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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6725CB it is the complementary color #98DA34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6725CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6725CB shade: #6C25C6, #7D37D9, #8E49EC, #9F5BFF and #B06DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6725CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6725CB shade: #6725CB, #5613B8, #4501A5, #340092 and #23007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6725CB shade: #6725CB, #9425CB, #C025CB, #CB25A8 and #CB257C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6725CB shade: #6725CB, #3A25CB and #2525CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6725CB shade matches the following richer shades: #6725CB and #6312DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6725CB shade: #6725CB, #6B39B7, #6F4CA4, #735F90 and #77737D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6725CB shade: #253ECB, #3825CB, #6525CB, #9125CB and #BD25CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6725CB shade: #431885, #551FA8, #6725CB, #7C3DDB and #9460E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6725CB shade: #6725CB, #CB256A and #28CB25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6725CB shade: #6725CB, #CB6525 and #25CB65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6725CB shade: #6725CB, #CB256A, #8BCB25 and #25CB86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6725CB shade: #6725CB, #CB2538, #8BCB25 and #25CBB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 82 / 0 / 20

HEX #6725CB

RGB 103 37 203

HSL 263.86, 0.69%, 0.47%

LAB 35.04, 61.9, -73.42

 

Complementary color

CMYK 30 / 0 / 76 / 15

HEX #98DA34

RGB 152 218 52

HSL 83.86, 0.69%, 0.53%

LAB 80.22, -44.33, 69.4

 

CMYK 45 / 81 / 0 / 22

HEX #6C25C6

RGB 108 37 198

HSL 266.46, 0.69%, 0.46%

LAB 35.18, 61.33, -70.25

 

CMYK 42 / 75 / 0 / 15

HEX #7D37D9

RGB 125 55 217

HSL 265.93, 0.68%, 0.53%

LAB 41.38, 61.29, -71.02

 

CMYK 40 / 69 / 0 / 7

HEX #8E49EC

RGB 142 73 236

HSL 265.4, 0.81%, 0.61%

LAB 47.72, 60.72, -71.4

 

CMYK 38 / 64 / 0 / 0

HEX #9F5BFF

RGB 159 91 255

HSL 264.88, 1%, 0.68%

LAB 54.1, 59.89, -71.55

 

CMYK 31 / 57 / 0 / 0

HEX #B06DFF

RGB 176 109 255

HSL 267.53, 1%, 0.71%

LAB 59.33, 54.38, -63.03

 

CMYK 49 / 82 / 0 / 20

HEX #6725CB

RGB 103 37 203

HSL 263.86, 0.69%, 0.47%

LAB 35.04, 61.9, -73.42

 

CMYK 53 / 90 / 0 / 28

HEX #5613B8

RGB 86 19 184

HSL 264.36, 0.81%, 0.4%

LAB 29.17, 61.06, -71.99

 

CMYK 58 / 99 / 0 / 35

HEX #4501A5

RGB 69 1 165

HSL 264.88, 0.99%, 0.33%

LAB 23.68, 58.99, -69.73

 

CMYK 64 / 100 / 0 / 43

HEX #340092

RGB 52 0 146

HSL 261.37, 1%, 0.29%

LAB 19.25, 53.63, -65.48

 

CMYK 72 / 100 / 0 / 50

HEX #23007F

RGB 35 0 127

HSL 256.54, 1%, 0.25%

LAB 14.9, 48.02, -60.81

 

CMYK 49 / 82 / 0 / 20

HEX #6725CB

RGB 103 37 203

HSL 263.86, 0.69%, 0.47%

LAB 35.04, 61.9, -73.42

 

CMYK 27 / 82 / 0 / 20

HEX #9425CB

RGB 148 37 203

HSL 280.12, 0.69%, 0.47%

LAB 41.11, 68.36, -63.25

 

CMYK 5 / 82 / 0 / 20

HEX #C025CB

RGB 192 37 203

HSL 296.02, 0.69%, 0.47%

LAB 48.06, 75.94, -51.68

 

CMYK 0 / 82 / 17 / 20

HEX #CB25A8

RGB 203 37 168

HSL 312.65, 0.69%, 0.47%

LAB 48.07, 72.98, -31.08

 

CMYK 0 / 82 / 39 / 20

HEX #CB257C

RGB 203 37 124

HSL 328.55, 0.69%, 0.47%

LAB 46.28, 67.89, -7.31

 

CMYK 49 / 82 / 0 / 20

HEX #6725CB

RGB 103 37 203

HSL 263.86, 0.69%, 0.47%

LAB 35.04, 61.9, -73.42

 

CMYK 71 / 82 / 0 / 20

HEX #3A25CB

RGB 58 37 203

HSL 247.59, 0.69%, 0.47%

LAB 30.72, 57.45, -80.69

 

CMYK 82 / 82 / 0 / 20

HEX #2525CB

RGB 37 37 203

HSL 240, 0.69%, 0.47%

LAB 29.48, 56.2, -82.79

 

CMYK 49 / 82 / 0 / 20

HEX #6725CB

RGB 103 37 203

HSL 263.86, 0.69%, 0.47%

LAB 35.04, 61.9, -73.42

 

CMYK 55 / 92 / 0 / 13

HEX #6312DE

RGB 99 18 222

HSL 263.82, 0.85%, 0.47%

LAB 34.72, 71.39, -84.95

 

CMYK 49 / 82 / 0 / 20

HEX #6725CB

RGB 103 37 203

HSL 263.86, 0.69%, 0.47%

LAB 35.04, 61.9, -73.42

 

CMYK 42 / 69 / 0 / 28

HEX #6B39B7

RGB 107 57 183

HSL 263.81, 0.53%, 0.47%

LAB 36.88, 48.59, -58.67

 

CMYK 32 / 54 / 0 / 36

HEX #6F4CA4

RGB 111 76 164

HSL 263.86, 0.37%, 0.47%

LAB 39.96, 33.94, -42.39

 

CMYK 20 / 34 / 0 / 44

HEX #735F90

RGB 115 95 144

HSL 264.49, 0.21%, 0.47%

LAB 44.01, 18.55, -24.03

 

CMYK 5 / 8 / 0 / 51

HEX #77737D

RGB 119 115 125

HSL 264, 0.04%, 0.47%

LAB 49.09, 3.58, -4.95

 

CMYK 82 / 69 / 0 / 20

HEX #253ECB

RGB 37 62 203

HSL 230.96, 0.69%, 0.47%

LAB 34.29, 42.57, -74.83

 

CMYK 72 / 82 / 0 / 20

HEX #3825CB

RGB 56 37 203

HSL 246.87, 0.69%, 0.47%

LAB 30.58, 57.3, -80.93

 

CMYK 50 / 82 / 0 / 20

HEX #6525CB

RGB 101 37 203

HSL 263.13, 0.69%, 0.47%

LAB 34.81, 61.66, -73.81

 

CMYK 29 / 82 / 0 / 20

HEX #9125CB

RGB 145 37 203

HSL 279.04, 0.69%, 0.47%

LAB 40.66, 67.88, -63.99

 

CMYK 7 / 82 / 0 / 20

HEX #BD25CB

RGB 189 37 203

HSL 294.94, 0.69%, 0.47%

LAB 47.56, 75.39, -52.5

 

CMYK 50 / 82 / 0 / 48

HEX #431885

RGB 67 24 133

HSL 263.67, 0.69%, 0.31%

LAB 22.09, 44.15, -52.59

 

CMYK 49 / 82 / 0 / 34

HEX #551FA8

RGB 85 31 168

HSL 263.65, 0.69%, 0.39%

LAB 28.74, 53.03, -63.12

 

CMYK 49 / 82 / 0 / 20

HEX #6725CB

RGB 103 37 203

HSL 263.86, 0.69%, 0.47%

LAB 35.04, 61.9, -73.42

 

CMYK 43 / 72 / 0 / 14

HEX #7C3DDB

RGB 124 61 219

HSL 263.92, 0.69%, 0.55%

LAB 42.36, 58.95, -70.56

 

CMYK 35 / 58 / 0 / 11

HEX #9460E2

RGB 148 96 226

HSL 264, 0.69%, 0.63%

LAB 52.01, 47.75, -58.78

 

CMYK 49 / 82 / 0 / 20

HEX #6725CB

RGB 103 37 203

HSL 263.86, 0.69%, 0.47%

LAB 35.04, 61.9, -73.42

 

CMYK 0 / 82 / 48 / 20

HEX #CB256A

RGB 203 37 106

HSL 335.06, 0.69%, 0.47%

LAB 45.72, 66.24, 2.95

 

CMYK 80 / 0 / 82 / 20

HEX #28CB25

RGB 40 203 37

HSL 118.92, 0.69%, 0.47%

LAB 71.76, -68.66, 64.45

 

CMYK 49 / 82 / 0 / 20

HEX #6725CB

RGB 103 37 203

HSL 263.86, 0.69%, 0.47%

LAB 35.04, 61.9, -73.42

 

CMYK 0 / 50 / 82 / 20

HEX #CB6525

RGB 203 101 37

HSL 23.13, 0.69%, 0.47%

LAB 54.17, 36.51, 52.03

 

CMYK 82 / 0 / 50 / 20

HEX #25CB65

RGB 37 203 101

HSL 143.13, 0.69%, 0.47%

LAB 72.26, -62.35, 39.39

 

CMYK 49 / 82 / 0 / 20

HEX #6725CB

RGB 103 37 203

HSL 263.86, 0.69%, 0.47%

LAB 35.04, 61.9, -73.42

 

CMYK 0 / 82 / 48 / 20

HEX #CB256A

RGB 203 37 106

HSL 335.06, 0.69%, 0.47%

LAB 45.72, 66.24, 2.95

 

CMYK 32 / 0 / 82 / 20

HEX #8BCB25

RGB 139 203 37

HSL 83.13, 0.69%, 0.47%

LAB 75.04, -43.34, 68.64

 

CMYK 82 / 0 / 34 / 20

HEX #25CB86

RGB 37 203 134

HSL 155.06, 0.69%, 0.47%

LAB 72.78, -56.34, 23.19

 

CMYK 49 / 82 / 0 / 20

HEX #6725CB

RGB 103 37 203

HSL 263.86, 0.69%, 0.47%

LAB 35.04, 61.9, -73.42

 

CMYK 0 / 82 / 72 / 20

HEX #CB2538

RGB 203 37 56

HSL 353.13, 0.69%, 0.47%

LAB 44.67, 63.09, 32.35

 

CMYK 32 / 0 / 82 / 20

HEX #8BCB25

RGB 139 203 37

HSL 83.13, 0.69%, 0.47%

LAB 75.04, -43.34, 68.64

 

CMYK 82 / 0 / 10 / 20

HEX #25CBB7

RGB 37 203 183

HSL 172.77, 0.69%, 0.47%

LAB 73.88, -44.5, -1.52

 

Description

Color code: HEX #6725CB | qconv.com Color code: HEX #6725CB | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 37 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 37 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 82 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 82% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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