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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #676580 it is the complementary color #989A7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #676580. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #676580 shade: #6C657B, #7D778E, #8E89A1, #9F9BB4 and #B0ADC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #676580. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #676580 shade: #676580, #56536D, #45415A, #342F47 and #231D34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #676580 shade: #676581, #6E6581, #766581, #7D6581 and #81657C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #676580 shade: #676581 and #656581

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #676580 shade matches the following richer shades: #676581, #575293, #4740A6, #382DB8 and #281BCB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #676580 shade: #676581, #77786E, #878A5B, #969D49 and #A6AF36

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #676580 shade: #657281, #656A81, #676581, #6E6581 and #766581

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #676580 shade: #424152, #545369, #676581, #7B7996 and #9290A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #676580 shade: #676580, #816579 and #6E8165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #676580 shade: #676580, #816765 and #658167

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #676580 shade: #676580, #816579, #7F8165 and #65816C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #676580 shade: #676580, #816571, #7F8165 and #658175

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 21 / 0 / 50

HEX #676580

RGB 103 101 128

HSL 244.44, 0.12%, 0.45%

LAB 43.87, 6.89, -14.72

 

Complementary color

CMYK 1 / 0 / 18 / 40

HEX #989A7F

RGB 152 154 127

HSL 64.44, 0.12%, 0.55%

LAB 62.78, -5.54, 13.96

 

CMYK 12 / 18 / 0 / 52

HEX #6C657B

RGB 108 101 123

HSL 259.09, 0.1%, 0.44%

LAB 44.13, 7.47, -11.27

 

CMYK 12 / 16 / 0 / 44

HEX #7D778E

RGB 125 119 142

HSL 255.65, 0.09%, 0.51%

LAB 51.27, 7.1, -11.65

 

CMYK 12 / 15 / 0 / 37

HEX #8E89A1

RGB 142 137 161

HSL 252.5, 0.11%, 0.58%

LAB 58.24, 6.78, -12.04

 

CMYK 12 / 14 / 0 / 29

HEX #9F9BB4

RGB 159 155 180

HSL 249.6, 0.14%, 0.66%

LAB 65.05, 6.48, -12.43

 

CMYK 12 / 13 / 0 / 22

HEX #B0ADC7

RGB 176 173 199

HSL 246.92, 0.19%, 0.73%

LAB 71.72, 6.21, -12.83

 

CMYK 20 / 21 / 0 / 50

HEX #676580

RGB 103 101 128

HSL 244.44, 0.12%, 0.45%

LAB 43.87, 6.89, -14.72

 

CMYK 21 / 24 / 0 / 57

HEX #56536D

RGB 86 83 109

HSL 246.92, 0.14%, 0.38%

LAB 36.5, 7.31, -14.47

 

CMYK 23 / 28 / 0 / 65

HEX #45415A

RGB 69 65 90

HSL 249.6, 0.16%, 0.3%

LAB 28.86, 7.8, -14.26

 

CMYK 27 / 34 / 0 / 72

HEX #342F47

RGB 52 47 71

HSL 252.5, 0.2%, 0.23%

LAB 20.9, 8.41, -14.12

 

CMYK 33 / 44 / 0 / 80

HEX #231D34

RGB 35 29 52

HSL 255.65, 0.28%, 0.16%

LAB 12.51, 9.22, -14.1

 

CMYK 20 / 22 / 0 / 49

HEX #676581

RGB 103 101 129

HSL 244.29, 0.12%, 0.45%

LAB 43.91, 7.14, -15.26

 

CMYK 15 / 22 / 0 / 49

HEX #6E6581

RGB 110 101 129

HSL 259.29, 0.12%, 0.45%

LAB 44.53, 9.58, -14.26

 

CMYK 9 / 22 / 0 / 49

HEX #766581

RGB 118 101 129

HSL 276.43, 0.12%, 0.45%

LAB 45.28, 12.43, -13.05

 

CMYK 3 / 22 / 0 / 49

HEX #7D6581

RGB 125 101 129

HSL 291.43, 0.12%, 0.45%

LAB 45.98, 14.97, -11.93

 

CMYK 0 / 22 / 4 / 49

HEX #81657C

RGB 129 101 124

HSL 310.71, 0.12%, 0.45%

LAB 46.22, 15.43, -8.53

 

CMYK 20 / 22 / 0 / 49

HEX #676581

RGB 103 101 129

HSL 244.29, 0.12%, 0.45%

LAB 43.91, 7.14, -15.26

 

CMYK 22 / 22 / 0 / 49

HEX #656581

RGB 101 101 129

HSL 240, 0.12%, 0.45%

LAB 43.74, 6.45, -15.54

 

CMYK 20 / 22 / 0 / 49

HEX #676581

RGB 103 101 129

HSL 244.29, 0.12%, 0.45%

LAB 43.91, 7.14, -15.26

 

CMYK 41 / 44 / 0 / 42

HEX #575293

RGB 87 82 147

HSL 244.62, 0.28%, 0.45%

LAB 38.14, 18.95, -35.22

 

CMYK 57 / 61 / 0 / 35

HEX #4740A6

RGB 71 64 166

HSL 244.12, 0.44%, 0.45%

LAB 33.48, 32.7, -54.23

 

CMYK 70 / 76 / 0 / 28

HEX #382DB8

RGB 56 45 184

HSL 244.75, 0.61%, 0.45%

LAB 29.86, 47.62, -70.95

 

CMYK 80 / 87 / 0 / 20

HEX #281BCB

RGB 40 27 203

HSL 244.43, 0.77%, 0.45%

LAB 28.24, 60.47, -84.85

 

CMYK 20 / 22 / 0 / 49

HEX #676581

RGB 103 101 129

HSL 244.29, 0.12%, 0.45%

LAB 43.91, 7.14, -15.26

 

CMYK 1 / 0 / 8 / 53

HEX #77786E

RGB 119 120 110

HSL 66, 0.04%, 0.45%

LAB 50.07, -2.32, 5.36

 

CMYK 2 / 0 / 34 / 46

HEX #878A5B

RGB 135 138 91

HSL 63.83, 0.21%, 0.45%

LAB 56.17, -8.96, 24.85

 

CMYK 4 / 0 / 54 / 38

HEX #969D49

RGB 150 157 73

HSL 65, 0.37%, 0.45%

LAB 62.57, -14.79, 42.49

 

CMYK 5 / 0 / 69 / 31

HEX #A6AF36

RGB 166 175 54

HSL 64.46, 0.53%, 0.45%

LAB 68.78, -18.59, 57.92

 

CMYK 22 / 12 / 0 / 49

HEX #657281

RGB 101 114 129

HSL 212.14, 0.12%, 0.45%

LAB 47.48, -1.34, -9.88

 

CMYK 22 / 18 / 0 / 49

HEX #656A81

RGB 101 106 129

HSL 229.29, 0.12%, 0.45%

LAB 45.16, 3.42, -13.37

 

CMYK 20 / 22 / 0 / 49

HEX #676581

RGB 103 101 129

HSL 244.29, 0.12%, 0.45%

LAB 43.91, 7.14, -15.26

 

CMYK 15 / 22 / 0 / 49

HEX #6E6581

RGB 110 101 129

HSL 259.29, 0.12%, 0.45%

LAB 44.53, 9.58, -14.26

 

CMYK 9 / 22 / 0 / 49

HEX #766581

RGB 118 101 129

HSL 276.43, 0.12%, 0.45%

LAB 45.28, 12.43, -13.05

 

CMYK 20 / 21 / 0 / 68

HEX #424152

RGB 66 65 82

HSL 243.53, 0.12%, 0.29%

LAB 28.24, 4.55, -10.04

 

CMYK 20 / 21 / 0 / 59

HEX #545369

RGB 84 83 105

HSL 242.73, 0.12%, 0.37%

LAB 36.16, 5.57, -12.51

 

CMYK 20 / 22 / 0 / 49

HEX #676581

RGB 103 101 129

HSL 244.29, 0.12%, 0.45%

LAB 43.91, 7.14, -15.26

 

CMYK 18 / 19 / 0 / 41

HEX #7B7996

RGB 123 121 150

HSL 244.14, 0.12%, 0.53%

LAB 51.94, 7.08, -15.35

 

CMYK 13 / 14 / 0 / 34

HEX #9290A8

RGB 146 144 168

HSL 245, 0.12%, 0.61%

LAB 60.68, 5.69, -12.33

 

CMYK 20 / 21 / 0 / 50

HEX #676580

RGB 103 101 128

HSL 244.44, 0.12%, 0.45%

LAB 43.87, 6.89, -14.72

 

CMYK 0 / 22 / 6 / 49

HEX #816579

RGB 129 101 121

HSL 317.14, 0.12%, 0.45%

LAB 46.12, 14.84, -6.87

 

CMYK 15 / 0 / 22 / 49

HEX #6E8165

RGB 110 129 101

HSL 100.71, 0.12%, 0.45%

LAB 51.79, -12.53, 12.92

 

CMYK 20 / 21 / 0 / 50

HEX #676580

RGB 103 101 128

HSL 244.44, 0.12%, 0.45%

LAB 43.87, 6.89, -14.72

 

CMYK 0 / 20 / 22 / 49

HEX #816765

RGB 129 103 101

HSL 4.29, 0.12%, 0.45%

LAB 46.05, 10.06, 5.07

 

CMYK 22 / 0 / 20 / 49

HEX #658167

RGB 101 129 103

HSL 124.29, 0.12%, 0.45%

LAB 51.21, -15.54, 10.86

 

CMYK 20 / 21 / 0 / 50

HEX #676580

RGB 103 101 128

HSL 244.44, 0.12%, 0.45%

LAB 43.87, 6.89, -14.72

 

CMYK 0 / 22 / 6 / 49

HEX #816579

RGB 129 101 121

HSL 317.14, 0.12%, 0.45%

LAB 46.12, 14.84, -6.87

 

CMYK 2 / 0 / 22 / 49

HEX #7F8165

RGB 127 129 101

HSL 64.29, 0.12%, 0.45%

LAB 53.12, -5.81, 14.97

 

CMYK 22 / 0 / 16 / 49

HEX #65816C

RGB 101 129 108

HSL 135, 0.12%, 0.45%

LAB 51.32, -14.55, 8.13

 

CMYK 20 / 21 / 0 / 50

HEX #676580

RGB 103 101 128

HSL 244.44, 0.12%, 0.45%

LAB 43.87, 6.89, -14.72

 

CMYK 0 / 22 / 12 / 49

HEX #816571

RGB 129 101 113

HSL 334.29, 0.12%, 0.45%

LAB 45.86, 13.33, -2.43

 

CMYK 2 / 0 / 22 / 49

HEX #7F8165

RGB 127 129 101

HSL 64.29, 0.12%, 0.45%

LAB 53.12, -5.81, 14.97

 

CMYK 22 / 0 / 9 / 49

HEX #658175

RGB 101 129 117

HSL 154.29, 0.12%, 0.45%

LAB 51.56, -12.67, 3.21

 

Description

Color code: HEX #676580 | qconv.com Color code: HEX #676580 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 101 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 101 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 21 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 21% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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