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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #66CEC3 it is the complementary color #99313C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #66CEC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #66CEC3 shade: #6BCEBE, #7CE0D1, #8DF2E4, #9EFFF7 and #AFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #66CEC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #66CEC3 shade: #66CEC3, #55BCB0, #44AA9D, #33988A and #228677

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #66CEC3 shade: #65CDC2, #65CDA6, #65CD8A, #65CD6E and #78CD65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #66CEC3 shade: #65CDC2, #65BCCD, #65A0CD, #6584CD and #6568CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #66CEC3 shade matches the following richer shades: #65CDC2, #54DECF, #44EEDC and #33FFE9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #66CEC3 shade: #65CDC2, #75BDB5, #86ACA8, #969C9B and #A78B8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #66CEC3 shade: #65CD89, #65CDA5, #65CDC1, #65BDCD and #65A2CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #66CEC3 shade: #37A99D, #46C3B6, #65CDC2, #84D7CE and #A3E1DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #66CEC3 shade: #66CEC3, #6E65CD and #CD9765

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #66CEC3 shade: #66CEC3, #C165CD and #CDC165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #66CEC3 shade: #66CEC3, #6E65CD, #CD6571 and #C4CD65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #66CEC3 shade: #66CEC3, #8D65CD, #CD6571 and #A5CD65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 5 / 19

HEX #66CEC3

RGB 102 206 195

HSL 173.65, 0.51%, 0.6%

LAB 76.62, -32.84, -3.8

 

Complementary color

CMYK 0 / 68 / 61 / 40

HEX #99313C

RGB 153 49 60

HSL 353.65, 0.51%, 0.4%

LAB 36.55, 44.01, 17.68

 

CMYK 48 / 0 / 8 / 19

HEX #6BCEBE

RGB 107 206 190

HSL 170.3, 0.5%, 0.61%

LAB 76.67, -32.95, -1.02

 

CMYK 45 / 0 / 7 / 12

HEX #7CE0D1

RGB 124 224 209

HSL 171, 0.62%, 0.68%

LAB 83.02, -32.89, -1.79

 

CMYK 42 / 0 / 6 / 5

HEX #8DF2E4

RGB 141 242 228

HSL 171.68, 0.8%, 0.75%

LAB 89.28, -32.81, -2.51

 

CMYK 38 / 0 / 3 / 0

HEX #9EFFF7

RGB 158 255 247

HSL 175.05, 1%, 0.81%

LAB 94.1, -30.36, -5.22

 

CMYK 31 / 0 / 0 / 0

HEX #AFFFFF

RGB 175 255 255

HSL 180, 1%, 0.84%

LAB 95.1, -24.16, -7.78

 

CMYK 50 / 0 / 5 / 19

HEX #66CEC3

RGB 102 206 195

HSL 173.65, 0.51%, 0.6%

LAB 76.62, -32.84, -3.8

 

CMYK 55 / 0 / 6 / 26

HEX #55BCB0

RGB 85 188 176

HSL 173.01, 0.43%, 0.54%

LAB 70.2, -32.76, -3

 

CMYK 60 / 0 / 8 / 33

HEX #44AA9D

RGB 68 170 157

HSL 172.35, 0.43%, 0.47%

LAB 63.68, -32.59, -2.12

 

CMYK 66 / 0 / 9 / 40

HEX #33988A

RGB 51 152 138

HSL 171.68, 0.5%, 0.4%

LAB 57.07, -32.25, -1.14

 

CMYK 75 / 0 / 11 / 47

HEX #228677

RGB 34 134 119

HSL 171, 0.6%, 0.33%

LAB 50.36, -31.67, -0.04

 

CMYK 51 / 0 / 5 / 20

HEX #65CDC2

RGB 101 205 194

HSL 173.65, 0.51%, 0.6%

LAB 76.27, -32.84, -3.79

 

CMYK 51 / 0 / 19 / 20

HEX #65CDA6

RGB 101 205 166

HSL 157.5, 0.51%, 0.6%

LAB 75.56, -39.46, 10.26

 

CMYK 51 / 0 / 33 / 20

HEX #65CD8A

RGB 101 205 138

HSL 141.35, 0.51%, 0.6%

LAB 74.99, -45.15, 24.35

 

CMYK 51 / 0 / 46 / 20

HEX #65CD6E

RGB 101 205 110

HSL 125.19, 0.51%, 0.6%

LAB 74.54, -49.79, 38.13

 

CMYK 41 / 0 / 51 / 20

HEX #78CD65

RGB 120 205 101

HSL 109.04, 0.51%, 0.6%

LAB 75.2, -45.53, 43.53

 

CMYK 51 / 0 / 5 / 20

HEX #65CDC2

RGB 101 205 194

HSL 173.65, 0.51%, 0.6%

LAB 76.27, -32.84, -3.79

 

CMYK 51 / 8 / 0 / 20

HEX #65BCCD

RGB 101 188 205

HSL 189.81, 0.51%, 0.6%

LAB 71.65, -21.59, -16.65

 

CMYK 51 / 22 / 0 / 20

HEX #65A0CD

RGB 101 160 205

HSL 205.96, 0.51%, 0.6%

LAB 63.6, -6.68, -28.94

 

CMYK 51 / 36 / 0 / 20

HEX #6584CD

RGB 101 132 205

HSL 222.12, 0.51%, 0.6%

LAB 55.76, 9.48, -41.17

 

CMYK 51 / 49 / 0 / 20

HEX #6568CD

RGB 101 104 205

HSL 238.27, 0.51%, 0.6%

LAB 48.35, 26.49, -52.95

 

CMYK 51 / 0 / 5 / 20

HEX #65CDC2

RGB 101 205 194

HSL 173.65, 0.51%, 0.6%

LAB 76.27, -32.84, -3.79

 

CMYK 62 / 0 / 7 / 13

HEX #54DECF

RGB 84 222 207

HSL 173.48, 0.68%, 0.6%

LAB 81.09, -40.57, -3.71

 

CMYK 71 / 0 / 8 / 7

HEX #44EEDC

RGB 68 238 220

HSL 173.65, 0.83%, 0.6%

LAB 85.78, -46.49, -3.73

 

CMYK 80 / 0 / 9 / 0

HEX #33FFE9

RGB 51 255 233

HSL 173.53, 1%, 0.6%

LAB 90.83, -51.97, -3.12

 

CMYK 51 / 0 / 5 / 20

HEX #65CDC2

RGB 101 205 194

HSL 173.65, 0.51%, 0.6%

LAB 76.27, -32.84, -3.79

 

CMYK 38 / 0 / 4 / 26

HEX #75BDB5

RGB 117 189 181

HSL 173.33, 0.35%, 0.6%

LAB 71.9, -24.39, -3.08

 

CMYK 22 / 0 / 2 / 33

HEX #86ACA8

RGB 134 172 168

HSL 173.68, 0.19%, 0.6%

LAB 67.58, -13.67, -2.18

 

CMYK 4 / 0 / 1 / 39

HEX #969C9B

RGB 150 156 155

HSL 170, 0.03%, 0.6%

LAB 63.86, -2.34, -0.23

 

CMYK 0 / 17 / 15 / 35

HEX #A78B8E

RGB 167 139 142

HSL 353.57, 0.14%, 0.6%

LAB 60.46, 11.07, 2.36

 

CMYK 51 / 0 / 33 / 20

HEX #65CD89

RGB 101 205 137

HSL 140.77, 0.51%, 0.6%

LAB 74.97, -45.33, 24.85

 

CMYK 51 / 0 / 20 / 20

HEX #65CDA5

RGB 101 205 165

HSL 156.92, 0.51%, 0.6%

LAB 75.54, -39.68, 10.77

 

CMYK 51 / 0 / 6 / 20

HEX #65CDC1

RGB 101 205 193

HSL 173.08, 0.51%, 0.6%

LAB 76.24, -33.09, -3.29

 

CMYK 51 / 8 / 0 / 20

HEX #65BDCD

RGB 101 189 205

HSL 189.23, 0.51%, 0.6%

LAB 71.94, -22.1, -16.21

 

CMYK 51 / 21 / 0 / 20

HEX #65A2CD

RGB 101 162 205

HSL 204.81, 0.51%, 0.6%

LAB 64.17, -7.78, -28.06

 

CMYK 67 / 0 / 7 / 34

HEX #37A99D

RGB 55 169 157

HSL 173.68, 0.51%, 0.44%

LAB 63.03, -34.35, -3.12

 

CMYK 64 / 0 / 7 / 24

HEX #46C3B6

RGB 70 195 182

HSL 173.76, 0.51%, 0.52%

LAB 72.03, -37.2, -3.63

 

CMYK 51 / 0 / 5 / 20

HEX #65CDC2

RGB 101 205 194

HSL 173.65, 0.51%, 0.6%

LAB 76.27, -32.84, -3.79

 

CMYK 39 / 0 / 4 / 16

HEX #84D7CE

RGB 132 215 206

HSL 173.49, 0.51%, 0.68%

LAB 80.72, -27.32, -3.54

 

CMYK 28 / 0 / 3 / 12

HEX #A3E1DB

RGB 163 225 219

HSL 174.19, 0.51%, 0.76%

LAB 85.38, -20.78, -3.41

 

CMYK 50 / 0 / 5 / 19

HEX #66CEC3

RGB 102 206 195

HSL 173.65, 0.51%, 0.6%

LAB 76.62, -32.84, -3.8

 

CMYK 46 / 51 / 0 / 20

HEX #6E65CD

RGB 110 101 205

HSL 245.19, 0.51%, 0.6%

LAB 48.3, 30.33, -53

 

CMYK 0 / 26 / 51 / 20

HEX #CD9765

RGB 205 151 101

HSL 28.85, 0.51%, 0.6%

LAB 66.56, 14.39, 34.15

 

CMYK 50 / 0 / 5 / 19

HEX #66CEC3

RGB 102 206 195

HSL 173.65, 0.51%, 0.6%

LAB 76.62, -32.84, -3.8

 

CMYK 6 / 51 / 0 / 20

HEX #C165CD

RGB 193 101 205

HSL 293.08, 0.51%, 0.6%

LAB 57.13, 52.06, -38.44

 

CMYK 0 / 6 / 51 / 20

HEX #CDC165

RGB 205 193 101

HSL 53.08, 0.51%, 0.6%

LAB 77.32, -7.97, 47.38

 

CMYK 50 / 0 / 5 / 19

HEX #66CEC3

RGB 102 206 195

HSL 173.65, 0.51%, 0.6%

LAB 76.62, -32.84, -3.8

 

CMYK 46 / 51 / 0 / 20

HEX #6E65CD

RGB 110 101 205

HSL 245.19, 0.51%, 0.6%

LAB 48.3, 30.33, -53

 

CMYK 0 / 51 / 45 / 20

HEX #CD6571

RGB 205 101 113

HSL 353.08, 0.51%, 0.6%

LAB 55.56, 42.29, 12.76

 

CMYK 4 / 0 / 51 / 20

HEX #C4CD65

RGB 196 205 101

HSL 65.19, 0.51%, 0.6%

LAB 79.81, -17.72, 50.16

 

CMYK 50 / 0 / 5 / 19

HEX #66CEC3

RGB 102 206 195

HSL 173.65, 0.51%, 0.6%

LAB 76.62, -32.84, -3.8

 

CMYK 31 / 51 / 0 / 20

HEX #8D65CD

RGB 141 101 205

HSL 263.08, 0.51%, 0.6%

LAB 51.13, 37.95, -48.32

 

CMYK 0 / 51 / 45 / 20

HEX #CD6571

RGB 205 101 113

HSL 353.08, 0.51%, 0.6%

LAB 55.56, 42.29, 12.76

 

CMYK 20 / 0 / 51 / 20

HEX #A5CD65

RGB 165 205 101

HSL 83.08, 0.51%, 0.6%

LAB 77.64, -29.87, 47.06

 

Description

Color code: HEX #66CEC3 | qconv.com Color code: HEX #66CEC3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 206 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 206 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 5 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 5% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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