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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #66EE7E it is the complementary color #991181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #66EE7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #66EE7E shade: #6BEE79, #7CFF8C, #8DFF9F, #9EFFB2 and #AFFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #66EE7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #66EE7E shade: #66EE7E, #55DC6B, #44CA58, #33B845 and #22A632

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #66EE7E shade: #68EE7F, #74EE68, #98EE68, #BDEE68 and #E1EE68

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #66EE7E shade: #68EE7F, #68EEA4, #68EEC8, #68EEEC and #68CCEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #66EE7E shade matches the following richer shades: #68EE7F and #5AFC76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #66EE7E shade: #68EE7F, #75E188, #83D391, #90C59A and #9EB8A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #66EE7E shade: #99EE68, #75EE68, #68EE7E, #68EEA2 and #68EEC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #66EE7E shade: #1DE641, #42EA60, #68EE7F, #8DF29F and #B2F6BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #66EE7E shade: #66EE7E, #68BDEE and #EE6887

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #66EE7E shade: #66EE7E, #7E68EE and #EE7E68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #66EE7E shade: #66EE7E, #68BDEE, #EE68D8 and #EE9968

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #66EE7E shade: #66EE7E, #6894EE, #EE68D8 and #EEC168

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 47 / 7

HEX #66EE7E

RGB 102 238 126

HSL 130.59, 0.8%, 0.67%

LAB 84.73, -60.05, 43.13

 

Complementary color

CMYK 0 / 89 / 16 / 40

HEX #991181

RGB 153 17 129

HSL 310.59, 0.8%, 0.33%

LAB 35.51, 61.31, -27.73

 

CMYK 55 / 0 / 49 / 7

HEX #6BEE79

RGB 107 238 121

HSL 126.41, 0.79%, 0.68%

LAB 84.82, -59.6, 45.67

 

CMYK 51 / 0 / 45 / 0

HEX #7CFF8C

RGB 124 255 140

HSL 127.33, 1%, 0.74%

LAB 90.64, -59.28, 44

 

CMYK 45 / 0 / 38 / 0

HEX #8DFF9F

RGB 141 255 159

HSL 129.47, 1%, 0.78%

LAB 91.54, -52, 36.02

 

CMYK 38 / 0 / 30 / 0

HEX #9EFFB2

RGB 158 255 178

HSL 132.37, 1%, 0.81%

LAB 92.58, -44.16, 28.02

 

CMYK 31 / 0 / 23 / 0

HEX #AFFFC5

RGB 175 255 197

HSL 136.5, 1%, 0.84%

LAB 93.74, -35.87, 20.1

 

CMYK 57 / 0 / 47 / 7

HEX #66EE7E

RGB 102 238 126

HSL 130.59, 0.8%, 0.67%

LAB 84.73, -60.05, 43.13

 

CMYK 61 / 0 / 51 / 14

HEX #55DC6B

RGB 85 220 107

HSL 129.78, 0.66%, 0.6%

LAB 78.57, -59.8, 44.49

 

CMYK 66 / 0 / 56 / 21

HEX #44CA58

RGB 68 202 88

HSL 128.96, 0.56%, 0.53%

LAB 72.35, -59.31, 45.85

 

CMYK 72 / 0 / 63 / 28

HEX #33B845

RGB 51 184 69

HSL 128.12, 0.57%, 0.46%

LAB 66.07, -58.45, 47.14

 

CMYK 80 / 0 / 70 / 35

HEX #22A632

RGB 34 166 50

HSL 127.27, 0.66%, 0.39%

LAB 59.75, -57.06, 48.22

 

CMYK 56 / 0 / 47 / 7

HEX #68EE7F

RGB 104 238 127

HSL 130.3, 0.8%, 0.67%

LAB 84.8, -59.45, 42.75

 

CMYK 51 / 0 / 56 / 7

HEX #74EE68

RGB 116 238 104

HSL 114.63, 0.8%, 0.67%

LAB 84.93, -59.47, 53.73

 

CMYK 36 / 0 / 56 / 7

HEX #98EE68

RGB 152 238 104

HSL 98.51, 0.8%, 0.67%

LAB 86.42, -48.83, 55.84

 

CMYK 21 / 0 / 56 / 7

HEX #BDEE68

RGB 189 238 104

HSL 81.94, 0.8%, 0.67%

LAB 88.43, -35.87, 58.69

 

CMYK 5 / 0 / 56 / 7

HEX #E1EE68

RGB 225 238 104

HSL 65.82, 0.8%, 0.67%

LAB 90.85, -22.04, 62.08

 

CMYK 56 / 0 / 47 / 7

HEX #68EE7F

RGB 104 238 127

HSL 130.3, 0.8%, 0.67%

LAB 84.8, -59.45, 42.75

 

CMYK 56 / 0 / 31 / 7

HEX #68EEA4

RGB 104 238 164

HSL 146.87, 0.8%, 0.67%

LAB 85.39, -53.23, 25.02

 

CMYK 56 / 0 / 16 / 7

HEX #68EEC8

RGB 104 238 200

HSL 162.99, 0.8%, 0.67%

LAB 86.14, -45.68, 7.39

 

CMYK 56 / 0 / 1 / 7

HEX #68EEEC

RGB 104 238 236

HSL 179.1, 0.8%, 0.67%

LAB 87.07, -36.84, -10.12

 

CMYK 56 / 14 / 0 / 7

HEX #68CCEE

RGB 104 204 238

HSL 195.22, 0.8%, 0.67%

LAB 77.46, -19.8, -25.67

 

CMYK 56 / 0 / 47 / 7

HEX #68EE7F

RGB 104 238 127

HSL 130.3, 0.8%, 0.67%

LAB 84.8, -59.45, 42.75

 

CMYK 64 / 0 / 53 / 1

HEX #5AFC76

RGB 90 252 118

HSL 130.37, 0.96%, 0.67%

LAB 88.5, -68.68, 51.46

 

CMYK 56 / 0 / 47 / 7

HEX #68EE7F

RGB 104 238 127

HSL 130.3, 0.8%, 0.67%

LAB 84.8, -59.45, 42.75

 

CMYK 48 / 0 / 40 / 12

HEX #75E188

RGB 117 225 136

HSL 130.56, 0.64%, 0.67%

LAB 81.52, -49.72, 34.17

 

CMYK 38 / 0 / 31 / 17

HEX #83D391

RGB 131 211 145

HSL 130.5, 0.48%, 0.67%

LAB 78.14, -38.21, 25.16

 

CMYK 27 / 0 / 22 / 23

HEX #90C59A

RGB 144 197 154

HSL 131.32, 0.31%, 0.67%

LAB 74.95, -25.95, 16.11

 

CMYK 14 / 0 / 11 / 28

HEX #9EB8A3

RGB 158 184 163

HSL 131.54, 0.15%, 0.67%

LAB 72.36, -12.99, 7.7

 

CMYK 36 / 0 / 56 / 7

HEX #99EE68

RGB 153 238 104

HSL 98.06, 0.8%, 0.67%

LAB 86.46, -48.5, 55.91

 

CMYK 51 / 0 / 56 / 7

HEX #75EE68

RGB 117 238 104

HSL 114.18, 0.8%, 0.67%

LAB 84.96, -59.21, 53.78

 

CMYK 56 / 0 / 47 / 7

HEX #68EE7E

RGB 104 238 126

HSL 129.85, 0.8%, 0.67%

LAB 84.79, -59.6, 43.22

 

CMYK 56 / 0 / 32 / 7

HEX #68EEA2

RGB 104 238 162

HSL 145.97, 0.8%, 0.67%

LAB 85.35, -53.61, 25.99

 

CMYK 56 / 0 / 17 / 7

HEX #68EEC6

RGB 104 238 198

HSL 162.09, 0.8%, 0.67%

LAB 86.09, -46.13, 8.37

 

CMYK 87 / 0 / 72 / 10

HEX #1DE641

RGB 29 230 65

HSL 130.75, 0.8%, 0.51%

LAB 80.31, -75.63, 63.97

 

CMYK 72 / 0 / 59 / 8

HEX #42EA60

RGB 66 234 96

HSL 130.71, 0.8%, 0.59%

LAB 82.3, -69.52, 53.87

 

CMYK 56 / 0 / 47 / 7

HEX #68EE7F

RGB 104 238 127

HSL 130.3, 0.8%, 0.67%

LAB 84.8, -59.45, 42.75

 

CMYK 42 / 0 / 34 / 5

HEX #8DF29F

RGB 141 242 159

HSL 130.69, 0.8%, 0.75%

LAB 87.81, -46.55, 31.06

 

CMYK 28 / 0 / 23 / 4

HEX #B2F6BE

RGB 178 246 190

HSL 130.59, 0.79%, 0.83%

LAB 91.28, -32.03, 20.28

 

CMYK 57 / 0 / 47 / 7

HEX #66EE7E

RGB 102 238 126

HSL 130.59, 0.8%, 0.67%

LAB 84.73, -60.05, 43.13

 

CMYK 56 / 21 / 0 / 7

HEX #68BDEE

RGB 104 189 238

HSL 201.94, 0.8%, 0.67%

LAB 73.23, -11.98, -32.17

 

CMYK 0 / 56 / 43 / 7

HEX #EE6887

RGB 238 104 135

HSL 346.12, 0.8%, 0.67%

LAB 61.5, 54.42, 9.03

 

CMYK 57 / 0 / 47 / 7

HEX #66EE7E

RGB 102 238 126

HSL 130.59, 0.8%, 0.67%

LAB 84.73, -60.05, 43.13

 

CMYK 47 / 56 / 0 / 7

HEX #7E68EE

RGB 126 104 238

HSL 249.85, 0.8%, 0.67%

LAB 52.41, 41.69, -64.99

 

CMYK 0 / 47 / 56 / 7

HEX #EE7E68

RGB 238 126 104

HSL 9.85, 0.8%, 0.67%

LAB 65.04, 41.02, 31.41

 

CMYK 57 / 0 / 47 / 7

HEX #66EE7E

RGB 102 238 126

HSL 130.59, 0.8%, 0.67%

LAB 84.73, -60.05, 43.13

 

CMYK 56 / 21 / 0 / 7

HEX #68BDEE

RGB 104 189 238

HSL 201.94, 0.8%, 0.67%

LAB 73.23, -11.98, -32.17

 

CMYK 0 / 56 / 9 / 7

HEX #EE68D8

RGB 238 104 216

HSL 309.85, 0.8%, 0.67%

LAB 64.19, 64.87, -33.17

 

CMYK 0 / 36 / 56 / 7

HEX #EE9968

RGB 238 153 104

HSL 21.94, 0.8%, 0.67%

LAB 70.84, 27, 38.75

 

CMYK 57 / 0 / 47 / 7

HEX #66EE7E

RGB 102 238 126

HSL 130.59, 0.8%, 0.67%

LAB 84.73, -60.05, 43.13

 

CMYK 56 / 38 / 0 / 7

HEX #6894EE

RGB 104 148 238

HSL 220.3, 0.8%, 0.67%

LAB 61.91, 11.05, -49.88

 

CMYK 0 / 56 / 9 / 7

HEX #EE68D8

RGB 238 104 216

HSL 309.85, 0.8%, 0.67%

LAB 64.19, 64.87, -33.17

 

CMYK 0 / 19 / 56 / 7

HEX #EEC168

RGB 238 193 104

HSL 39.85, 0.8%, 0.67%

LAB 80.36, 5.89, 50.28

 

Description

Color code: HEX #66EE7E | qconv.com Color code: HEX #66EE7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 238 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 238 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 47 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 47% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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