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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #674684 it is the complementary color #98B97B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #674684. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #674684 shade: #6C467F, #7D5892, #8E6AA5, #9F7CB8 and #B08ECB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #674684. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #674684 shade: #674684, #563471, #45225E, #34104B and #230038

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #674684 shade: #684686, #794686, #864681, #864670 and #86465F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #674684 shade: #684686, #574686 and #464686

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #674684 shade matches the following richer shades: #684686, #693696, #6A25A7, #6B15B7 and #6C04C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #674684 shade: #684686, #675775, #666765, #657854 and #648844

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #674684 shade: #464786, #564686, #674686, #784686 and #864682

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #674684 shade: #3E2A50, #53386B, #684686, #7D55A1 and #916DB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #674684 shade: #674684, #864658 and #46864E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #674684 shade: #674684, #866746 and #468667

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #674684 shade: #674684, #864658, #658646 and #468674

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #674684 shade: #674684, #864746, #658646 and #468586

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 47 / 0 / 48

HEX #674684

RGB 103 70 132

HSL 271.94, 0.31%, 0.4%

LAB 35.85, 26.99, -29.58

 

Complementary color

CMYK 18 / 0 / 34 / 27

HEX #98B97B

RGB 152 185 123

HSL 91.94, 0.31%, 0.6%

LAB 71.42, -22.32, 27.91

 

CMYK 15 / 45 / 0 / 50

HEX #6C467F

RGB 108 70 127

HSL 280, 0.29%, 0.39%

LAB 36.18, 27.35, -25.94

 

CMYK 14 / 40 / 0 / 43

HEX #7D5892

RGB 125 88 146

HSL 278.28, 0.25%, 0.46%

LAB 43.38, 26.5, -26.12

 

CMYK 14 / 36 / 0 / 35

HEX #8E6AA5

RGB 142 106 165

HSL 276.61, 0.25%, 0.53%

LAB 50.42, 25.72, -26.29

 

CMYK 14 / 33 / 0 / 28

HEX #9F7CB8

RGB 159 124 184

HSL 275, 0.3%, 0.6%

LAB 57.32, 25.01, -26.47

 

CMYK 13 / 30 / 0 / 20

HEX #B08ECB

RGB 176 142 203

HSL 273.44, 0.37%, 0.68%

LAB 64.07, 24.36, -26.67

 

CMYK 22 / 47 / 0 / 48

HEX #674684

RGB 103 70 132

HSL 271.94, 0.31%, 0.4%

LAB 35.85, 26.99, -29.58

 

CMYK 24 / 54 / 0 / 56

HEX #563471

RGB 86 52 113

HSL 273.44, 0.37%, 0.32%

LAB 28.45, 27.95, -29.52

 

CMYK 27 / 64 / 0 / 63

HEX #45225E

RGB 69 34 94

HSL 275, 0.47%, 0.25%

LAB 20.89, 28.9, -29.38

 

CMYK 31 / 79 / 0 / 71

HEX #34104B

RGB 52 16 75

HSL 276.61, 0.65%, 0.18%

LAB 13.28, 29.51, -28.92

 

CMYK 38 / 100 / 0 / 78

HEX #230038

RGB 35 0 56

HSL 277.5, 1%, 0.11%

LAB 5.81, 28.77, -27.71

 

CMYK 22 / 48 / 0 / 47

HEX #684686

RGB 104 70 134

HSL 271.88, 0.31%, 0.4%

LAB 36.07, 27.79, -30.46

 

CMYK 10 / 48 / 0 / 47

HEX #794686

RGB 121 70 134

HSL 287.81, 0.31%, 0.4%

LAB 38.14, 33.06, -27.06

 

CMYK 0 / 48 / 4 / 47

HEX #864681

RGB 134 70 129

HSL 304.69, 0.31%, 0.4%

LAB 39.64, 36.17, -21.53

 

CMYK 0 / 48 / 16 / 47

HEX #864670

RGB 134 70 112

HSL 320.63, 0.31%, 0.4%

LAB 38.93, 33.11, -12.12

 

CMYK 0 / 48 / 29 / 47

HEX #86465F

RGB 134 70 95

HSL 336.56, 0.31%, 0.4%

LAB 38.33, 30.42, -2.39

 

CMYK 22 / 48 / 0 / 47

HEX #684686

RGB 104 70 134

HSL 271.88, 0.31%, 0.4%

LAB 36.07, 27.79, -30.46

 

CMYK 35 / 48 / 0 / 47

HEX #574686

RGB 87 70 134

HSL 255.94, 0.31%, 0.4%

LAB 34.25, 22.75, -33.46

 

CMYK 48 / 48 / 0 / 47

HEX #464686

RGB 70 70 134

HSL 240, 0.31%, 0.4%

LAB 32.71, 18.11, -36

 

CMYK 22 / 48 / 0 / 47

HEX #684686

RGB 104 70 134

HSL 271.88, 0.31%, 0.4%

LAB 36.07, 27.79, -30.46

 

CMYK 30 / 64 / 0 / 41

HEX #693696

RGB 105 54 150

HSL 271.88, 0.47%, 0.4%

LAB 33.66, 41.25, -44.1

 

CMYK 37 / 78 / 0 / 35

HEX #6A25A7

RGB 106 37 167

HSL 271.85, 0.64%, 0.4%

LAB 32.21, 53.6, -56.74

 

CMYK 42 / 89 / 0 / 28

HEX #6B15B7

RGB 107 21 183

HSL 271.85, 0.79%, 0.4%

LAB 31.99, 62.62, -66.65

 

CMYK 46 / 98 / 0 / 22

HEX #6C04C8

RGB 108 4 200

HSL 271.84, 0.96%, 0.4%

LAB 32.8, 69.44, -75.34

 

CMYK 22 / 48 / 0 / 47

HEX #684686

RGB 104 70 134

HSL 271.88, 0.31%, 0.4%

LAB 36.07, 27.79, -30.46

 

CMYK 12 / 26 / 0 / 54

HEX #675775

RGB 103 87 117

HSL 272, 0.15%, 0.4%

LAB 39.55, 12.85, -14.6

 

CMYK 1 / 0 / 2 / 60

HEX #666765

RGB 102 103 101

HSL 90, 0.01%, 0.4%

LAB 43.46, -0.8, 0.98

 

CMYK 16 / 0 / 30 / 53

HEX #657854

RGB 101 120 84

HSL 91.67, 0.18%, 0.4%

LAB 48.06, -14.06, 17.53

 

CMYK 26 / 0 / 50 / 47

HEX #648844

RGB 100 136 68

HSL 91.76, 0.33%, 0.4%

LAB 52.66, -25.12, 32.32

 

CMYK 48 / 47 / 0 / 47

HEX #464786

RGB 70 71 134

HSL 239.06, 0.31%, 0.4%

LAB 32.98, 17.45, -35.56

 

CMYK 36 / 48 / 0 / 47

HEX #564686

RGB 86 70 134

HSL 255, 0.31%, 0.4%

LAB 34.15, 22.46, -33.62

 

CMYK 23 / 48 / 0 / 47

HEX #674686

RGB 103 70 134

HSL 270.94, 0.31%, 0.4%

LAB 35.96, 27.49, -30.65

 

CMYK 10 / 48 / 0 / 47

HEX #784686

RGB 120 70 134

HSL 286.88, 0.31%, 0.4%

LAB 38.01, 32.74, -27.27

 

CMYK 0 / 48 / 3 / 47

HEX #864682

RGB 134 70 130

HSL 303.75, 0.31%, 0.4%

LAB 39.68, 36.36, -22.08

 

CMYK 23 / 48 / 0 / 69

HEX #3E2A50

RGB 62 42 80

HSL 271.58, 0.31%, 0.24%

LAB 21.05, 17.93, -19.86

 

CMYK 22 / 48 / 0 / 58

HEX #53386B

RGB 83 56 107

HSL 271.76, 0.31%, 0.32%

LAB 28.72, 22.99, -25.3

 

CMYK 22 / 48 / 0 / 47

HEX #684686

RGB 104 70 134

HSL 271.88, 0.31%, 0.4%

LAB 36.07, 27.79, -30.46

 

CMYK 22 / 47 / 0 / 37

HEX #7D55A1

RGB 125 85 161

HSL 271.58, 0.31%, 0.48%

LAB 43.4, 31.82, -35.04

 

CMYK 19 / 39 / 0 / 30

HEX #916DB2

RGB 145 109 178

HSL 271.3, 0.31%, 0.56%

LAB 52.03, 27.9, -31.33

 

CMYK 22 / 47 / 0 / 48

HEX #674684

RGB 103 70 132

HSL 271.94, 0.31%, 0.4%

LAB 35.85, 26.99, -29.58

 

CMYK 0 / 48 / 34 / 47

HEX #864658

RGB 134 70 88

HSL 343.13, 0.31%, 0.4%

LAB 38.12, 29.43, 1.69

 

CMYK 48 / 0 / 42 / 47

HEX #46864E

RGB 70 134 78

HSL 127.5, 0.31%, 0.4%

LAB 50.57, -33.18, 23.94

 

CMYK 22 / 47 / 0 / 48

HEX #674684

RGB 103 70 132

HSL 271.94, 0.31%, 0.4%

LAB 35.85, 26.99, -29.58

 

CMYK 0 / 23 / 48 / 47

HEX #866746

RGB 134 103 70

HSL 30.94, 0.31%, 0.4%

LAB 45.92, 7.94, 23.35

 

CMYK 48 / 0 / 23 / 47

HEX #468667

RGB 70 134 103

HSL 150.94, 0.31%, 0.4%

LAB 51.07, -28.24, 10.43

 

CMYK 22 / 47 / 0 / 48

HEX #674684

RGB 103 70 132

HSL 271.94, 0.31%, 0.4%

LAB 35.85, 26.99, -29.58

 

CMYK 0 / 48 / 34 / 47

HEX #864658

RGB 134 70 88

HSL 343.13, 0.31%, 0.4%

LAB 38.12, 29.43, 1.69

 

CMYK 25 / 0 / 48 / 47

HEX #658646

RGB 101 134 70

HSL 90.94, 0.31%, 0.4%

LAB 52.13, -23.47, 30.62

 

CMYK 48 / 0 / 13 / 47

HEX #468674

RGB 70 134 116

HSL 163.13, 0.31%, 0.4%

LAB 51.4, -25.17, 3.35

 

CMYK 22 / 47 / 0 / 48

HEX #674684

RGB 103 70 132

HSL 271.94, 0.31%, 0.4%

LAB 35.85, 26.99, -29.58

 

CMYK 0 / 47 / 48 / 47

HEX #864746

RGB 134 71 70

HSL 0.94, 0.31%, 0.4%

LAB 37.87, 26.65, 12.64

 

CMYK 25 / 0 / 48 / 47

HEX #658646

RGB 101 134 70

HSL 90.94, 0.31%, 0.4%

LAB 52.13, -23.47, 30.62

 

CMYK 48 / 1 / 0 / 47

HEX #468586

RGB 70 133 134

HSL 180.94, 0.31%, 0.4%

LAB 51.61, -19.92, -6.83

 

Description

Color code: HEX #674684 | qconv.com Color code: HEX #674684 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 70 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 70 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 47 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 47% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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