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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #676CCBCE it is the complementary color #989334CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #676CCBCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #676CCBCE shade: #6C6CC6CE, #7D7ED9CE, #8E90ECCE, #9FA2FFCE and #B0B4FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #676CCBCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #676CCBCE shade: #676CCBCE, #565AB8CE, #4548A5CE, #343692CE and #23247FCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #676CCBCE shade: #676CCB, #7D67CB, #9867CB, #B367CB and #CB67C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #676CCBCE shade: #676CCB and #6767CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #676CCBCE shade matches the following richer shades: #676CCB, #575DDB, #464EEC and #363FFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #676CCBCE shade: #676CCB, #787BBA, #888AAA, #999999 and #A9A789

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #676CCBCE shade: #67A1CB, #6787CB, #676CCB, #7D67CB and #9767CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #676CCBCE shade: #393EA6, #484EC0, #676CCB, #868AD6 and #A4A7E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #676CCBCE shade: #676CCB, #CB67BC and #94CB67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #676CCBCE shade: #676CCB, #CB676C and #6CCB67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #676CCBCE shade: #676CCB, #CB67BC, #CBC667 and #67CB76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #676CCBCE shade: #676CCB, #CB679E, #CBC667 and #67CB94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 38 / 0 / 17

HEX #676CCBCE

RGBA 103 108 203 0.81

HSLA 237, 0.49%, 0.6%, 0.81

LABA 49.4, 23.87, -50.12, 0.81

 

Complementary color

CMYK 0 / 3 / 53 / 33

HEX #989334CE

RGBA 152 147 52 0.81

HSLA 57, 0.49%, 0.4%, 0.81

LABA 59.7, -10.25, 49.09, 0.81

 

CMYK 37 / 37 / 0 / 18

HEX #6C6CC6CE

RGBA 108 108 198 0.81

HSLA 240, 0.44%, 0.6%, 0.81

LABA 49.48, 23.52, -47.1, 0.81

 

CMYK 34 / 34 / 0 / 12

HEX #7D7ED9CE

RGBA 125 126 217 0.81

HSLA 239.35, 0.55%, 0.67%, 0.81

LABA 56.38, 22.46, -46.86, 0.81

 

CMYK 32 / 32 / 0 / 6

HEX #8E90ECCE

RGBA 142 144 236 0.81

HSLA 238.72, 0.71%, 0.74%, 0.81

LABA 63.14, 21.55, -46.67, 0.81

 

CMYK 30 / 30 / 0 / 0

HEX #9FA2FFCE

RGBA 159 162 255 0.81

HSLA 238.13, 1%, 0.81%, 0.81

LABA 69.78, 20.75, -46.53, 0.81

 

CMYK 25 / 24 / 0 / 0

HEX #B0B4FFCE

RGBA 176 180 255 0.81

HSLA 236.96, 1%, 0.85%, 0.81

LABA 75.51, 15.23, -37.49, 0.81

 

CMYK 40 / 38 / 0 / 17

HEX #676CCBCE

RGBA 103 108 203 0.81

HSLA 237, 0.49%, 0.6%, 0.81

LABA 49.4, 23.87, -50.12, 0.81

 

CMYK 43 / 41 / 0 / 23

HEX #565AB8CE

RGBA 86 90 184 0.81

HSLA 237.55, 0.41%, 0.53%, 0.81

LABA 42.39, 25.25, -50.44, 0.81

 

CMYK 47 / 46 / 0 / 29

HEX #4548A5CE

RGBA 69 72 165 0.81

HSLA 238.13, 0.41%, 0.46%, 0.81

LABA 35.24, 26.91, -50.79, 0.81

 

CMYK 52 / 51 / 0 / 35

HEX #343692CE

RGBA 52 54 146 0.81

HSLA 238.72, 0.47%, 0.39%, 0.81

LABA 27.96, 28.93, -51.12, 0.81

 

CMYK 59 / 58 / 0 / 41

HEX #23247FCE

RGBA 35 36 127 0.81

HSLA 239.35, 0.57%, 0.32%, 0.81

LABA 20.64, 31.33, -51.3, 0.81

 

CMYK 49 / 47 / 0 / 20

HEX #676CCB

RGB 103 108 203

HSL 237, 0.49%, 0.6%

LAB 49.4, 23.87, -50.12

 

CMYK 38 / 49 / 0 / 20

HEX #7D67CB

RGB 125 103 203

HSL 253.2, 0.49%, 0.6%

LAB 49.94, 32.17, -49.15

 

CMYK 25 / 49 / 0 / 20

HEX #9867CB

RGB 152 103 203

HSL 269.4, 0.49%, 0.6%

LAB 52.61, 39.25, -44.75

 

CMYK 12 / 49 / 0 / 20

HEX #B367CB

RGB 179 103 203

HSL 285.6, 0.49%, 0.6%

LAB 55.68, 46.73, -39.7

 

CMYK 0 / 49 / 1 / 20

HEX #CB67C8

RGB 203 103 200

HSL 301.8, 0.49%, 0.6%

LAB 58.57, 52.97, -33.24

 

CMYK 49 / 47 / 0 / 20

HEX #676CCB

RGB 103 108 203

HSL 237, 0.49%, 0.6%

LAB 49.4, 23.87, -50.12

 

CMYK 49 / 49 / 0 / 20

HEX #6767CB

RGB 103 103 203

HSL 240, 0.49%, 0.6%

LAB 48.13, 26.92, -52.16

 

CMYK 49 / 47 / 0 / 20

HEX #676CCB

RGB 103 108 203

HSL 237, 0.49%, 0.6%

LAB 49.4, 23.87, -50.12

 

CMYK 60 / 58 / 0 / 14

HEX #575DDB

RGB 87 93 219

HSL 237.27, 0.65%, 0.6%

LAB 45.59, 35.01, -65.44

 

CMYK 70 / 67 / 0 / 7

HEX #464EEC

RGB 70 78 236

HSL 237.11, 0.81%, 0.6%

LAB 42.47, 47.29, -80.22

 

CMYK 79 / 75 / 0 / 1

HEX #363FFC

RGB 54 63 252

HSL 237.27, 0.97%, 0.6%

LAB 40.19, 59.43, -93

 

CMYK 49 / 47 / 0 / 20

HEX #676CCB

RGB 103 108 203

HSL 237, 0.49%, 0.6%

LAB 49.4, 23.87, -50.12

 

CMYK 35 / 34 / 0 / 27

HEX #787BBA

RGB 120 123 186

HSL 237.27, 0.32%, 0.6%

LAB 53.71, 14.19, -33.48

 

CMYK 20 / 19 / 0 / 33

HEX #888AAA

RGB 136 138 170

HSL 236.47, 0.17%, 0.6%

LAB 58.33, 6.23, -17.09

 

CMYK 0 / 0 / 0 / 40

HEX #999999

RGB 153 153 153

HSL 0, 0%, 0.6%

LAB 63.22, 0, -0.01

 

CMYK 0 / 1 / 19 / 34

HEX #A9A789

RGB 169 167 137

HSL 56.25, 0.16%, 0.6%

LAB 67.93, -4.43, 15.81

 

CMYK 49 / 21 / 0 / 20

HEX #67A1CB

RGB 103 161 203

HSL 205.2, 0.49%, 0.6%

LAB 63.91, -7.36, -27.35

 

CMYK 49 / 33 / 0 / 20

HEX #6787CB

RGB 103 135 203

HSL 220.8, 0.49%, 0.6%

LAB 56.61, 7.55, -38.7

 

CMYK 49 / 47 / 0 / 20

HEX #676CCB

RGB 103 108 203

HSL 237, 0.49%, 0.6%

LAB 49.4, 23.87, -50.12

 

CMYK 38 / 49 / 0 / 20

HEX #7D67CB

RGB 125 103 203

HSL 253.2, 0.49%, 0.6%

LAB 49.94, 32.17, -49.15

 

CMYK 26 / 49 / 0 / 20

HEX #9767CB

RGB 151 103 203

HSL 268.8, 0.49%, 0.6%

LAB 52.5, 38.98, -44.93

 

CMYK 66 / 63 / 0 / 35

HEX #393EA6

RGB 57 62 166

HSL 237.25, 0.49%, 0.44%

LAB 31.96, 31.59, -56.74

 

CMYK 63 / 59 / 0 / 25

HEX #484EC0

RGB 72 78 192

HSL 237, 0.49%, 0.52%

LAB 38.95, 32.8, -60.71

 

CMYK 49 / 47 / 0 / 20

HEX #676CCB

RGB 103 108 203

HSL 237, 0.49%, 0.6%

LAB 49.4, 23.87, -50.12

 

CMYK 37 / 36 / 0 / 16

HEX #868AD6

RGB 134 138 214

HSL 237, 0.49%, 0.68%

LAB 59.98, 16.89, -39.46

 

CMYK 27 / 25 / 0 / 12

HEX #A4A7E0

RGB 164 167 224

HSL 237, 0.49%, 0.76%

LAB 70.11, 11.41, -29.07

 

CMYK 49 / 47 / 0 / 20

HEX #676CCB

RGB 103 108 203

HSL 237, 0.49%, 0.6%

LAB 49.4, 23.87, -50.12

 

CMYK 0 / 49 / 7 / 20

HEX #CB67BC

RGB 203 103 188

HSL 309, 0.49%, 0.6%

LAB 58.06, 50.89, -27.19

 

CMYK 27 / 0 / 49 / 20

HEX #94CB67

RGB 148 203 103

HSL 93, 0.49%, 0.6%

LAB 76.06, -35, 43.94

 

CMYK 49 / 47 / 0 / 20

HEX #676CCB

RGB 103 108 203

HSL 237, 0.49%, 0.6%

LAB 49.4, 23.87, -50.12

 

CMYK 0 / 49 / 47 / 20

HEX #CB676C

RGB 203 103 108

HSL 357, 0.49%, 0.6%

LAB 55.56, 40.05, 15.64

 

CMYK 47 / 0 / 49 / 20

HEX #6CCB67

RGB 108 203 103

HSL 117, 0.49%, 0.6%

LAB 74.11, -48.03, 41.11

 

CMYK 49 / 47 / 0 / 20

HEX #676CCB

RGB 103 108 203

HSL 237, 0.49%, 0.6%

LAB 49.4, 23.87, -50.12

 

CMYK 0 / 49 / 7 / 20

HEX #CB67BC

RGB 203 103 188

HSL 309, 0.49%, 0.6%

LAB 58.06, 50.89, -27.19

 

CMYK 0 / 2 / 49 / 20

HEX #CBC667

RGB 203 198 103

HSL 57, 0.49%, 0.6%

LAB 78.5, -11.18, 47.79

 

CMYK 49 / 0 / 42 / 20

HEX #67CB76

RGB 103 203 118

HSL 129, 0.49%, 0.6%

LAB 74.13, -47.22, 33.58

 

CMYK 49 / 47 / 0 / 20

HEX #676CCB

RGB 103 108 203

HSL 237, 0.49%, 0.6%

LAB 49.4, 23.87, -50.12

 

CMYK 0 / 49 / 22 / 20

HEX #CB679E

RGB 203 103 158

HSL 327, 0.49%, 0.6%

LAB 56.94, 46.17, -11.59

 

CMYK 0 / 2 / 49 / 20

HEX #CBC667

RGB 203 198 103

HSL 57, 0.49%, 0.6%

LAB 78.5, -11.18, 47.79

 

CMYK 49 / 0 / 27 / 20

HEX #67CB94

RGB 103 203 148

HSL 147, 0.49%, 0.6%

LAB 74.66, -41.86, 18.61

 

Description

Color code: HEX #676CCBCE | qconv.com Color code: HEX #676CCBCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 108 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 108 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 38 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 38% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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