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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67539A it is the complementary color #98AC65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67539A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67539A shade: #6C5395, #7D65A8, #8E77BB, #9F89CE and #B09BE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67539A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67539A shade: #67539A, #564187, #452F74, #341D61 and #230B4E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67539A shade: #665298, #795298, #8C5298, #985292 and #98527F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67539A shade: #665298, #535298 and #525298

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67539A shade matches the following richer shades: #665298, #5E3FAB, #552CBE, #4D19D1 and #4506E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67539A shade: #665298, #6E6586, #777873, #7F8B60 and #879E4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67539A shade: #526598, #525298, #655298, #785298 and #8A5298

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67539A shade: #423563, #54447E, #665298, #7B67AD and #9282BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67539A shade: #67539A, #985278 and #5B9852

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67539A shade: #67539A, #986552 and #529865

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67539A shade: #67539A, #985278, #869852 and #529873

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67539A shade: #67539A, #985263, #869852 and #529888

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 46 / 0 / 40

HEX #67539A

RGB 103 83 154

HSL 256.9, 0.3%, 0.46%

LAB 40.25, 24.82, -36

 

Complementary color

CMYK 12 / 0 / 41 / 33

HEX #98AC65

RGB 152 172 101

HSL 76.9, 0.3%, 0.54%

LAB 67.37, -18.72, 34.19

 

CMYK 28 / 44 / 0 / 42

HEX #6C5395

RGB 108 83 149

HSL 262.73, 0.28%, 0.45%

LAB 40.48, 24.94, -32.59

 

CMYK 26 / 40 / 0 / 34

HEX #7D65A8

RGB 125 101 168

HSL 261.49, 0.28%, 0.53%

LAB 47.62, 24.07, -32.55

 

CMYK 24 / 36 / 0 / 27

HEX #8E77BB

RGB 142 119 187

HSL 260.29, 0.33%, 0.6%

LAB 54.59, 23.3, -32.55

 

CMYK 23 / 33 / 0 / 19

HEX #9F89CE

RGB 159 137 206

HSL 259.13, 0.41%, 0.67%

LAB 61.41, 22.6, -32.59

 

CMYK 22 / 31 / 0 / 12

HEX #B09BE1

RGB 176 155 225

HSL 258, 0.54%, 0.75%

LAB 68.1, 21.98, -32.65

 

CMYK 33 / 46 / 0 / 40

HEX #67539A

RGB 103 83 154

HSL 256.9, 0.3%, 0.46%

LAB 40.25, 24.82, -36

 

CMYK 36 / 52 / 0 / 47

HEX #564187

RGB 86 65 135

HSL 258, 0.35%, 0.39%

LAB 32.94, 25.9, -36.17

 

CMYK 41 / 59 / 0 / 55

HEX #452F74

RGB 69 47 116

HSL 259.13, 0.42%, 0.32%

LAB 25.44, 27.13, -36.36

 

CMYK 46 / 70 / 0 / 62

HEX #341D61

RGB 52 29 97

HSL 260.29, 0.54%, 0.25%

LAB 17.79, 28.46, -36.48

 

CMYK 55 / 86 / 0 / 69

HEX #230B4E

RGB 35 11 78

HSL 261.49, 0.75%, 0.17%

LAB 10.16, 29.48, -36.2

 

CMYK 33 / 46 / 0 / 40

HEX #665298

RGB 102 82 152

HSL 257.14, 0.3%, 0.46%

LAB 39.79, 24.6, -35.53

 

CMYK 20 / 46 / 0 / 40

HEX #795298

RGB 121 82 152

HSL 273.43, 0.3%, 0.46%

LAB 41.79, 30.21, -32.24

 

CMYK 8 / 46 / 0 / 40

HEX #8C5298

RGB 140 82 152

HSL 289.71, 0.3%, 0.46%

LAB 44.06, 36.03, -28.53

 

CMYK 0 / 46 / 4 / 40

HEX #985292

RGB 152 82 146

HSL 305.14, 0.3%, 0.46%

LAB 45.34, 38.62, -22.82

 

CMYK 0 / 46 / 16 / 40

HEX #98527F

RGB 152 82 127

HSL 321.43, 0.3%, 0.46%

LAB 44.58, 35.27, -12.53

 

CMYK 33 / 46 / 0 / 40

HEX #665298

RGB 102 82 152

HSL 257.14, 0.3%, 0.46%

LAB 39.79, 24.6, -35.53

 

CMYK 45 / 46 / 0 / 40

HEX #535298

RGB 83 82 152

HSL 240.86, 0.3%, 0.46%

LAB 38.09, 19.41, -38.33

 

CMYK 46 / 46 / 0 / 40

HEX #525298

RGB 82 82 152

HSL 240, 0.3%, 0.46%

LAB 38.01, 19.16, -38.46

 

CMYK 33 / 46 / 0 / 40

HEX #665298

RGB 102 82 152

HSL 257.14, 0.3%, 0.46%

LAB 39.79, 24.6, -35.53

 

CMYK 45 / 63 / 0 / 33

HEX #5E3FAB

RGB 94 63 171

HSL 257.22, 0.46%, 0.46%

LAB 35.74, 39.41, -53.45

 

CMYK 55 / 77 / 0 / 25

HEX #552CBE

RGB 85 44 190

HSL 256.85, 0.62%, 0.46%

LAB 32.81, 53.3, -69.54

 

CMYK 63 / 88 / 0 / 18

HEX #4D19D1

RGB 77 25 209

HSL 256.96, 0.79%, 0.46%

LAB 31.52, 64.86, -82.81

 

CMYK 70 / 97 / 0 / 11

HEX #4506E4

RGB 69 6 228

HSL 257.03, 0.95%, 0.46%

LAB 31.8, 73.02, -93.33

 

CMYK 33 / 46 / 0 / 40

HEX #665298

RGB 102 82 152

HSL 257.14, 0.3%, 0.46%

LAB 39.79, 24.6, -35.53

 

CMYK 18 / 25 / 0 / 47

HEX #6E6586

RGB 110 101 134

HSL 256.36, 0.14%, 0.46%

LAB 44.72, 10.77, -16.97

 

CMYK 1 / 0 / 4 / 53

HEX #777873

RGB 119 120 115

HSL 72, 0.02%, 0.46%

LAB 50.21, -1.37, 2.6

 

CMYK 9 / 0 / 31 / 45

HEX #7F8B60

RGB 127 139 96

HSL 76.74, 0.18%, 0.46%

LAB 55.91, -12.08, 21.6

 

CMYK 15 / 0 / 51 / 38

HEX #879E4D

RGB 135 158 77

HSL 77.04, 0.34%, 0.46%

LAB 61.78, -21.16, 39.29

 

CMYK 46 / 34 / 0 / 40

HEX #526598

RGB 82 101 152

HSL 223.71, 0.3%, 0.46%

LAB 43.31, 7.14, -30.09

 

CMYK 46 / 46 / 0 / 40

HEX #525298

RGB 82 82 152

HSL 240, 0.3%, 0.46%

LAB 38.01, 19.16, -38.46

 

CMYK 34 / 46 / 0 / 40

HEX #655298

RGB 101 82 152

HSL 256.29, 0.3%, 0.46%

LAB 39.7, 24.32, -35.69

 

CMYK 21 / 46 / 0 / 40

HEX #785298

RGB 120 82 152

HSL 272.57, 0.3%, 0.46%

LAB 41.68, 29.91, -32.42

 

CMYK 9 / 46 / 0 / 40

HEX #8A5298

RGB 138 82 152

HSL 288, 0.3%, 0.46%

LAB 43.81, 35.42, -28.94

 

CMYK 33 / 46 / 0 / 61

HEX #423563

RGB 66 53 99

HSL 256.96, 0.3%, 0.3%

LAB 25.58, 17.31, -25.23

 

CMYK 33 / 46 / 0 / 51

HEX #54447E

RGB 84 68 126

HSL 256.55, 0.3%, 0.38%

LAB 32.97, 20.86, -30.55

 

CMYK 33 / 46 / 0 / 40

HEX #665298

RGB 102 82 152

HSL 257.14, 0.3%, 0.46%

LAB 39.79, 24.6, -35.53

 

CMYK 29 / 40 / 0 / 32

HEX #7B67AD

RGB 123 103 173

HSL 257.14, 0.3%, 0.54%

LAB 48.17, 23.56, -34.63

 

CMYK 22 / 30 / 0 / 27

HEX #9282BB

RGB 146 130 187

HSL 256.84, 0.3%, 0.62%

LAB 57.72, 18.11, -27.66

 

CMYK 33 / 46 / 0 / 40

HEX #67539A

RGB 103 83 154

HSL 256.9, 0.3%, 0.46%

LAB 40.25, 24.82, -36

 

CMYK 0 / 46 / 21 / 40

HEX #985278

RGB 152 82 120

HSL 327.43, 0.3%, 0.46%

LAB 44.33, 34.14, -8.65

 

CMYK 40 / 0 / 46 / 40

HEX #5B9852

RGB 91 152 82

HSL 112.29, 0.3%, 0.46%

LAB 57.36, -34.12, 30.68

 

CMYK 33 / 46 / 0 / 40

HEX #67539A

RGB 103 83 154

HSL 256.9, 0.3%, 0.46%

LAB 40.25, 24.82, -36

 

CMYK 0 / 34 / 46 / 40

HEX #986552

RGB 152 101 82

HSL 16.29, 0.3%, 0.46%

LAB 47.74, 18.25, 19.13

 

CMYK 46 / 0 / 34 / 40

HEX #529865

RGB 82 152 101

HSL 136.29, 0.3%, 0.46%

LAB 57.26, -33.75, 20.17

 

CMYK 33 / 46 / 0 / 40

HEX #67539A

RGB 103 83 154

HSL 256.9, 0.3%, 0.46%

LAB 40.25, 24.82, -36

 

CMYK 0 / 46 / 21 / 40

HEX #985278

RGB 152 82 120

HSL 327.43, 0.3%, 0.46%

LAB 44.33, 34.14, -8.65

 

CMYK 12 / 0 / 46 / 40

HEX #869852

RGB 134 152 82

HSL 75.43, 0.3%, 0.46%

LAB 60.01, -17.95, 34.57

 

CMYK 46 / 0 / 24 / 40

HEX #529873

RGB 82 152 115

HSL 148.29, 0.3%, 0.46%

LAB 57.55, -30.94, 12.74

 

CMYK 33 / 46 / 0 / 40

HEX #67539A

RGB 103 83 154

HSL 256.9, 0.3%, 0.46%

LAB 40.25, 24.82, -36

 

CMYK 0 / 46 / 35 / 40

HEX #985263

RGB 152 82 99

HSL 345.43, 0.3%, 0.46%

LAB 43.67, 31.09, 3.22

 

CMYK 12 / 0 / 46 / 40

HEX #869852

RGB 134 152 82

HSL 75.43, 0.3%, 0.46%

LAB 60.01, -17.95, 34.57

 

CMYK 46 / 0 / 11 / 40

HEX #529888

RGB 82 152 136

HSL 166.29, 0.3%, 0.46%

LAB 58.06, -26.11, 1.57

 

Description

Color code: HEX #67539A | qconv.com Color code: HEX #67539A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 83 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 83 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 46 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 46% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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