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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #66D2FB it is the complementary color #992D04. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #66D2FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #66D2FB shade: #6BD2F6, #7CE4FF, #8DF6FF, #9EFFFF and #AFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #66D2FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #66D2FB shade: #66D2FB, #55C0E8, #44AED5, #339CC2 and #228AAF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #66D2FB shade: #65D2FB, #65A9FB, #6581FB, #7165FB and #9A65FB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #66D2FB shade: #65D2FB, #65A9FB, #6581FB and #6565FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #66D2FB shade matches the following richer shades: #65D2FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #66D2FB shade: #65D2FB, #72CCEE, #7EC6E1, #8BC0D5 and #98BBC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #66D2FB shade: #65FBD3, #65FBFB, #65D3FB, #65ABFB and #6583FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #66D2FB shade: #14BAF9, #3DC6FA, #65D2FB, #8DDEFC and #B5E9FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #66D2FB shade: #66D2FB, #AB65FB and #FBE765

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #66D2FB shade: #66D2FB, #FB65D3 and #D3FB65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #66D2FB shade: #66D2FB, #AB65FB, #FB8D65 and #B5FB65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #66D2FB shade: #66D2FB, #D865FB, #FB8D65 and #88FB65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 16 / 0 / 2

HEX #66D2FB

RGB 102 210 251

HSL 196.51, 0.95%, 0.69%

LAB 79.55, -19.45, -29.43

 

Complementary color

CMYK 0 / 71 / 97 / 40

HEX #992D04

RGB 153 45 4

HSL 16.51, 0.95%, 0.31%

LAB 35.32, 43.47, 46

 

CMYK 57 / 15 / 0 / 4

HEX #6BD2F6

RGB 107 210 246

HSL 195.54, 0.89%, 0.69%

LAB 79.54, -19.98, -26.76

 

CMYK 51 / 11 / 0 / 0

HEX #7CE4FF

RGB 124 228 255

HSL 192.37, 1%, 0.74%

LAB 85.5, -23.11, -22.4

 

CMYK 45 / 4 / 0 / 0

HEX #8DF6FF

RGB 141 246 255

HSL 184.74, 1%, 0.78%

LAB 91.14, -28.21, -13.83

 

CMYK 38 / 0 / 0 / 0

HEX #9EFFFF

RGB 158 255 255

HSL 180, 1%, 0.81%

LAB 94.32, -28.51, -9.03

 

CMYK 31 / 0 / 0 / 0

HEX #AFFFFF

RGB 175 255 255

HSL 180, 1%, 0.84%

LAB 95.1, -24.16, -7.78

 

CMYK 59 / 16 / 0 / 2

HEX #66D2FB

RGB 102 210 251

HSL 196.51, 0.95%, 0.69%

LAB 79.55, -19.45, -29.43

 

CMYK 63 / 17 / 0 / 9

HEX #55C0E8

RGB 85 192 232

HSL 196.33, 0.76%, 0.62%

LAB 73.19, -18.83, -29.04

 

CMYK 68 / 18 / 0 / 16

HEX #44AED5

RGB 68 174 213

HSL 196.14, 0.63%, 0.55%

LAB 66.75, -18.05, -28.61

 

CMYK 74 / 20 / 0 / 24

HEX #339CC2

RGB 51 156 194

HSL 195.94, 0.58%, 0.48%

LAB 60.23, -17.02, -28.15

 

CMYK 81 / 21 / 0 / 31

HEX #228AAF

RGB 34 138 175

HSL 195.74, 0.67%, 0.41%

LAB 53.61, -15.68, -27.62

 

CMYK 60 / 16 / 0 / 2

HEX #65D2FB

RGB 101 210 251

HSL 196.4, 0.95%, 0.69%

LAB 79.51, -19.63, -29.48

 

CMYK 60 / 33 / 0 / 2

HEX #65A9FB

RGB 101 169 251

HSL 212.8, 0.95%, 0.69%

LAB 68.1, 2.48, -47.23

 

CMYK 60 / 49 / 0 / 2

HEX #6581FB

RGB 101 129 251

HSL 228.8, 0.95%, 0.69%

LAB 57.49, 26.01, -64.1

 

CMYK 55 / 60 / 0 / 2

HEX #7165FB

RGB 113 101 251

HSL 244.8, 0.95%, 0.69%

LAB 51.59, 44.79, -73.61

 

CMYK 39 / 60 / 0 / 2

HEX #9A65FB

RGB 154 101 251

HSL 261.2, 0.95%, 0.69%

LAB 55.22, 52.74, -67.56

 

CMYK 60 / 16 / 0 / 2

HEX #65D2FB

RGB 101 210 251

HSL 196.4, 0.95%, 0.69%

LAB 79.51, -19.63, -29.48

 

CMYK 60 / 33 / 0 / 2

HEX #65A9FB

RGB 101 169 251

HSL 212.8, 0.95%, 0.69%

LAB 68.1, 2.48, -47.23

 

CMYK 60 / 49 / 0 / 2

HEX #6581FB

RGB 101 129 251

HSL 228.8, 0.95%, 0.69%

LAB 57.49, 26.01, -64.1

 

CMYK 60 / 60 / 0 / 2

HEX #6565FB

RGB 101 101 251

HSL 240, 0.95%, 0.69%

LAB 50.73, 42.79, -75.04

 

CMYK 60 / 16 / 0 / 2

HEX #65D2FB

RGB 101 210 251

HSL 196.4, 0.95%, 0.69%

LAB 79.51, -19.63, -29.48

 

CMYK 60 / 16 / 0 / 2

HEX #65D2FB

RGB 101 210 251

HSL 196.4, 0.95%, 0.69%

LAB 79.51, -19.63, -29.48

 

CMYK 52 / 14 / 0 / 7

HEX #72CCEE

RGB 114 204 238

HSL 196.45, 0.78%, 0.69%

LAB 77.84, -17.78, -25.06

 

CMYK 44 / 12 / 0 / 12

HEX #7EC6E1

RGB 126 198 225

HSL 196.36, 0.62%, 0.69%

LAB 76.23, -15.53, -20.47

 

CMYK 35 / 10 / 0 / 16

HEX #8BC0D5

RGB 139 192 213

HSL 197.03, 0.47%, 0.69%

LAB 74.82, -12.12, -16.05

 

CMYK 24 / 7 / 0 / 22

HEX #98BBC8

RGB 152 187 200

HSL 196.25, 0.3%, 0.69%

LAB 73.8, -8.81, -10.44

 

CMYK 60 / 0 / 16 / 2

HEX #65FBD3

RGB 101 251 211

HSL 164, 0.95%, 0.69%

LAB 90.07, -49.27, 7.31

 

CMYK 60 / 0 / 0 / 2

HEX #65FBFB

RGB 101 251 251

HSL 180, 0.95%, 0.69%

LAB 91.11, -39.35, -11.94

 

CMYK 60 / 16 / 0 / 2

HEX #65D3FB

RGB 101 211 251

HSL 196, 0.95%, 0.69%

LAB 79.8, -20.14, -29.05

 

CMYK 60 / 32 / 0 / 2

HEX #65ABFB

RGB 101 171 251

HSL 212, 0.95%, 0.69%

LAB 68.65, 1.34, -46.36

 

CMYK 60 / 48 / 0 / 2

HEX #6583FB

RGB 101 131 251

HSL 228, 0.95%, 0.69%

LAB 58, 24.81, -63.28

 

CMYK 92 / 25 / 0 / 2

HEX #14BAF9

RGB 20 186 249

HSL 196.51, 0.95%, 0.53%

LAB 70.94, -16.56, -41.81

 

CMYK 76 / 21 / 0 / 2

HEX #3DC6FA

RGB 61 198 250

HSL 196.51, 0.95%, 0.61%

LAB 75, -19.52, -35.99

 

CMYK 60 / 16 / 0 / 2

HEX #65D2FB

RGB 101 210 251

HSL 196.4, 0.95%, 0.69%

LAB 79.51, -19.63, -29.48

 

CMYK 44 / 12 / 0 / 1

HEX #8DDEFC

RGB 141 222 252

HSL 196.22, 0.95%, 0.77%

LAB 84.45, -17.13, -22.34

 

CMYK 28 / 8 / 0 / 1

HEX #B5E9FD

RGB 181 233 253

HSL 196.67, 0.95%, 0.85%

LAB 89.48, -12.08, -15.08

 

CMYK 59 / 16 / 0 / 2

HEX #66D2FB

RGB 102 210 251

HSL 196.51, 0.95%, 0.69%

LAB 79.55, -19.45, -29.43

 

CMYK 32 / 60 / 0 / 2

HEX #AB65FB

RGB 171 101 251

HSL 268, 0.95%, 0.69%

LAB 57.01, 56.42, -64.58

 

CMYK 0 / 8 / 60 / 2

HEX #FBE765

RGB 251 231 101

HSL 52, 0.95%, 0.69%

LAB 91.05, -8.38, 64.17

 

CMYK 59 / 16 / 0 / 2

HEX #66D2FB

RGB 102 210 251

HSL 196.51, 0.95%, 0.69%

LAB 79.55, -19.45, -29.43

 

CMYK 0 / 60 / 16 / 2

HEX #FB65D3

RGB 251 101 211

HSL 316, 0.95%, 0.69%

LAB 65.37, 68.91, -28.39

 

CMYK 16 / 0 / 60 / 2

HEX #D3FB65

RGB 211 251 101

HSL 76, 0.95%, 0.69%

LAB 93.36, -33.78, 65.87

 

CMYK 59 / 16 / 0 / 2

HEX #66D2FB

RGB 102 210 251

HSL 196.51, 0.95%, 0.69%

LAB 79.55, -19.45, -29.43

 

CMYK 32 / 60 / 0 / 2

HEX #AB65FB

RGB 171 101 251

HSL 268, 0.95%, 0.69%

LAB 57.01, 56.42, -64.58

 

CMYK 0 / 44 / 60 / 2

HEX #FB8D65

RGB 251 141 101

HSL 16, 0.95%, 0.69%

LAB 69.82, 38.11, 39.43

 

CMYK 28 / 0 / 60 / 2

HEX #B5FB65

RGB 181 251 101

HSL 88, 0.95%, 0.69%

LAB 91.58, -44.77, 63.4

 

CMYK 59 / 16 / 0 / 2

HEX #66D2FB

RGB 102 210 251

HSL 196.51, 0.95%, 0.69%

LAB 79.55, -19.45, -29.43

 

CMYK 14 / 60 / 0 / 2

HEX #D865FB

RGB 216 101 251

HSL 286, 0.95%, 0.69%

LAB 62.4, 66.73, -55.65

 

CMYK 0 / 44 / 60 / 2

HEX #FB8D65

RGB 251 141 101

HSL 16, 0.95%, 0.69%

LAB 69.82, 38.11, 39.43

 

CMYK 46 / 0 / 60 / 2

HEX #88FB65

RGB 136 251 101

HSL 106, 0.95%, 0.69%

LAB 89.47, -59.23, 60.46

 

Description

Color code: HEX #66D2FB | qconv.com Color code: HEX #66D2FB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 210 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 210 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 16 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 16% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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