #BD65B7

RGB 189 101 183

HSL 304.09, 0.4%, 0.57%

LAB 55.63, 46.84, -28.23

 

CMYK 22 / 0 / 47 / 26

HEX #94BD65

RGB 148 189 101

HSL 87.95, 0.4%, 0.57%

LAB 71.98, -28.66, 39.92

 

CMYK 46 / 40 / 0 / 25

HEX #6772BE

RGB 103 114 190

HSL 232.41, 0.4%, 0.57%

LAB 50.26, 16.22, -41.3

 

CMYK 0 / 47 / 40 / 26

HEX #BD6571

RGB 189 101 113

HSL 351.82, 0.4%, 0.57%

LAB 53.3, 36.44, 9.25

 

CMYK 40 / 0 / 47 / 26

HEX #71BD65

RGB 113 189 101

HSL 111.82, 0.4%, 0.57%

LAB 70.07, -40.86, 37.11

 

CMYK 46 / 40 / 0 / 25

HEX #6772BE

RGB 103 114 190

HSL 232.41, 0.4%, 0.57%

LAB 50.26, 16.22, -41.3

 

CMYK 0 / 47 / 3 / 26

HEX #BD65B7

RGB 189 101 183

HSL 304.09, 0.4%, 0.57%

LAB 55.63, 46.84, -28.23

 

CMYK 0 / 6 / 47 / 26

HEX #BDB265

RGB 189 178 101

HSL 52.5, 0.4%, 0.57%

LAB 71.96, -6.78, 40.57

 

CMYK 47 / 0 / 43 / 26

HEX #65BD6B

RGB 101 189 107

HSL 124.09, 0.4%, 0.57%

LAB 69.63, -43.61, 33.4

 

CMYK 46 / 40 / 0 / 25

HEX #6772BE

RGB 103 114 190

HSL 232.41, 0.4%, 0.57%

LAB 50.26, 16.22, -41.3

 

CMYK 0 / 47 / 17 / 26

HEX #BD659D

RGB 189 101 157

HSL 321.82, 0.4%, 0.57%

LAB 54.62, 42.46, -14.7

 

CMYK 0 / 6 / 47 / 26

HEX #BDB265

RGB 189 178 101

HSL 52.5, 0.4%, 0.57%

LAB 71.96, -6.78, 40.57

 

CMYK 47 / 0 / 29 / 26

HEX #65BD86

RGB 101 189 134

HSL 142.5, 0.4%, 0.57%

LAB 70.09, -38.93, 19.79

 

Description

Color code: HEX #6772BE | qconv.com Color code: HEX #6772BE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 114 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 114 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 40 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 40% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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