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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #672176 it is the complementary color #98DE89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #672176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #672176 shade: #6C2171, #7D3384, #8E4597, #9F57AA and #B069BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #672176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #672176 shade: #672176, #560F63, #450050, #34003D and #23002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #672176 shade: #682277, #77226F, #772258, #772241 and #77222A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #672176 shade: #682277, #512277, #3A2277, #232277 and #222277

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #672176 shade matches the following richer shades: #682277, #701584 and #780990

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #672176 shade: #682277, #602E6B, #583A5F, #504752 and #485346

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #672176 shade: #3A2277, #512277, #682277, #772270 and #772259

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #672176 shade: #301037, #4C1957, #682277, #842B98 and #A034B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #672176 shade: #672176, #772322 and #227745

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #672176 shade: #672176, #776822 and #227768

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #672176 shade: #672176, #772322, #317722 and #227677

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #672176 shade: #672176, #773D22, #317722 and #225C77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 72 / 0 / 54

HEX #672176

RGB 103 33 118

HSL 289.41, 0.56%, 0.3%

LAB 27.52, 43.72, -34.05

 

Complementary color

CMYK 32 / 0 / 38 / 13

HEX #98DE89

RGB 152 222 137

HSL 109.41, 0.56%, 0.7%

LAB 82.23, -37.83, 34.9

 

CMYK 4 / 71 / 0 / 56

HEX #6C2171

RGB 108 33 113

HSL 296.25, 0.55%, 0.29%

LAB 28.03, 43.95, -29.99

 

CMYK 5 / 61 / 0 / 48

HEX #7D3384

RGB 125 51 132

HSL 294.81, 0.44%, 0.36%

LAB 34.79, 43.91, -31.06

 

CMYK 6 / 54 / 0 / 41

HEX #8E4597

RGB 142 69 151

HSL 293.41, 0.37%, 0.43%

LAB 41.6, 43.42, -31.76

 

CMYK 6 / 49 / 0 / 33

HEX #9F57AA

RGB 159 87 170

HSL 292.05, 0.33%, 0.5%

LAB 48.37, 42.73, -32.27

 

CMYK 7 / 44 / 0 / 26

HEX #B069BD

RGB 176 105 189

HSL 290.71, 0.39%, 0.58%

LAB 55.08, 41.97, -32.66

 

CMYK 13 / 72 / 0 / 54

HEX #672176

RGB 103 33 118

HSL 289.41, 0.56%, 0.3%

LAB 27.52, 43.72, -34.05

 

CMYK 13 / 85 / 0 / 61

HEX #560F63

RGB 86 15 99

HSL 290.71, 0.74%, 0.22%

LAB 20.91, 42.84, -32.51

 

CMYK 14 / 100 / 0 / 69

HEX #450050

RGB 69 0 80

HSL 291.75, 1%, 0.16%

LAB 14.65, 40.38, -30.01

 

CMYK 15 / 100 / 0 / 76

HEX #34003D

RGB 52 0 61

HSL 291.15, 1%, 0.12%

LAB 9.54, 33.67, -25.13

 

CMYK 17 / 100 / 0 / 84

HEX #23002A

RGB 35 0 42

HSL 290, 1%, 0.08%

LAB 4.74, 24.09, -18.99

 

CMYK 13 / 71 / 0 / 53

HEX #682277

RGB 104 34 119

HSL 289.41, 0.56%, 0.3%

LAB 27.9, 43.73, -34.07

 

CMYK 0 / 71 / 7 / 53

HEX #77226F

RGB 119 34 111

HSL 305.65, 0.56%, 0.3%

LAB 29.95, 45.98, -25.56

 

CMYK 0 / 71 / 26 / 53

HEX #772258

RGB 119 34 88

HSL 321.88, 0.56%, 0.3%

LAB 28.83, 42.36, -12.41

 

CMYK 0 / 71 / 45 / 53

HEX #772241

RGB 119 34 65

HSL 338.12, 0.56%, 0.3%

LAB 27.97, 39.48, 1.57

 

CMYK 0 / 71 / 65 / 53

HEX #77222A

RGB 119 34 42

HSL 354.35, 0.56%, 0.3%

LAB 27.39, 37.43, 16.15

 

CMYK 13 / 71 / 0 / 53

HEX #682277

RGB 104 34 119

HSL 289.41, 0.56%, 0.3%

LAB 27.9, 43.73, -34.07

 

CMYK 32 / 71 / 0 / 53

HEX #512277

RGB 81 34 119

HSL 273.18, 0.56%, 0.3%

LAB 24.4, 38.34, -39.87

 

CMYK 51 / 71 / 0 / 53

HEX #3A2277

RGB 58 34 119

HSL 256.94, 0.56%, 0.3%

LAB 21.49, 33.51, -44.74

 

CMYK 71 / 71 / 0 / 53

HEX #232277

RGB 35 34 119

HSL 240.71, 0.56%, 0.3%

LAB 19.36, 29.72, -48.3

 

CMYK 71 / 71 / 0 / 53

HEX #222277

RGB 34 34 119

HSL 240, 0.56%, 0.3%

LAB 19.29, 29.58, -48.42

 

CMYK 13 / 71 / 0 / 53

HEX #682277

RGB 104 34 119

HSL 289.41, 0.56%, 0.3%

LAB 27.9, 43.73, -34.07

 

CMYK 15 / 84 / 0 / 48

HEX #701584

RGB 112 21 132

HSL 289.19, 0.73%, 0.3%

LAB 28.5, 52.68, -41.22

 

CMYK 17 / 94 / 0 / 44

HEX #780990

RGB 120 9 144

HSL 289.33, 0.88%, 0.3%

LAB 29.92, 58.89, -46.33

 

CMYK 13 / 71 / 0 / 53

HEX #682277

RGB 104 34 119

HSL 289.41, 0.56%, 0.3%

LAB 27.9, 43.73, -34.07

 

CMYK 10 / 57 / 0 / 58

HEX #602E6B

RGB 96 46 107

HSL 289.18, 0.4%, 0.3%

LAB 28.12, 33.02, -26.13

 

CMYK 7 / 39 / 0 / 63

HEX #583A5F

RGB 88 58 95

HSL 288.65, 0.24%, 0.3%

LAB 29.23, 20.49, -16.75

 

CMYK 2 / 13 / 0 / 68

HEX #504752

RGB 80 71 82

HSL 289.09, 0.07%, 0.3%

LAB 31.4, 6.13, -5.16

 

CMYK 13 / 0 / 16 / 67

HEX #485346

RGB 72 83 70

HSL 110.77, 0.08%, 0.3%

LAB 34, -7.21, 6.17

 

CMYK 51 / 71 / 0 / 53

HEX #3A2277

RGB 58 34 119

HSL 256.94, 0.56%, 0.3%

LAB 21.49, 33.51, -44.74

 

CMYK 32 / 71 / 0 / 53

HEX #512277

RGB 81 34 119

HSL 273.18, 0.56%, 0.3%

LAB 24.4, 38.34, -39.87

 

CMYK 13 / 71 / 0 / 53

HEX #682277

RGB 104 34 119

HSL 289.41, 0.56%, 0.3%

LAB 27.9, 43.73, -34.07

 

CMYK 0 / 71 / 6 / 53

HEX #772270

RGB 119 34 112

HSL 304.94, 0.56%, 0.3%

LAB 30, 46.16, -26.11

 

CMYK 0 / 71 / 25 / 53

HEX #772259

RGB 119 34 89

HSL 321.18, 0.56%, 0.3%

LAB 28.87, 42.51, -13

 

CMYK 13 / 71 / 0 / 78

HEX #301037

RGB 48 16 55

HSL 289.23, 0.55%, 0.14%

LAB 11.1, 23.36, -18.35

 

CMYK 13 / 71 / 0 / 66

HEX #4C1957

RGB 76 25 87

HSL 289.35, 0.55%, 0.22%

LAB 19.72, 33.98, -26.54

 

CMYK 13 / 71 / 0 / 53

HEX #682277

RGB 104 34 119

HSL 289.41, 0.56%, 0.3%

LAB 27.9, 43.73, -34.07

 

CMYK 13 / 72 / 0 / 40

HEX #842B98

RGB 132 43 152

HSL 288.99, 0.56%, 0.38%

LAB 35.79, 53.11, -41.68

 

CMYK 13 / 72 / 0 / 28

HEX #A034B8

RGB 160 52 184

HSL 289.09, 0.56%, 0.46%

LAB 43.35, 61.88, -48.45

 

CMYK 13 / 72 / 0 / 54

HEX #672176

RGB 103 33 118

HSL 289.41, 0.56%, 0.3%

LAB 27.52, 43.72, -34.05

 

CMYK 0 / 71 / 71 / 53

HEX #772322

RGB 119 35 34

HSL 0.71, 0.56%, 0.3%

LAB 27.41, 36.48, 21.4

 

CMYK 71 / 0 / 42 / 53

HEX #227745

RGB 34 119 69

HSL 144.71, 0.56%, 0.3%

LAB 44.18, -37.3, 20.39

 

CMYK 13 / 72 / 0 / 54

HEX #672176

RGB 103 33 118

HSL 289.41, 0.56%, 0.3%

LAB 27.52, 43.72, -34.05

 

CMYK 0 / 13 / 71 / 53

HEX #776822

RGB 119 104 34

HSL 49.41, 0.56%, 0.3%

LAB 44.14, -2.64, 39.94

 

CMYK 71 / 0 / 13 / 53

HEX #227768

RGB 34 119 104

HSL 169.41, 0.56%, 0.3%

LAB 44.99, -28.78, 0.98

 

CMYK 13 / 72 / 0 / 54

HEX #672176

RGB 103 33 118

HSL 289.41, 0.56%, 0.3%

LAB 27.52, 43.72, -34.05

 

CMYK 0 / 71 / 71 / 53

HEX #772322

RGB 119 35 34

HSL 0.71, 0.56%, 0.3%

LAB 27.41, 36.48, 21.4

 

CMYK 59 / 0 / 71 / 53

HEX #317722

RGB 49 119 34

HSL 109.41, 0.56%, 0.3%

LAB 44.18, -38.89, 38.52

 

CMYK 71 / 1 / 0 / 53

HEX #227677

RGB 34 118 119

HSL 180.71, 0.56%, 0.3%

LAB 45.12, -23.79, -7.78

 

CMYK 13 / 72 / 0 / 54

HEX #672176

RGB 103 33 118

HSL 289.41, 0.56%, 0.3%

LAB 27.52, 43.72, -34.05

 

CMYK 0 / 49 / 71 / 53

HEX #773D22

RGB 119 61 34

HSL 19.06, 0.56%, 0.3%

LAB 32.65, 22.89, 27.54

 

CMYK 59 / 0 / 71 / 53

HEX #317722

RGB 49 119 34

HSL 109.41, 0.56%, 0.3%

LAB 44.18, -38.89, 38.52

 

CMYK 71 / 23 / 0 / 53

HEX #225C77

RGB 34 92 119

HSL 199.06, 0.56%, 0.3%

LAB 36.61, -9.31, -20.75

 

Description

Color code: HEX #672176 | qconv.com Color code: HEX #672176 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 33 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 33 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 72 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 72% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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