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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #675FE74C it is the complementary color #98A0184C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #675FE74C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #675FE74C shade: #6C5FE24C, #7D71F54C, #8E83FF4C, #9F95FF4C and #B0A7FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #675FE74C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #675FE74C shade: #675FE74C, #564DD44C, #453BC14C, #3429AE4C and #23179B4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #675FE74C shade: #675FE7, #8C5FE7, #B15FE7, #D55FE7 and #E75FD4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #675FE74C shade: #675FE7 and #5F5FE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #675FE74C shade matches the following richer shades: #675FE7 and #5A50F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #675FE74C shade: #675FE7, #746ED8, #817DC9, #8F8CBB and #9C9BAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #675FE74C shade: #5FA1E7, #5F7DE7, #665FE7, #8A5FE7 and #AF5FE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #675FE74C shade: #2A20D4, #453BE2, #675FE7, #8983EC and #ABA7F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #675FE74C shade: #675FE7, #E75FC5 and #8FE75F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #675FE74C shade: #675FE7, #E7665F and #5FE766

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #675FE74C shade: #675FE7, #E75FC5, #E0E75F and #5FE781

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #675FE74C shade: #675FE7, #E75F9C, #E0E75F and #5FE7AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 18 / 0 / 3

HEX #675FE74C

RGBA 103 95 231 0.3

HSLA 243.53, 0.74%, 0.64%, 0.3

LABA 48.05, 40.41, -68.19, 0.3

 

Complementary color

CMYK 2 / 0 / 26 / 11

HEX #98A0184C

RGBA 152 160 24 0.3

HSLA 63.53, 0.74%, 0.36%, 0.3

LABA 63.25, -18.32, 61.97, 0.3

 

CMYK 16 / 17 / 0 / 3

HEX #6C5FE24C

RGBA 108 95 226 0.3

HSLA 245.95, 0.69%, 0.63%, 0.3

LABA 48.09, 39.81, -65.3, 0.3

 

CMYK 15 / 16 / 0 / 1

HEX #7D71F54C

RGBA 125 113 245 0.3

HSLA 245.45, 0.87%, 0.7%, 0.3

LABA 54.83, 38.31, -64.99, 0.3

 

CMYK 13 / 15 / 0 / 0

HEX #8E83FF4C

RGBA 142 131 255 0.3

HSLA 245.32, 1%, 0.76%, 0.3

LABA 60.96, 34.41, -60.59, 0.3

 

CMYK 11 / 12 / 0 / 0

HEX #9F95FF4C

RGBA 159 149 255 0.3

HSLA 245.66, 1%, 0.79%, 0.3

LABA 66.59, 28.15, -51.56, 0.3

 

CMYK 9 / 10 / 0 / 0

HEX #B0A7FF4C

RGBA 176 167 255 0.3

HSLA 246.14, 1%, 0.83%, 0.3

LABA 72.29, 22.47, -42.51, 0.3

 

CMYK 17 / 18 / 0 / 3

HEX #675FE74C

RGBA 103 95 231 0.3

HSLA 243.53, 0.74%, 0.64%, 0.3

LABA 48.05, 40.41, -68.19, 0.3

 

CMYK 18 / 19 / 0 / 5

HEX #564DD44C

RGBA 86 77 212 0.3

HSLA 244, 0.61%, 0.57%, 0.3

LABA 41.28, 42.22, -68.46, 0.3

 

CMYK 19 / 21 / 0 / 7

HEX #453BC14C

RGBA 69 59 193 0.3

HSLA 244.48, 0.53%, 0.49%, 0.3

LABA 34.48, 44.19, -68.61, 0.3

 

CMYK 21 / 23 / 0 / 10

HEX #3429AE4C

RGBA 52 41 174 0.3

HSLA 244.96, 0.62%, 0.42%, 0.3

LABA 27.77, 46.19, -68.44, 0.3

 

CMYK 23 / 26 / 0 / 12

HEX #23179B4C

RGBA 35 23 155 0.3

HSLA 245.45, 0.74%, 0.35%, 0.3

LABA 21.34, 47.77, -67.59, 0.3

 

CMYK 55 / 59 / 0 / 9

HEX #675FE7

RGB 103 95 231

HSL 243.53, 0.74%, 0.64%

LAB 48.05, 40.41, -68.19

 

CMYK 39 / 59 / 0 / 9

HEX #8C5FE7

RGB 140 95 231

HSL 259.85, 0.74%, 0.64%

LAB 51.3, 47.79, -62.78

 

CMYK 23 / 59 / 0 / 9

HEX #B15FE7

RGB 177 95 231

HSL 276.18, 0.74%, 0.64%

LAB 55.38, 56.24, -56.01

 

CMYK 8 / 59 / 0 / 9

HEX #D55FE7

RGB 213 95 231

HSL 292.06, 0.74%, 0.64%

LAB 59.98, 64.94, -48.42

 

CMYK 0 / 59 / 8 / 9

HEX #E75FD4

RGB 231 95 212

HSL 308.38, 0.74%, 0.64%

LAB 61.59, 66.29, -35.04

 

CMYK 55 / 59 / 0 / 9

HEX #675FE7

RGB 103 95 231

HSL 243.53, 0.74%, 0.64%

LAB 48.05, 40.41, -68.19

 

CMYK 59 / 59 / 0 / 9

HEX #5F5FE7

RGB 95 95 231

HSL 240, 0.74%, 0.64%

LAB 47.48, 39.02, -69.16

 

CMYK 55 / 59 / 0 / 9

HEX #675FE7

RGB 103 95 231

HSL 243.53, 0.74%, 0.64%

LAB 48.05, 40.41, -68.19

 

CMYK 63 / 67 / 0 / 4

HEX #5A50F6

RGB 90 80 246

HSL 243.61, 0.9%, 0.64%

LAB 45.03, 51.72, -81.6

 

CMYK 55 / 59 / 0 / 9

HEX #675FE7

RGB 103 95 231

HSL 243.53, 0.74%, 0.64%

LAB 48.05, 40.41, -68.19

 

CMYK 46 / 49 / 0 / 15

HEX #746ED8

RGB 116 110 216

HSL 243.4, 0.58%, 0.64%

LAB 51.64, 29.56, -53.89

 

CMYK 36 / 38 / 0 / 21

HEX #817DC9

RGB 129 125 201

HSL 243.16, 0.41%, 0.64%

LAB 55.64, 19.62, -38.97

 

CMYK 24 / 25 / 0 / 27

HEX #8F8CBB

RGB 143 140 187

HSL 243.83, 0.26%, 0.64%

LAB 60.05, 11.38, -24.08

 

CMYK 9 / 10 / 0 / 33

HEX #9C9BAC

RGB 156 155 172

HSL 243.53, 0.09%, 0.64%

LAB 64.56, 3.77, -8.71

 

CMYK 59 / 30 / 0 / 9

HEX #5FA1E7

RGB 95 161 231

HSL 210.88, 0.74%, 0.64%

LAB 64.72, -0.49, -41.62

 

CMYK 59 / 46 / 0 / 9

HEX #5F7DE7

RGB 95 125 231

HSL 226.76, 0.74%, 0.64%

LAB 54.94, 20.78, -57.12

 

CMYK 56 / 59 / 0 / 9

HEX #665FE7

RGB 102 95 231

HSL 243.09, 0.74%, 0.64%

LAB 47.98, 40.23, -68.32

 

CMYK 40 / 59 / 0 / 9

HEX #8A5FE7

RGB 138 95 231

HSL 258.97, 0.74%, 0.64%

LAB 51.1, 47.36, -63.11

 

CMYK 24 / 59 / 0 / 9

HEX #AF5FE7

RGB 175 95 231

HSL 275.29, 0.74%, 0.64%

LAB 55.14, 55.77, -56.41

 

CMYK 80 / 85 / 0 / 17

HEX #2A20D4

RGB 42 32 212

HSL 243.33, 0.74%, 0.48%

LAB 30.11, 61.21, -86.98

 

CMYK 69 / 74 / 0 / 11

HEX #453BE2

RGB 69 59 226

HSL 243.59, 0.74%, 0.56%

LAB 37.63, 54.59, -82.51

 

CMYK 55 / 59 / 0 / 9

HEX #675FE7

RGB 103 95 231

HSL 243.53, 0.74%, 0.64%

LAB 48.05, 40.41, -68.19

 

CMYK 42 / 44 / 0 / 7

HEX #8983EC

RGB 137 131 236

HSL 243.43, 0.73%, 0.72%

LAB 59.53, 27.88, -52.41

 

CMYK 29 / 31 / 0 / 5

HEX #ABA7F2

RGB 171 167 242

HSL 243.2, 0.74%, 0.8%

LAB 71.36, 17.85, -36.94

 

CMYK 55 / 59 / 0 / 9

HEX #675FE7

RGB 103 95 231

HSL 243.53, 0.74%, 0.64%

LAB 48.05, 40.41, -68.19

 

CMYK 0 / 59 / 15 / 9

HEX #E75FC5

RGB 231 95 197

HSL 315, 0.74%, 0.64%

LAB 60.96, 64.01, -27.53

 

CMYK 38 / 0 / 59 / 9

HEX #8FE75F

RGB 143 231 95

HSL 98.82, 0.74%, 0.64%

LAB 83.87, -49.73, 56.76

 

CMYK 55 / 59 / 0 / 9

HEX #675FE7

RGB 103 95 231

HSL 243.53, 0.74%, 0.64%

LAB 48.05, 40.41, -68.19

 

CMYK 0 / 56 / 59 / 9

HEX #E7665F

RGB 231 102 95

HSL 3.09, 0.74%, 0.64%

LAB 59.27, 49.55, 28.82

 

CMYK 59 / 0 / 56 / 9

HEX #5FE766

RGB 95 231 102

HSL 123.09, 0.74%, 0.64%

LAB 82.13, -62.25, 51.17

 

CMYK 55 / 59 / 0 / 9

HEX #675FE7

RGB 103 95 231

HSL 243.53, 0.74%, 0.64%

LAB 48.05, 40.41, -68.19

 

CMYK 0 / 59 / 15 / 9

HEX #E75FC5

RGB 231 95 197

HSL 315, 0.74%, 0.64%

LAB 60.96, 64.01, -27.53

 

CMYK 3 / 0 / 59 / 9

HEX #E0E75F

RGB 224 231 95

HSL 63.09, 0.74%, 0.64%

LAB 88.84, -19.71, 63.68

 

CMYK 59 / 0 / 44 / 9

HEX #5FE781

RGB 95 231 129

HSL 135, 0.74%, 0.64%

LAB 82.47, -58.51, 38.75

 

CMYK 55 / 59 / 0 / 9

HEX #675FE7

RGB 103 95 231

HSL 243.53, 0.74%, 0.64%

LAB 48.05, 40.41, -68.19

 

CMYK 0 / 59 / 32 / 9

HEX #E75F9C

RGB 231 95 156

HSL 333.09, 0.74%, 0.64%

LAB 59.5, 58.54, -6.18

 

CMYK 3 / 0 / 59 / 9

HEX #E0E75F

RGB 224 231 95

HSL 63.09, 0.74%, 0.64%

LAB 88.84, -19.71, 63.68

 

CMYK 59 / 0 / 26 / 9

HEX #5FE7AA

RGB 95 231 170

HSL 153.09, 0.74%, 0.64%

LAB 83.17, -51.06, 18.82

 

Description

Color code: HEX #675FE74C | qconv.com Color code: HEX #675FE74C | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 95 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 95 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 18 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 18% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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