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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #675AD4 it is the complementary color #98A52B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #675AD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #675AD4 shade: #6C5ACF, #7D6CE2, #8E7EF5, #9F90FF and #B0A2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #675AD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #675AD4 shade: #675AD4, #5648C1, #4536AE, #34249B and #231288

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #675AD4 shade: #6659D4, #8759D4, #A859D4, #CA59D4 and #D459BD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #675AD4 shade: #6659D4 and #5959D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #675AD4 shade matches the following richer shades: #6659D4, #5948E5 and #4B37F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #675AD4 shade: #6659D4, #736AC3, #817BB2, #8E8CA1 and #9B9C90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #675AD4 shade: #598ED4, #596DD4, #6559D4, #8659D4 and #A759D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #675AD4 shade: #3A2DAE, #4838CC, #6659D4, #847ADD and #A29AE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #675AD4 shade: #675AD4, #D459AF and #7ED459

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #675AD4 shade: #675AD4, #D46559 and #59D465

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #675AD4 shade: #675AD4, #D459AF, #C8D459 and #59D47E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #675AD4 shade: #675AD4, #D4598A, #C8D459 and #59D4A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 58 / 0 / 17

HEX #675AD4

RGB 103 90 212

HSL 246.39, 0.59%, 0.59%

LAB 45.56, 37.54, -61.44

 

Complementary color

CMYK 8 / 0 / 74 / 35

HEX #98A52B

RGB 152 165 43

HSL 66.39, 0.59%, 0.41%

LAB 64.77, -20.12, 57.69

 

CMYK 48 / 57 / 0 / 19

HEX #6C5ACF

RGB 108 90 207

HSL 249.23, 0.55%, 0.58%

LAB 45.64, 37.07, -58.43

 

CMYK 45 / 52 / 0 / 11

HEX #7D6CE2

RGB 125 108 226

HSL 248.64, 0.67%, 0.65%

LAB 52.48, 35.71, -58.14

 

CMYK 42 / 49 / 0 / 4

HEX #8E7EF5

RGB 142 126 245

HSL 248.07, 0.86%, 0.73%

LAB 59.22, 34.5, -57.87

 

CMYK 38 / 44 / 0 / 0

HEX #9F90FF

RGB 159 144 255

HSL 248.11, 1%, 0.78%

LAB 65.39, 31, -53.46

 

CMYK 31 / 36 / 0 / 0

HEX #B0A2FF

RGB 176 162 255

HSL 249.03, 1%, 0.82%

LAB 71.07, 25.27, -44.41

 

CMYK 51 / 58 / 0 / 17

HEX #675AD4

RGB 103 90 212

HSL 246.39, 0.59%, 0.59%

LAB 45.56, 37.54, -61.44

 

CMYK 55 / 63 / 0 / 24

HEX #5648C1

RGB 86 72 193

HSL 246.94, 0.49%, 0.52%

LAB 38.66, 39.2, -61.72

 

CMYK 60 / 69 / 0 / 32

HEX #4536AE

RGB 69 54 174

HSL 247.5, 0.53%, 0.45%

LAB 31.71, 41.01, -61.91

 

CMYK 66 / 77 / 0 / 39

HEX #34249B

RGB 52 36 155

HSL 248.07, 0.62%, 0.37%

LAB 24.82, 42.83, -61.8

 

CMYK 74 / 87 / 0 / 47

HEX #231288

RGB 35 18 136

HSL 248.64, 0.77%, 0.3%

LAB 18.22, 44.16, -60.98

 

CMYK 52 / 58 / 0 / 17

HEX #6659D4

RGB 102 89 212

HSL 246.34, 0.59%, 0.59%

LAB 45.25, 37.94, -61.95

 

CMYK 36 / 58 / 0 / 17

HEX #8759D4

RGB 135 89 212

HSL 262.44, 0.59%, 0.59%

LAB 48.32, 45.01, -56.84

 

CMYK 21 / 58 / 0 / 17

HEX #A859D4

RGB 168 89 212

HSL 278.54, 0.59%, 0.59%

LAB 52.09, 52.91, -50.6

 

CMYK 5 / 58 / 0 / 17

HEX #CA59D4

RGB 202 89 212

HSL 295.12, 0.59%, 0.59%

LAB 56.54, 61.44, -43.25

 

CMYK 0 / 58 / 11 / 17

HEX #D459BD

RGB 212 89 189

HSL 311.22, 0.59%, 0.59%

LAB 56.9, 60.2, -29.47

 

CMYK 52 / 58 / 0 / 17

HEX #6659D4

RGB 102 89 212

HSL 246.34, 0.59%, 0.59%

LAB 45.25, 37.94, -61.95

 

CMYK 58 / 58 / 0 / 17

HEX #5959D4

RGB 89 89 212

HSL 240, 0.59%, 0.59%

LAB 44.26, 35.52, -63.6

 

CMYK 52 / 58 / 0 / 17

HEX #6659D4

RGB 102 89 212

HSL 246.34, 0.59%, 0.59%

LAB 45.25, 37.94, -61.95

 

CMYK 61 / 69 / 0 / 10

HEX #5948E5

RGB 89 72 229

HSL 246.5, 0.75%, 0.59%

LAB 41.87, 50.81, -77.2

 

CMYK 70 / 78 / 0 / 4

HEX #4B37F6

RGB 75 55 246

HSL 246.28, 0.91%, 0.59%

LAB 39.38, 63.09, -90.94

 

CMYK 52 / 58 / 0 / 17

HEX #6659D4

RGB 102 89 212

HSL 246.34, 0.59%, 0.59%

LAB 45.25, 37.94, -61.95

 

CMYK 41 / 46 / 0 / 24

HEX #736AC3

RGB 115 106 195

HSL 246.07, 0.43%, 0.59%

LAB 49.37, 25.59, -45.53

 

CMYK 28 / 31 / 0 / 30

HEX #817BB2

RGB 129 123 178

HSL 246.55, 0.26%, 0.59%

LAB 54.08, 14.73, -28.26

 

CMYK 12 / 13 / 0 / 37

HEX #8E8CA1

RGB 142 140 161

HSL 245.71, 0.1%, 0.59%

LAB 59.05, 5.06, -10.83

 

CMYK 1 / 0 / 8 / 39

HEX #9B9C90

RGB 155 156 144

HSL 65, 0.06%, 0.59%

LAB 63.97, -2.59, 6.15

 

CMYK 58 / 33 / 0 / 17

HEX #598ED4

RGB 89 142 212

HSL 214.15, 0.59%, 0.59%

LAB 58.25, 3.19, -41.24

 

CMYK 58 / 49 / 0 / 17

HEX #596DD4

RGB 89 109 212

HSL 230.24, 0.59%, 0.59%

LAB 49.27, 23.18, -55.52

 

CMYK 52 / 58 / 0 / 17

HEX #6559D4

RGB 101 89 212

HSL 245.85, 0.59%, 0.59%

LAB 45.17, 37.75, -62.08

 

CMYK 37 / 58 / 0 / 17

HEX #8659D4

RGB 134 89 212

HSL 261.95, 0.59%, 0.59%

LAB 48.22, 44.78, -57.01

 

CMYK 21 / 58 / 0 / 17

HEX #A759D4

RGB 167 89 212

HSL 278.05, 0.59%, 0.59%

LAB 51.97, 52.66, -50.8

 

CMYK 67 / 74 / 0 / 32

HEX #3A2DAE

RGB 58 45 174

HSL 246.05, 0.59%, 0.43%

LAB 28.99, 44.66, -66.42

 

CMYK 65 / 73 / 0 / 20

HEX #4838CC

RGB 72 56 204

HSL 246.49, 0.59%, 0.51%

LAB 35.13, 49.71, -73.95

 

CMYK 52 / 58 / 0 / 17

HEX #6659D4

RGB 102 89 212

HSL 246.34, 0.59%, 0.59%

LAB 45.25, 37.94, -61.95

 

CMYK 40 / 45 / 0 / 13

HEX #847ADD

RGB 132 122 221

HSL 246.06, 0.59%, 0.67%

LAB 56.13, 27.71, -49.46

 

CMYK 29 / 33 / 0 / 10

HEX #A29AE5

RGB 162 154 229

HSL 246.4, 0.59%, 0.75%

LAB 66.86, 19.39, -36.87

 

CMYK 51 / 58 / 0 / 17

HEX #675AD4

RGB 103 90 212

HSL 246.39, 0.59%, 0.59%

LAB 45.56, 37.54, -61.44

 

CMYK 0 / 58 / 17 / 17

HEX #D459AF

RGB 212 89 175

HSL 318.05, 0.59%, 0.59%

LAB 56.32, 58.09, -22.27

 

CMYK 41 / 0 / 58 / 17

HEX #7ED459

RGB 126 212 89

HSL 101.95, 0.59%, 0.59%

LAB 77.43, -47.94, 51.83

 

CMYK 51 / 58 / 0 / 17

HEX #675AD4

RGB 103 90 212

HSL 246.39, 0.59%, 0.59%

LAB 45.56, 37.54, -61.44

 

CMYK 0 / 52 / 58 / 17

HEX #D46559

RGB 212 101 89

HSL 5.85, 0.59%, 0.59%

LAB 56.11, 42.73, 27.61

 

CMYK 58 / 0 / 52 / 17

HEX #59D465

RGB 89 212 101

HSL 125.85, 0.59%, 0.59%

LAB 76.16, -56.77, 44.44

 

CMYK 51 / 58 / 0 / 17

HEX #675AD4

RGB 103 90 212

HSL 246.39, 0.59%, 0.59%

LAB 45.56, 37.54, -61.44

 

CMYK 0 / 58 / 17 / 17

HEX #D459AF

RGB 212 89 175

HSL 318.05, 0.59%, 0.59%

LAB 56.32, 58.09, -22.27

 

CMYK 6 / 0 / 58 / 17

HEX #C8D459

RGB 200 212 89

HSL 65.85, 0.59%, 0.59%

LAB 81.89, -20.55, 58.08

 

CMYK 58 / 0 / 41 / 17

HEX #59D47E

RGB 89 212 126

HSL 138.05, 0.59%, 0.59%

LAB 76.51, -52.98, 32.51

 

CMYK 51 / 58 / 0 / 17

HEX #675AD4

RGB 103 90 212

HSL 246.39, 0.59%, 0.59%

LAB 45.56, 37.54, -61.44

 

CMYK 0 / 58 / 35 / 17

HEX #D4598A

RGB 212 89 138

HSL 336.1, 0.59%, 0.59%

LAB 55.05, 53.2, -2.56

 

CMYK 6 / 0 / 58 / 17

HEX #C8D459

RGB 200 212 89

HSL 65.85, 0.59%, 0.59%

LAB 81.89, -20.55, 58.08

 

CMYK 58 / 0 / 23 / 17

HEX #59D4A3

RGB 89 212 163

HSL 156.1, 0.59%, 0.59%

LAB 77.19, -45.81, 14.11

 

Description

Color code: HEX #675AD4 | qconv.com Color code: HEX #675AD4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 90 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 90 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 58 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 58% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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