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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #672FE1 it is the complementary color #98D01E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #672FE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #672FE1 shade: #6C2FDC, #7D41EF, #8E53FF, #9F65FF and #B077FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #672FE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #672FE1 shade: #672FE1, #561DCE, #450BBB, #3400A8 and #230095

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #672FE1 shade: #662DE1, #962DE1, #C72DE1, #E12DCB and #E12D9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #672FE1 shade: #662DE1, #352DE1 and #2D2DE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #672FE1 shade matches the following richer shades: #662DE1 and #5F1AF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #672FE1 shade: #662DE1, #6D41CE, #7454BA, #7B67A7 and #837B93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #672FE1 shade: #2D57E1, #332DE1, #632DE1, #932DE1 and #C32DE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #672FE1 shade: #4417A4, #531DC8, #662DE1, #8051E6 and #9B75EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #672FE1 shade: #672FE1, #E12D87 and #3FE12D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #672FE1 shade: #672FE1, #E1632D and #2DE163

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #672FE1 shade: #672FE1, #E12D87, #ABE12D and #2DE187

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #672FE1 shade: #672FE1, #E12D51, #ABE12D and #2DE1BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 79 / 0 / 12

HEX #672FE1

RGB 103 47 225

HSL 258.88, 0.75%, 0.53%

LAB 38.47, 63.61, -80.47

 

Complementary color

CMYK 27 / 0 / 86 / 18

HEX #98D01E

RGB 152 208 30

HSL 78.88, 0.75%, 0.47%

LAB 77.21, -40.88, 72.44

 

CMYK 51 / 79 / 0 / 14

HEX #6C2FDC

RGB 108 47 220

HSL 261.16, 0.71%, 0.52%

LAB 38.53, 62.94, -77.48

 

CMYK 48 / 73 / 0 / 6

HEX #7D41EF

RGB 125 65 239

HSL 260.69, 0.84%, 0.6%

LAB 44.76, 62.37, -77.99

 

CMYK 44 / 67 / 0 / 0

HEX #8E53FF

RGB 142 83 255

HSL 260.58, 1%, 0.66%

LAB 50.87, 60.68, -76.89

 

CMYK 38 / 60 / 0 / 0

HEX #9F65FF

RGB 159 101 255

HSL 262.6, 1%, 0.7%

LAB 55.99, 54.8, -68.51

 

CMYK 31 / 53 / 0 / 0

HEX #B077FF

RGB 176 119 255

HSL 265.15, 1%, 0.73%

LAB 61.35, 49.11, -59.8

 

CMYK 54 / 79 / 0 / 12

HEX #672FE1

RGB 103 47 225

HSL 258.88, 0.75%, 0.53%

LAB 38.47, 63.61, -80.47

 

CMYK 58 / 86 / 0 / 19

HEX #561DCE

RGB 86 29 206

HSL 259.32, 0.75%, 0.46%

LAB 32.51, 63.59, -79.41

 

CMYK 63 / 94 / 0 / 27

HEX #450BBB

RGB 69 11 187

HSL 259.77, 0.89%, 0.39%

LAB 27, 62.28, -77.43

 

CMYK 69 / 100 / 0 / 34

HEX #3400A8

RGB 52 0 168

HSL 258.57, 1%, 0.33%

LAB 22.15, 59.02, -74.15

 

CMYK 77 / 100 / 0 / 42

HEX #230095

RGB 35 0 149

HSL 254.09, 1%, 0.29%

LAB 18.04, 53.65, -69.39

 

CMYK 55 / 80 / 0 / 12

HEX #662DE1

RGB 102 45 225

HSL 259, 0.75%, 0.53%

LAB 38.09, 64.3, -81.1

 

CMYK 33 / 80 / 0 / 12

HEX #962DE1

RGB 150 45 225

HSL 275, 0.75%, 0.53%

LAB 43.94, 70.75, -71.27

 

CMYK 12 / 80 / 0 / 12

HEX #C72DE1

RGB 199 45 225

HSL 291.33, 0.75%, 0.53%

LAB 51.22, 78.89, -59.14

 

CMYK 0 / 80 / 10 / 12

HEX #E12DCB

RGB 225 45 203

HSL 307.33, 0.75%, 0.53%

LAB 54.23, 80.41, -41.52

 

CMYK 0 / 80 / 32 / 12

HEX #E12D9A

RGB 225 45 154

HSL 323.67, 0.75%, 0.53%

LAB 52.08, 74.31, -16.25

 

CMYK 55 / 80 / 0 / 12

HEX #662DE1

RGB 102 45 225

HSL 259, 0.75%, 0.53%

LAB 38.09, 64.3, -81.1

 

CMYK 76 / 80 / 0 / 12

HEX #352DE1

RGB 53 45 225

HSL 242.67, 0.75%, 0.53%

LAB 34.13, 59.99, -87.77

 

CMYK 80 / 80 / 0 / 12

HEX #2D2DE1

RGB 45 45 225

HSL 240, 0.75%, 0.53%

LAB 33.71, 59.54, -88.48

 

CMYK 55 / 80 / 0 / 12

HEX #662DE1

RGB 102 45 225

HSL 259, 0.75%, 0.53%

LAB 38.09, 64.3, -81.1

 

CMYK 61 / 89 / 0 / 4

HEX #5F1AF4

RGB 95 26 244

HSL 258.99, 0.91%, 0.53%

LAB 37.3, 74.5, -93.21

 

CMYK 55 / 80 / 0 / 12

HEX #662DE1

RGB 102 45 225

HSL 259, 0.75%, 0.53%

LAB 38.09, 64.3, -81.1

 

CMYK 47 / 68 / 0 / 19

HEX #6D41CE

RGB 109 65 206

HSL 258.72, 0.59%, 0.53%

LAB 40.39, 51.01, -66.37

 

CMYK 38 / 55 / 0 / 27

HEX #7454BA

RGB 116 84 186

HSL 258.82, 0.43%, 0.53%

LAB 43.65, 36.44, -49.44

 

CMYK 26 / 38 / 0 / 35

HEX #7B67A7

RGB 123 103 167

HSL 258.75, 0.27%, 0.53%

LAB 47.88, 22.01, -31.57

 

CMYK 11 / 16 / 0 / 42

HEX #837B93

RGB 131 123 147

HSL 260, 0.1%, 0.53%

LAB 53.06, 7.98, -11.84

 

CMYK 80 / 61 / 0 / 12

HEX #2D57E1

RGB 45 87 225

HSL 226, 0.75%, 0.53%

LAB 42.48, 35.51, -74.03

 

CMYK 77 / 80 / 0 / 12

HEX #332DE1

RGB 51 45 225

HSL 242, 0.75%, 0.53%

LAB 34.02, 59.87, -87.96

 

CMYK 56 / 80 / 0 / 12

HEX #632DE1

RGB 99 45 225

HSL 258, 0.75%, 0.53%

LAB 37.78, 63.96, -81.61

 

CMYK 35 / 80 / 0 / 12

HEX #932DE1

RGB 147 45 225

HSL 274, 0.75%, 0.53%

LAB 43.53, 70.3, -71.96

 

CMYK 13 / 80 / 0 / 12

HEX #C32DE1

RGB 195 45 225

HSL 290, 0.75%, 0.53%

LAB 50.59, 78.18, -60.19

 

CMYK 59 / 86 / 0 / 36

HEX #4417A4

RGB 68 23 164

HSL 259.15, 0.75%, 0.37%

LAB 25.33, 53.02, -66.4

 

CMYK 59 / 86 / 0 / 22

HEX #531DC8

RGB 83 29 200

HSL 258.95, 0.75%, 0.45%

LAB 31.55, 61.79, -77.5

 

CMYK 55 / 80 / 0 / 12

HEX #662DE1

RGB 102 45 225

HSL 259, 0.75%, 0.53%

LAB 38.09, 64.3, -81.1

 

CMYK 44 / 65 / 0 / 10

HEX #8051E6

RGB 128 81 230

HSL 258.93, 0.75%, 0.61%

LAB 47.22, 52.61, -68.89

 

CMYK 34 / 50 / 0 / 8

HEX #9B75EB

RGB 155 117 235

HSL 259.32, 0.75%, 0.69%

LAB 57.74, 40.1, -54.61

 

CMYK 54 / 79 / 0 / 12

HEX #672FE1

RGB 103 47 225

HSL 258.88, 0.75%, 0.53%

LAB 38.47, 63.61, -80.47

 

CMYK 0 / 80 / 40 / 12

HEX #E12D87

RGB 225 45 135

HSL 330, 0.75%, 0.53%

LAB 51.42, 72.37, -5.89

 

CMYK 72 / 0 / 80 / 12

HEX #3FE12D

RGB 63 225 45

HSL 114, 0.75%, 0.53%

LAB 79.1, -71.57, 69.24

 

CMYK 54 / 79 / 0 / 12

HEX #672FE1

RGB 103 47 225

HSL 258.88, 0.75%, 0.53%

LAB 38.47, 63.61, -80.47

 

CMYK 0 / 56 / 80 / 12

HEX #E1632D

RGB 225 99 45

HSL 18, 0.75%, 0.53%

LAB 57.19, 46.23, 52.56

 

CMYK 80 / 0 / 56 / 12

HEX #2DE163

RGB 45 225 99

HSL 138, 0.75%, 0.53%

LAB 79.22, -69.02, 48.83

 

CMYK 54 / 79 / 0 / 12

HEX #672FE1

RGB 103 47 225

HSL 258.88, 0.75%, 0.53%

LAB 38.47, 63.61, -80.47

 

CMYK 0 / 80 / 40 / 12

HEX #E12D87

RGB 225 45 135

HSL 330, 0.75%, 0.53%

LAB 51.42, 72.37, -5.89

 

CMYK 24 / 0 / 80 / 12

HEX #ABE12D

RGB 171 225 45

HSL 78, 0.75%, 0.53%

LAB 83.28, -40.59, 74.61

 

CMYK 80 / 0 / 40 / 12

HEX #2DE187

RGB 45 225 135

HSL 150, 0.75%, 0.53%

LAB 79.7, -63.31, 31.96

 

CMYK 54 / 79 / 0 / 12

HEX #672FE1

RGB 103 47 225

HSL 258.88, 0.75%, 0.53%

LAB 38.47, 63.61, -80.47

 

CMYK 0 / 80 / 64 / 12

HEX #E12D51

RGB 225 45 81

HSL 348, 0.75%, 0.53%

LAB 50.07, 68.31, 24.94

 

CMYK 24 / 0 / 80 / 12

HEX #ABE12D

RGB 171 225 45

HSL 78, 0.75%, 0.53%

LAB 83.28, -40.59, 74.61

 

CMYK 80 / 0 / 16 / 12

HEX #2DE1BD

RGB 45 225 189

HSL 168, 0.75%, 0.53%

LAB 80.78, -51.46, 5.31

 

Description

Color code: HEX #672FE1 | qconv.com Color code: HEX #672FE1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 47 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 47 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 79 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 79% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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