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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #671069 it is the complementary color #98EF96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #671069. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #671069 shade: #6C1064, #7D2277, #8E348A, #9F469D and #B058B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #671069. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #671069 shade: #671069, #560056, #450043, #340030 and #23001D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #671069 shade: #68106A, #6A1054, #6A103C, #6A1023 and #6A1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #671069 shade: #68106A, #50106A, #38106A, #1F106A and #10106A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #671069 shade matches the following richer shades: #68106A and #720674

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #671069 shade: #68106A, #5F1A61, #562457, #4C2E4D and #433843

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #671069 shade: #37106A, #4F106A, #67106A, #6A1055 and #6A103D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #671069 shade: #220523, #450B47, #68106A, #8C158E and #AF1BB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #671069 shade: #671069, #6A1F10 and #106A43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #671069 shade: #671069, #6A6710 and #106A67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #671069 shade: #671069, #6A1F10, #136A10 and #105B6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #671069 shade: #671069, #6A3A10, #136A10 and #10406A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 85 / 0 / 59

HEX #671069

RGB 103 16 105

HSL 298.65, 0.74%, 0.24%

LAB 24.56, 47.27, -30.42

 

Complementary color

CMYK 36 / 0 / 37 / 6

HEX #98EF96

RGB 152 239 150

HSL 118.65, 0.74%, 0.76%

LAB 87.3, -43.45, 34.99

 

CMYK 0 / 85 / 7 / 58

HEX #6C1064

RGB 108 16 100

HSL 305.22, 0.74%, 0.24%

LAB 25.2, 47.51, -26.08

 

CMYK 0 / 73 / 5 / 51

HEX #7D2277

RGB 125 34 119

HSL 303.96, 0.57%, 0.31%

LAB 31.43, 48.87, -28.23

 

CMYK 0 / 63 / 3 / 44

HEX #8E348A

RGB 142 52 138

HSL 302.67, 0.46%, 0.38%

LAB 37.92, 49.15, -29.65

 

CMYK 0 / 56 / 1 / 38

HEX #9F469D

RGB 159 70 157

HSL 301.35, 0.39%, 0.45%

LAB 44.5, 48.88, -30.64

 

CMYK 0 / 50 / 0 / 31

HEX #B058B0

RGB 176 88 176

HSL 300, 0.36%, 0.52%

LAB 51.09, 48.33, -31.37

 

CMYK 2 / 85 / 0 / 59

HEX #671069

RGB 103 16 105

HSL 298.65, 0.74%, 0.24%

LAB 24.56, 47.27, -30.42

 

CMYK 0 / 100 / 0 / 66

HEX #560056

RGB 86 0 86

HSL 300, 1%, 0.17%

LAB 18.59, 44.53, -27.57

 

CMYK 0 / 100 / 3 / 73

HEX #450043

RGB 69 0 67

HSL 301.74, 1%, 0.14%

LAB 13.65, 38.01, -22.58

 

CMYK 0 / 100 / 8 / 80

HEX #340030

RGB 52 0 48

HSL 304.62, 1%, 0.1%

LAB 8.51, 31.22, -17.3

 

CMYK 0 / 100 / 17 / 86

HEX #23001D

RGB 35 0 29

HSL 310.29, 1%, 0.07%

LAB 4.03, 20.03, -9.98

 

CMYK 2 / 85 / 0 / 58

HEX #68106A

RGB 104 16 106

HSL 298.67, 0.74%, 0.24%

LAB 24.81, 47.65, -30.65

 

CMYK 0 / 85 / 21 / 58

HEX #6A1054

RGB 106 16 84

HSL 314.67, 0.74%, 0.24%

LAB 23.92, 44.57, -17.54

 

CMYK 0 / 85 / 43 / 58

HEX #6A103C

RGB 106 16 60

HSL 330.67, 0.74%, 0.24%

LAB 22.87, 41.51, -2.82

 

CMYK 0 / 85 / 67 / 58

HEX #6A1023

RGB 106 16 35

HSL 347.33, 0.74%, 0.24%

LAB 22.15, 39.34, 13.55

 

CMYK 0 / 85 / 85 / 58

HEX #6A1010

RGB 106 16 16

HSL 0, 0.74%, 0.24%

LAB 21.84, 38.4, 25.75

 

CMYK 2 / 85 / 0 / 58

HEX #68106A

RGB 104 16 106

HSL 298.67, 0.74%, 0.24%

LAB 24.81, 47.65, -30.65

 

CMYK 25 / 85 / 0 / 58

HEX #50106A

RGB 80 16 106

HSL 282.67, 0.74%, 0.24%

LAB 20.51, 42.78, -37.8

 

CMYK 47 / 85 / 0 / 58

HEX #38106A

RGB 56 16 106

HSL 266.67, 0.74%, 0.24%

LAB 16.76, 38.58, -44.07

 

CMYK 71 / 85 / 0 / 58

HEX #1F106A

RGB 31 16 106

HSL 250, 0.74%, 0.24%

LAB 13.84, 35.34, -48.98

 

CMYK 85 / 85 / 0 / 58

HEX #10106A

RGB 16 16 106

HSL 240, 0.74%, 0.24%

LAB 12.74, 34.13, -50.84

 

CMYK 2 / 85 / 0 / 58

HEX #68106A

RGB 104 16 106

HSL 298.67, 0.74%, 0.24%

LAB 24.81, 47.65, -30.65

 

CMYK 2 / 95 / 0 / 55

HEX #720674

RGB 114 6 116

HSL 298.91, 0.9%, 0.24%

LAB 26.65, 53.46, -34.06

 

CMYK 2 / 85 / 0 / 58

HEX #68106A

RGB 104 16 106

HSL 298.67, 0.74%, 0.24%

LAB 24.81, 47.65, -30.65

 

CMYK 2 / 73 / 0 / 62

HEX #5F1A61

RGB 95 26 97

HSL 298.31, 0.58%, 0.24%

LAB 23.79, 40.52, -26.5

 

CMYK 1 / 59 / 0 / 66

HEX #562457

RGB 86 36 87

HSL 298.82, 0.41%, 0.24%

LAB 23.43, 31.18, -20.56

 

CMYK 1 / 40 / 0 / 70

HEX #4C2E4D

RGB 76 46 77

HSL 298.06, 0.25%, 0.24%

LAB 23.76, 19.61, -13.51

 

CMYK 0 / 16 / 0 / 74

HEX #433843

RGB 67 56 67

HSL 300, 0.09%, 0.24%

LAB 25.04, 7.19, -4.99

 

CMYK 48 / 85 / 0 / 58

HEX #37106A

RGB 55 16 106

HSL 266, 0.74%, 0.24%

LAB 16.62, 38.42, -44.31

 

CMYK 25 / 85 / 0 / 58

HEX #4F106A

RGB 79 16 106

HSL 282, 0.74%, 0.24%

LAB 20.34, 42.59, -38.09

 

CMYK 3 / 85 / 0 / 58

HEX #67106A

RGB 103 16 106

HSL 298, 0.74%, 0.24%

LAB 24.62, 47.44, -30.96

 

CMYK 0 / 85 / 20 / 58

HEX #6A1055

RGB 106 16 85

HSL 314, 0.74%, 0.24%

LAB 23.97, 44.71, -18.13

 

CMYK 0 / 85 / 42 / 58

HEX #6A103D

RGB 106 16 61

HSL 330, 0.74%, 0.24%

LAB 22.9, 41.62, -3.46

 

CMYK 3 / 86 / 0 / 86

HEX #220523

RGB 34 5 35

HSL 298, 0.75%, 0.08%

LAB 5.15, 19.03, -12.99

 

CMYK 3 / 85 / 0 / 72

HEX #450B47

RGB 69 11 71

HSL 298, 0.73%, 0.16%

LAB 15.27, 34.83, -22.79

 

CMYK 2 / 85 / 0 / 58

HEX #68106A

RGB 104 16 106

HSL 298.67, 0.74%, 0.24%

LAB 24.81, 47.65, -30.65

 

CMYK 1 / 85 / 0 / 44

HEX #8C158E

RGB 140 21 142

HSL 299.01, 0.74%, 0.32%

LAB 34.12, 59.86, -38.16

 

CMYK 2 / 85 / 0 / 30

HEX #AF1BB2

RGB 175 27 178

HSL 298.81, 0.74%, 0.4%

LAB 42.93, 71, -45.44

 

CMYK 2 / 85 / 0 / 59

HEX #671069

RGB 103 16 105

HSL 298.65, 0.74%, 0.24%

LAB 24.56, 47.27, -30.42

 

CMYK 0 / 71 / 85 / 58

HEX #6A1F10

RGB 106 31 16

HSL 10, 0.74%, 0.24%

LAB 23.94, 32.6, 27.92

 

CMYK 85 / 0 / 37 / 58

HEX #106A43

RGB 16 106 67

HSL 154, 0.74%, 0.24%

LAB 39.28, -35.07, 14.95

 

CMYK 2 / 85 / 0 / 59

HEX #671069

RGB 103 16 105

HSL 298.65, 0.74%, 0.24%

LAB 24.56, 47.27, -30.42

 

CMYK 0 / 3 / 85 / 58

HEX #6A6710

RGB 106 103 16

HSL 58, 0.74%, 0.24%

LAB 42.46, -9.17, 44.82

 

CMYK 85 / 0 / 3 / 58

HEX #106A67

RGB 16 106 103

HSL 178, 0.74%, 0.24%

LAB 40.24, -24.99, -5.44

 

CMYK 2 / 85 / 0 / 59

HEX #671069

RGB 103 16 105

HSL 298.65, 0.74%, 0.24%

LAB 24.56, 47.27, -30.42

 

CMYK 0 / 71 / 85 / 58

HEX #6A1F10

RGB 106 31 16

HSL 10, 0.74%, 0.24%

LAB 23.94, 32.6, 27.92

 

CMYK 82 / 0 / 85 / 58

HEX #136A10

RGB 19 106 16

HSL 118, 0.74%, 0.24%

LAB 38.7, -42.18, 39.64

 

CMYK 85 / 14 / 0 / 58

HEX #105B6A

RGB 16 91 106

HSL 190, 0.74%, 0.24%

LAB 35.27, -15.92, -14.8

 

CMYK 2 / 85 / 0 / 59

HEX #671069

RGB 103 16 105

HSL 298.65, 0.74%, 0.24%

LAB 24.56, 47.27, -30.42

 

CMYK 0 / 45 / 85 / 58

HEX #6A3A10

RGB 106 58 16

HSL 28, 0.74%, 0.24%

LAB 29.73, 17.82, 33.43

 

CMYK 82 / 0 / 85 / 58

HEX #136A10

RGB 19 106 16

HSL 118, 0.74%, 0.24%

LAB 38.7, -42.18, 39.64

 

CMYK 85 / 40 / 0 / 58

HEX #10406A

RGB 16 64 106

HSL 208, 0.74%, 0.24%

LAB 26.21, 0.92, -28.94

 

Description

Color code: HEX #671069 | qconv.com Color code: HEX #671069 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 16 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 16 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 85 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 85% 0% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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