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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #671B7F it is the complementary color #98E480. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #671B7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #671B7F shade: #6C1B7A, #7D2D8D, #8E3FA0, #9F51B3 and #B063C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #671B7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #671B7F shade: #671B7F, #56096C, #450059, #340046 and #230033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #671B7F shade: #661B7E, #7E1B7B, #7E1B60, #7E1B46 and #7E1B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #671B7F shade: #661B7E, #4C1B7E, #311B7E and #1B1B7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #671B7F shade matches the following richer shades: #661B7E, #6D0E8B and #730297

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #671B7F shade: #661B7E, #602772, #593465, #534059 and #4D4C4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #671B7F shade: #301B7E, #4B1B7E, #651B7E, #7E1B7D and #7E1B62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #671B7F shade: #2F0C3A, #4B145C, #661B7E, #8222A0 and #9E29C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #671B7F shade: #671B7F, #7E1B20 and #1B7E3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #671B7F shade: #671B7F, #7E651B and #1B7E65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #671B7F shade: #671B7F, #7E1B20, #347E1B and #1B7E79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #671B7F shade: #671B7F, #7E341B, #347E1B and #1B657E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 79 / 0 / 50

HEX #671B7F

RGB 103 27 127

HSL 285.6, 0.65%, 0.3%

LAB 27.3, 47.97, -40.1

 

Complementary color

CMYK 33 / 0 / 44 / 11

HEX #98E480

RGB 152 228 128

HSL 105.6, 0.65%, 0.7%

LAB 83.82, -41.75, 41.43

 

CMYK 11 / 78 / 0 / 52

HEX #6C1B7A

RGB 108 27 122

HSL 291.16, 0.64%, 0.29%

LAB 27.78, 48.02, -36.11

 

CMYK 11 / 68 / 0 / 45

HEX #7D2D8D

RGB 125 45 141

HSL 290, 0.52%, 0.36%

LAB 34.31, 48.46, -37.37

 

CMYK 11 / 61 / 0 / 37

HEX #8E3FA0

RGB 142 63 160

HSL 288.87, 0.43%, 0.44%

LAB 40.97, 48.23, -38.17

 

CMYK 11 / 55 / 0 / 30

HEX #9F51B3

RGB 159 81 179

HSL 287.76, 0.39%, 0.51%

LAB 47.64, 47.66, -38.7

 

CMYK 11 / 50 / 0 / 22

HEX #B063C6

RGB 176 99 198

HSL 286.67, 0.46%, 0.58%

LAB 54.27, 46.96, -39.08

 

CMYK 19 / 79 / 0 / 50

HEX #671B7F

RGB 103 27 127

HSL 285.6, 0.65%, 0.3%

LAB 27.3, 47.97, -40.1

 

CMYK 20 / 92 / 0 / 58

HEX #56096C

RGB 86 9 108

HSL 286.67, 0.85%, 0.23%

LAB 21.04, 46.28, -38.19

 

CMYK 22 / 100 / 0 / 65

HEX #450059

RGB 69 0 89

HSL 286.52, 1%, 0.17%

LAB 15.42, 42.16, -34.88

 

CMYK 26 / 100 / 0 / 73

HEX #340046

RGB 52 0 70

HSL 284.57, 1%, 0.14%

LAB 10.35, 35.54, -30.2

 

CMYK 31 / 100 / 0 / 80

HEX #230033

RGB 35 0 51

HSL 281.18, 1%, 0.1%

LAB 5.39, 27.1, -24.71

 

CMYK 19 / 79 / 0 / 51

HEX #661B7E

RGB 102 27 126

HSL 285.45, 0.65%, 0.3%

LAB 27.06, 47.55, -39.86

 

CMYK 0 / 79 / 2 / 51

HEX #7E1B7B

RGB 126 27 123

HSL 301.82, 0.65%, 0.3%

LAB 31, 52.19, -31.44

 

CMYK 0 / 79 / 24 / 51

HEX #7E1B60

RGB 126 27 96

HSL 318.18, 0.65%, 0.3%

LAB 29.57, 48.02, -16.38

 

CMYK 0 / 79 / 44 / 51

HEX #7E1B46

RGB 126 27 70

HSL 333.94, 0.65%, 0.3%

LAB 28.54, 44.85, -0.78

 

CMYK 0 / 79 / 66 / 51

HEX #7E1B2B

RGB 126 27 43

HSL 350.3, 0.65%, 0.3%

LAB 27.83, 42.57, 16.33

 

CMYK 19 / 79 / 0 / 51

HEX #661B7E

RGB 102 27 126

HSL 285.45, 0.65%, 0.3%

LAB 27.06, 47.55, -39.86

 

CMYK 40 / 79 / 0 / 51

HEX #4C1B7E

RGB 76 27 126

HSL 269.7, 0.65%, 0.3%

LAB 23.09, 42.46, -46.48

 

CMYK 61 / 79 / 0 / 51

HEX #311B7E

RGB 49 27 126

HSL 253.33, 0.65%, 0.3%

LAB 19.81, 38.13, -51.98

 

CMYK 79 / 79 / 0 / 51

HEX #1B1B7E

RGB 27 27 126

HSL 240, 0.65%, 0.3%

LAB 18.02, 35.69, -55

 

CMYK 19 / 79 / 0 / 51

HEX #661B7E

RGB 102 27 126

HSL 285.45, 0.65%, 0.3%

LAB 27.06, 47.55, -39.86

 

CMYK 22 / 90 / 0 / 45

HEX #6D0E8B

RGB 109 14 139

HSL 285.6, 0.82%, 0.3%

LAB 27.92, 55.24, -46.55

 

CMYK 24 / 99 / 0 / 41

HEX #730297

RGB 115 2 151

HSL 285.5, 0.97%, 0.3%

LAB 29.22, 60.57, -51.82

 

CMYK 19 / 79 / 0 / 51

HEX #661B7E

RGB 102 27 126

HSL 285.45, 0.65%, 0.3%

LAB 27.06, 47.55, -39.86

 

CMYK 16 / 66 / 0 / 55

HEX #602772

RGB 96 39 114

HSL 285.6, 0.49%, 0.3%

LAB 27.17, 38.29, -32.12

 

CMYK 12 / 49 / 0 / 60

HEX #593465

RGB 89 52 101

HSL 285.31, 0.32%, 0.3%

LAB 28.17, 25.95, -22.26

 

CMYK 7 / 28 / 0 / 65

HEX #534059

RGB 83 64 89

HSL 285.6, 0.16%, 0.3%

LAB 29.98, 13.42, -11.78

 

CMYK 0 / 1 / 0 / 70

HEX #4D4C4D

RGB 77 76 77

HSL 300, 0.01%, 0.3%

LAB 32.44, 0.63, -0.45

 

CMYK 62 / 79 / 0 / 51

HEX #301B7E

RGB 48 27 126

HSL 252.73, 0.65%, 0.3%

LAB 19.71, 38, -52.15

 

CMYK 40 / 79 / 0 / 51

HEX #4B1B7E

RGB 75 27 126

HSL 269.09, 0.65%, 0.3%

LAB 22.95, 42.28, -46.72

 

CMYK 20 / 79 / 0 / 51

HEX #651B7E

RGB 101 27 126

HSL 284.85, 0.65%, 0.3%

LAB 26.9, 47.34, -40.13

 

CMYK 0 / 79 / 1 / 51

HEX #7E1B7D

RGB 126 27 125

HSL 300.61, 0.65%, 0.3%

LAB 31.11, 52.52, -32.51

 

CMYK 0 / 79 / 22 / 51

HEX #7E1B62

RGB 126 27 98

HSL 316.97, 0.65%, 0.3%

LAB 29.67, 48.3, -17.53

 

CMYK 19 / 79 / 0 / 77

HEX #2F0C3A

RGB 47 12 58

HSL 285.65, 0.66%, 0.14%

LAB 10.35, 25.98, -21.71

 

CMYK 18 / 78 / 0 / 64

HEX #4B145C

RGB 75 20 92

HSL 285.83, 0.64%, 0.22%

LAB 19.09, 37.12, -30.89

 

CMYK 19 / 79 / 0 / 51

HEX #661B7E

RGB 102 27 126

HSL 285.45, 0.65%, 0.3%

LAB 27.06, 47.55, -39.86

 

CMYK 19 / 79 / 0 / 37

HEX #8222A0

RGB 130 34 160

HSL 285.71, 0.65%, 0.38%

LAB 34.86, 57.56, -48.05

 

CMYK 19 / 79 / 0 / 24

HEX #9E29C2

RGB 158 41 194

HSL 285.88, 0.65%, 0.46%

LAB 42.38, 67.12, -55.87

 

CMYK 19 / 79 / 0 / 50

HEX #671B7F

RGB 103 27 127

HSL 285.6, 0.65%, 0.3%

LAB 27.3, 47.97, -40.1

 

CMYK 0 / 79 / 75 / 51

HEX #7E1B20

RGB 126 27 32

HSL 356.97, 0.65%, 0.3%

LAB 27.64, 41.95, 23.31

 

CMYK 79 / 0 / 51 / 51

HEX #1B7E3E

RGB 27 126 62

HSL 141.21, 0.65%, 0.3%

LAB 46.31, -42.55, 26.99

 

CMYK 19 / 79 / 0 / 50

HEX #671B7F

RGB 103 27 127

HSL 285.6, 0.65%, 0.3%

LAB 27.3, 47.97, -40.1

 

CMYK 0 / 20 / 79 / 51

HEX #7E651B

RGB 126 101 27

HSL 44.85, 0.65%, 0.3%

LAB 43.98, 2.07, 43.03

 

CMYK 79 / 0 / 20 / 51

HEX #1B7E65

RGB 27 126 101

HSL 164.85, 0.65%, 0.3%

LAB 47.1, -33.89, 5.78

 

CMYK 19 / 79 / 0 / 50

HEX #671B7F

RGB 103 27 127

HSL 285.6, 0.65%, 0.3%

LAB 27.3, 47.97, -40.1

 

CMYK 0 / 79 / 75 / 51

HEX #7E1B20

RGB 126 27 32

HSL 356.97, 0.65%, 0.3%

LAB 27.64, 41.95, 23.31

 

CMYK 59 / 0 / 79 / 51

HEX #347E1B

RGB 52 126 27

HSL 104.85, 0.65%, 0.3%

LAB 46.62, -41.38, 43.8

 

CMYK 79 / 0 / 4 / 51

HEX #1B7E79

RGB 27 126 121

HSL 176.97, 0.65%, 0.3%

LAB 47.67, -28.11, -5.19

 

CMYK 19 / 79 / 0 / 50

HEX #671B7F

RGB 103 27 127

HSL 285.6, 0.65%, 0.3%

LAB 27.3, 47.97, -40.1

 

CMYK 0 / 59 / 79 / 51

HEX #7E341B

RGB 126 52 27

HSL 15.15, 0.65%, 0.3%

LAB 31.74, 30.5, 30.86

 

CMYK 59 / 0 / 79 / 51

HEX #347E1B

RGB 52 126 27

HSL 104.85, 0.65%, 0.3%

LAB 46.62, -41.38, 43.8

 

CMYK 79 / 20 / 0 / 51

HEX #1B657E

RGB 27 101 126

HSL 195.15, 0.65%, 0.3%

LAB 39.66, -13.1, -20.32

 

Description

Color code: HEX #671B7F | qconv.com Color code: HEX #671B7F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 27 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 27 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 79 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 79% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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