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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #675B95 it is the complementary color #98A46A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #675B95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #675B95 shade: #6C5B90, #7D6DA3, #8E7FB6, #9F91C9 and #B0A3DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #675B95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #675B95 shade: #675B95, #564982, #45376F, #34255C and #231349

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #675B95 shade: #675B95, #765B95, #865B95, #955B94 and #955B84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #675B95 shade: #675B95 and #5B5B95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #675B95 shade matches the following richer shades: #675B95, #5C48A8, #5034BB, #4521CF and #3A0EE2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #675B95 shade: #675B95, #726E81, #7E826E, #89955A and #94A947

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #675B95 shade: #5B6E95, #5B5F95, #675B95, #765B95 and #855B95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #675B95 shade: #443C61, #554B7B, #675B95, #7C71A8 and #948BB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #675B95 shade: #675B95, #955B7E and #67955B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #675B95 shade: #675B95, #95675B and #5B9567

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #675B95 shade: #675B95, #955B7E, #89955B and #5B9572

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #675B95 shade: #675B95, #955B6C, #89955B and #5B9583

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 39 / 0 / 42

HEX #675B95

RGB 103 91 149

HSL 252.41, 0.24%, 0.47%

LAB 42.06, 18.51, -30.16

 

Complementary color

CMYK 7 / 0 / 35 / 36

HEX #98A46A

RGB 152 164 106

HSL 72.41, 0.24%, 0.53%

LAB 65.17, -13.96, 28.72

 

CMYK 25 / 37 / 0 / 44

HEX #6C5B90

RGB 108 91 144

HSL 259.25, 0.23%, 0.46%

LAB 42.28, 18.74, -26.76

 

CMYK 23 / 33 / 0 / 36

HEX #7D6DA3

RGB 125 109 163

HSL 257.78, 0.23%, 0.53%

LAB 49.43, 18.03, -26.8

 

CMYK 22 / 30 / 0 / 29

HEX #8E7FB6

RGB 142 127 182

HSL 256.36, 0.27%, 0.61%

LAB 56.39, 17.4, -26.88

 

CMYK 21 / 28 / 0 / 21

HEX #9F91C9

RGB 159 145 201

HSL 255, 0.34%, 0.68%

LAB 63.21, 16.85, -27

 

CMYK 20 / 26 / 0 / 14

HEX #B0A3DC

RGB 176 163 220

HSL 253.68, 0.45%, 0.75%

LAB 69.89, 16.34, -27.14

 

CMYK 31 / 39 / 0 / 42

HEX #675B95

RGB 103 91 149

HSL 252.41, 0.24%, 0.47%

LAB 42.06, 18.51, -30.16

 

CMYK 34 / 44 / 0 / 49

HEX #564982

RGB 86 73 130

HSL 253.68, 0.28%, 0.4%

LAB 34.71, 19.4, -30.26

 

CMYK 38 / 50 / 0 / 56

HEX #45376F

RGB 69 55 111

HSL 255, 0.34%, 0.33%

LAB 27.14, 20.47, -30.44

 

CMYK 43 / 60 / 0 / 64

HEX #34255C

RGB 52 37 92

HSL 256.36, 0.43%, 0.25%

LAB 19.33, 21.76, -30.68

 

CMYK 52 / 74 / 0 / 71

HEX #231349

RGB 35 19 73

HSL 257.78, 0.59%, 0.18%

LAB 11.3, 23.25, -30.86

 

CMYK 31 / 39 / 0 / 42

HEX #675B95

RGB 103 91 149

HSL 252.41, 0.24%, 0.47%

LAB 42.06, 18.51, -30.16

 

CMYK 21 / 39 / 0 / 42

HEX #765B95

RGB 118 91 149

HSL 267.93, 0.24%, 0.47%

LAB 43.51, 23.17, -27.77

 

CMYK 10 / 39 / 0 / 42

HEX #865B95

RGB 134 91 149

HSL 284.48, 0.24%, 0.47%

LAB 45.25, 28.34, -24.94

 

CMYK 0 / 39 / 1 / 42

HEX #955B94

RGB 149 91 148

HSL 301.03, 0.24%, 0.47%

LAB 46.99, 33.06, -21.51

 

CMYK 0 / 39 / 11 / 42

HEX #955B84

RGB 149 91 132

HSL 317.59, 0.24%, 0.47%

LAB 46.36, 30.07, -12.89

 

CMYK 31 / 39 / 0 / 42

HEX #675B95

RGB 103 91 149

HSL 252.41, 0.24%, 0.47%

LAB 42.06, 18.51, -30.16

 

CMYK 39 / 39 / 0 / 42

HEX #5B5B95

RGB 91 91 149

HSL 240, 0.24%, 0.47%

LAB 41.02, 14.98, -31.86

 

CMYK 31 / 39 / 0 / 42

HEX #675B95

RGB 103 91 149

HSL 252.41, 0.24%, 0.47%

LAB 42.06, 18.51, -30.16

 

CMYK 45 / 57 / 0 / 34

HEX #5C48A8

RGB 92 72 168

HSL 252.5, 0.4%, 0.47%

LAB 37.37, 32.76, -49.04

 

CMYK 57 / 72 / 0 / 27

HEX #5034BB

RGB 80 52 187

HSL 252.44, 0.56%, 0.47%

LAB 33.46, 47.75, -66.73

 

CMYK 67 / 84 / 0 / 19

HEX #4521CF

RGB 69 33 207

HSL 252.41, 0.73%, 0.47%

LAB 31.48, 61.03, -81.74

 

CMYK 74 / 94 / 0 / 11

HEX #3A0EE2

RGB 58 14 226

HSL 252.45, 0.88%, 0.47%

LAB 31.12, 70.81, -93.33

 

CMYK 31 / 39 / 0 / 42

HEX #675B95

RGB 103 91 149

HSL 252.41, 0.24%, 0.47%

LAB 42.06, 18.51, -30.16

 

CMYK 12 / 15 / 0 / 49

HEX #726E81

RGB 114 110 129

HSL 252.63, 0.08%, 0.47%

LAB 47.38, 5.59, -9.91

 

CMYK 3 / 0 / 15 / 49

HEX #7E826E

RGB 126 130 110

HSL 72, 0.08%, 0.47%

LAB 53.52, -5.26, 10.33

 

CMYK 8 / 0 / 40 / 42

HEX #89955A

RGB 137 149 90

HSL 72.2, 0.25%, 0.47%

LAB 59.48, -14.18, 29.72

 

CMYK 12 / 0 / 58 / 34

HEX #94A947

RGB 148 169 71

HSL 72.86, 0.41%, 0.47%

LAB 65.85, -21.94, 47.16

 

CMYK 39 / 26 / 0 / 42

HEX #5B6E95

RGB 91 110 149

HSL 220.34, 0.24%, 0.47%

LAB 46.37, 3.23, -23.5

 

CMYK 39 / 36 / 0 / 42

HEX #5B5F95

RGB 91 95 149

HSL 235.86, 0.24%, 0.47%

LAB 42.12, 12.47, -30.12

 

CMYK 31 / 39 / 0 / 42

HEX #675B95

RGB 103 91 149

HSL 252.41, 0.24%, 0.47%

LAB 42.06, 18.51, -30.16

 

CMYK 21 / 39 / 0 / 42

HEX #765B95

RGB 118 91 149

HSL 267.93, 0.24%, 0.47%

LAB 43.51, 23.17, -27.77

 

CMYK 11 / 39 / 0 / 42

HEX #855B95

RGB 133 91 149

HSL 283.45, 0.24%, 0.47%

LAB 45.14, 28.01, -25.12

 

CMYK 30 / 38 / 0 / 62

HEX #443C61

RGB 68 60 97

HSL 252.97, 0.24%, 0.31%

LAB 27.64, 12.72, -20.68

 

CMYK 31 / 39 / 0 / 52

HEX #554B7B

RGB 85 75 123

HSL 252.5, 0.24%, 0.39%

LAB 34.79, 15.84, -25.82

 

CMYK 31 / 39 / 0 / 42

HEX #675B95

RGB 103 91 149

HSL 252.41, 0.24%, 0.47%

LAB 42.06, 18.51, -30.16

 

CMYK 26 / 33 / 0 / 34

HEX #7C71A8

RGB 124 113 168

HSL 252, 0.24%, 0.55%

LAB 50.6, 16.58, -27.91

 

CMYK 20 / 24 / 0 / 28

HEX #948BB8

RGB 148 139 184

HSL 252, 0.24%, 0.63%

LAB 60.09, 12.83, -22.29

 

CMYK 31 / 39 / 0 / 42

HEX #675B95

RGB 103 91 149

HSL 252.41, 0.24%, 0.47%

LAB 42.06, 18.51, -30.16

 

CMYK 0 / 39 / 15 / 42

HEX #955B7E

RGB 149 91 126

HSL 323.79, 0.24%, 0.47%

LAB 46.15, 29.03, -9.6

 

CMYK 31 / 0 / 39 / 42

HEX #67955B

RGB 103 149 91

HSL 107.59, 0.24%, 0.47%

LAB 57.21, -27.2, 25.78

 

CMYK 31 / 39 / 0 / 42

HEX #675B95

RGB 103 91 149

HSL 252.41, 0.24%, 0.47%

LAB 42.06, 18.51, -30.16

 

CMYK 0 / 31 / 39 / 42

HEX #95675B

RGB 149 103 91

HSL 12.41, 0.24%, 0.47%

LAB 48.06, 16.89, 14.19

 

CMYK 39 / 0 / 31 / 42

HEX #5B9567

RGB 91 149 103

HSL 132.41, 0.24%, 0.47%

LAB 56.78, -29.21, 18.48

 

CMYK 31 / 39 / 0 / 42

HEX #675B95

RGB 103 91 149

HSL 252.41, 0.24%, 0.47%

LAB 42.06, 18.51, -30.16

 

CMYK 0 / 39 / 15 / 42

HEX #955B7E

RGB 149 91 126

HSL 323.79, 0.24%, 0.47%

LAB 46.15, 29.03, -9.6

 

CMYK 8 / 0 / 39 / 42

HEX #89955B

RGB 137 149 91

HSL 72.41, 0.24%, 0.47%

LAB 59.5, -14.06, 29.2

 

CMYK 39 / 0 / 23 / 42

HEX #5B9572

RGB 91 149 114

HSL 143.79, 0.24%, 0.47%

LAB 57.01, -27.04, 12.61

 

CMYK 31 / 39 / 0 / 42

HEX #675B95

RGB 103 91 149

HSL 252.41, 0.24%, 0.47%

LAB 42.06, 18.51, -30.16

 

CMYK 0 / 39 / 28 / 42

HEX #955B6C

RGB 149 91 108

HSL 342.41, 0.24%, 0.47%

LAB 45.57, 26.15, 0.44

 

CMYK 8 / 0 / 39 / 42

HEX #89955B

RGB 137 149 91

HSL 72.41, 0.24%, 0.47%

LAB 59.5, -14.06, 29.2

 

CMYK 39 / 0 / 12 / 42

HEX #5B9583

RGB 91 149 131

HSL 161.38, 0.24%, 0.47%

LAB 57.42, -23.31, 3.54

 

Description

Color code: HEX #675B95 | qconv.com Color code: HEX #675B95 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 91 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 91 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 39 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 39% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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