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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6754D2 it is the complementary color #98AB2D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6754D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6754D2 shade: #6C54CD, #7D66E0, #8E78F3, #9F8AFF and #B09CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6754D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6754D2 shade: #6754D2, #5642BF, #4530AC, #341E99 and #230C86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6754D2 shade: #6956D2, #8A56D2, #AC56D2, #CD56D2 and #D256B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6754D2 shade: #6956D2 and #5656D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6754D2 shade matches the following richer shades: #6956D2, #5C44E3 and #5033F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6754D2 shade: #6956D2, #7567C1, #8178AF, #8D8A9E and #999B8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6754D2 shade: #5685D2, #5664D2, #6856D2, #8A56D2 and #AB56D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6754D2 shade: #3F2DA8, #4C35C9, #6956D2, #8676DB and #A297E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6754D2 shade: #6754D2, #D256A7 and #75D256

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6754D2 shade: #6754D2, #D26856 and #56D268

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6754D2 shade: #6754D2, #D256A7, #BFD256 and #56D281

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6754D2 shade: #6754D2, #D25681, #BFD256 and #56D2A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 60 / 0 / 18

HEX #6754D2

RGB 103 84 210

HSL 249.05, 0.58%, 0.58%

LAB 44.06, 40.48, -62.74

 

Complementary color

CMYK 11 / 0 / 74 / 33

HEX #98AB2D

RGB 152 171 45

HSL 69.05, 0.58%, 0.42%

LAB 66.51, -23.02, 58.66

 

CMYK 47 / 59 / 0 / 20

HEX #6C54CD

RGB 108 84 205

HSL 251.9, 0.55%, 0.57%

LAB 44.14, 40.01, -59.7

 

CMYK 44 / 54 / 0 / 12

HEX #7D66E0

RGB 125 102 224

HSL 251.31, 0.66%, 0.64%

LAB 50.97, 38.64, -59.44

 

CMYK 42 / 51 / 0 / 5

HEX #8E78F3

RGB 142 120 243

HSL 250.73, 0.84%, 0.71%

LAB 57.71, 37.4, -59.18

 

CMYK 38 / 46 / 0 / 0

HEX #9F8AFF

RGB 159 138 255

HSL 250.77, 1%, 0.77%

LAB 63.97, 34.42, -55.71

 

CMYK 31 / 39 / 0 / 0

HEX #B09CFF

RGB 176 156 255

HSL 252.12, 1%, 0.81%

LAB 69.63, 28.64, -46.67

 

CMYK 51 / 60 / 0 / 18

HEX #6754D2

RGB 103 84 210

HSL 249.05, 0.58%, 0.58%

LAB 44.06, 40.48, -62.74

 

CMYK 55 / 65 / 0 / 25

HEX #5642BF

RGB 86 66 191

HSL 249.6, 0.49%, 0.5%

LAB 37.18, 42.1, -62.97

 

CMYK 60 / 72 / 0 / 33

HEX #4530AC

RGB 69 48 172

HSL 250.16, 0.56%, 0.43%

LAB 30.3, 43.79, -63.03

 

CMYK 66 / 80 / 0 / 40

HEX #341E99

RGB 52 30 153

HSL 250.73, 0.67%, 0.36%

LAB 23.53, 45.29, -62.7

 

CMYK 74 / 91 / 0 / 47

HEX #230C86

RGB 35 12 134

HSL 251.31, 0.84%, 0.29%

LAB 17.19, 45.89, -61.44

 

CMYK 50 / 59 / 0 / 18

HEX #6956D2

RGB 105 86 210

HSL 249.19, 0.58%, 0.58%

LAB 44.68, 39.7, -61.72

 

CMYK 34 / 59 / 0 / 18

HEX #8A56D2

RGB 138 86 210

HSL 265.16, 0.58%, 0.58%

LAB 47.9, 46.83, -56.37

 

CMYK 18 / 59 / 0 / 18

HEX #AC56D2

RGB 172 86 210

HSL 281.61, 0.58%, 0.58%

LAB 51.93, 54.95, -49.69

 

CMYK 2 / 59 / 0 / 18

HEX #CD56D2

RGB 205 86 210

HSL 297.58, 0.58%, 0.58%

LAB 56.37, 63.16, -42.35

 

CMYK 0 / 59 / 13 / 18

HEX #D256B6

RGB 210 86 182

HSL 313.55, 0.58%, 0.58%

LAB 55.82, 59.89, -27.12

 

CMYK 50 / 59 / 0 / 18

HEX #6956D2

RGB 105 86 210

HSL 249.19, 0.58%, 0.58%

LAB 44.68, 39.7, -61.72

 

CMYK 59 / 59 / 0 / 18

HEX #5656D2

RGB 86 86 210

HSL 240, 0.58%, 0.58%

LAB 43.19, 36.17, -64.2

 

CMYK 50 / 59 / 0 / 18

HEX #6956D2

RGB 105 86 210

HSL 249.19, 0.58%, 0.58%

LAB 44.68, 39.7, -61.72

 

CMYK 59 / 70 / 0 / 11

HEX #5C44E3

RGB 92 68 227

HSL 249.06, 0.74%, 0.58%

LAB 41.15, 52.78, -77.24

 

CMYK 67 / 79 / 0 / 4

HEX #5033F5

RGB 80 51 245

HSL 248.97, 0.91%, 0.58%

LAB 39.01, 65.03, -90.98

 

CMYK 50 / 59 / 0 / 18

HEX #6956D2

RGB 105 86 210

HSL 249.19, 0.58%, 0.58%

LAB 44.68, 39.7, -61.72

 

CMYK 39 / 47 / 0 / 24

HEX #7567C1

RGB 117 103 193

HSL 249.33, 0.42%, 0.58%

LAB 48.68, 27.34, -45.47

 

CMYK 26 / 31 / 0 / 31

HEX #8178AF

RGB 129 120 175

HSL 249.82, 0.26%, 0.58%

LAB 53.16, 15.74, -27.95

 

CMYK 11 / 13 / 0 / 38

HEX #8D8A9E

RGB 141 138 158

HSL 249, 0.09%, 0.58%

LAB 58.33, 5.21, -10.2

 

CMYK 1 / 0 / 9 / 39

HEX #999B8D

RGB 153 155 141

HSL 68.57, 0.07%, 0.58%

LAB 63.46, -3.32, 7.09

 

CMYK 59 / 37 / 0 / 18

HEX #5685D2

RGB 86 133 210

HSL 217.26, 0.58%, 0.58%

LAB 55.49, 7.26, -44.48

 

CMYK 59 / 52 / 0 / 18

HEX #5664D2

RGB 86 100 210

HSL 233.23, 0.58%, 0.58%

LAB 46.64, 27.54, -58.62

 

CMYK 50 / 59 / 0 / 18

HEX #6856D2

RGB 104 86 210

HSL 248.71, 0.58%, 0.58%

LAB 44.59, 39.51, -61.87

 

CMYK 34 / 59 / 0 / 18

HEX #8A56D2

RGB 138 86 210

HSL 265.16, 0.58%, 0.58%

LAB 47.9, 46.83, -56.37

 

CMYK 19 / 59 / 0 / 18

HEX #AB56D2

RGB 171 86 210

HSL 281.13, 0.58%, 0.58%

LAB 51.8, 54.71, -49.9

 

CMYK 63 / 73 / 0 / 34

HEX #3F2DA8

RGB 63 45 168

HSL 248.78, 0.58%, 0.42%

LAB 28.8, 43.38, -63.11

 

CMYK 62 / 74 / 0 / 21

HEX #4C35C9

RGB 76 53 201

HSL 249.32, 0.58%, 0.5%

LAB 34.6, 50.87, -73.08

 

CMYK 50 / 59 / 0 / 18

HEX #6956D2

RGB 105 86 210

HSL 249.19, 0.58%, 0.58%

LAB 44.68, 39.7, -61.72

 

CMYK 39 / 46 / 0 / 14

HEX #8676DB

RGB 134 118 219

HSL 249.5, 0.58%, 0.66%

LAB 55.22, 30.01, -49.79

 

CMYK 29 / 33 / 0 / 11

HEX #A297E3

RGB 162 151 227

HSL 248.68, 0.58%, 0.74%

LAB 66.03, 20.6, -37.06

 

CMYK 51 / 60 / 0 / 18

HEX #6754D2

RGB 103 84 210

HSL 249.05, 0.58%, 0.58%

LAB 44.06, 40.48, -62.74

 

CMYK 0 / 59 / 20 / 18

HEX #D256A7

RGB 210 86 167

HSL 320.81, 0.58%, 0.58%

LAB 55.22, 57.69, -19.34

 

CMYK 44 / 0 / 59 / 18

HEX #75D256

RGB 117 210 86

HSL 105, 0.58%, 0.58%

LAB 76.4, -50.23, 51.9

 

CMYK 51 / 60 / 0 / 18

HEX #6754D2

RGB 103 84 210

HSL 249.05, 0.58%, 0.58%

LAB 44.06, 40.48, -62.74

 

CMYK 0 / 50 / 59 / 18

HEX #D26856

RGB 210 104 86

HSL 8.71, 0.58%, 0.58%

LAB 56.36, 40.26, 29.57

 

CMYK 59 / 0 / 50 / 18

HEX #56D268

RGB 86 210 104

HSL 128.71, 0.58%, 0.58%

LAB 75.5, -56.29, 42.16

 

CMYK 51 / 60 / 0 / 18

HEX #6754D2

RGB 103 84 210

HSL 249.05, 0.58%, 0.58%

LAB 44.06, 40.48, -62.74

 

CMYK 0 / 59 / 20 / 18

HEX #D256A7

RGB 210 86 167

HSL 320.81, 0.58%, 0.58%

LAB 55.22, 57.69, -19.34

 

CMYK 9 / 0 / 59 / 18

HEX #BFD256

RGB 191 210 86

HSL 69.19, 0.58%, 0.58%

LAB 80.65, -23.43, 57.83

 

CMYK 59 / 0 / 39 / 18

HEX #56D281

RGB 86 210 129

HSL 140.81, 0.58%, 0.58%

LAB 75.86, -52.33, 30.1

 

CMYK 51 / 60 / 0 / 18

HEX #6754D2

RGB 103 84 210

HSL 249.05, 0.58%, 0.58%

LAB 44.06, 40.48, -62.74

 

CMYK 0 / 59 / 39 / 18

HEX #D25681

RGB 210 86 129

HSL 339.19, 0.58%, 0.58%

LAB 53.97, 52.9, 1.14

 

CMYK 9 / 0 / 59 / 18

HEX #BFD256

RGB 191 210 86

HSL 69.19, 0.58%, 0.58%

LAB 80.65, -23.43, 57.83

 

CMYK 59 / 0 / 20 / 18

HEX #56D2A7

RGB 86 210 167

HSL 159.19, 0.58%, 0.58%

LAB 76.6, -44.67, 11.12

 

Description

Color code: HEX #6754D2 | qconv.com Color code: HEX #6754D2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 84 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 84 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 60 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 60% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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