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Color name
HEX #66F539

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #66F539 it is the complementary color #990AC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #66F539. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #66F539 shade: #6BF534, #7CFF47, #8DFF5A, #9EFF6D and #AFFF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #66F539. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #66F539 shade: #66F539, #55E326, #44D113, #33BF00 and #22AD00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #66F539 shade: #65F538, #98F538, #CBF538, #F5EB38 and #F5B938

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #66F539 shade: #65F538, #38F53E, #38F571, #38F5A4 and #38F5D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #66F539 shade matches the following richer shades: #65F538

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #66F539 shade: #65F538, #6EE449, #77D35A, #80C26B and #89B17C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #66F539 shade: #CCF538, #9AF538, #67F538, #38F53B and #38F56E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #66F539 shade: #3ACF0B, #47F211, #65F538, #84F760 and #A2F987

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #66F539 shade: #66F539, #38F5EB and #F538B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #66F539 shade: #66F539, #3867F5 and #F53867

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #66F539 shade: #66F539, #38F5EB, #C538F5 and #F53842

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #66F539 shade: #66F539, #38C5F5, #C538F5 and #F56738

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 77 / 4

HEX #66F539

RGB 102 245 57

HSL 105.64, 0.9%, 0.59%

LAB 86.22, -69.46, 72.88

 

Complementary color

CMYK 23 / 95 / 0 / 22

HEX #990AC6

RGB 153 10 198

HSL 285.64, 0.9%, 0.41%

LAB 39.69, 73.49, -62.61

 

CMYK 56 / 0 / 79 / 4

HEX #6BF534

RGB 107 245 52

HSL 102.9, 0.91%, 0.58%

LAB 86.34, -68.53, 74.48

 

CMYK 51 / 0 / 72 / 0

HEX #7CFF47

RGB 124 255 71

HSL 102.72, 1%, 0.64%

LAB 89.98, -66.51, 72.36

 

CMYK 45 / 0 / 65 / 0

HEX #8DFF5A

RGB 141 255 90

HSL 101.45, 1%, 0.68%

LAB 90.74, -60.31, 66.41

 

CMYK 38 / 0 / 57 / 0

HEX #9EFF6D

RGB 158 255 109

HSL 99.86, 1%, 0.71%

LAB 91.64, -53.39, 59.75

 

CMYK 31 / 0 / 50 / 0

HEX #AFFF80

RGB 175 255 128

HSL 97.8, 1%, 0.75%

LAB 92.66, -45.89, 52.64

 

CMYK 58 / 0 / 77 / 4

HEX #66F539

RGB 102 245 57

HSL 105.64, 0.9%, 0.59%

LAB 86.22, -69.46, 72.88

 

CMYK 63 / 0 / 83 / 11

HEX #55E326

RGB 85 227 38

HSL 105.08, 0.77%, 0.52%

LAB 80.18, -68.34, 72.2

 

CMYK 67 / 0 / 91 / 18

HEX #44D113

RGB 68 209 19

HSL 104.53, 0.83%, 0.45%

LAB 74.11, -66.77, 70.46

 

CMYK 73 / 0 / 100 / 25

HEX #33BF00

RGB 51 191 0

HSL 103.98, 1%, 0.37%

LAB 68, -64.67, 67.57

 

CMYK 80 / 0 / 100 / 32

HEX #22AD00

RGB 34 173 0

HSL 108.21, 1%, 0.34%

LAB 61.85, -61.78, 62.55

 

CMYK 59 / 0 / 77 / 4

HEX #65F538

RGB 101 245 56

HSL 105.71, 0.9%, 0.59%

LAB 86.18, -69.76, 73.13

 

CMYK 38 / 0 / 77 / 4

HEX #98F538

RGB 152 245 56

HSL 89.52, 0.9%, 0.59%

LAB 88.1, -55.23, 75.61

 

CMYK 17 / 0 / 77 / 4

HEX #CBF538

RGB 203 245 56

HSL 73.33, 0.9%, 0.59%

LAB 90.91, -36.74, 79.24

 

CMYK 0 / 4 / 77 / 4

HEX #F5EB38

RGB 245 235 56

HSL 56.83, 0.9%, 0.59%

LAB 91.29, -15.08, 80.72

 

CMYK 0 / 24 / 77 / 4

HEX #F5B938

RGB 245 185 56

HSL 40.95, 0.9%, 0.59%

LAB 78.69, 10.31, 69.26

 

CMYK 59 / 0 / 77 / 4

HEX #65F538

RGB 101 245 56

HSL 105.71, 0.9%, 0.59%

LAB 86.18, -69.76, 73.13

 

CMYK 77 / 0 / 75 / 4

HEX #38F53E

RGB 56 245 62

HSL 121.9, 0.9%, 0.59%

LAB 85.25, -77.51, 70.05

 

CMYK 77 / 0 / 54 / 4

HEX #38F571

RGB 56 245 113

HSL 138.1, 0.9%, 0.59%

LAB 85.67, -72.3, 50.19

 

CMYK 77 / 0 / 33 / 4

HEX #38F5A4

RGB 56 245 164

HSL 154.29, 0.9%, 0.59%

LAB 86.42, -63.71, 26.24

 

CMYK 77 / 0 / 13 / 4

HEX #38F5D6

RGB 56 245 214

HSL 170.16, 0.9%, 0.59%

LAB 87.49, -52.3, 1.89

 

CMYK 59 / 0 / 77 / 4

HEX #65F538

RGB 101 245 56

HSL 105.71, 0.9%, 0.59%

LAB 86.18, -69.76, 73.13

 

CMYK 59 / 0 / 77 / 4

HEX #65F538

RGB 101 245 56

HSL 105.71, 0.9%, 0.59%

LAB 86.18, -69.76, 73.13

 

CMYK 52 / 0 / 68 / 11

HEX #6EE449

RGB 110 228 73

HSL 105.68, 0.74%, 0.59%

LAB 81.45, -60.37, 62.73

 

CMYK 44 / 0 / 57 / 17

HEX #77D35A

RGB 119 211 90

HSL 105.62, 0.58%, 0.59%

LAB 76.83, -49.6, 50.61

 

CMYK 34 / 0 / 45 / 24

HEX #80C26B

RGB 128 194 107

HSL 105.52, 0.42%, 0.59%

LAB 72.38, -37.36, 37.16

 

CMYK 23 / 0 / 30 / 31

HEX #89B17C

RGB 137 177 124

HSL 105.28, 0.25%, 0.59%

LAB 68.18, -23.64, 22.87

 

CMYK 17 / 0 / 77 / 4

HEX #CCF538

RGB 204 245 56

HSL 73.02, 0.9%, 0.59%

LAB 90.97, -36.35, 79.32

 

CMYK 37 / 0 / 77 / 4

HEX #9AF538

RGB 154 245 56

HSL 88.89, 0.9%, 0.59%

LAB 88.19, -54.57, 75.74

 

CMYK 58 / 0 / 77 / 4

HEX #67F538

RGB 103 245 56

HSL 105.08, 0.9%, 0.59%

LAB 86.24, -69.28, 73.21

 

CMYK 77 / 0 / 76 / 4

HEX #38F53B

RGB 56 245 59

HSL 120.95, 0.9%, 0.59%

LAB 85.23, -77.71, 70.97

 

CMYK 77 / 0 / 55 / 4

HEX #38F56E

RGB 56 245 110

HSL 137.14, 0.9%, 0.59%

LAB 85.64, -72.7, 51.51

 

CMYK 72 / 0 / 95 / 19

HEX #3ACF0B

RGB 58 207 11

HSL 105.61, 0.9%, 0.43%

LAB 73.25, -68.16, 70.69

 

CMYK 71 / 0 / 93 / 5

HEX #47F211

RGB 71 242 17

HSL 105.6, 0.9%, 0.51%

LAB 84.42, -76.36, 79.33

 

CMYK 59 / 0 / 77 / 4

HEX #65F538

RGB 101 245 56

HSL 105.71, 0.9%, 0.59%

LAB 86.18, -69.76, 73.13

 

CMYK 47 / 0 / 61 / 3

HEX #84F760

RGB 132 247 96

HSL 105.7, 0.9%, 0.67%

LAB 88.1, -59.33, 60.98

 

CMYK 35 / 0 / 46 / 2

HEX #A2F987

RGB 162 249 135

HSL 105.79, 0.9%, 0.75%

LAB 90.41, -46.71, 46.43

 

CMYK 58 / 0 / 77 / 4

HEX #66F539

RGB 102 245 57

HSL 105.64, 0.9%, 0.59%

LAB 86.22, -69.46, 72.88

 

CMYK 77 / 0 / 4 / 4

HEX #38F5EB

RGB 56 245 235

HSL 176.83, 0.9%, 0.59%

LAB 88.04, -46.76, -8.27

 

CMYK 0 / 77 / 27 / 4

HEX #F538B3

RGB 245 56 179

HSL 320.95, 0.9%, 0.59%

LAB 57.56, 78.92, -22.25

 

CMYK 58 / 0 / 77 / 4

HEX #66F539

RGB 102 245 57

HSL 105.64, 0.9%, 0.59%

LAB 86.22, -69.46, 72.88

 

CMYK 77 / 58 / 0 / 4

HEX #3867F5

RGB 56 103 245

HSL 225.08, 0.9%, 0.59%

LAB 48.43, 33.7, -75.55

 

CMYK 0 / 77 / 58 / 4

HEX #F53867

RGB 245 56 103

HSL 345.08, 0.9%, 0.59%

LAB 55.3, 72.06, 19.35

 

CMYK 58 / 0 / 77 / 4

HEX #66F539

RGB 102 245 57

HSL 105.64, 0.9%, 0.59%

LAB 86.22, -69.46, 72.88

 

CMYK 77 / 0 / 4 / 4

HEX #38F5EB

RGB 56 245 235

HSL 176.83, 0.9%, 0.59%

LAB 88.04, -46.76, -8.27

 

CMYK 20 / 77 / 0 / 4

HEX #C538F5

RGB 197 56 245

HSL 284.76, 0.9%, 0.59%

LAB 53.27, 78.99, -67.11

 

CMYK 0 / 77 / 73 / 4

HEX #F53842

RGB 245 56 66

HSL 356.83, 0.9%, 0.59%

LAB 54.69, 70.15, 40.22

 

CMYK 58 / 0 / 77 / 4

HEX #66F539

RGB 102 245 57

HSL 105.64, 0.9%, 0.59%

LAB 86.22, -69.46, 72.88

 

CMYK 77 / 20 / 0 / 4

HEX #38C5F5

RGB 56 197 245

HSL 195.24, 0.9%, 0.59%

LAB 74.42, -21.16, -34.21

 

CMYK 20 / 77 / 0 / 4

HEX #C538F5

RGB 197 56 245

HSL 284.76, 0.9%, 0.59%

LAB 53.27, 78.99, -67.11

 

CMYK 0 / 58 / 77 / 4

HEX #F56738

RGB 245 103 56

HSL 14.92, 0.9%, 0.59%

LAB 61.13, 52.03, 52.34

 

Description

Color code: HEX #66F539 | qconv.com Color code: HEX #66F539 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 245 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 245 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 77 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 77% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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