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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #672532 it is the complementary color #98DACD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #672532. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #672532 shade: #6C252D, #7D3740, #8E4953, #9F5B66 and #B06D79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #672532. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #672532 shade: #672532, #56131F, #45010C, #340000 and #230000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #672532 shade: #652431 and #652424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #672532 shade: #652431, #652443, #652454, #652465 and #532465

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #672532 shade matches the following richer shades: #652431, #70192A, #7B0E24 and #87031D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #672532 shade: #652431, #5A3038, #4F3B3F, #444645 and #39514C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #672532 shade: #652454, #652443, #652431, #652924 and #653A24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #672532 shade: #290F14, #471A22, #652431, #842F40 and #A23A4F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #672532 shade: #672532, #656524 and #244B65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #672532 shade: #672532, #316524 and #243165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #672532 shade: #672532, #656524, #246558 and #242465

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #672532 shade: #672532, #526524, #246558 and #382465

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 51 / 60

HEX #672532

RGB 103 37 50

HSL 348.18, 0.47%, 0.27%

LAB 25.07, 30.87, 7.13

 

Complementary color

CMYK 30 / 0 / 6 / 15

HEX #98DACD

RGB 152 218 205

HSL 168.18, 0.47%, 0.73%

LAB 82.5, -23.54, -0.28

 

CMYK 0 / 66 / 58 / 58

HEX #6C252D

RGB 108 37 45

HSL 353.24, 0.49%, 0.28%

LAB 25.86, 32.27, 11.75

 

CMYK 0 / 56 / 49 / 51

HEX #7D3740

RGB 125 55 64

HSL 352.29, 0.39%, 0.35%

LAB 32.84, 31.29, 9.28

 

CMYK 0 / 49 / 42 / 44

HEX #8E4953

RGB 142 73 83

HSL 351.3, 0.32%, 0.42%

LAB 39.82, 30.21, 7.41

 

CMYK 0 / 43 / 36 / 38

HEX #9F5B66

RGB 159 91 102

HSL 350.29, 0.27%, 0.49%

LAB 46.73, 29.17, 5.91

 

CMYK 0 / 38 / 31 / 31

HEX #B06D79

RGB 176 109 121

HSL 349.25, 0.3%, 0.56%

LAB 53.54, 28.21, 4.65

 

CMYK 0 / 64 / 51 / 60

HEX #672532

RGB 103 37 50

HSL 348.18, 0.47%, 0.27%

LAB 25.07, 30.87, 7.13

 

CMYK 0 / 78 / 64 / 66

HEX #56131F

RGB 86 19 31

HSL 349.25, 0.64%, 0.21%

LAB 18.11, 31.37, 10.24

 

CMYK 0 / 99 / 83 / 73

HEX #45010C

RGB 69 1 12

HSL 350.29, 0.97%, 0.14%

LAB 11.37, 31.35, 12.91

 

CMYK 0 / 100 / 100 / 80

HEX #340000

RGB 52 0 0

HSL 0, 1%, 0.1%

LAB 6.59, 25.64, 10.42

 

CMYK 0 / 100 / 100 / 86

HEX #230000

RGB 35 0 0

HSL 0, 1%, 0.07%

LAB 3.23, 14.48, 5.1

 

CMYK 0 / 64 / 51 / 60

HEX #652431

RGB 101 36 49

HSL 348, 0.47%, 0.27%

LAB 24.48, 30.52, 6.94

 

CMYK 0 / 64 / 64 / 60

HEX #652424

RGB 101 36 36

HSL 0, 0.47%, 0.27%

LAB 24.18, 29.33, 15.32

 

CMYK 0 / 64 / 51 / 60

HEX #652431

RGB 101 36 49

HSL 348, 0.47%, 0.27%

LAB 24.48, 30.52, 6.94

 

CMYK 0 / 64 / 34 / 60

HEX #652443

RGB 101 36 67

HSL 331.38, 0.47%, 0.27%

LAB 25.06, 32.72, -4.45

 

CMYK 0 / 64 / 17 / 60

HEX #652454

RGB 101 36 84

HSL 315.69, 0.47%, 0.27%

LAB 25.77, 35.35, -14.74

 

CMYK 0 / 64 / 0 / 60

HEX #652465

RGB 101 36 101

HSL 300, 0.47%, 0.27%

LAB 26.64, 38.43, -24.53

 

CMYK 18 / 64 / 0 / 60

HEX #532465

RGB 83 36 101

HSL 283.38, 0.47%, 0.27%

LAB 23.8, 33.39, -29.21

 

CMYK 0 / 64 / 51 / 60

HEX #652431

RGB 101 36 49

HSL 348, 0.47%, 0.27%

LAB 24.48, 30.52, 6.94

 

CMYK 0 / 78 / 63 / 56

HEX #70192A

RGB 112 25 42

HSL 348.28, 0.64%, 0.27%

LAB 24.66, 38.69, 12.3

 

CMYK 0 / 89 / 71 / 52

HEX #7B0E24

RGB 123 14 36

HSL 347.89, 0.8%, 0.27%

LAB 25.72, 45.02, 18.2

 

CMYK 0 / 98 / 79 / 47

HEX #87031D

RGB 135 3 29

HSL 348.18, 0.96%, 0.27%

LAB 27.59, 50.09, 25.69

 

CMYK 0 / 64 / 51 / 60

HEX #652431

RGB 101 36 49

HSL 348, 0.47%, 0.27%

LAB 24.48, 30.52, 6.94

 

CMYK 0 / 47 / 38 / 65

HEX #5A3038

RGB 90 48 56

HSL 348.57, 0.3%, 0.27%

LAB 25.48, 20.14, 3.37

 

CMYK 0 / 25 / 20 / 69

HEX #4F3B3F

RGB 79 59 63

HSL 348, 0.14%, 0.27%

LAB 27.16, 9.53, 0.94

 

CMYK 3 / 0 / 1 / 73

HEX #444645

RGB 68 70 69

HSL 150, 0.01%, 0.27%

LAB 29.51, -1.05, 0.31

 

CMYK 30 / 0 / 6 / 68

HEX #39514C

RGB 57 81 76

HSL 167.5, 0.17%, 0.27%

LAB 32.43, -10.39, -0.02

 

CMYK 0 / 64 / 17 / 60

HEX #652454

RGB 101 36 84

HSL 315.69, 0.47%, 0.27%

LAB 25.77, 35.35, -14.74

 

CMYK 0 / 64 / 34 / 60

HEX #652443

RGB 101 36 67

HSL 331.38, 0.47%, 0.27%

LAB 25.06, 32.72, -4.45

 

CMYK 0 / 64 / 51 / 60

HEX #652431

RGB 101 36 49

HSL 348, 0.47%, 0.27%

LAB 24.48, 30.52, 6.94

 

CMYK 0 / 59 / 64 / 60

HEX #652924

RGB 101 41 36

HSL 4.62, 0.47%, 0.27%

LAB 25.2, 26.66, 16.62

 

CMYK 0 / 43 / 64 / 60

HEX #653A24

RGB 101 58 36

HSL 20.31, 0.47%, 0.27%

LAB 29.21, 16.67, 21.62

 

CMYK 0 / 63 / 51 / 84

HEX #290F14

RGB 41 15 20

HSL 348.46, 0.46%, 0.11%

LAB 7.8, 14.21, 2.51

 

CMYK 0 / 63 / 52 / 72

HEX #471A22

RGB 71 26 34

HSL 349.33, 0.46%, 0.19%

LAB 16.47, 22.43, 5.37

 

CMYK 0 / 64 / 51 / 60

HEX #652431

RGB 101 36 49

HSL 348, 0.47%, 0.27%

LAB 24.48, 30.52, 6.94

 

CMYK 0 / 64 / 52 / 48

HEX #842F40

RGB 132 47 64

HSL 348, 0.47%, 0.35%

LAB 32.5, 37.95, 8.99

 

CMYK 0 / 64 / 51 / 36

HEX #A23A4F

RGB 162 58 79

HSL 347.88, 0.47%, 0.43%

LAB 40.03, 44.67, 10.69

 

CMYK 0 / 64 / 51 / 60

HEX #672532

RGB 103 37 50

HSL 348.18, 0.47%, 0.27%

LAB 25.07, 30.87, 7.13

 

CMYK 0 / 0 / 64 / 60

HEX #656524

RGB 101 101 36

HSL 60, 0.47%, 0.27%

LAB 41.53, -9.31, 35.73

 

CMYK 64 / 26 / 0 / 60

HEX #244B65

RGB 36 75 101

HSL 204, 0.47%, 0.27%

LAB 30.27, -4.97, -19.31

 

CMYK 0 / 64 / 51 / 60

HEX #672532

RGB 103 37 50

HSL 348.18, 0.47%, 0.27%

LAB 25.07, 30.87, 7.13

 

CMYK 51 / 0 / 64 / 60

HEX #316524

RGB 49 101 36

HSL 108, 0.47%, 0.27%

LAB 38, -31.06, 30.83

 

CMYK 64 / 51 / 0 / 60

HEX #243165

RGB 36 49 101

HSL 228, 0.47%, 0.27%

LAB 21.99, 12.69, -32.41

 

CMYK 0 / 64 / 51 / 60

HEX #672532

RGB 103 37 50

HSL 348.18, 0.47%, 0.27%

LAB 25.07, 30.87, 7.13

 

CMYK 0 / 0 / 64 / 60

HEX #656524

RGB 101 101 36

HSL 60, 0.47%, 0.27%

LAB 41.53, -9.31, 35.73

 

CMYK 64 / 0 / 13 / 60

HEX #246558

RGB 36 101 88

HSL 168, 0.47%, 0.27%

LAB 38.53, -24.04, 1.26

 

CMYK 64 / 64 / 0 / 60

HEX #242465

RGB 36 36 101

HSL 240, 0.47%, 0.27%

LAB 18.26, 21.89, -38.43

 

CMYK 0 / 64 / 51 / 60

HEX #672532

RGB 103 37 50

HSL 348.18, 0.47%, 0.27%

LAB 25.07, 30.87, 7.13

 

CMYK 19 / 0 / 64 / 60

HEX #526524

RGB 82 101 36

HSL 77.54, 0.47%, 0.27%

LAB 39.96, -18.05, 33.56

 

CMYK 64 / 0 / 13 / 60

HEX #246558

RGB 36 101 88

HSL 168, 0.47%, 0.27%

LAB 38.53, -24.04, 1.26

 

CMYK 45 / 64 / 0 / 60

HEX #382465

RGB 56 36 101

HSL 258.46, 0.47%, 0.27%

LAB 20.21, 26.27, -35.17

 

Description

Color code: HEX #672532 | qconv.com Color code: HEX #672532 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 37 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 37 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 51 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 51% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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