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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #66B8DB it is the complementary color #994724. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #66B8DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #66B8DB shade: #6BB8D6, #7CCAE9, #8DDCFC, #9EEEFF and #AFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #66B8DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #66B8DB shade: #66B8DB, #55A6C8, #4494B5, #3382A2 and #22708F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #66B8DB shade: #66B8DB, #6699DB, #6679DB, #7366DB and #9266DB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #66B8DB shade: #66B8DB, #6699DB, #6679DB and #6666DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #66B8DB shade matches the following richer shades: #66B8DB, #57BEEA and #48C4FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #66B8DB shade: #66B8DB, #75B2CC, #85ACBD, #94A6AD and #A3A09E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #66B8DB shade: #66DBBE, #66D9DB, #66BADB, #669BDB and #667CDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #66B8DB shade: #2D95C1, #45A9D3, #66B8DB, #88C8E3 and #A9D7EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #66B8DB shade: #66B8DB, #9F66DB and #DBCD66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #66B8DB shade: #66B8DB, #DB66BA and #BADB66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #66B8DB shade: #66B8DB, #9F66DB, #DB8766 and #A3DB66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #66B8DB shade: #66B8DB, #C266DB, #DB8766 and #80DB66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 16 / 0 / 14

HEX #66B8DB

RGB 102 184 219

HSL 197.95, 0.62%, 0.63%

LAB 71.02, -15.33, -25.25

 

Complementary color

CMYK 0 / 54 / 76 / 40

HEX #994724

RGB 153 71 36

HSL 17.95, 0.62%, 0.37%

LAB 40.26, 31.91, 36.3

 

CMYK 50 / 14 / 0 / 16

HEX #6BB8D6

RGB 107 184 214

HSL 196.82, 0.57%, 0.63%

LAB 71.05, -15.68, -22.45

 

CMYK 47 / 13 / 0 / 9

HEX #7CCAE9

RGB 124 202 233

HSL 197.06, 0.71%, 0.7%

LAB 77.52, -15.92, -22.82

 

CMYK 44 / 13 / 0 / 1

HEX #8DDCFC

RGB 141 220 252

HSL 197.3, 0.95%, 0.77%

LAB 83.9, -16.12, -23.17

 

CMYK 38 / 7 / 0 / 0

HEX #9EEEFF

RGB 158 238 255

HSL 190.52, 1%, 0.81%

LAB 89.69, -20.25, -15.93

 

CMYK 31 / 0 / 0 / 0

HEX #AFFFFF

RGB 175 255 255

HSL 180, 1%, 0.84%

LAB 95.1, -24.16, -7.78

 

CMYK 53 / 16 / 0 / 14

HEX #66B8DB

RGB 102 184 219

HSL 197.95, 0.62%, 0.63%

LAB 71.02, -15.33, -25.25

 

CMYK 58 / 17 / 0 / 22

HEX #55A6C8

RGB 85 166 200

HSL 197.74, 0.51%, 0.56%

LAB 64.46, -14.89, -24.89

 

CMYK 62 / 18 / 0 / 29

HEX #4494B5

RGB 68 148 181

HSL 197.52, 0.45%, 0.49%

LAB 57.79, -14.31, -24.52

 

CMYK 69 / 20 / 0 / 36

HEX #3382A2

RGB 51 130 162

HSL 197.3, 0.52%, 0.42%

LAB 51.01, -13.51, -24.11

 

CMYK 76 / 22 / 0 / 44

HEX #22708F

RGB 34 112 143

HSL 197.06, 0.62%, 0.35%

LAB 44.11, -12.41, -23.66

 

CMYK 53 / 16 / 0 / 14

HEX #66B8DB

RGB 102 184 219

HSL 197.95, 0.62%, 0.63%

LAB 71.02, -15.33, -25.25

 

CMYK 53 / 30 / 0 / 14

HEX #6699DB

RGB 102 153 219

HSL 213.85, 0.62%, 0.63%

LAB 62.27, 1.75, -38.79

 

CMYK 53 / 45 / 0 / 14

HEX #6679DB

RGB 102 121 219

HSL 230.26, 0.62%, 0.63%

LAB 53.62, 20.73, -52.48

 

CMYK 47 / 53 / 0 / 14

HEX #7366DB

RGB 115 102 219

HSL 246.67, 0.62%, 0.63%

LAB 49.81, 35, -58.52

 

CMYK 33 / 53 / 0 / 14

HEX #9266DB

RGB 146 102 219

HSL 262.56, 0.62%, 0.63%

LAB 52.65, 42.21, -53.81

 

CMYK 53 / 16 / 0 / 14

HEX #66B8DB

RGB 102 184 219

HSL 197.95, 0.62%, 0.63%

LAB 71.02, -15.33, -25.25

 

CMYK 53 / 30 / 0 / 14

HEX #6699DB

RGB 102 153 219

HSL 213.85, 0.62%, 0.63%

LAB 62.27, 1.75, -38.79

 

CMYK 53 / 45 / 0 / 14

HEX #6679DB

RGB 102 121 219

HSL 230.26, 0.62%, 0.63%

LAB 53.62, 20.73, -52.48

 

CMYK 53 / 53 / 0 / 14

HEX #6666DB

RGB 102 102 219

HSL 240, 0.62%, 0.63%

LAB 48.81, 32.29, -60.18

 

CMYK 53 / 16 / 0 / 14

HEX #66B8DB

RGB 102 184 219

HSL 197.95, 0.62%, 0.63%

LAB 71.02, -15.33, -25.25

 

CMYK 63 / 19 / 0 / 8

HEX #57BEEA

RGB 87 190 234

HSL 197.96, 0.78%, 0.63%

LAB 72.76, -16.84, -30.79

 

CMYK 71 / 22 / 0 / 2

HEX #48C4FA

RGB 72 196 250

HSL 198.2, 0.95%, 0.63%

LAB 74.67, -17.18, -36.49

 

CMYK 53 / 16 / 0 / 14

HEX #66B8DB

RGB 102 184 219

HSL 197.95, 0.62%, 0.63%

LAB 71.02, -15.33, -25.25

 

CMYK 43 / 13 / 0 / 20

HEX #75B2CC

RGB 117 178 204

HSL 197.93, 0.46%, 0.63%

LAB 69.46, -12.87, -19.36

 

CMYK 30 / 9 / 0 / 26

HEX #85ACBD

RGB 133 172 189

HSL 198.21, 0.3%, 0.63%

LAB 68.14, -9.11, -12.98

 

CMYK 14 / 4 / 0 / 32

HEX #94A6AD

RGB 148 166 173

HSL 196.8, 0.13%, 0.63%

LAB 66.96, -4.8, -5.75

 

CMYK 0 / 2 / 3 / 36

HEX #A3A09E

RGB 163 160 158

HSL 24, 0.03%, 0.63%

LAB 66.06, 0.71, 1.42

 

CMYK 53 / 0 / 13 / 14

HEX #66DBBE

RGB 102 219 190

HSL 165.13, 0.62%, 0.63%

LAB 80.3, -40.04, 4.23

 

CMYK 53 / 1 / 0 / 14

HEX #66D9DB

RGB 102 217 219

HSL 181.03, 0.62%, 0.63%

LAB 80.5, -31.86, -10.93

 

CMYK 53 / 15 / 0 / 14

HEX #66BADB

RGB 102 186 219

HSL 196.92, 0.62%, 0.63%

LAB 71.59, -16.38, -24.37

 

CMYK 53 / 29 / 0 / 14

HEX #669BDB

RGB 102 155 219

HSL 212.82, 0.62%, 0.63%

LAB 62.83, 0.6, -37.92

 

CMYK 53 / 43 / 0 / 14

HEX #667CDB

RGB 102 124 219

HSL 228.72, 0.62%, 0.63%

LAB 54.4, 18.91, -51.22

 

CMYK 77 / 23 / 0 / 24

HEX #2D95C1

RGB 45 149 193

HSL 197.84, 0.62%, 0.47%

LAB 57.94, -14.29, -31.13

 

CMYK 67 / 20 / 0 / 17

HEX #45A9D3

RGB 69 169 211

HSL 197.75, 0.62%, 0.55%

LAB 65.23, -15.88, -29.85

 

CMYK 53 / 16 / 0 / 14

HEX #66B8DB

RGB 102 184 219

HSL 197.95, 0.62%, 0.63%

LAB 71.02, -15.33, -25.25

 

CMYK 40 / 12 / 0 / 11

HEX #88C8E3

RGB 136 200 227

HSL 197.8, 0.62%, 0.71%

LAB 77.33, -13.55, -19.83

 

CMYK 28 / 9 / 0 / 8

HEX #A9D7EB

RGB 169 215 235

HSL 198.18, 0.62%, 0.79%

LAB 83.46, -10.4, -14.69

 

CMYK 53 / 16 / 0 / 14

HEX #66B8DB

RGB 102 184 219

HSL 197.95, 0.62%, 0.63%

LAB 71.02, -15.33, -25.25

 

CMYK 27 / 53 / 0 / 14

HEX #9F66DB

RGB 159 102 219

HSL 269.23, 0.62%, 0.63%

LAB 54.01, 45.45, -51.56

 

CMYK 0 / 6 / 53 / 14

HEX #DBCD66

RGB 219 205 102

HSL 52.82, 0.62%, 0.63%

LAB 81.67, -8.28, 52.34

 

CMYK 53 / 16 / 0 / 14

HEX #66B8DB

RGB 102 184 219

HSL 197.95, 0.62%, 0.63%

LAB 71.02, -15.33, -25.25

 

CMYK 0 / 53 / 15 / 14

HEX #DB66BA

RGB 219 102 186

HSL 316.92, 0.62%, 0.63%

LAB 59.99, 55.8, -22.9

 

CMYK 15 / 0 / 53 / 14

HEX #BADB66

RGB 186 219 102

HSL 76.92, 0.62%, 0.63%

LAB 82.95, -28.38, 53.2

 

CMYK 53 / 16 / 0 / 14

HEX #66B8DB

RGB 102 184 219

HSL 197.95, 0.62%, 0.63%

LAB 71.02, -15.33, -25.25

 

CMYK 27 / 53 / 0 / 14

HEX #9F66DB

RGB 159 102 219

HSL 269.23, 0.62%, 0.63%

LAB 54.01, 45.45, -51.56

 

CMYK 0 / 38 / 53 / 14

HEX #DB8766

RGB 219 135 102

HSL 16.92, 0.62%, 0.63%

LAB 64.44, 28.82, 31.24

 

CMYK 26 / 0 / 53 / 14

HEX #A3DB66

RGB 163 219 102

HSL 88.72, 0.62%, 0.63%

LAB 81.52, -36.98, 51.16

 

CMYK 53 / 16 / 0 / 14

HEX #66B8DB

RGB 102 184 219

HSL 197.95, 0.62%, 0.63%

LAB 71.02, -15.33, -25.25

 

CMYK 11 / 53 / 0 / 14

HEX #C266DB

RGB 194 102 219

HSL 287.18, 0.62%, 0.63%

LAB 58.12, 54.55, -44.79

 

CMYK 0 / 38 / 53 / 14

HEX #DB8766

RGB 219 135 102

HSL 16.92, 0.62%, 0.63%

LAB 64.44, 28.82, 31.24

 

CMYK 42 / 0 / 53 / 14

HEX #80DB66

RGB 128 219 102

HSL 106.67, 0.62%, 0.63%

LAB 79.73, -48.78, 48.61

 

Description

Color code: HEX #66B8DB | qconv.com Color code: HEX #66B8DB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 184 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 184 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 16 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 16% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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